Pintô Art Museum

Pintô Art Museum Pintô Art Museum is the Philippines’ door to contemporary and emerging local art.

𝑀𝑎𝑔-𝑖𝑛𝑎, 1990𝐸𝑙𝑚𝑒𝑟 𝐵𝑜𝑟𝑙𝑜𝑛𝑔𝑎𝑛Happy Mother’s Day to all the mothers whose love shapes the worlds we live in. 🌷I am everyth...
10/05/2026

𝑀𝑎𝑔-𝑖𝑛𝑎, 1990
𝐸𝑙𝑚𝑒𝑟 𝐵𝑜𝑟𝑙𝑜𝑛𝑔𝑎𝑛

Happy Mother’s Day to all the mothers whose love shapes the worlds we live in. 🌷

I am everything my mother thinks about, even before my birth.

Maybe that's why it was so easy for me to live in this world, free of nothing but thoughts for myself. My mother had done it for me the whole time. She had thought of the name I would use each day, the way I would be perceived by the world as I grew out of my stubby legs.

She had thought of how my eyes would watch the world that she lived in and how there would come the days when she wouldn't understand the stars it held anymore. She had thought about how each waking moment I am everything she has to think about because I am her world. I am her heart. I am a part of her that lives more than she could have ever lived.

It's such a selfless and interesting mindset to witness. Some mothers don't show it in visible nature; some don't even get to know it exists. But to the rest of the world, who began with the cradle of their mother and the soft hum of their name on her lips, it is a sacrifice that we will miss at first, when we could barely understand her.

This is what Elmer Borlongan’s artwork feels to me—the distance in the mother's stare, how colorful the background might be, yet in the midst of it all, above all else, a baby’s figure is seen.

You could interpret her stare in any way you want. She could be listlessly staring at nothing, deeply stuck in her thoughts, or simply having nothing in her mind whatsoever. But it is a fact that within her world—within the canvas of her mind—there is a space for the little child that cries at another's arms, but softens in hers.

Because we are everything our mother thinks about, especially after our birth.

- Mellissa Dela Paz

Scenes from last Sunday’s opening at Maytime in Pintô, featuring Echoes of the Unseen by Bon Mujeres, Fiha Khair by Chin...
08/05/2026

Scenes from last Sunday’s opening at Maytime in Pintô, featuring Echoes of the Unseen by Bon Mujeres, Fiha Khair by Chinnich, Still Life: Waiting by Art de Leon, Dagat: Hininga at Buhay by Wilfredo Rufon and quiet calls by Khervin John Gallandez.

Sitio Remedios Heritage Village is honored to present a special lecture by Prof. Ambeth Ocampo on May 24, 2026, 4 PM, in...
08/05/2026

Sitio Remedios Heritage Village is honored to present a special lecture by Prof. Ambeth Ocampo on May 24, 2026, 4 PM, in its auditorium, Casa Lvna.

Titled “The Moon, The Bishop, & The Viper,” the lecture will explore the lives and legacies of the Ilocano heroes Juan and Antonio Luna, Gregorio Aglipay, and Artemio Ricarte.

Through the insight and scholarship of the distinguished historian, the presentation revisits the figures whose convictions and actions helped shape the nation’s historical and political imagination.

It is conceived as part of the intellectual direction of Amianan: locos Norte Museum & Library of History & Culture, which will be formally inaugurated after the lecture.

Foregrounding the narratives, personalities, and cultural memory that continue to define the region’s identity, Prof. Ocampo’s presentation offers audiences an opportunity to engage more deeply with the intersections of revolution, faith, and nationalism.

Refreshments will be served after the program. For ticket inquiries, please contact Ms. Lara Perez at 0926 038 4055.

05/05/2026

Highlights from last Sunday’s exhibit opening reception featuring Chinnich, Art De Leon, Khervin John Gallandez, Wilfredo Rufon and Bon Mujeres—alongside the inauguration of Pinto Underwater Gallery and Arboretum Library 💚✨

05/05/2026

Highlights from last Sunday’s Waste Jar Art Project Lecture 💚♻️

03/05/2026

Happening now

🌿 Maytime in Pintô | May 3, SundayCelebrate the season of pilgrimage in Antipolo with a day where art, nature, and commu...
02/05/2026

🌿 Maytime in Pintô | May 3, Sunday

Celebrate the season of pilgrimage in Antipolo with a day where art, nature, and community come together at Pintô Art Museum and Arboretum.

Join us for an immersive afternoon of talks, installations, and exhibitions centered on ecological care and creative action. The program opens with engaging discussions on waste management and segregation by Joni Vergara, Raf Dionisio, and Khate Nolasco—practical conversations that connect directly to everyday life.

Witness the unveiling of the “Waste Jar Art Project,” developed with Felicia Ravago—a striking installation of 60 artist-painted terracotta jars that transforms waste systems into spaces of reflection and participation.

Step into the Arboretum for “Echoes of the Unseen,” where myth and landscape converge through sculptures by Bon Mujeres, set within Pintô’s sanctuary of endangered flora.

Explore new spaces with the opening of the Pintô Underwater Gallery and Arboretum Library, featuring works by Chino Yulo, Danny Ocampo, and Wilfredo Rufon—bringing the country’s marine life into vivid focus.

Cap off the day with exhibitions in the Upper Galleries by Chinnich, Art De Leon, Wilfredo Rufon, and Khervin John Gallandez.

🌱 This May, let art lead the way toward a more attentive and responsible relationship with the environment.

02/05/2026

Maytime in Pintô | May 3, Sunday

Explore new spaces with the opening of the Pintô Underwater Gallery and Arboretum Library, featuring works by Chino Yulo, Danny Ocampo, and Wilfredo Rufon—bringing the country’s marine life into vivid focus.

02/05/2026

Maytime in Pintô | May 3, Sunday

Step into the Arboretum for “Echoes of the Unseen,” where myth and landscape converge through sculptures by Bon Mujeres, set within Pintô’s sanctuary of endangered flora.

Cap off the day with exhibitions in the Upper Galleries by Chinnich, Art De Leon, Wilfredo Rufon, and Khervin John Gallandez.

02/05/2026

Waste Jar Art Project unfolds on May 3. See you at Pintô!

Today, on Labor Day, we honor the strength, sacrifice, and resilience of Filipino workers—those who labor on land, at se...
01/05/2026

Today, on Labor Day, we honor the strength, sacrifice, and resilience of Filipino workers—those who labor on land, at sea, and across distant shores to sustain their families and shape the nation. This work of Archie Oclos reflects on that enduring condition of movement, separation, and survival, tracing how the realities of labor have long defined Filipino life.

Ang Manananggal Sa Laot
Acrylic on board, ink on sinamay and abaca rope
45 x 60 inches
2026

One of the most well-known Philippine mythical creatures, the mananaggal, is not just supernatural. In this work, the manananggal is the examination of Filipino labor, mobility, and the historical condition of separation between home and work. Adding the materiality of the work anchors the narrative in Philippine agrarian life and the long genealogy of fiber economies that have shaped Filipino livelihoods from the precolonial period to the present.

The manananggal is described as a being whose torso separates from its lower body at night; the upper half flies in search of sustenance while the lower half remains hidden at home (Ramos, 1990). This work foregrounds the condition of being physically divided by economic necessity, a reality experienced by generations of Filipinos who left their households to work at sea, in fields, and eventually overseas.

By situating the figures “sa laot” (in the open sea), this work evokes both precolonial maritime lifeways and the colonial economy of the Manila Galleon Trade (1565–1815). Filipino labor was central to the construction, maintenance, and operation of the galleons that connected Asia to the Americas, yet these contributions were largely absent from colonial archives (Schurz, 1939).

Filipino shipbuilders, carpenters, caulkers, rope-makers, navigators, sailors, and port workers were indispensable in constructing and maintaining the galleons in shipyards such as Cavite, Pangasinan, and Samar (Schurz, 1939). Indigenous knowledge of tropical hardwoods, monsoon patterns, and inter-island navigation enabled the construction of vessels capable of crossing the Pacific, yet this expertise was rarely credited in colonial records. Instead, Filipino workers were commonly described as anonymous labor rather than skilled maritime agents, reflecting broader colonial hierarchies that rendered their contributions invisible.

The galleon route also restructured local communities. The divided body of the manananggal parallels the historical condition of Filipinos whose labor traveled across oceans while their families remained on land. This theme extends to contemporary patterns of overseas labor migration. The Philippines remains one of the world’s largest exporters of labor, with millions of Overseas Filipino Workers (OFWs) supporting both their families and the national economy through remittances (Ball, 2004).

Ultimately, Ang Mga Manananggal sa Laot reframes “half at home, half at work” not as an anomaly but a historically rooted structure of Filipino life, shaped by the ocean, by trade, and by the enduring demands of labor.

Address

Grand Heights Subd
Antipolo
1870

Opening Hours

Tuesday 10am - 6pm
Wednesday 10am - 6pm
Thursday 10am - 6pm
Friday 10am - 6pm
Saturday 10am - 7pm
Sunday 10am - 7pm

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+636971015

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