Ateneo Art Gallery

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Ateneo Art Gallery Established in 1960, the Ateneo Art Gallery is widely recognized today as the first museum of Philippine Modern Art.

It is a University Museum now located at the Aretรฉ, Ateneo de Manila University's Creativity and Innovation Hub. The Ateneo Art Gallery- widely recognized today as the first museum of Philippine modern art- was established in 1960 through Fernando Zรณbel's bequest to the Ateneo of his collection of works by key Filipino post war artists. Through the years other philanthropists and artists followed Zobel's initiative, filling in the gaps so that the collection now surveys every Philippine art movement in the post war era: from neo-realism and abstract expressionism to today's post-modern hybrid tendencies. Artists represented in the collection include Fernando Zรณbel, Vicente Manansala, David Cortez Medalla, HR Ocampo, Galo Ocampo, Arturo Luz, Impy Pilapil and Jose Tence Ruiz. The Ateneo Art Gallery hosts innovative exhibitions and public programs highlighting works from its permanent collection as well as works from other collections for special thematic shows. The Ateneo Art Gallery also spearheads an exciting overview of young Philippine contemporary art annually through the Ateneo Art Awards, now recognized as "the most prestigious prize for an emerging artist in the Philippines." In October 2017, Ateneo Art Gallery moved to its new space in Aretรฉ, Ateneo's new creative hub

[REGISTER NOW] ๐ŸŽจ Join the Ateneo Art Gallery for ๐™Š๐™ฃ ๐™‹๐™–๐™ž๐™ฃ๐™ฉ๐™ž๐™ฃ๐™œ & ๐˜ผ๐™ฃ๐™ž๐™ข๐™–๐™ฉ๐™ž๐™ค๐™ฃ, an ArtSpeak session with visual artist Joy Mal...
26/09/2026

[REGISTER NOW] ๐ŸŽจ Join the Ateneo Art Gallery for ๐™Š๐™ฃ ๐™‹๐™–๐™ž๐™ฃ๐™ฉ๐™ž๐™ฃ๐™œ & ๐˜ผ๐™ฃ๐™ž๐™ข๐™–๐™ฉ๐™ž๐™ค๐™ฃ, an ArtSpeak session with visual artist Joy Mallari of Tungtung Alon Art Foundation

๐Ÿ“… 1 October 2026, Thursday
๐Ÿ•‘ 2:00 to 4:00 PM
๐Ÿ“ Ben Chan ArtSuite, 2F Ateneo Art Gallery, Soledad V. Pangilinan Arts Wing, Aretรฉ, Ateneo de Manila University.

Rooted in storytelling, Mallariโ€™s practice moves across painting, illustration, installation, and animation, drawing from folklore, memory, history, and contemporary realities. Through layered and expressive imagery, her work explores identity, displacement, survival, and nostalgia.

Beyond her studio practice, Mallari has been actively involved in collective and socially rooted art-making. She was a member of Grupong Salingpusa, Artista ng Bayan (ABAY), and Sanggawa, and has co-founded initiatives with artist Mark Justiniani, including WAT Art Initiatives in Yogyakarta, Aninagan Art Initiatives, and the Tungtung Alon Art Foundation in Tanay, Rizalโ€”platforms that foster artistic exchange, education, dialogue, and experimentation.

In this ArtSpeak session, Mallari will share insights into her artistic practice and experiences across painting, animation, and collective art-making.

โ€ผ๏ธ ๐—™๐—ฅ๐—˜๐—˜ ๐—”๐—ก๐—— ๐—ข๐—ฃ๐—˜๐—ก ๐—ง๐—ข ๐—ง๐—›๐—˜ ๐—ฃ๐—จ๐—•๐—Ÿ๐—œ๐—– โ€ผ๏ธ
๐Ÿ”— Register and confirm a slot through the link in the poster

๐™Š๐™ฃ ๐™‹๐™–๐™ž๐™ฃ๐™ฉ๐™ž๐™ฃ๐™œ & ๐˜ผ๐™ฃ๐™ž๐™ข๐™–๐™ฉ๐™ž๐™ค๐™ฃ is organized in line with ๐˜–๐˜ณ๐˜ช๐˜ฐ๐˜ฏ ๐˜ช๐˜ฏ ๐˜š๐˜ช๐˜จ๐˜ฉ๐˜ต: ๐˜ˆ ๐˜๐˜ช๐˜ฆ๐˜ธ ๐˜ฐ๐˜ง ๐˜Š๐˜ฐ๐˜ญ๐˜ญ๐˜ฆ๐˜ค๐˜ต๐˜ช๐˜ท๐˜ฆ ๐˜ž๐˜ฐ๐˜ณ๐˜ฌ, on view at the Ateneo Art Gallery until 24 October 2026.

For inquiries, email [email protected].

๐Ÿ“ฃ TalaAnyo Merchandise is now available at the Museum Shop!Take home a special keepsake to remember your visit to ๐˜–๐˜ณ๐˜ช๐˜ฐ๐˜ฏ ...
25/09/2026

๐Ÿ“ฃ TalaAnyo Merchandise is now available at the Museum Shop!

Take home a special keepsake to remember your visit to ๐˜–๐˜ณ๐˜ช๐˜ฐ๐˜ฏ ๐˜ช๐˜ฏ ๐˜š๐˜ช๐˜จ๐˜ฉ๐˜ต: ๐˜ˆ ๐˜๐˜ช๐˜ฆ๐˜ธ ๐˜ฐ๐˜ง ๐˜Š๐˜ฐ๐˜ญ๐˜ญ๐˜ฆ๐˜ค๐˜ต๐˜ช๐˜ท๐˜ฆ ๐˜ž๐˜ฐ๐˜ณ๐˜ฌ at the Ateneo Art Gallery and stop by the AAG Museum Shop to get the ๐˜๐˜ข๐˜ฃ๐˜ข๐˜ฏ๐˜จ ๐˜›๐˜ข๐˜ฏ๐˜ข๐˜ธ scarf and postcard set.

๐Ÿ’ซ ๐˜๐˜ข๐˜ฃ๐˜ข๐˜ฏ๐˜จ ๐˜›๐˜ข๐˜ฏ๐˜ข๐˜ธ Scarf
- Available at โ‚ฑ849
- Limited stocks only
- 8 x 42" silk scarf
- Use as an outfit accent, bag scarf, or frame the scarf to display as home decor

๐Ÿ’ซ ๐˜๐˜ข๐˜ฃ๐˜ข๐˜ฏ๐˜จ ๐˜›๐˜ข๐˜ฏ๐˜ข๐˜ธ Postcards
- Available as a set for โ‚ฑ525 or individually at โ‚ฑ125
- 5x7โ€ and matte laminated
- Set of 7 postcards, each design featuring a panel of the polyptych
- Artwork details of ๐˜๐˜ข๐˜ฃ๐˜ข๐˜ฏ๐˜จ ๐˜›๐˜ข๐˜ฏ๐˜ข๐˜ธ and panel number printed on the back

๐—”๐—ฏ๐—ผ๐˜‚๐˜ ๐˜๐˜ข๐˜ฃ๐˜ข๐˜ฏ๐˜จ ๐˜›๐˜ข๐˜ฏ๐˜ข๐˜ธ:
A polyptych in seven panels, ๐˜๐˜ข๐˜ฃ๐˜ข๐˜ฏ๐˜จ ๐˜›๐˜ข๐˜ฏ๐˜ข๐˜ธ is TalaAnyo's first work as a group comprised of seven artist-led initiatives. Collectively conceptualized and created together by eight artists between February to June 2026, the original work is currently exhibited at โ€œOrion in Sight: A View of Collective Work,โ€ on view at the 3F galleries of the Ateneo Art Gallery until 24 October 2026.

๐˜๐˜ข๐˜ฃ๐˜ข๐˜ฏ๐˜จ ๐˜›๐˜ข๐˜ฏ๐˜ข๐˜ธ presents over a hundred images across a horizon spanning the sea, shore, and sky, coalescing in dialectical encounters across the picture plane. Reflecting on moments when revolutionary struggles and hegemonic power collide, it combines a wealth of historical figures, symbols, and contemporary references as a realtime response to the crisis today.

๐Ÿ“The Museum Shop is located at the ground floor museum lobby, open during regular museum hours.

๐—ฆ๐—ฃ๐—ข๐—ง๐—ง๐—˜๐——: ๐˜๐˜ข๐˜ฃ๐˜ข๐˜ฏ๐˜จ ๐˜›๐˜ข๐˜ฏ๐˜ข๐˜ธ scarf on speakers and featured artists of โ€œArtSpeak: Memory Project on Art History, Muralism, and ...
24/09/2026

๐—ฆ๐—ฃ๐—ข๐—ง๐—ง๐—˜๐——: ๐˜๐˜ข๐˜ฃ๐˜ข๐˜ฏ๐˜จ ๐˜›๐˜ข๐˜ฏ๐˜ข๐˜ธ scarf on speakers and featured artists of โ€œArtSpeak: Memory Project on Art History, Muralism, and Realismโ€

A polyptych in seven panels, ๐˜๐˜ข๐˜ฃ๐˜ข๐˜ฏ๐˜จ ๐˜›๐˜ข๐˜ฏ๐˜ข๐˜ธ is TalaAnyo's first work as a group comprised of seven artist-led initiatives. It was collectively conceptualized and created together by eight artists between February to June 2026. The original work is currently exhibited at โ€œOrion in Sight: A View of Collective Work,โ€ on view at the 3F galleries of the Ateneo Art Gallery until 24 October 2026.

๐˜๐˜ข๐˜ฃ๐˜ข๐˜ฏ๐˜จ ๐˜›๐˜ข๐˜ฏ๐˜ข๐˜ธ presents over a hundred images across a horizon spanning the sea, shore, and sky, coalescing in dialectical encounters across the picture plane. Reflecting on moments when revolutionary struggles and hegemonic power collide, it combines a wealth of historical figures, symbols, and contemporary references as a realtime response to the crisis today.

๐Ÿ’ซ The ๐˜๐˜ข๐˜ฃ๐˜ข๐˜ฏ๐˜จ ๐˜›๐˜ข๐˜ฏ๐˜ข๐˜ธ scarf features the whole polyptych on an 8 x 42" silk scarfโ€”a perfect gift or souvenir to take home after visiting the ๐˜–๐˜ณ๐˜ช๐˜ฐ๐˜ฏ ๐˜ช๐˜ฏ ๐˜š๐˜ช๐˜จ๐˜ฉ๐˜ต exhibit at the Ateneo Art Gallery.

๐Ÿ“ฃ Get the ๐˜๐˜ข๐˜ฃ๐˜ข๐˜ฏ๐˜จ ๐˜›๐˜ข๐˜ฏ๐˜ข๐˜ธ scarf, available at the Ateneo Art Gallery Museum Shop for โ‚ฑ849.

๐Ÿ“The Museum Shop is located at the ground floor museum lobby, open during regular museum hours.

๐Ÿ“ท L-R: Mark Justiniani of Tungtung Alon Art Foundation (Tanay, Rizal), Ma. Victoria โ€œBootsโ€ Herrera, Director of Ateneo Art Gallery, Ann & Charlie Co of Orange Project (Bacolod, Negros Island), Renato Habulan of Agos Studio, Joy Mallari of Tungtung Along Art Foundation (Tanay, Rizal), Alfred Esquillo of Eskinita Art Farm (Tanauan, Batangas), Jo Tanierla of Tambisan sa Sining, and Lisa Ito-Tapang, curator of ๐˜–๐˜ณ๐˜ช๐˜ฐ๐˜ฏ ๐˜ช๐˜ฏ ๐˜š๐˜ช๐˜จ๐˜ฉ๐˜ต: ๐˜ˆ ๐˜๐˜ช๐˜ฆ๐˜ธ ๐˜ฐ๐˜ง ๐˜Š๐˜ฐ๐˜ญ๐˜ญ๐˜ฆ๐˜ค๐˜ต๐˜ช๐˜ท๐˜ฆ ๐˜ž๐˜ฐ๐˜ณ๐˜ฌ

๐—ก๐—ข๐—ช ๐—ข๐—ก ๐—ฉ๐—œ๐—˜๐—ช: See Vien Valenciaโ€™s ๐™›๐™ž๐™š๐™ก๐™™ ๐™™๐™ง๐™–๐™ฌ๐™ž๐™ฃ๐™œ๐™จ at the Ignacio B Gimenez Amphitheatre, AretรฉAs one of the winners of the...
24/09/2026

๐—ก๐—ข๐—ช ๐—ข๐—ก ๐—ฉ๐—œ๐—˜๐—ช: See Vien Valenciaโ€™s ๐™›๐™ž๐™š๐™ก๐™™ ๐™™๐™ง๐™–๐™ฌ๐™ž๐™ฃ๐™œ๐™จ at the Ignacio B Gimenez Amphitheatre, Aretรฉ

As one of the winners of the Ateneo Art Awards 2023 - Fernando Zรณbel Prizes for Visual Arts, Vien Valencia () was invited for a residency at ABungalow in Talisay, Negros Occidental. The residency is run by Adrian Lizares, whose family owns Hacienda Matab-ang, where Valenciaโ€™s ๐™›๐™ž๐™š๐™ก๐™™ ๐™™๐™ง๐™–๐™ฌ๐™ž๐™ฃ๐™œ๐™จ were created and first exhibited.

During his residency from October to November 2024, Valencia examined the reciprocal relationship between human inhabitants and the landscapes they occupy. The project rejects the concept of land as a static matrix, instead positioning it as a living entity transformed by daily human presence and intervention.

The project was developed through a collaboration with local sugarcane farmers, focusing on the interconnectedness of agricultural labor and the land. The primary methodology involved the use of a tractor, the central mechanical tool of the trade, as an instrument for mark-making. Valencia covered the tractor tires with latex paint, driving it across a large-scale canvas laid directly on the land.

The traces of mud, dust, and the physical footprints of the farmers serve as indexical records of the labor required to sustain the site. By translating agricultural movement into visual form, the work records the evolving narrative of the site and the enduring relationship between the community and the spaces they cultivate.

A portion of the 656-foot work is now on view at the Ignacio B Gimenez Amphitheater, Aretรฉ.

โ€”

Vien Valenciaโ€™s ๐™›๐™ž๐™š๐™ก๐™™ ๐™™๐™ง๐™–๐™ฌ๐™ž๐™ฃ๐™œ๐™จ was made possible in collaboration with local sugarcane farmers at Hacienda Matab-ang: Abraham Moreno, Lot Lot Magan, Raemundo Rodriguez, Kurt Bruno, Hilarion Arqueza, Nestor Ortiz, Ronald Placido, and Eric Hermoso.

22/09/2026

๐—ช๐—”๐—ง๐—–๐—›: Exhibition highlights from ๐™Š๐™ง๐™ž๐™ค๐™ฃ ๐™ž๐™ฃ ๐™Ž๐™ž๐™œ๐™๐™ฉ: ๐˜ผ ๐™‘๐™ž๐™š๐™ฌ ๐™ค๐™› ๐˜พ๐™ค๐™ก๐™ก๐™š๐™˜๐™ฉ๐™ž๐™ซ๐™š ๐™’๐™ค๐™ง๐™  (๐™๐™–๐™ฃ๐™–๐™ฌ ๐™–๐™ฃ๐™œ ๐˜ฝ๐™–๐™กรก๐™ฉ๐™ž๐™ : ๐™Ž๐™ž๐™ฅ๐™–๐™ฉ ๐™จ๐™– ๐™†๐™ค๐™ก๐™š๐™ ๐™ฉ๐™ž๐™—๐™ค๐™ฃ๐™œ ๐™‹๐™–๐™œ๐™œ๐™–๐™ฌ๐™–)

โ€œSa kabuoan, binabaybay ng eksibisyong ito ang kasyasayan ng TalaAnyo at ang kasaysayan ng mga indibidwal na mga intitiatives na ito. Sinusubukan naming patunayan at ipakita na bahagi ito ng isang mas mahabang kasaysayang ng pakikipagtulungan at pakikipag-kapwa sa kasasayan ng sininig Pilipino.โ€

[โ€œOverall, this exhibition traces the history of TalaAnyo and the history of these individual initiatives. We seek to demonstrate and show that these are part of a longer history of collaboration and solidarity in the history of Philippine art.โ€]

marks the TalaAnyoโ€™s () first museum exhibition as a group in the Philippines, bringing together works and archival materials that trace five decades of collaborative artistic practice (1976โ€“2026), reflecting on shared approaches to collective art making across generations.

Highlighting its seven member initiatives founded between 2005 and 2022, it features collaborative and community-engaged pieces by the initiatives and their founders:
โ€ข Renato Habulan (Agos Studio)
โ€ข Alfredo Esquillo Jr. (Eskinita Art Farm, Tanauan, Batangas)
โ€ข Emmanuel Garibay (Linangan Art Residency, Alfonso, Cavite)
โ€ข Charlie Co (Orange Project, Bacolod, Negros Island)
โ€ข Elmer Borlongan and Plet Bolipata (Pasilyo Press, San Antonio, Zambales)
โ€ข Leslie de Chavez (Project Space Pilipinas, Lucban, Quezon)
โ€ข Mark Justiniani and Joy Mallari (Tungtung Alon Art Foundation, Tanay, Rizal)

The exhibition also brings together selected works and archival material from earlier artist collectives, including Kaisahan, Tambisan sa Sining, Artista ng Bayan, Pamilya Pintura, Salingpusa, Sanggawa, Sakay, among others.

Together, these materials revisit the roots of the collaborations that continue to expand the practice of Philippine muralism and socially-engaged art.

๐Ÿ“น Reeltime Photography

54 years ago, on September 21, 1972, Martial Law was declared in the Philippines, ushering a period of authoritarian rul...
21/09/2026

54 years ago, on September 21, 1972, Martial Law was declared in the Philippines, ushering a period of authoritarian rule marked by censorship, repression, and widespread human rights violations.

In the years that followed, artists responded to the oppressive and uncertain conditions of the period through works that reflected the realities and struggles of everyday life.

Among them was the group Kaisahan, with its founding members Pablo โ€œAdiโ€ Baens Santos, Edgar Talusan Fernandez, Renato Habulan, Antipas โ€œBiboyโ€ Delotavo, Papo de Asis, Albert Jimenez, and Jose Cuaresma. They were later joined by Al Manrique, Neil Doloricon, Jose Tence Ruiz, Orlando Castillo, and Vin Toledo.

The Kaisahan was also the first to be identified with social realismโ€”an orientation in art that employed different modernist figurative styles capable of depicting everyday conditions and problems.

โ„น๏ธ Learn more about the Kaisahan at the exhibition Landas ng Kaisahan on view at the Mr & Mrs Ching Tan Gallery, UGF Ateneo Art Gallery, until 3 July 2027.

๐Ÿ“ท Photos by Reeltime Photography

๐—ฅ๐—˜๐—–๐—”๐—ฃ: ๐˜Œ๐˜ฅ๐˜ซ๐˜ฐ๐˜ฑ (1986) Screening and Talkback held at the Ateneo Art Gallery last September 8The talkback session was joine...
18/09/2026

๐—ฅ๐—˜๐—–๐—”๐—ฃ: ๐˜Œ๐˜ฅ๐˜ซ๐˜ฐ๐˜ฑ (1986) Screening and Talkback held at the Ateneo Art Gallery last September 8

The talkback session was joined by director Jose Cuaresma, writer Roy Iglesias, and Joyette Jopson, daughter of Edgar Jopson and executive producer of the feature film โ€œEdjop,โ€ which premiered in cinemas on September 16. The talkback was moderated by Rosemarie O. Roque, Associate Professor of the Department of Filipinology from the Polytechnic University of the Philippines.

Cuaresma and Iglesias shared their experience on working on the documentary, including the challenges they faced as the film was being produced during the Martial Law era, just a few years following Edjopโ€™s death. They also touched on their personal memories with Edjop, recalling him as a persistent character that held little to no tolerance for injustice and stood firm with his beliefs, always working closely with different sectors in society and the marginalized.

Joyette Jopson also shared how her personal beliefs on activism have shifted over the years. Being affected by the loss of her father at a young age, Jopson touched on how this was what she had considered would be more than enough to contribute to the cause. However, in recent years, has understood that the fight against injustice and for the people is an ongoing struggle, even more apparent in current times. As executive producer of the feature film โ€œEdjopโ€โ€“released just this yearโ€”Jopson also touched on the process behind making the film and the challenges faced in bringing the film to the big screen.

๐Ÿ”ด A recording of the full session will be uploaded soon on Ateneo Art Galleryโ€™s YouTube channel

This public program was organized in line with Ateneo Art Galleryโ€™s Moving Image Program, which is a series of public programs focused on the presentation of film, video works, and lectures that explore moving image as a medium in contemporary art practice.

๐—ฅ๐—˜๐—š๐—œ๐—ฆ๐—ง๐—˜๐—ฅ ๐—ก๐—ข๐—ช ๐Ÿ“ฃ Join us for a ๐—ฆ๐—ฒ๐—ฟ๐—ถ๐—ด๐—ฟ๐—ฎ๐—ฝ๐—ต๐˜† ๐—ช๐—ผ๐—ฟ๐—ธ๐˜€๐—ต๐—ผ๐—ฝ with Pasilyo Press on 26 September 2026 (Saturday), 1:00 pm to 4:00 pm ...
17/09/2026

๐—ฅ๐—˜๐—š๐—œ๐—ฆ๐—ง๐—˜๐—ฅ ๐—ก๐—ข๐—ช ๐Ÿ“ฃ Join us for a ๐—ฆ๐—ฒ๐—ฟ๐—ถ๐—ด๐—ฟ๐—ฎ๐—ฝ๐—ต๐˜† ๐—ช๐—ผ๐—ฟ๐—ธ๐˜€๐—ต๐—ผ๐—ฝ with Pasilyo Press on 26 September 2026 (Saturday), 1:00 pm to 4:00 pm at the Ben Chan ArtSuite, 2F Ateneo Art Gallery.

This workshop introduces participants to the fundamental techniques of screen printing on both paper and textile. Utilizing basic drawing and stencil-cutting skills, participants will study design adaptability, learn proper ink application, and execute precise studio prints.

Organized in line with the exhibition ๐˜–๐˜ณ๐˜ช๐˜ฐ๐˜ฏ ๐˜ช๐˜ฏ ๐˜š๐˜ช๐˜จ๐˜ฉ๐˜ต: ๐˜ˆ ๐˜๐˜ช๐˜ฆ๐˜ธ ๐˜ฐ๐˜ง ๐˜Š๐˜ฐ๐˜ญ๐˜ญ๐˜ฆ๐˜ค๐˜ต๐˜ช๐˜ท๐˜ฆ ๐˜ž๐˜ฐ๐˜ณ๐˜ฌ, the workshop will be facilitated by Alynnah Macla-Tadeo and Taj Hassan Tadeo.

This program is open to participants aged 15 years and up. Participants are requested to bring an apron or old shirt, a plain white t-shirt, and old magazines. Other materials will be provided.

Participation fee: โ‚ฑ300/head
*This fee is a discounted rate offered to all interested participants.

๐Ÿ”—๐Ÿ™‹๐Ÿปโ€โ™€๏ธ REGISTER AT THE LINK ON THE POSTER
โ€ผ๏ธ ๐—ฅ๐—˜๐—š๐—œ๐—ฆ๐—ง๐—ฅ๐—”๐—ง๐—œ๐—ข๐—ก ๐—–๐—Ÿ๐—ข๐—ฆ๐—˜๐—ฆ ๐Ÿฎ๐Ÿฏ ๐—ฆ๐—ฒ๐—ฝ๐˜๐—ฒ๐—บ๐—ฏ๐—ฒ๐—ฟ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ, ๐Ÿญ๐Ÿญ:๐Ÿฑ๐Ÿต ๐—ฝ๐—บ

For inquiries, email [email protected]

We would like to thank everyone who joined us for ArtSpeak: Roundtable Dialogue on Art Education, held last August 27 at...
17/09/2026

We would like to thank everyone who joined us for ArtSpeak: Roundtable Dialogue on Art Education, held last August 27 at the Ateneo Art Gallery.

Featured in the roundtable were Emmanuel Garibay of Linangan Art Residency, Mark Justiniani of Tungtung Alon Art Foundation, Abdulmari โ€œToymโ€ Imao Jr, Dean of the UP College of Fine Arts, and Ma. Victoria T. Herrera, Director and Chief Curator of the Ateneo Art Gallery and Ateneo Fine Arts lecturer. The session was moderated by Lisa Ito-Tapang, educator and curator.

During the session, Garibay and Justiniani shared how their initiatives develop programs that foster artistic development and socio-cultural discourse through art education. They presented examples of past and current programs, which are often coordinated with their respective LGUs and communities, and also in collaboration with other artists and initiatives.

Imao Jr. and Herrera also shared their personal experiences on how they started their careers in art and teaching. They also provided insight on the current landscape of art studies, including discussions on pedagogy, curriculum development, and the limitations faced by institutions.

๐Ÿ”ด A recording of the full session will be uploaded soon on Ateneo Art Galleryโ€™s YouTube channel

This public program was organized in line with the exhibition โ€œOrion in Sight: A View of Collective Work,โ€ on view at the 3F Ateneo Art Gallery (Fredesvinda Almeda Consunji Gallery, Ambeth R Ocampo Gallery, Elizabeth Gokongwei Gallery, and Alicia P Lorenzo Gallery) until 24 October 2026.

Visit ๐™Ž๐™˜๐™–๐™ฅ๐™š๐™จ: ๐™’๐™ค๐™ง๐™ก๐™™๐™จ ๐˜พ๐™ค๐™ฃ๐™จ๐™ฉ๐™ง๐™ช๐™˜๐™ฉ๐™š๐™™ ๐™–๐™ฃ๐™™ ๐™„๐™ข๐™–๐™œ๐™ž๐™ฃ๐™š๐™™ ๐ŸŒ„๐ŸŒƒ๐˜š๐˜ค๐˜ข๐˜ฑ๐˜ฆ๐˜ด presents a selection of works from the AAG collection that explor...
17/09/2026

Visit ๐™Ž๐™˜๐™–๐™ฅ๐™š๐™จ: ๐™’๐™ค๐™ง๐™ก๐™™๐™จ ๐˜พ๐™ค๐™ฃ๐™จ๐™ฉ๐™ง๐™ช๐™˜๐™ฉ๐™š๐™™ ๐™–๐™ฃ๐™™ ๐™„๐™ข๐™–๐™œ๐™ž๐™ฃ๐™š๐™™ ๐ŸŒ„๐ŸŒƒ

๐˜š๐˜ค๐˜ข๐˜ฑ๐˜ฆ๐˜ด presents a selection of works from the AAG collection that explore how artists navigate, build, and reimagine worlds. From tangible landscapes and cityscapes to political landscapes and abstract mindscapes, the exhibition explores how worlds are shaped by history, social realities, personal experience, or formed in the mind.

Featuring works by Imelda Cajipe-Endaya, Julie Lluch, Ofelia Gelvezon-Tequi, Ang Kiukok, Antonio Austria, Daniel Coquilla, Jose Joya, Edgar Talusan Fernandez, Marciano Galang, Fernando Amorsolo, Rodel Tapaya, and Raffy T. Napay, Scapes invites viewers to reflect on how we construct the world around usโ€”and imagine what other worlds might be possible.

๐Ÿ“ See the exhibition at the Ernesto & Susan Tanmantiong Gallery of the Ateneo Art Gallery until 20 August 2027.

โœ๏ธ Exhibition text by Estela Bagos

For more information or inquiries, email [email protected] or call (2) 8426 6488.

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Soledad V Pangilinan Arts Wing, Aretรฉ, Ateneo De Manila University, Katipunan Avenue, Loyola Heights
Quezon City
1108

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Tuesday 9am - 5:30pm
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Thursday 9am - 5:30pm
Friday 9am - 5:30pm
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