J h e v i e P e l o j e r o

J h e v i e P e l o j e r o Visualizing the unseen. Identity • Endurance • Emotion 🎨

At the heart of She Who Tamed the Wild stands a young girl, calm and unwavering, surrounded by creatures often feared fo...
22/07/2026

At the heart of She Who Tamed the Wild stands a young girl, calm and unwavering, surrounded by creatures often feared for their strength and ferocity. Wolves, tigers, lions, and other predators embody the untamed forces of existence: fear, violence, grief, anger, instinct, and the darker impulses that shape human nature. They are not portrayed as enemies to be defeated, but as inevitable companions on the journey of life.

In her arms, she gently cradles a lamb, the quiet center of the painting's emotional weight. Universally recognized as a symbol of innocence, compassion, vulnerability, and sacrifice, the lamb represents the fragile humanity that often risks being lost in a world driven by survival. It is the part of ourselves that remains capable of kindness despite pain, hope despite suffering, and love despite betrayal.

The child does not carry a weapon, nor does she command the beasts through fear. Her authority comes from stillness. The predators neither threaten nor submit; instead, they acknowledge a presence that has learned to understand the wild without becoming consumed by it. The painting proposes that true strength is not measured by domination, but by the ability to coexist with darkness while protecting what is pure within.

Influenced by the psychological intensity of Egon Schiele and rooted in themes of dark psychology, the work explores Carl Jung's concept of the shadow, the instinctive and often hidden aspects of the self that must be recognized rather than denied. The predators become manifestations of these inner forces, while the child symbolizes consciousness and the lamb represents the soul.

She Who Tamed the Wild is not a story about conquering monsters. It is about surviving them without sacrificing one's innocence. It reminds us that the greatest act of courage is not to silence the wild, but to carry tenderness through it. Through this work, the artist invites viewers to reflect on their own inner wilderness and asks whether true strength lies in overpowering darkness or in preserving the innocence that continues to exist despite it.

Experience the Fusion of Form and Texture at ARTEXTURA IIThe Mixed Media Artist Club of Naga, in partnership with Robins...
15/07/2026

Experience the Fusion of Form and Texture at ARTEXTURA II

The Mixed Media Artist Club of Naga, in partnership with Robinsons Land, ARTablado, and the City Government of Naga proudly presents ARTEXTURA II: An Anthology of Mediums.

This captivating exhibition brings together twelve exceptional local artists to push the boundaries of texture, material, and visual storytelling. Discover a rich tapestry of mixed-media masterpieces that challenge traditional artistic boundaries.

📅 Event Details

Exhibition Dates: July 24 to August 7, 2026

Artists Reception: July 24, 2026 | 5:00 PM

Venue: Level 2, Robinsons Naga

🎨 Featuring the Works of:

Richard Perez

Marcial Kato Abay Jr.

Anthonie Geñosa

Roderick Imperio

Carlo Patac

Niño Marasigan

Viktor Aleksandre

Jhevie Pelojero

Carina Llaneta

Ray Ubaldo

Inshong Perez

Jet Jesper Salva

Mark your calendars and join us for the opening night on July 24th to meet the artists and immerse yourself in this incredible anthology of mediums!

From dusk till dawn, hope quietly waits for the light.
17/03/2026

From dusk till dawn, hope quietly waits for the light.

“Si Ning” 3x2ftMixed media (acrylic and glitters)In creating this piece, I wanted to pay homage to the spirit of Vincent...
08/03/2026

“Si Ning”
3x2ft
Mixed media (acrylic and glitters)

In creating this piece, I wanted to pay homage to the spirit of Vincent van Gogh and those like him; artists who poured their souls into their work even when life was harsh. In the foreground, I’ve painted a young girl holding a candle, a symbol of the delicate flame of creativity that we artists strive to keep alight. Around her are the familiar sunflowers inspired by Van Gogh’s own work, representing resilience and the beauty that can bloom even in difficult circumstances.

The butterflies near the flame are there to remind us of how fragile inspiration can be; how easily it can be singed or lost. And those moths, each carrying a hint of a skull, symbolize the ever-present dance between life and death, the light and the darkness that we navigate as we try to make a living from our art.

Ultimately, this painting is a reflection of my own journey;and the journey of countless others who, like Van Gogh, continue to create and share our light in the hopes that it will not only help us survive but also connect us to those who find meaning in what we do

An artist must move beyond the studio walls. Art becomes more powerful when it interacts with communities, public spaces...
23/02/2026

An artist must move beyond the studio walls. Art becomes more powerful when it interacts with communities, public spaces, and real social issues.

Edvard Munch: "I do not paint what I see, but what I saw".In this self-portrait, I paint while looking directly at you, ...
20/02/2026

Edvard Munch: "I do not paint what I see, but what I saw".

In this self-portrait, I paint while looking directly at you, as if you are the model standing in front of me. My gaze meets yours because you are the subject I am studying, the figure I am about to translate onto the canvas. But instead of holding a traditional palette, I hold my own severed head in my hand.

My head becomes my palette.

It symbolizes that the colors I will use do not come from tubes of paint, but from my own mind; my perceptions, my judgments, and the way I see you. To paint someone is never neutral; it is always filtered through the artist’s consciousness. By removing my head from my body and holding it like a tool, I am showing that my thoughts, my vision, and my interpretation are what determine how you will appear in the painting.

The act is both violent and intimate. It suggests that to truly observe and depict another person, I must detach from myself and offer my own mind as the instrument of creation. What you will see on the canvas is not simply who you are; it is who you become through the way I see you.

In this painting, I am both the artist and the palette, and the image of you will be mixed from the fragments of my own perception.

18/02/2026

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