31/07/2026
๐บ๐๐๐๐๐๐: ๐๐ก๐ ๐ซ๐ก๐ฒ๐ญ๐ก๐ฆ ๐จ๐ ๐ญ๐ก๐ ๐ฆ๐จ๐ฎ๐ง๐ญ๐๐ข๐ง๐ฌ
๐๐ข-๐ฌ๐ข๐ฏ๐ช๐ฏ๐ฐ ๐ฏ๐จ๐ข ๐ฃ๐ข ๐ข๐ฏ๐จ ๐ฃ๐ฆ๐ข๐ต?
Modern music is composed mainly of beats and melodies, with lyrics taking a back seat. Also gone are the days when music was poetry, when words carried more weight than the instruments themselves. Today's music is essentially three-dimensional, focusing not only on the message, the lyrics, or the instruments, but on the entire composition as a whole โ with the rhythm, frequency, and timing defining its genre and dictating exactly which audience it targets.
But long before there were synthesized sounds to produce those loud bangs, drum sets, and basses, we had traditional instruments made mainly of wood, bamboo, and animal skin. The diversity of the Philippines brings with it diverse music involving different modern and indigenous musical instruments. One of these is a Cordilleran drum that perfectly sets the beat for rituals, weddings, and other important occasions that require musical accompaniment - the ๐บ๐๐๐๐๐๐.
Made from wood that is neither too hard nor too softโpreferably the hollowed-out trunk of a jackfruit (๐ญ๐ข๐ฏ๐จ๐ฌ๐ข) treeโand hide (๐ญ๐ข๐ญ๐ข๐ต) from a tough-skinned animal (preferably carabao, deer or cow, but never pig), the Solibao is played mostly by the Kankanaey, Ibaloy and Bontok indigenous groups.
Categorized as a membranophone, the traditional conical tenor drum leads the rhythm of a musical ensemble, accompanied by lower-pitched instruments like the ๐ฌ๐ช๐ฎ๐ฃ๐ข๐ญ, ๐ฑ๐ช๐ฏ๐ด๐ข๐ฌ, ๐ฌ๐ข๐ญ๐ด๐ข, and ๐ฑ๐ข๐ญ๐ข๐ด. These traditional instruments have been in existence since time immemorial and predate the colonial era of the Philippines. After all the conquests and change, the Solibao remains one of the persisting sounds of the Cordilleras, including the bordering upland municipalities with Ilocandia, where the instrument is played during particular rituals, festivities and other special community events.
In celebration of the ๐๐ช๐ฏ๐จ๐จ๐ฐ ๐ฏ๐จ ๐๐ถ๐ด๐ช๐ฌ๐ข๐ฏ๐จ ๐๐ช๐ญ๐ช๐ฑ๐ช๐ฏ๐ฐ this last week of July 2026 with the theme โ๐๐ถ๐ด๐ช๐ฌ๐ข ๐ข๐ต ๐๐ช๐ฎ๐ช๐จ ๐๐ข๐ต๐ช๐ฏ: ๐๐ณ๐ข๐ฅ๐ช๐ด๐บ๐ฐ๐ฏ, ๐๐ฏ๐ฅ๐ถ๐ด๐ต๐ณ๐ช๐บ๐ข, ๐ข๐ต ๐๐ข๐จ๐ฐ๐ฏ๐จ ๐๐ช๐ฏ๐ช๐จโ, let us be reminded to listen more attentively. Our traditions are no longer just for historical reckoning and cultural preservation - they may already be incorporated into the music we love to listen to today. We just might not realize it yet, but as they say โ
โ๐๐ข๐ธ๐ข๐ฌ ๐ฏ๐ข ๐ฏ๐ข๐ต๐ช๐ฏ ๐ข๐ฏ๐จ ๐ฃ๐ฆ๐ข๐ต!โ (The rhythm is already ours.) It always has been.
***
Notes regarding the accompanying image:
Only the drum on the left side is referred to as "solibao". It was sourced from the town of Sugpon, Ilocos Sur in the 1970s. On the other hand, the shorter drum on the right that came from the town of Quirino, Ilocos Sur also in the 1970s is simply labeled (in the museum record) as "tambur", following the Spanish word for drum. Given the ruined batter head of the solibao, the tambur was included in this image to show how the batter head of a native musical drum looks like.
Feature by R. R. Rafanan I NMP-Ilocos
Information on Solibao:
National Museum of the Philippines - Kabayan