Galleria Antiqua

Galleria Antiqua Feast on history with our exclusive repertoire of antiquities and contemporary art from Greater Asia A unique space where East and West meet.

Feast on history with our exclusive repertoire of antiques and paintings from Greater Asia and beyond.

03/06/2026

Before Karbala, Zuljanah was known as the loyal steed of Imam Husain (AS), a horse admired for his strength, grace, and unwavering devotion.

But it was on the plains of Karbala that his name became part of history.

The horse that returned without its rider.

In the memory of Karbala, Zuljanah is not remembered as an ordinary horse.

He is remembered as the one who carried the final traces of a heartbreaking sacrifice back to the tents.

The saddle was empty.
The reins were loose.
No words were needed.

When Zuljanah returned alone, those waiting knew that a tragedy beyond words had unfolded.

For more than thirteen hundred years, that image has remained one of the most powerful symbols of grief, loyalty, and remembrance.

This figure of Zuljanah, worked in silver with parcel-gilt detailing, transforms that memory into metal, the hand-chased coat, the gold halter, the ceremonial caparison, and the empty saddle.

Not a war horse.
A symbol of faithfulness.

Zuljanah, the horse that returned alone.

23/05/2026

This looks like a rock.

It’s a 140-year-old dream.

Carved from a single piece of Shoushan stone in late Qing China, temples, scholars, pine forests, and rivers, all hidden inside. A miniature world made to be escaped into.

How many people can you spot? 👇

18/05/2026

Before closed doors, before whispered deals, before the final decision…

There was smoke.

In the courts of kings and nobles, scent was not just luxury, it was strategy. A room could be softened, disguised, slowed down, and controlled before anyone said a word.

This pierced silver incense burner was part of that invisible theatre.

Not furniture.
Not decoration.
Atmosphere, engineered.

The kind of object that reminds us: power was not always seen.

Sometimes, it was breathed in.

Most people think they’re choosing art.They’re not.They’re choosing how a space feels…without ever realizing it.A single...
02/05/2026

Most people think they’re choosing art.

They’re not.

They’re choosing how a space feels…
without ever realizing it.

A single object can slow a room down.
Or make it tense.
Or pull everything inward.

That’s the difference between decorating
and collecting.

One fills space.
The other controls it.

So look again at what you live with

Is it just there…
or is it shaping you?

01/05/2026

Before France had a name,
Clovis had a vision.

A ruler who didn’t just unify tribes,
but reshaped identity, power, and belief across Europe.

This sculpture isn’t decoration.
It’s a moment that altered history, cast into bronze.

Objects like this don’t sit quietly.
They carry weight.

Roi Clovice — 19th Century Bronze

Serious collectors don’t buy objects.
They acquire significance.

HistoricObjects LuxuryCollectibles

They don’t just buy antiques.They read them.Some see decoration.Others see power, history, and intention.If antique coll...
27/04/2026

They don’t just buy antiques.
They read them.

Some see decoration.
Others see power, history, and intention.

If antique collectors were characters…
you already know who runs the room.

And who’s just… trying to keep up.

The real question is — where do you stand?

↓

Slide through. Choose your character.

21/04/2026

At first glance… most people get this wrong.

The calligraphy.
The patterns.
The symmetry.

It feels Middle Eastern.

But it isn’t.

This was made in North India…
in a time when the region was producing some of the most refined carved work in the world.

A place where cultures overlapped…
where materials like camel bone replaced ivory…
and where craftsmanship spoke a global language.

And sets like this?

They rarely stayed together.

⸻

Where did you think it was from?

⸻

You like old things.But do you understand them?Most people don’t.They buy what looks antique.What feels vintage.What fit...
18/04/2026

You like old things.
But do you understand them?

Most people don’t.

They buy what looks antique.
What feels vintage.
What fits a space.

But real collectors?

They look deeper.
They look for history, craftsmanship, and significance.

There’s a difference.
And once you see it… you can’t unsee it.

So tell me,
what do you own?


16/04/2026

Before this poured water…
it carried architecture.

This 19th-century Mughal ewer isn’t just a vessel, it’s a miniature structure.

Look closely and you’ll see it.

The domed finial rises like a chhatri.
The arched support beneath it echoes pavilion forms.
The fluted body mirrors the rhythm of Mughal domes and lotus bases.
And at its centre, a pierced jali panel, not decoration, but light itself.

This is the same language used in palaces.

Only here… it’s been brought into the hand.

In Mughal design, nothing existed in isolation.
Architecture,objects, ritual, all spoke to each other.

What elevated emperors above the world…
was reimagined at the table.

This didn’t begin as tableware.
It began as architecture.

Address

Shaukat Spa Complex, F6, Super Market
Islamabad
44000

Opening Hours

Monday 12:00 - 20:30
Tuesday 12:00 - 20:30
Wednesday 12:00 - 20:30
Thursday 12:00 - 20:30
Friday 12:00 - 20:30
Saturday 12:00 - 20:30

Telephone

+92512277345

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