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Wtorek 12:00 - 18:00 Środa 12:00 - 18:00 Czwartek 12:00 - 18:00 Piątek 12:00 - 18:00 Sobota 12:00 - 18:00

Wschód, Walecznych 38, Warsaw (2026)

21/06/2026

Art Basel Statements and Parcours ends today !

Visit us in the booth M1, Statements sector, with Adam Shiu-Yang Shaw () and Parcours location at the Villiger Mode at Claraplatz 3 to see W. Rossen (w.rossen).

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In his practice, Rossen chooses to focus on connections and transitions of the daily existence – all those parts emphasize his persistent fascination with the ordinary. Rossen’s paintings require looking at everything intently as he often isolates certain details that typically escape notice, allowing them
to function as signals, with a distinct form and meaning, emerging from a parallel contemporary logic.

[…]

Shaw works merge fragments of different places and narratives, producing structures that feel both familiar and estranged, suspended between recognition and abstraction. Engaging with the overlooked details of cityscapes and public space, he invites a closer, more attentive way of looking. Borrowing from scenographic and museological strategies, he stages objects beyond their utilitarian function, transforming them into carriers of memory/models through which suppressed, unnoticed, or outmoded aspects of the environments we inhabit begin to resurface.

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W. Rossen
Untitled, 2026
Oil on canvas
175 x 200 cm

Adam Shiu-Yang Shaw
Samples, 2026 (detail)

20/06/2026

Manifesta Biennial opens today!

Cudelice Brazelton IV
Manifesta 16 Ruhr
Christ-König, Bochum

21 June - October 4, 2026
Opening: June 20

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The relationship between the body and hardware lies at the forefront of Cudelice Brazelton’s work and is echoed through techniques of tearing, piercing and reconstruction. Images sourced from the barbershop and urban life are transferred onto denim and burned with soldering irons, producing ephemeral traces of a figure that peel from the surface to reveal layers beneath or the wall itself. Though no figure is depicted, a human presence is still perceived through subcultural symbols. Brazelton’s work is often site specific and focused on the material that is used. Scratching, rubbing and scarifying take reference to cosmetic rituals and bodily habits of self expression. Sound further activates the work in the form of devices, expanding ideas of assemblage, Blackness, and the remix of labor and expression.

Cudelice Brazelton IV (b. 1991, Dallas, TX, US) lives in Frankfurt am Main and Rotterdam. He completed his studies at the Hochschule für Bildende Künste (Städelschule) in 2021. His work has been presented in solo exhibitions at Kunsthalle Lingen, Cell Project Space in London, Galeria Wschód in Warsaw and New York, and Galerie Barbara Weiss in Berlin among others, and he has participated in group exhibitions at Kaunas Biennale, La Fondation Pernod Ricard, Kunsthalle Düsseldorf, Kunstverein Freiburg, the Swiss Institute and SculptureCenter in New York. Brazelton IV teaches as a core tutor at De Ateliers in Amsterdam.

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Cudelice Brazelton IV
Abrade, 2022
Steel, inkjet print, exciter, amplifier, audio ( CJ’s Quest for Metal Factors ConQuest Tony Phillips, MP3, loop 14:00 min)
42 x 42 x 4 cm
16 1/2 x 16 1/2 x 1 5/8 in

19/06/2026

On view at Art Basel !

Visit us at Statement sector, booth M1, with a solo presentation with Adam Shiu-Yang Shaw (b. 1987, Edmonton, CA) ()

Grounded in urban geography, Adam Shiu-Yang Shaw’s artistic practice investigates the built environments that have shaped his way of seeing. Particular emphasis is placed on the interdependencies between urban centres and their hinterlands, tracing processes of urbanisation through which contemporary cities take shape. By following local waste-
disposal systems and their distant, delayed, and often invisible consequences beyond city limits, the exhibition connects material fl ows at street level with global economic
and cultural networks. Waste refl ects everyday habits, values, and behaviours, while also materialising the eff ects of economic relations, global waste trade, and armed confl ict.
Systems of incineration, burial, or export abstract these processes, obscuring the scale of their impact.

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Adam Shiu-Yang Shaw
Untitled, 2026
wood, archival paper, pencil
30 x 50 cm

18/06/2026

Art Basel Parcours continues until Sunday!

For Art Basel Parcours 2026 Galeria Wschód is thrilled to present new works by Amsterdam-based artist W. Rossen (b. 1995, Zaandijk, The Netherlands) which are on view in the vitrines of the Villiger Mode store at Claraplatz 3 in Basel.

The sector is curated by Stefanie Hessler (Stefanie Hessler)

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Landscape painting creates a specifi c collective experience that refl ects cultural, emotional, and environmental narratives. Diff erent kinds of compositions or arrangements of forms on the surface of the canvas and diff erent kinds of forms in nature are associated with specifi c emotional states and philosophies. The landscape painting involved in both conceptualization and illustration emphasizes the importance
of direct perception – something that has been endured collectively through decades. 𝘈 𝘚𝘵𝘶𝘥𝘺 𝘰𝘯 𝘙𝘶𝘪𝘴𝘥𝘢𝘦𝘭 is a site-specifi c project that will fully uncover Rossen’s meticulous practice and examine the relationship between historical and contemporary painting.

𝘈𝘥𝘰𝘳𝘯𝘰 𝘢𝘳𝘨𝘶𝘦𝘥 𝘵𝘩𝘢𝘵 𝘪𝘯 𝘢 𝘮𝘰𝘥𝘦𝘳𝘯, “𝘧𝘢𝘭𝘴𝘦” 𝘸𝘰𝘳𝘭𝘥, 𝘢𝘳𝘵 𝘤𝘢𝘯 𝘰𝘯𝘭𝘺 𝘣𝘦 𝘵𝘳𝘶𝘵𝘩𝘧𝘶𝘭 𝘣𝘺 𝘥𝘪𝘴𝘳𝘶𝘱𝘵𝘪𝘯𝘨 𝘰𝘳 𝘥𝘪𝘴𝘵𝘰𝘳𝘵𝘪𝘯𝘨 𝘳𝘦𝘢𝘭𝘪𝘵𝘺, 𝘳𝘢𝘵𝘩𝘦𝘳 𝘵𝘩𝘢𝘯 𝘴𝘪𝘮𝘱𝘭𝘺 𝘮𝘪𝘮𝘪𝘤𝘬𝘪𝘯𝘨 𝘪𝘵. 𝘉𝘦𝘪𝘯𝘨 𝘪𝘯𝘤𝘰𝘮𝘱𝘭𝘦𝘵𝘦, 𝘭𝘪𝘬𝘦 𝘧𝘳𝘢𝘨𝘮𝘦𝘯𝘵𝘴 𝘧𝘳𝘰𝘮 𝘵𝘩𝘦 𝘱𝘢𝘴𝘵. 𝘛𝘩𝘢𝘵 𝘤𝘳𝘦𝘢𝘵𝘦𝘴 𝘢 𝘴𝘦𝘯𝘴𝘦 𝘰𝘧 𝘮𝘦𝘮𝘰𝘳𝘺 𝘳𝘢𝘵𝘩𝘦𝘳 𝘵𝘩𝘢𝘯 𝘥𝘪𝘳𝘦𝘤𝘵 𝘳𝘦𝘱𝘳𝘦𝘴𝘦𝘯𝘵𝘢𝘵𝘪𝘰𝘯. 𝘐𝘵’𝘴 𝘭𝘦𝘴𝘴 𝘢𝘣𝘰𝘶𝘵 𝘧𝘢𝘪𝘵𝘩𝘧𝘶𝘭𝘭𝘺 𝘳𝘦𝘱𝘳𝘰𝘥𝘶𝘤𝘪𝘯𝘨 𝘩𝘪𝘴𝘵𝘰𝘳𝘺 𝘢𝘯𝘥 𝘮𝘰𝘳𝘦 𝘢𝘣𝘰𝘶𝘵 𝘩𝘰𝘸 𝘩𝘪𝘴𝘵𝘰𝘳𝘺 𝘭𝘪𝘯𝘨𝘦𝘳𝘴 𝘢𝘯𝘥 𝘨𝘦𝘵𝘴 𝘥𝘪𝘴𝘵𝘰𝘳𝘵𝘦𝘥 𝘵𝘩𝘳𝘰𝘶𝘨𝘩𝘰𝘶𝘵 𝘵𝘪𝘮𝘦.

- W. Rossen

16/06/2026

Art Basel opens today !

Visit us at Statements sector, Booth M1 with a solo presentation by Adam Shiu-Yang Shaw (b. 1987, Edmonton, CA).

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The installation brings together scenography, architectural sculpture, digitally controlled woodworking, video slideshow, and sound collage to examine the environmental, material, and psychological consequences of urban waste, using Berlin as a case study.

The term Stadtreinigung refers to the Berliner Stadtreinigungsbetriebe (BSR), one of Europe’s most significant municipal waste management institutions. The installation and accompanying works map infrastructures of waste management, scrap yards, waste water treatment plants, land fills, and sites of wartime destruction, treating disposal practices as a framework for examining how value is assigned and organized within society.

𝘛𝘩𝘦 𝘱𝘳𝘰𝘫𝘦𝘤𝘵 𝘧𝘶𝘯𝘤𝘵𝘪𝘰𝘯𝘴 𝘱𝘢𝘳𝘵𝘭𝘺 𝘢𝘴 𝘢 𝘳𝘦𝘧𝘭 𝘦𝘤𝘵𝘪𝘰𝘯 𝘰𝘯 𝘵𝘩𝘦 𝘮𝘦𝘵𝘩𝘰𝘥𝘰𝘭𝘰𝘨𝘪𝘦𝘴 𝘰𝘧 𝘳𝘦𝘴𝘵𝘰𝘳𝘢𝘵𝘪𝘰𝘯 𝘢𝘯𝘥 𝘳𝘦𝘤𝘺𝘤𝘭𝘪𝘯𝘨 𝘪𝘯 𝘢 𝘣𝘳𝘰𝘢𝘥𝘦𝘳 𝘴𝘦𝘯𝘴𝘦, 𝘸𝘩𝘪𝘭𝘦 𝘢𝘭𝘴𝘰 𝘨𝘦𝘴𝘵𝘶𝘳𝘪𝘯𝘨 𝘵𝘰𝘸𝘢𝘳𝘥 𝘵𝘩𝘦 𝘦𝘹𝘤𝘦𝘴𝘴𝘦𝘴 𝘢𝘣𝘴𝘰𝘳𝘣𝘦𝘥 𝘵𝘩𝘳𝘰𝘶𝘨𝘩 𝘴𝘤𝘳𝘦𝘦𝘯𝘴, 𝘪𝘮𝘢𝘨𝘦𝘴, 𝘢𝘯𝘥 𝘤𝘰𝘯𝘵𝘦𝘮𝘱𝘰𝘳𝘢𝘳𝘺 𝘮𝘰𝘥𝘦𝘴 𝘰𝘧 𝘪𝘯𝘧𝘰𝘳𝘮𝘢𝘵𝘪𝘰𝘯 𝘤𝘰𝘯𝘴𝘶𝘮𝘱𝘵𝘪𝘰𝘯 𝘢𝘯𝘥 𝘱𝘳𝘰𝘤𝘦𝘴𝘴𝘪𝘯𝘨. 𝘛𝘩𝘦 𝘳𝘦𝘴𝘶𝘭𝘵𝘪𝘯𝘨 𝘤𝘢𝘤𝘰𝘱𝘩𝘰𝘯𝘺 𝘰𝘧 𝘪𝘮𝘢𝘨𝘦𝘴 𝘢𝘯𝘥 𝘴𝘰𝘶𝘯𝘥𝘴 𝘰𝘱𝘦𝘳𝘢𝘵𝘦𝘴 𝘣𝘰𝘵𝘩 𝘭𝘪𝘵𝘦𝘳𝘢𝘭𝘭𝘺 – 𝘪𝘯 𝘳𝘦𝘭𝘢𝘵𝘪𝘰𝘯 𝘵𝘰 𝘵𝘩𝘦 𝘴𝘶𝘣𝘫𝘦𝘤𝘵𝘴 𝘪𝘵 𝘥𝘦𝘱𝘪𝘤𝘵𝘴 – 𝘢𝘯𝘥 𝘮𝘦𝘵𝘢𝘱𝘩𝘰𝘳𝘪𝘤𝘢𝘭𝘭𝘺, 𝘢𝘴 𝘢 𝘳𝘦𝘧𝘭 𝘦𝘤𝘵𝘪𝘰𝘯 𝘰𝘧 𝘤𝘰𝘯𝘵𝘦𝘮𝘱𝘰𝘳𝘢𝘳𝘺 𝘱𝘴𝘺𝘤𝘩𝘰𝘭𝘰𝘨𝘪𝘤𝘢𝘭 𝘭𝘢𝘯𝘥𝘴𝘤𝘢𝘱𝘦𝘴.

- Adam Shiu-Yang Shaw

14/06/2026

Opening tomorrow: Art Basel Parcours !

We are thrilled to present 𝘈 𝘴𝘵𝘶𝘥𝘺 𝘰𝘯 𝘙𝘶𝘪𝘴𝘥𝘢𝘦𝘭 by W. Rossen (w.rossen) as part of Parcours sector of Art Basel 2026 curated by the Swiss Institute director Stefanie Hessler (Stefanie Hessler)

Visit the location of 'Villiger store' at Claraplatz 3, Basel from Monday until Sunday, June 15-21, 2026.

The presentation can be viewed 24/7.

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W. Rossen’s painting practice revisits historical image-making through subtle shifts in detail, perspective, and material language. Working primarily with oil on linen, he draws from Old Masters, Dutch Baroque landscapes, and early modern drawing traditions. Rossen focuses on their overlooked
fragments – formal mistakes, blurred edges, technical anomalies, or everyday objects that quietly disrupt pictorial hierarchies. He is interested in how these details become signals that reveal how meaning emerges through perception and context.

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W.Rossen
Untitled, 2026
oil on canvas
150 x 200 cm

13/06/2026

New read !

Adam Shiu-Yang Shaw highlighted by Monopol Magazine (Monopol Magazin) in the article 𝘠𝘰𝘶𝘯𝘨 𝘗𝘰𝘴𝘪𝘵𝘪𝘰𝘯𝘴 𝘛𝘩𝘢𝘵 𝘚𝘩𝘪𝘧𝘵 𝘗𝘦𝘳𝘴𝘱𝘦𝘤𝘵𝘪𝘷𝘦𝘴 by Boris Pofalla, ahead of the artist’s solo presentation at Art Basel (Art Basel) 𝘚𝘵𝘢𝘵𝘦𝘮𝘦𝘯𝘵𝘴.

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Visit us at the booth M1 from June 18!

11/06/2026

Art Basel opening next week !

Galeria Wschód is thrilled to present new site specific installation 𝘚𝘵𝘢𝘥𝘵𝘳𝘦𝘪𝘯𝘪𝘨𝘶𝘯𝘨 by Berlin-based artist Adam Shiu-Yang Shaw (b. 1987, Edmonton, CA) in the 𝘚𝘵𝘢𝘵𝘦𝘮𝘦𝘯𝘵𝘴 sector -
stand M1.

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Art Basel Statements
June 16 - 21, 2026

Art Basel
Messeplatz
104058 Basel

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The installation brings together scenography, architectural sculpture, digitally controlled woodworking, video slideshow, and sound collage to examine the environmental, material, and psychological consequences of urban waste, using Berlin as a case study.

The term 𝘚𝘵𝘢𝘥𝘵𝘳𝘦𝘪𝘯𝘪𝘨𝘶𝘯𝘨 refers to the Berliner Stadtreinigungsbetriebe (BSR), one of Europe’s most significant municipal waste management institutions. The installation and accompanying works map infrastructures of waste management, scrap yards, waste water treatment plants, land fills, and sites of wartime destruction, treating disposal practices as a framework for examining how value is assigned and organized within society.

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Adam Shiu-Yang Shaw (b. 1987, Edmonton) lives and works in Berlin. He received his MFA from the Royal Institute of Art in Stockholm (2016) and his BFA from Emily Carr University of Art + Design (2013). He also attended the Berlin Program for Artists (2021). Selected solo exhibitions include: Instruments cluster, Wschód, Warsaw (2025), Loose Leaves, Towards, Toronto (2023); The Artist’s Eye series, The Douglas Hyde Gallery of Contemporary Art, Dublin (2023); Neither Parts, nor Spares, BPA// Raum, Berlin (2022); What Time Has Left, Wschód, Warsaw (2021); Can there be Forgiveness?, Ashley, Berlin (2018); and F-150, Polansky Gallery, Prague (2018). Selected group exhibitions include: Still, Catriona Jeffries, Vancouver (2025); Obsession II, Wschód, Warsaw (2023); Set Phosphenes, Studio for Artistic Research, Düsseldorf (2022); BPA// Exhibition, KW Institute for Contemporary Art, Berlin (2021); Condo, Union Pacific, London (2020); But Doctor, I am Pagliacci, The Loon, Toronto (2019); At the End of the Game You Will Be Forgotten, Alyssa Davis Gallery, New York (2018).

09/06/2026

Announcing representation:

Galeria Wschód is pleased to announce the representation of Linda Lach (b. 1995, Warsaw, Poland).

Linda Lach’s practice explores topics of recurrent translations and intimacy through performative sculptures, installations, video and poetry utilizing materials such as wood, leather, cotton, plastic. Her material gestures expand the presence and extend the social function of sculpture and performance by focusing on atemporality, self-exploitation and acts of brutality, which exist beyond the categories of safety and uncertainty. Concerned with the current political peril of Eastern Europe Lach, through her practice, navigates the ongoing symbolic dissolution and engages the inevitable reactionary reterritorialization of our reality.

Linda Lach is based in Warsaw. She holds an MFA from the Academy of Fine Arts in Warsaw. Most recent exhibitions include: all keys all times, Salzburger Kunstverein, Salzburg (2026); Constellations, duo exhibition with Diane Severin Nguyen at Gunia Nowik & Molitor, Warsaw (2026); Tales from the Fractured Minds, The Address, Brescia (2026); (a)biotic indulgence, duo exhibition with Evelina Jonsson, Coulisse, Stockholm (2026); Material Messenger, SKK, Soest (2025); Cabinet Institute, Artagon Pantin, Paris (2025); Lossy Life, duo exhibition with Gaspar Willmann at Wanda & Exo Exo, Warsaw (2024).

Linda will be participating at Wschód’s residency program in the Naples’ space this year. In 2027 she will hold her first solo exhibition with the gallery.

03/06/2026

Upcoming at Wschód Warsaw!

We are pleased to cordially invite you to a fist solo exhibition with the gallery by a London based painter Laurie Smith (b. 1994, Huddersfield, UK).

Laurie Smith
𝘚𝘪𝘯𝘵𝘩𝘰𝘮𝘦

June 12 - August 1, 2026
Wschód Warsaw

Opening: Friday, June 12, 5-8 pm

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Laurie Smith (b. 1994, Huddersfield, UK) lives and works in London, UK. He received a BA (Hons) in Fine Art from Goldsmiths, University of London. Recent solo exhibitions include Brick Boys (2025) with Gathering; Private Lives (2025) with Brunette Coleman; A Flower for a Heart (2024) with Painters Painting Paintings; and Lauri Smith (2024) with diez gallery. Selected group exhibitions include Parloir (2024), Tournai; Day by Day, Good Day (2023) with Union Pacific; Stranger Than Paradise (2022) with V.O Curations; and Sky-blue and green (2020), also with V.O Curations.

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The image depicts the entrance to 'Mineshaft' - a members-only B**M gay bar and s*x club located in Manhattan, NY operating between 1976 - 1985.

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Wtorek	12:00 - 18:00
Środa	12:00 - 18:00
Czwartek	12:00 - 18:00
Piątek	12:00 - 18:00
Sobota	12:00 - 18:00