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NCCA Gallery: Call for 2026 Exhibition ProposalsNow Open!
20/11/2025

NCCA Gallery: Call for 2026 Exhibition Proposals
Now Open!

The National Commission for Culture and the Arts (NCCA) announces its call for exhibition proposals for the 2026 NCCA Gallery and Exhibition Program. The deadline for submission of proposals is on December 31, 2025.

For the complete guidelines and links to the forms, visithttp://ncca.gov.ph/wp-content/uploads/2025/11/APPLICATION-GUIDELINES-NEW.pdf

Scan the Exhibition Proposal Form through https://bit.ly/2026NCCAGalleryProposals

For submissions and inquiries, contact:

NCCA Gallery Secretariat
Institutional Programs and Projects Section, Room 5B, Fifth Floor
National Commission for Culture and the Arts (NCCA)

633 General Luna Street, Intramuros 1002 Manila, Philippines
(02) 8527-2192 local 507
[email protected]

Artist Reception: Banal-BanalanArtist: Meng Salazar(November 13, 2025)Photos by BYL/Kwaderno/PAIS
14/11/2025

Artist Reception: Banal-Banalan
Artist: Meng Salazar
(November 13, 2025)

Photos by BYL/Kwaderno/PAIS

13/11/2025

Banal-Banalan Exhibit Walkthrough
Artist: Meng Salazar
Curator: Karen Flores

Artist Reception: AninoArtist: Lance GomezPhotos by BYL: Gallery/IPPS
12/11/2025

Artist Reception: Anino
Artist: Lance Gomez

Photos by BYL: Gallery/IPPS

12/11/2025

Anino Exhibit Walkthrough
Artist: Lance Gomez
Curator: Jeudi Garibay

Banal-BanalanArtist: Meng SalazarIn Banal-Banalan, Meng Salazar observes how religion, while deeply embedded in Filipino...
12/11/2025

Banal-Banalan
Artist: Meng Salazar

In Banal-Banalan, Meng Salazar observes how religion, while deeply embedded in Filipino identity, has often been used as a cloak for corruption and hypocrisy. The powerful invoke sanctity as spectacle, masking greed and abuse beneath gestures of prayer and ritual.

Banal-Banalan challenges this performance of holiness, exposing the uneasy distance between faith and its practice, between the sacred and the self-serving.

G/F NCCA Building, 633 General Luna St., Intramuros, Manila. Admission is free and open to the public. NCCA Gallery is open from Mondays through Sundays, 9:00am to 6:00pm

Photos by BYL: Gallery/IPPS

AninoArtist: Lance GomezBugtong, Bugtong!Tapat kong alipin,Sunod-sunuran sa akinSa kasalukuyang global na panahon, lagan...
12/11/2025

Anino
Artist: Lance Gomez

Bugtong, Bugtong!
Tapat kong alipin,
Sunod-sunuran sa akin

Sa kasalukuyang global na panahon, laganap ang malayang pagkalat ng iba't ibang kulturang banyaga sa Pilipinas na may malawak na epekto sa kritikal na pag-iisip ng mga Pilipino. Ito ang tinangkang talakayin ni Lance Gomez sa kanyang ikatlong solong eksibisyon na pinamagatang "Anino," paglalahad ng kadilimang bumalot sa bayan bunga ng panunupil ng clayuhan. Ang banyagang pananaw na pilit na ipinunla at isinibol sa lupang sinilangan ay nagdulot ng pagtubo ng bubot na pananaw dulot ng pagharang sa sinag o liwanag ng katutubong ideolohiya. Ang bawat piyesa ay nagbibigay ng pahiwatig sa mga manonood na magtanong at magkilatis ng perspektibo at paniniwalang umiiral sa bansa.
Pinaigting ng pintor ang dilim sa bawat piyesa sa pamamagitan ng materyales na pastel na Uling bilang representasyon ng naaabong tura, pananaw at ideolohiyang likas sa mga Pilipino.
Ang dilim ay kabalintunaan na sumisimbolo sa iluminasyon, isang panganganinag upang maunawaan ang halaga ng liwanag. Tinangkang bigyang-pansin ng pintor ang kahalagahan ng pagkilala sa nangyari noon na patuloy na nangyayari sa kasalukuyan upang makaigpaw mula sa silong na sumasaklob sa liwanag.

G/F NCCA Building, 633 General Luna St., Intramuros, Manila. Admission is free and open to the public. NCCA Gallery is open from Mondays through Sundays, 9:00am to 6:00pm

Photos by BYL: Gallery/IPPS

Upcoming NOVEMBER Exhibits
28/10/2025

Upcoming NOVEMBER Exhibits

13/10/2025

Haggiyo, Huwah!
A Living Heritage of the Tuwali Ifugao of Hungduan, An Intangible Cultural Heritage of Humanity Exhibit Walkthrough

Haggiyo, Huwah! A Living Heritage of the Tuwali Ifugao of Hungduan, An Intangible Cultural Heritage of HumanityHaggiyo, ...
13/10/2025

Haggiyo, Huwah!
A Living Heritage of the Tuwali Ifugao of Hungduan, An Intangible Cultural Heritage of Humanity

Haggiyo, Huwah! A Living Heritage of the Tuwali Ifugao of Hungduan, An Intangible Cultural Heritage of Humanity honors a vibrant cultural tradition that continues to shape the identity and social life of the Tuwali Ifugao communities of Hungduan in the Cordillera highlands in northern Philippines.

Rooted in the rhythms of rice cultivation, the Huwah is the post-harvest celebration of three communities—Hapao, Baang, and Nungulunan—in Hungduan, where gratitude is expressed for a bountiful yield and prayers are offered for abundance in the coming agricultural cycle. The festivity is a convergence of ritual, memory, and play that closes the year’s labor on the terraces and reaffirms the ties of kinship and community.

The highlight of the Huwah is the Punnuk, a culminating game and ritual staged in the rushing waters of the Hapao River. Villagers converge, bearing pakid (wooden implements with hooks) and kina-ag (anthropomorphic straw figures) to perform the guyyudan, or tug-of-war. This spirited contest can be seen as a symbolic act of renewal, where human strength, the power of the river, respect for the land, and ancestral blessing converge. The victor is believed to receive the promise of a plentiful harvest, while all participants are cleansed by the river’s flow.

The Punnuk was inscribed in 2015 on UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity, along with other tugging rituals of Asia and affirming its value as a living heritage of global significance.

The celebration begins with the divination ritual called baki, performed by the mumbaki or Ifugao ritual specialist, who invokes ancestral spirits and deities, reads from a chicken’s gallbladder, and declares the spirits’ blessing for the Punnuk games. This is followed by the inum, the sharing of bayah (rice wine) that binds participants in fellowship and anticipation. Only then do villagers gather at the river for the climactic tugging and games.

This exhibition presents photographs, paraphernalia, and game and ritual materials that embody the spirit of the Huwah and Punnuk—from jars of bayah to the woven attire worn by villagers, from the carved pakid to the ephemeral kina-ag. Each object and image speaks of continuity and resilience, of a community determined to safeguard its heritage amid challenges posed by modern life, climate change, and shifting beliefs.

By entering this space, we step into a living ritual that is at once solemn and joyful, sacred and playful—a heritage that continues to flow, like the river itself, binding land, people, ancestors, and future generations.

Haggiyo, Huwah! will run at the NCCA Gallery until October 31, 2025, G/F NCCA Building, 633 General Luna St., Intramuros, Manila. Admission is free and open to the public. NCCA Gallery is open from Mondays through Sundays, 9:00am to 6:00pm

Photos by BYL: Gallery/IPPS

Schools of Living Traditions (SLT)Schools of Living Traditions are community-based and community- managed non-formal cen...
13/10/2025

Schools of Living Traditions (SLT)

Schools of Living Traditions are community-based and community- managed non-formal centers of learning wherein recognized cultural masters transmit their value-laden knowledge and skills to the young members of their communities. Teaching and learning take place through oral instruction and practical demonstrations, guided by the philosophy of “learning by doing.”

Conceived and began in 1995 by the National Commission for Culture and the Arts’ (NCCA) Subcommission on Cultural Communities and Traditional Arts (SCCTA), the SLT program responds to the Commission’s mandate of integrating traditional culture and its creative expressions into the national cultural mainstream. Over the years, more than 300 SLTs have been established nationwide, preserving the vitality of practices that might otherwise fade away.

To ensure the sustainability of the SLT, the framework was enhanced into a five-year program in 2015 which includes the capability-building of the local coordinating team, creation of a master plan, development of the learning guide, transfer of knowledge, product development, and promotion and marketing. Many SLT have been established and are being implemented under the enhanced program—Dumagat- Remontado SLT in Rizal and Quezon; Dumagat SLT in Bulacan; Ibaloi and Kankanaey SLT in Benguet; Balangao in Mountain Province; Kalinga SLT in Kalinga; Itneg SLT in Abra; Ayangan, Tuwali, and Kalanguya SLT in Ifugao; Ikalahan and Kalanguya SLT in Nueva Vizcaya; and Pala’wan SLT in Palawan, in Luzon; Panay Bukidnon SLT in Iloilo and Capiz; Ati SLT in Negros Occidental, Guimaras, and Antique; Boholano SLT in Bohol; and Akeanon and Ati Malindog SLT in of Aklan in the Visayas; T’boli SLT in South Cotabato; Blaan and Sangir SLT in Davao Occidental; Yakan SLT in Basilan; Manobo SLT in Agusan del Sur; Subanen and Bangsamoro SLT in Zamboanga del Sur; Higaonon SLT in Bukidnon; Ata SLT in Davao City; Mangguangan and Dibabawon SLT in Davao del Norte; Mandaya SLT in Davao Oriental; Ata SLT in Malabog, Davao City; and Manobo Kulamanen SLT in North Cotabato in Mindanao. Each embodies the creativity, resourcefulness, and resilience of the nation’s diverse cultural communities.

The program’s global significance was recognized on December 16, 2021, when the SLT was inscribed in the UNESCO Register of Good Safeguarding Practices. This recognition highlights how the SLT model "best reflects the principles and objectives of the 2003 Convention for the Safeguarding of the Intangible Cultural Heritage (ICH) and places great emphasis on the central role of communities, groups and individuals, and in particular indigenous communities, in safeguarding their ICH."

This exhibition brings together the fruits of these practices: crafts and products created by learners of these SLTs, alongside photographs of the processes, learning spaces and cultural masters who keep them alive. Each object and image tells the story of continuity—of how the elderly, young, and communities
together weave time-honored traditions into everyday life.

With steadfast support from the Office of Senator Loren Legarda, and in partnership with government agencies, local government units, people’s organizations, non-government organizations, and state universities and colleges, the NCCA continues to affirm its commitment to safeguarding the living cultural heritage of the Philippines.

Through collective efforts, the Schools of Living Traditions have become hubs of living history, creativity, and spaces to nurture identities—where dynamism of cultures and heritage breathe and
endure. However, SLTs must also navigate the challenges posed by rapidly changing local and global socioecological conditions.

Schools of Living Tradition will run at the NCCA Gallery until October 31, 2025, G/F NCCA Building, 633 General Luna St., Intramuros, Manila. Admission is free and open to the public. NCCA Gallery is open from Mondays through Sundays, 9:00am to 6:00pm

Photos by BYL: Gallery/IPPS

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633 General Luna Street, Intramuros
Manila
1002

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