People's Museum and Library

People's Museum and Library Contact information, map and directions, contact form, opening hours, services, ratings, photos, videos and announcements from People's Museum and Library, Museum, Don Tomas-Maddela, Nueva Vizcaya, Bayombong.

In celebration of the International Day for Monuments and Sites and World Heritage Day, let’s discover the heritage site...
18/04/2026

In celebration of the International Day for Monuments and Sites and World Heritage Day, let’s discover the heritage sites that displays our province's enduring history.

In celebration of the International Day for Monuments and Sites, and World Heritage Day, the PLGU Nueva Vizcaya—through ...
18/04/2026

In celebration of the International Day for Monuments and Sites, and World Heritage Day, the PLGU Nueva Vizcaya—through the Provincial Tourism and Culture Office and the Nueva Vizcaya People’s Museum led by Governor Atty. Jose "Jing" V. Gambito —joins the rest of the country in honoring and giving significance to the memories of our enduring heritage.

The History of the Nueva Vizcaya People’s Museum and Library.

During the 1800’s, a carcel (prison) located at the site of the Nueva Vizcaya People’s Museum and Library was established by the Spaniards. However, during the Mid-1800’s it was destroyed by fire and was labeled in the early map records as carcel arruynada (ruined prison). It remained in ruin until the remainder of the Spanish rule.

Between 1904-1906, during the American colonial period, under the governance of Governor Louis Knight, the ruined prison was repurposed and inaugurated as the seat of Nueva Vizcaya Provincial Government, it is also at this period that the wooden second floor was erected. What was completed during this period was subsequently devastated by fire on March 5, 1923.

In 1926 the construction of the new building was staryed under the supervision of Engineer Vicente B. Oledan, who also oversaw the reconstruction of the Pangasinan Provincial Capitol. The project was completed during the administration of the great Isinay Teacher and Politician, Governor Alfonso Castaneda.

In 1937, during the term of Governor Leon Cabarrouguis, the rear of the central part of the capitol was expanded and the staircase was added.

In 1942-1945, During World War II, the building became the headquarters of the Japanese imperial army and later destroyed. After the approval of the Rehabilitation Act of 1946, the People’s Museum and Library continued to be the seat of the Provincial Government until the present capitol was completed.

On February 26, 2018, the old Provincial Capitol was publicly declared as an important cultural property by the National Museum of the Philippines.
Now transformed into the People’s Museum and Library, the exhibit has seven sections which display the unique culture of the Province.

On May 5, 2025, under the leadership of Governor Atty. Jose V. Gambito, the rehabilitation of the People’s Museum was partially completed as it awaits the next phase of development. Simultaneously, the newly constructed Skate Park was blessed and inaugurated.

A highlight of this period was the opening of the museum's newest section, the "River of Stories," which showcases the province's rich history regarding the Gaddang people and their settlement along the great Magat River. To ensure the continued protection of the site, the Nueva Vizcaya People’s Museum Conservation Management Plan was also unveiled.

The Seven Sections of the Nueva Vizcaya People’s Museum:

1. River of Stories
2. A Geographic Embrace
3. A Multicultural Milieu of People
4. Market Trade in Ituy
5. Conversion to Christianity
6. The Ilocano Diaspora
7. Memories of World Conflict

𝗧𝗛𝗘 𝗘𝗔𝗥𝗧𝗛 𝗜𝗦 𝗔 𝗪𝗢𝗠𝗔𝗡by: Mikara Kaye Z. JubayThe Woman rises before the sun illuminates every bit of creation. It was as ...
08/04/2026

𝗧𝗛𝗘 𝗘𝗔𝗥𝗧𝗛 𝗜𝗦 𝗔 𝗪𝗢𝗠𝗔𝗡
by: Mikara Kaye Z. Jubay

The Woman rises before the sun illuminates every bit of creation. It was as if she was ready to triumph a midst of darkness which has covered her land. She prepares a weapon, walks through a breeze of morning mist, tills the earthen womb and prepares to give birth to all the nourishment her people need. The heart of the sun’s heat displays a ray of passion, of desire, and of hope for 4 women.

Rowena wakes up early to prepare Inuruban. She brings out her sack of young grains which she has gathered from wherever her journey takes her. At times, when this particular young grain is not available at home, she would go as far as the neighboring Quirino province to harvest. She makes sure to fill enough sacks to supply her in the coming months. Taking a handful, she would prepare to roast the grains in charcoal, then pound it in a rice mortar she has been using for quite some time. Then she takes a rest. Using a bolo, she would cut a coconut in half, grate its meat and squeeze out its milk for a delicacy she is known for- here and abroad. On a pan atop the firewood, she pours all the ingredients together, passionately re-creating a cuisine she has inherited from her Mother. Inuruban was the reason her first born earned a college degree, and she will carry on until all her children graduate. The flavors of nostalgia finds its way across a thousand miles. The flavors of hardwork and heritage roams around the streets of Solano and Bayombong. Its ingredients produce a sumptuous reminiscence of home… and an ardor of a Mother’s love.

There are rooms where light barely penetrates… and as one enters, there is that scent of diligence lingering on the quiet walls. As you walk deeper into an aisle, you’ll find sprouts of beautiful mushrooms as though speaking an important lesson- grow even in the darkest of times. La Vizcaina is Grace’s inspiring life story of building new beginnings. Giving up a life abroad, a life dreamt by many, she comes home to a clean slate. With a relatively small place for a farm, Grace and her husband propagated mushrooms by utilizing agricultural wastes. What started from going around places to collect sawdust or hay, became a relationship of reciprocity with their neighbors. They were realizing their dream alongside providing an alternative livelihood and skill to the people around them. There were a lot of turmoil, sacrifices, and life changing decisions… but Grace is an epitome of optimism. A mother who plants dreams and a wife who waters aspirations… She nourishes purpose. Her light illuminates the path towards sustainability and food security. She truly is the light of La Vizcaina.

Cel comes home to her province and discovers a desolate room. It was small, dilapidated, and dark. Looking up at the ceiling, she saw a blink of hope… Looking at the walls, she saw a glimmer of ambition. She walks out of the room with a spark of Mushroom Creations. Although she had to come home because of a medical condition, Cel’s homecoming is a renaissance of creative innovation. It is a wonder how a small room can produce a lot- sweets, chips and dips. Her creations will foster a fascination of flavor, an awe of taste. It is a wonder how this woman can do so much with just two hands. But that is Cel’s prowess, an overflowing ingenious creation of flavors.

Enida’s hands could feel the Earth… every bit of soil is a sentiment of her childhood, and a relic of her parent’s lives. While living in a concrete jungle, she reminisces of that childhood… a time when there wasn’t enough and they could not afford a luxury of wants. But then she remembers that one mulberry tree which was their source of glee. They would pick the darkest fruits, squeeze it, add some water then drink to their delight. For Enida, it was the sweetest drink in the world. And then she felt that thirst of longing- for peace, for a simpler life. Her parents have worked hard so she does not till land anymore. And yet she yearned for that rooted bond with the land, for the ties with every bud of growth the earth fosters. So, she worked with all her sweat, blood and tears. With each mulberry Enida sows, she plants the seed of dreams for little Nic and Jas. With each green that grows she could only wish her roots of passion touches the lives of the next generation. With every step she makes as she goes around her farm, she could only wish she made her parents proud.

The stories of these women breeds the story of Gaia, the great mother of all creation; of Pachamama, a fertility goddess who presides over planting and harvesting; of Inang Kalikasan who transcends to the entirety of all natural resources; of all Mother Earth. Their stories convey the chords of all living creations. Their stories bear the intimate link of land and life… as if it was the womb and child. Indeed, the Earth is a Woman.

𝙁𝙤𝙤𝙙 𝙛𝙤𝙧 𝙩𝙝𝙚 𝙎𝙤𝙪𝙡by: Reilexies N. MiloIt's barely dawn, the light hardly meets the dirt; the fog is just starting to ris...
08/04/2026

𝙁𝙤𝙤𝙙 𝙛𝙤𝙧 𝙩𝙝𝙚 𝙎𝙤𝙪𝙡
by: Reilexies N. Milo

It's barely dawn, the light hardly meets the dirt; the fog is just starting to rise and no light seemingly appears; it is the time when the elucidating blackness scarcely shows effulgence. But then, no warrior is cowardly trampled by darkness. Back in the hoary days of our forefathers, a pungent sound lurks around the dwelling place of the old, a sound that blindingly wakes up every eyes sleeping in ease and solitude. Those beats are the symphonies made by the descendants of Nanolay.

When the clock ticks on three, a long bamboo stick served as an instrument called the tallellet starts to make noise; a clamoring sound that signals the people that it is the day of the dead. The opulent vibrant red attires are shining from afar, the precious stones and beads are jiving to the beats, and the chants tunefully amplify the ballads of an unearthly culture ready to be heard like a canorous nightingale. The sons and daughters of Nannolay danced to the sounds of the tallellet, and they were the Gaddangs, the dark-skinned warriors of the rugged mountains of the Cordilleras and Nueva Vizcaya.

As the euphoric beats mimick the sounds of nature, you'll see on top of the tallellet and around the houses a bountiful delicacy covered in banana leaves, it is the food of the spirits and the food for the soul, Inandila. This delectable has been engraved in the history of the Gaddangs, it is not just a mere dessert, it is a food regarded as sacred and an emblem of honor and valor. Tracing back the footprints of the culture of the Gaddangs, Inandila is not just served during All Souls Day, it is also served to leaders or royalties as totems of honor bestowed by the Gaddangs.

Inandila's sweetness brought every taste buds to appreciate the local culture. The texture reminds the people of how to live life smoothly. The oozing sweet sauce showcases the vibrant culture of the Gaddangs every bite that needed to be preserved and protected. Inandilas essence goes beyond the taste, the aroma, and the texture, it was a keepsake to the people of how the ancient Gaddangs built the cultural foundation that their children are enjoying in today's epoch.

There are no more resounding tallellet beats during dawn, but Inandila is still here. It is no longer devoured amid the day of the souls, but it is no brainer that a long time ago it was the medal of honor and the soul's food going to the ancestral abode, to Nannolay.

01/04/2026

"𝑰𝒕 𝒊𝒔 𝒕𝒉𝒆 𝒘𝒓𝒊𝒕𝒆𝒓’𝒔 𝒅𝒖𝒕𝒚 𝒕𝒐 𝒉𝒆𝒍𝒑 𝒖𝒔 𝒓𝒆𝒎𝒆𝒎𝒃𝒆𝒓." — 𝑬𝒅𝒊𝒕𝒉 𝑳. 𝑻𝒊𝒆𝒎𝒑𝒐

The Provincial Government of Nueva Vizcaya, through the Provincial Tourism and Culture Office and under the leadership of Governor Atty. Jose "Jing" V. Gambito, proudly joins the nationwide celebration of National Literature Month (Buwan ng Panitikan)!

To give special emphasis to our rich cultural heritage, we honor a true-blooded Novo Vizcayano and a titan of Philippine letters: 𝗘𝗗𝗜𝗧𝗛 𝗟. 𝗧𝗜𝗘𝗠𝗣𝗢, 𝗡𝗮𝘁𝗶𝗼𝗻𝗮𝗹 𝗔𝗿𝘁𝗶𝘀𝘁 𝗳𝗼𝗿 𝗟𝗶𝘁𝗲𝗿𝗮𝘁𝘂𝗿𝗲.

Hailing from Bayombong, Edith L. Tiempo’s mastery of the English language and her profound contribution to the "Silliman National Writers Workshop" have shaped the landscape of modern Filipino literature. She remains a shining example of the intellectual brilliance and creative spirit that thrive in our province.

Join us as we celebrate the power of the written word and the legacy of our very own literary giant!

𝗞𝗨𝗗𝗨𝗦: 𝗦𝘁𝗼𝗻𝗲 𝗦𝗲𝗻𝘁𝗶𝗻𝗲𝗹𝘀 𝗼𝗳 𝗜𝘀𝗶𝗻𝗮𝘆 𝗙𝗮𝗶𝘁𝗵Researchers: Mikara Kaye Z. Jubay & Reilexies N. MiloThe Kudus of Dupax del Sur ar...
31/03/2026

𝗞𝗨𝗗𝗨𝗦: 𝗦𝘁𝗼𝗻𝗲 𝗦𝗲𝗻𝘁𝗶𝗻𝗲𝗹𝘀 𝗼𝗳 𝗜𝘀𝗶𝗻𝗮𝘆 𝗙𝗮𝗶𝘁𝗵

Researchers: Mikara Kaye Z. Jubay & Reilexies N. Milo

The Kudus of Dupax del Sur are not just historical markers; they are silent witnesses to the deep-seated spiritual heritage of Nueva Vizcaya. These "anthill-like" structures represent a unique fusion of Spanish colonial influence and local craftsmanship, serving as a physical roadmap for the Lenten season.

The Kudus markers are often described as "anthill-like" due to their conical, mound-shaped appearance. They were traditionally constructed using mamposteria (stone masonry) consisting of river stones, lime mortar, and bricks—the same materials used for the nearby San Vicente Ferrer Parish Church, a National Cultural Treasure.

The word "Kudus" is derived from the archaic Isinay or local dialect meaning "Cross." Each mound originally served as a pedestal for a wooden or stone cross representing a specific Station of the Cross.

During the Spanish era, particularly under the Dominican friars who administered the region, these markers were strategically placed along the main pathways of the town. They formed a Via Crucis (Way of the Cross) that extended from the church plaza into the various barrios. During Holy Week, the townspeople would process from one Kudus to the next, praying and singing hymns. This allowed the faith to be practiced outdoors, making it accessible to the entire community, not just those inside the church.

Beyond their aesthetic value, these markers function as historical indicators of colonial religious expansion. Geographically, they delineated the communities converted to Christianity, while those residing beyond the Kudus were recognized as unconverted territories. Furthermore, the Kudus served a vital structural role in town planning and architecture, acting as a primary reference point for the organized layout and development of the town.

Dupax del Sur is one of the few places where the Isinay language and culture are still preserved. The Kudus markers are a point of pride for the Isinay people, symbolizing their ancestors' transition to Christianity while maintaining a distinct local aesthetic.

In recent years, the local government and heritage advocates have ramped up efforts to protect these structures:

* Physical Restoration: Some markers that suffered from erosion or urban development have been reinforced and cleaned to prevent further decay.

* Revival of Tradition: There is a concerted effort to re-integrate the Kudus into the modern Lenten itinerary, encouraging younger generations to participate in the traditional procession.

* Tourism and Education: By highlighting the Kudus, the municipality is promoting faith tourism, ensuring that the markers are recognized not just as piles of stone, but as "living" monuments.

𝗧𝗛𝗘 𝗙𝗥𝗢𝗡𝗧 𝗟𝗜𝗡𝗘 𝗜𝗦 𝗙𝗘𝗠𝗜𝗡𝗜𝗡𝗘Kababaihan in History | Women's Month Special FeatureResearcher: Mikara Kaye Z. Jubay-Dulay, M...
26/03/2026

𝗧𝗛𝗘 𝗙𝗥𝗢𝗡𝗧 𝗟𝗜𝗡𝗘 𝗜𝗦 𝗙𝗘𝗠𝗜𝗡𝗜𝗡𝗘

Kababaihan in History | Women's Month Special Feature
Researcher: Mikara Kaye Z. Jubay-Dulay, Museum Researcher I

History often paints a quiet picture of the past, but the soil of Nueva Vizcaya tells a different story. Long before the frontlines were defined by modern maps, the Babaylan stood at the vanguard.

In our indigenous communities, the Babaylan were not just spiritual intermediaries; they were the backbone of resistance. When our ancestors faced threats to their way of life, these women (and feminine-identifying leaders) shifted from chanting rituals to rallying protectors. They were the original strategists, the morale-boosters, and the first to stand against erasure.

Collective resistance have always been the backdrop of the Philippine history’s individual heroes. Philippine history is mostly highlighted on (towards) the 1898 revolution. But during the early years of Spanish colonization, there has been a lot of resistance from the Indigenous Peoples already. Some accounts could be seen from the chronicles and notes of the early Spaniards. These are the encounters from the province.

Isinay Resistance:
The people of Bantal and Buguey were in no mood to accept Spanish rule. The Spanish chronicler wrote that “the Chiefs were waiting in the village of Buguey in order to kill the Spaniards”

The people of Tuguey (is about where San Fernando, Bambang is now located) fought the Spaniards, giving- as the Spanish chronicler said- “stout resistance”. However, the Spaniards’ superior weapons carried the day. The Captain then went to Giarin, which had forty houses. Like in Tuguey, the people fought the Spaniards but were similarly defeated. “The inhabitants are excellent archers, and with their bows and arrows tried to resist the Spaniards’ entry. After forcing their way into the village, the Spaniards assured them friendly talk, and gave the people some trifles, so that they lost their fear of the Spaniards”.

The Chiefs were waiting in the village of Buguey in order to kill the Spaniards. (p.693)

(Resistance to Reduccion): In this the Isinays prove defiant, unwilling as they were to leave their old villages. (p.704)

Gaddang Resistance:

The Indians seemed to be much disturbed, and with threats warned the Spaniards to depart from their country, since all the valley was uniting in order to kill them, and that the pogetes, who are Indians in the more rugged parts of the mountain, had joined the others. (p.696)

1700s- The Gaddangs allowed the missionaries to live in their territory on condition that neither Spanish troops nor native soldiers were to be seen in their lands. (p.730)

Igorot Resistance:

The Pagans have become dogs. Especially the Panuypuys give us sudden terror, and have kept the inhabitants in constant watch. The town of Meuba has been reduced to ashes (p.737)

𝑨 𝒘𝒐𝒎𝒂𝒏, 𝒂 𝒉𝒐𝒓𝒓𝒊𝒃𝒍𝒆 𝒎𝒐𝒏𝒔𝒕𝒆𝒓 𝒐𝒇 𝒉𝒆𝒓 𝒔𝒆𝒙, 𝒂 𝒔𝒐𝒓𝒕 𝒐𝒇 𝒑𝒓𝒊𝒆𝒔𝒕𝒆𝒔𝒔 𝒑𝒐𝒔𝒔𝒆𝒔𝒔𝒆𝒅 𝒃𝒚 𝒂𝒍𝒍 𝒕𝒉𝒆 𝒇𝒖𝒎𝒆𝒔 𝒐𝒇 𝒉𝒆𝒍𝒍, 𝒊𝒏 𝒅𝒆𝒍𝒊𝒓𝒊𝒖𝒎 𝒆𝒏𝒄𝒐𝒖𝒓𝒂𝒈𝒆𝒅 𝒉𝒆𝒓 𝒐𝒘𝒏 𝒕𝒐 𝒇𝒊𝒈𝒉𝒕, 𝒘𝒉𝒊𝒍𝒆 𝒊𝒏𝒔𝒖𝒍𝒕𝒊𝒏𝒈 𝒕𝒉𝒆 𝑪𝒉𝒓𝒊𝒔𝒕𝒊𝒂𝒏𝒔 𝒘𝒊𝒕𝒉𝒐𝒖𝒕 𝒄𝒆𝒂𝒔𝒊𝒏𝒈, 𝒕𝒉𝒓𝒐𝒘𝒊𝒏𝒈 𝒂𝒈𝒂𝒊𝒏𝒔𝒕 𝒕𝒉𝒆𝒎 𝒉𝒆𝒓 𝒑𝒐𝒊𝒔𝒐𝒏𝒆𝒅 𝒔𝒑𝒆𝒂𝒓𝒔, 𝒘𝒊𝒕𝒉 𝒂 𝒃𝒓𝒂𝒗𝒆𝒓𝒚 𝒂𝒏𝒅 𝒔𝒌𝒊𝒍𝒍 𝒕𝒉𝒂𝒕 𝒐𝒏𝒆 𝒄𝒐𝒖𝒍𝒅 𝒏𝒐𝒕 𝒕𝒉𝒊𝒏𝒌 𝒑𝒐𝒔𝒔𝒊𝒃𝒍𝒆 𝒊𝒏 𝒉𝒆𝒓 𝒔𝒆𝒙 (𝒑.746)

Ilongot Resistance:

They did not have great repugnance in being baptized in the mountain, but they have repugnance, and a very tenacious one, of leaving their villages, and coming to live in the plains in amicable communion with the converted people.

The Italons or Ilongots which inhabit this land from the past up to the present gave resistance to Sr. Dasmariñas in 1592, killing many of his soldiers. This induced a Council of War, which resolved it was just to conquer the Igorots by war.

* Resistance for coming into Reduccion among the Ilongots and the Isinays. Resistance to leave their old settlements which were probably based on
* 𝗪𝗼𝗺𝗲𝗻 𝗷𝗼𝗶𝗻𝗲𝗱 𝘁𝗵𝗲 𝘄𝗮𝗿𝘀
* It was the Ilongots at the forefront of the Sierrra Madre who fought against the Spaniards

References:
Expeditions to the Province of Tuy, Blair and Robertson, Vol, XIV. P.293 (From Salgado)
Blair and Robertson from Salgado p.695

Students and parents from the Child Development Centers of Brgy. Don Mariano Marcos, Upper Magsaysay, Paitan, and Magsay...
18/03/2026

Students and parents from the Child Development Centers of Brgy. Don Mariano Marcos, Upper Magsaysay, Paitan, and Magsaysay toured the People’s Museum and Library.

The PTCO conducted a museum tour for Grade 4–6 students of Baguingey Elementary School in Brgy. Commonal, Solano, as par...
11/03/2026

The PTCO conducted a museum tour for Grade 4–6 students of Baguingey Elementary School in Brgy. Commonal, Solano, as part of the SMU Outreach Program.

𝗛𝗔𝗣𝗣𝗘𝗡𝗜𝗡𝗚 𝗡𝗢𝗪 | Young @ HeART 9th Exhibit opens to the public today!The exhibit features young Novo Vizcayano artists an...
07/03/2026

𝗛𝗔𝗣𝗣𝗘𝗡𝗜𝗡𝗚 𝗡𝗢𝗪 | Young @ HeART 9th Exhibit opens to the public today!

The exhibit features young Novo Vizcayano artists and has become a staple of the province's cultural scene. By promoting young talent and fostering community engagement, the event continues to build the creative landscape of the province.

Kaisa ang People’s Museum and Library sa pagdiriwang ng Buwan ng Kababaihan. Ang mga ambag ng mga kababaihan sa ating la...
03/03/2026

Kaisa ang People’s Museum and Library sa pagdiriwang ng Buwan ng Kababaihan. Ang mga ambag ng mga kababaihan sa ating lalawigan ay kinikilala bilang pundasyon sa pag-abot ng tugatog ng progreso.

Sa ating kasaysayan, ang mga kababaihan ay naging haligi ng ating kalayaan at kasarinlan. Bagaman hamon pa rin ang mga diskriminasyon at paglabag sa kanilang kapakanan, nananatiling matatag ang ating paninindigan sa pagpapatupad ng mga batas na kumikilala, nagtatanggol, at nagpapahalaga sa kanilang mga karapatan.

03/03/2026

Address

Don Tomas-Maddela, Nueva Vizcaya
Bayombong
3700

Website

Alerts

Be the first to know and let us send you an email when People's Museum and Library posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Share

Category