WANDA gallery

WANDA gallery wanda gallery

10/03/2025
Linda Lach’s latest works from her “Cache” series at the „We’re watching the death of artistry unfold right before our e...
18/01/2025

Linda Lach’s latest works from her “Cache” series at the „We’re watching the death of artistry unfold right before our eyes” exhibition at MOS Gorzów



Artists: Paweł Baśnik, Xawery Deskur, Dominik Jałowiński, Marcin Kaliński, Linda Lach, Verena Lercher, Janek Simon, Miko Szatko

Curator: Bartosz Nowak

13.12.2024 - 19.01.2025
MOS Gorzów Wielkopolski, PL

𝙍𝙚𝙬𝙧𝙞𝙩𝙞𝙣𝙜 𝙩𝙝𝙚 𝙍𝙪𝙡𝙚𝙨 Arvida Byström, Billie Clarken, Daniel Fleur and Filip Rybkowski
16/01/2025

𝙍𝙚𝙬𝙧𝙞𝙩𝙞𝙣𝙜 𝙩𝙝𝙚 𝙍𝙪𝙡𝙚𝙨
Arvida Byström, Billie Clarken, Daniel Fleur and Filip Rybkowski



Last days of the 𝙍𝙚𝙬𝙧𝙞𝙩𝙞𝙣𝙜 𝙩𝙝𝙚 𝙍𝙪𝙡𝙚𝙨 exhibition featuring Arvida Byström, Billie Clarken, Daniel Fleur and Filip Rybkows...
15/01/2025

Last days of the 𝙍𝙚𝙬𝙧𝙞𝙩𝙞𝙣𝙜 𝙩𝙝𝙚 𝙍𝙪𝙡𝙚𝙨 exhibition featuring Arvida Byström, Billie Clarken, Daniel Fleur and Filip Rybkowski.
Exhibition runs until January 16.



Arvida Byström, No Wikifeet, 2024spray painted Polyatic Acid (bioplastic) 3D-print, post-processing by hand, metal hoop,...
18/12/2024

Arvida Byström, No Wikifeet, 2024
spray painted Polyatic Acid (bioplastic) 3D-print, post-processing by hand, metal hoop, plastic pearls, painted polymer clay, ribbon, plastic nails
30 x 10 x 10 cm



On view at the exhibition ‚Rewriting the Rules’ at wanda

Daniel Fleur, It Could Have Been Worse, 2022oil and acrylic on linen42 × 70 cm During the COVID-19 pandemic, many countr...
17/12/2024

Daniel Fleur, It Could Have Been Worse, 2022
oil and acrylic on linen
42 × 70 cm 



During the COVID-19 pandemic, many countries implemented travel restrictions that limited residents’ ability to travel abroad, leading to the rise of the term “staycation.” A staycation means staying, if not in your city, then at least within your country for vacation. In Sweden, tourism in the north increased, with mountain hiking becoming a popular activity.  This shift in vacation patterns revealed much about societal values and the pursuit of idealized experiences.
The painting ”It Could Have Been Worse” portrays a man on a hiking vacation, plagued by mosquitoes. This work brings forth the irony of our search for perfect moments, highlighting the inevitable imperfections that come with them. The sunburnt skin and the swarm of mosquitoes capture the unexpected and often uncomfortable realities that accompany even the most anticipated getaways.

On view at the exhibition ‚Rewriting the Rules’ at wanda

Daniel Fleur, It Could Have Been Worse, 2022oil and acrylic on linen42 × 70 cm During the COVID-19 pandemic, many countr...
17/12/2024

Daniel Fleur, It Could Have Been Worse, 2022
oil and acrylic on linen
42 × 70 cm 



During the COVID-19 pandemic, many countries implemented travel restrictions that limited residents’ ability to travel abroad, leading to the rise of the term “staycation.” A staycation means staying, if not in your city, then at least within your country for vacation. In Sweden, tourism in the north increased, with mountain hiking becoming a popular activity.  This shift in vacation patterns revealed much about societal values and the pursuit of idealized experiences.
The painting ”It Could Have Been Worse” portrays a man on a hiking vacation, plagued by mosquitoes. This work brings forth the irony of our search for perfect moments, highlighting the inevitable imperfections that come with them. The sunburnt skin and the swarm of mosquitoes capture the unexpected and often uncomfortable realities that accompany even the most anticipated getaways.

On view at the exhibition ‚Rewriting the Rules’ at wanda

𝙍𝙚𝙬𝙧𝙞𝙩𝙞𝙣𝙜 𝙩𝙝𝙚 𝙍𝙪𝙡𝙚𝙨29.11.2024 - 16.01.2025   __Billie Clarken, The Spit From My Bubble Gum Leaked Down the Edges of the ...
12/12/2024

𝙍𝙚𝙬𝙧𝙞𝙩𝙞𝙣𝙜 𝙩𝙝𝙚 𝙍𝙪𝙡𝙚𝙨
29.11.2024 - 16.01.2025



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Billie Clarken, The Spit From My Bubble Gum Leaked Down the Edges of the Page and Now My Words are Stuck Together, 2024, from ‚TNT (Thursday Night Therapy)’ series
UV print on hand painted mirror, wooden frame
63 × 89 cm, Edition of 2 + I AP

Arvida Byström, Selfie (1/3), 2024
photo print on plexiglass, satin ribbon
50 × 40 cm

𝙍𝙚𝙬𝙧𝙞𝙩𝙞𝙣𝙜 𝙩𝙝𝙚 𝙍𝙪𝙡𝙚𝙨29.11.2024 - 16.01.2025Arvida Byström, Billie Clarken, Daniel Fleur, Filip RybkowskiThe exhibition is...
10/12/2024

𝙍𝙚𝙬𝙧𝙞𝙩𝙞𝙣𝙜 𝙩𝙝𝙚 𝙍𝙪𝙡𝙚𝙨
29.11.2024 - 16.01.2025

Arvida Byström, Billie Clarken, Daniel Fleur, Filip Rybkowski

The exhibition is an attempt to portray a hybrid community living with an awareness of failure, questioning the significance of the sources of contemporary perception and the principles passed down through generations. Can failure bring about change? Does deconstruction lead to subsequent reconstruction or the creation of an entirely different reality?

Drawing on methodologies drawn from the sciences and archaeology, as well as referring to human fetishes, aspirations and the experience of everyday life, young artists working in various media and from different countries seek to answer the question of the status of humanity and the place of humans in the context of social dynamics, technology and political change - both as individuals and as an interdependent society, a global village.



Billie Clarken, No One Else Would Be Able to Make Those Mistakes on Purpose, 2024, from ‚TNT (Thursday Night Therapy)’ s...
29/11/2024

Billie Clarken, No One Else Would Be Able to Make Those Mistakes on Purpose, 2024, from ‚TNT (Thursday Night Therapy)’ series
UV print on hand painted mirror, wooden frame
63 × 89 cm
Edition of 2 + I AP



‚TNT (Thursday Night Therapy)’ series is an evocative blend of image and text, where scanned and UV-printed vintage postcards on glass meet hand-painted mirror text. These pieces function as poetry-drawing on the nostalgic glow of mirrored bar signs in the basement of Clarken’s childhood home. It’s a quiet, almost haunting exploration of memory and place, pulling you into the liminal spaces between past and present, private and public.

On view at the exhibition ‚𝙍𝙚𝙬𝙧𝙞𝙩𝙞𝙣𝙜 𝙩𝙝𝙚 𝙍𝙪𝙡𝙚𝙨’ which opens at wanda on November 29.

Daniel Fleur, Sun’s Embrace Never A Disgrace, 2024oil and acrylic on linen
27 x 24 cmThis piece deals with the suntan as...
27/11/2024

Daniel Fleur, Sun’s Embrace Never A Disgrace, 2024
oil and acrylic on linen
27 x 24 cm



This piece deals with the suntan as a status symbol and the desire for a fresh, healthy glow. The person in the painting has been out enjoying the sunny weather but has acquired a tan line that is clearly visible on their arms. This visual marker of leisure time spent outdoors in the sun speaks to societal ideals of beauty.
The cultural obsession with tanning, is often seen as a sign of health, wealth, and leisure. The painting captures the dual nature of sun exposure – the pleasure and relaxation it provides, alongside the lasting and sometimes comical evidence it leaves behind.

On view at the exhibition ‚Rewriting the Rules’, which opens at wanda on November 29.

Filip Rybkowski, Olive Branch Camouflage (Woodland) 2024glass, lead, chalk, linseed oil, aluminum, acrylic on dibond141 ...
25/11/2024

Filip Rybkowski, Olive Branch Camouflage (Woodland) 2024
glass, lead, chalk, linseed oil, aluminum, acrylic on dibond
141 × 101 × 12 cm



Fragments of a 19th-century stained glass piece with an olive branch motif are complemented in the composition with a military Woodland camouflage pattern. The representational and decorative character of the stained glass technique is juxtaposed with a pattern for camouflage, and the olive branch motif itself as a symbol of peace with a floral military pattern.

On view at the exhibition Rewriting the Rules, which opens at wanda on November 29.

We are excited to invite you to the opening of the exhibition ‚Rewriting the Rules’ at wanda on Friday, 29th November, 4...
19/11/2024

We are excited to invite you to the opening of the exhibition ‚Rewriting the Rules’ at wanda on Friday, 29th November, 4-8 pm.

Artists: Arvida Byström, Billie Clarken, Daniel Fleur, Filip Rybkowski



The exhibition is an attempt to portray a hybrid community living with an awareness of failure, questioning the significance of the sources of contemporary perception and the principles passed down through generations. Can failure bring about change? Does deconstruction lead to subsequent reconstruction or the creation of an entirely different reality?

Drawing on methodologies drawn from the sciences and archaeology, as well as referring to human fetishes, aspirations and the experience of everyday life, young artists working in various media and from different countries seek to answer the question of the status of humanity and the place of humans in the context of social dynamics, technology and political change - both as individuals and as an interdependent society, a global village.

___

Arvida Byström, Selfie (1/3), 2024
photo print on plexiglass, satin ribbon
50 x 40 cm

The album ‚Wasted Cycles’ is a collaboration between composer Ljung and visual artist Hanna Antonsson. The music is the ...
15/11/2024

The album ‚Wasted Cycles’ is a collaboration between composer Ljung and visual artist Hanna Antonsson. The music is the soundscape for Hanna’s solo exhibition ‚In Spite of the Times – Wasted Cycles’ at wanda gallery.

.antonsson

With a blend of atmospheric textures and a sense of quiet intensity the album evokes the primal beauty of metamorphosis and new beginnings. It invites listeners to immerse themselves in the subtle pulse of nature’s hidden cycles—a contemplative journey through shape-shifting and renewal. Wasted Cycles were inspired by the artist Hanna Antonsson’s unique sculptures and were the soundscape at her solo exhibition “In spite of the times – Wasted Cycles” at wanda gallery in Warsaw autumn-24.

The photograph ‘Fresh feet’ , 2024 is also the album cover.

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Hanna Antonsson, Fresh feet, 2024
digital photography, pigment print on archival paper, aluminum frame, museum glass
50 × 70 cm, Edition of 5 + II AP

Linda Lach, Blocking Factor, 2024aluminum, 135 × 65 × 5 cmEvery day, countless servers around the world use data flow ch...
07/11/2024

Linda Lach, Blocking Factor, 2024
aluminum, 135 × 65 × 5 cm

Every day, countless servers around the world use data flow channels to distribute infinite amounts of data. They strive to do this in the way they were designed - efficiently. However, on an aluminum sheet, we do not see the ongoing process of data transmission; instead, it is poetry expressing admiration for these tireless entities.
Blocking Factor is an extension of the ‚Cache’ series and another attempt to understand the processes of remembering and ignoring data in processors. When new data is introduced into RAM, old data is disregarded as if it never existed. This selective process allows the processor to store a vast amount of information. For this reason, the fading and overwriting of content in processors is not only a reflection of how memory works in the human brain but also, in a broader sense, a phenomenon related to historical politics and the formation of identity. For me, technological content is a tool for creating visual poetry, where information, language, and issues related to this field become cultural texts.
The medium I use for these small fictions - aluminum - is distinguished by its ease of recycling. This means that the content I place on the sheet is just one of many possibilities and does not have to determine the final outcome. In our current technological paradigm, it is crucial to carefully examine the relationship between the machine and the organism. This exploration requires eliminating sentimental attachments - memories, cultural references, historical contexts - to create a new identity that integrates technological elements and decentralizes the human
perspective.

‚In Spite of the Times. Wasted Cycles’ by Hanna Antonsson runs until 16 November!Visit us during regular opening hours T...
24/10/2024

‚In Spite of the Times. Wasted Cycles’ by Hanna Antonsson runs until 16 November!
Visit us during regular opening hours Tuesday-Saturday 12-6 pm.
antonsson


Using surreal imagery and creating hybrids, the artist explores how change is a fundamental part of existence. The tragic poetry of decomposition becomes a reflection on the cycle of life and death, a non-anthropocentric perception, and a decentralized sensitivity encouraging us to rethink our relationship with the world. Mechanically driven wings, which lift no body, become simulacra of reality, the beginning of a new cycle, a bizarre harmony in the dissonance of contemporary existence.
What does it mean to be alive, to die, and to be reborn in spite of the times?

*The music piece at the exhibition is by composer Ljung , who created a piece specifically for the artist inspired by her works.

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Hanna Antonsson, Auto wing XVI, 2024
car hood, print on vinyl, metal stand, 110 × 148 × 44 cm

Hanna Antonsson, Fresh feet, 2024digital photography, pigment print on archival paper, aluminum frame, museum glass50 × ...
15/10/2024

Hanna Antonsson, Fresh feet, 2024
digital photography, pigment print on archival paper, aluminum frame, museum glass
50 × 70 cm, Edition of 5 + II AP

“At best I think my work is seen as a comment on our environmental issues, our horrible impact on wildlife and nature. I would be naive to think that’s the way all spectators view my work but I would love it if my art would make the birds and animals we have in our vicinity more visible when they are alive and get the respect they deserve as creatures on the city ecosystem.”antonsson

On view at the exhibition ‚In Spite of the Times. Wasted Cycles’ as a part of Warsaw Gallery Weekend 2024

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