The See Here

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The See Here The See Here is a microgallery in Pōneke/Wellington exhibiting experimental work by members and guest artists

In the Window of Splendid, Pōneke/Wellington, Aotearoa

Now showing at TheSeeHere 𝘚𝘶𝘮𝘮𝘦𝘳'𝘴 𝘚𝘩𝘪𝘮𝘮𝘦𝘳𝘪𝘯𝘨 𝘚𝘬𝘪𝘯: 𝘓𝘪𝘨𝘩𝘵 𝘢𝘯𝘥 𝘵𝘳𝘦𝘦𝘴 𝘪𝘯𝘵𝘦𝘳𝘵𝘸𝘪𝘯𝘪𝘯𝘨 by guest artist Suzy Costello.Cicada mo...
27/09/2026

Now showing at TheSeeHere 𝘚𝘶𝘮𝘮𝘦𝘳'𝘴 𝘚𝘩𝘪𝘮𝘮𝘦𝘳𝘪𝘯𝘨 𝘚𝘬𝘪𝘯: 𝘓𝘪𝘨𝘩𝘵 𝘢𝘯𝘥 𝘵𝘳𝘦𝘦𝘴 𝘪𝘯𝘵𝘦𝘳𝘵𝘸𝘪𝘯𝘪𝘯𝘨 by guest artist Suzy Costello.

Cicada moulted skins, gold leaf, clear resin. In the style of a mastaba 720 x 760 x 1mm

13 Sept - 9 October

In a world filled with human voices, how do we build a silent void to hear and acknowledge other Life forms? This is the crux of my art practice, and of all the ‘more-than-human’ beings, it is the generosity of trees that speaks to my heart.

This work describes a moment of entanglement between trees, light and me when drawing the East Harbour Forest on a summer’s day…

"Trees transform light into a consumable and universally available commodity, into a force that animates all of the bodies that exist on Gaia: the planet's mineral flesh is metamorphosed to receive light within. Thanks to them, food is a secret trade in light that is consumed from body to body.

Through this intertwining, the perception of the world experienced by each living species passes first and foremost, albeit unconsciously and imperceptibly, through our experience of trees." (Emanuele Coccia, Experiencing the World).

Suzy is a multi-discipline artist living in Te Whanganui-o-Tara and working at The Learning Connexion.

Suzy Costello

TheSeeHere is pleased to present 𝘛𝘶𝘯𝘯𝘦𝘭 𝘝𝘪𝘴𝘪𝘰𝘯 by Tiahuia Arapeta.2026, Various fabrics, 2400 x 800 x 650mm23 August - 1...
16/09/2026

TheSeeHere is pleased to present 𝘛𝘶𝘯𝘯𝘦𝘭 𝘝𝘪𝘴𝘪𝘰𝘯 by Tiahuia Arapeta.

2026, Various fabrics, 2400 x 800 x 650mm

23 August - 13 September

Made in a season of dismantling; walls built without knowing it, walls that kept me safe and, in time, kept me smaller than I was: dissolved, diluted, weighed down with obligation. Old wounds resurfaced as I began building something new and true alongside another.

Six layers, each opening smaller than the last, hold the residue of that undoing; not gentler, but more careful, as I learned to dismantle without also destroying. At the very back, unmarked, runs the same blood, the same current, beneath every self I have been. The fear of unravelling still visits; the old instinct to see a fracture and call it collapse. But so does the quiet certainty that what comes next won't ask me to go missing again.


Tiahuia Arapeta

TheSeeHere is pleased to present 𝘚𝘦𝘢 𝘞𝘦𝘦𝘥 by Lisa van Hulst.2026, Ocean Bound Recycled Plastic, 1100 x 900 x 450mm2 - 23...
19/08/2026

TheSeeHere is pleased to present 𝘚𝘦𝘢 𝘞𝘦𝘦𝘥 by Lisa van Hulst.

2026, Ocean Bound Recycled Plastic, 1100 x 900 x 450mm

2 - 23 August

The tide leaves behind a language of fragments.

Seaweed gathers in quiet knots, folding currents, weather and distance into itself. It arrives already carrying the memory of elsewhere.

Forms linger in the uncertain space between what belongs and what has been left behind. They speak of accumulation, slow transformation, and things that return changed.

The familiar softness of marine life meets a material that refuses to disappear.

Lisa van Hulst

Currently showing at TheSeeHere window gallery 𝘓𝘰𝘯𝘨 𝘚𝘵𝘳𝘦𝘵𝘤𝘩 by Mel Ford.2026, Glass, Metal, Iron oxide, Wood panel.2300 ...
20/07/2026

Currently showing at TheSeeHere window gallery 𝘓𝘰𝘯𝘨 𝘚𝘵𝘳𝘦𝘵𝘤𝘩 by Mel Ford.

2026, Glass, Metal, Iron oxide, Wood panel.
2300 H x 700 W x 150 D

5 - 26 July

Material stories of transformation told through the forces of heat, gravity, oxidation and time. 

This work is an extension of a series of work currently on display as part of The Object Maker Aotearoa Fellowship group show Re:Tale  at The Arts House Trust, Auckland until 2 August.

Mel Ford
melfordartist.com/

TheSeeHere is pleased to present 𝘭𝘰𝘰𝘬𝘰𝘶𝘵 // 𝘰𝘶𝘵𝘭𝘰𝘰𝘬 by Julia Kohlhaas.2026, repurposed window wiper, wood, vaseline, mec...
09/04/2026

TheSeeHere is pleased to present 𝘭𝘰𝘰𝘬𝘰𝘶𝘵 // 𝘰𝘶𝘵𝘭𝘰𝘰𝘬 by Julia Kohlhaas.

2026, repurposed window wiper, wood, vaseline, mechanical timer. 1650x800x750mm variable.

6 April – 26 April 2026

As in many professions, the white, female artist feels, even as a holder of unearned privilege, the obscure weight of helplessness in facing the inhumane in humans. Everything seems murky. No-thing and no-man is to be trusted. Understanding means dealing with the deliquium that comes with complexity.

An irregular rhythmic motion. Artists and their ideas, right? -No, left! Right, left. Right. Left. Anywho. Has anyone seen Dada yet? 

In case you might ask: this work was made without the use of AI.
kohlhaas
www.juliakohlhaas.com

Currently showing at TheSeeHere, 𝘐𝘤𝘦 𝘌𝘥𝘨𝘦 𝘯𝘰. 9 by Marci Tackett.1996, giclée print15 March - 5 April 2026Antarctic ice ...
02/04/2026

Currently showing at TheSeeHere, 𝘐𝘤𝘦 𝘌𝘥𝘨𝘦 𝘯𝘰. 9 by Marci Tackett.

1996, giclée print

15 March - 5 April 2026

Antarctic ice edge series.

This series is the result of an exploration of the landscapes in a place that exists primarily in ice. I have chosen images that not only shed light on the variety of conditions, patterns and forms that ice inhabits in Antarctica, they also serve as metaphors for the psychological landscapes in which I existed while living there.

Ice has the ability to make us question our assumptions about what is permanent, about what is stable. The ice shelf appears as solid as land and yet there is water rushing a few feet beneath.

When an ice breaker rips through the winter ice, it leaves chaos and disharmony in its wake.

Sea ice is in constant flux; a capricious and joyful landscape. It is the dance between water and ice.

Lastly, the ice edge is a frontier. It is the line that is struck between known and unknown.

Antarctica is otherworldly in its monochromatic sublimity. It is as diminutive as it is vast. Through looking closely at ice, it is possible to steal a glimpse of the past, present and future of the place.

The photographs were taken in 1996 from a ship in the Ross Sea.


www.marcitackett.com

Now showing at TheSeeHere, 𝘗𝘢𝘱𝘦𝘳 𝘘𝘶𝘪𝘭𝘵 by Grace Yu Piper.2026, handmade paper, thread, 800 x 1600 mm18 February -15 Marc...
19/02/2026

Now showing at TheSeeHere, 𝘗𝘢𝘱𝘦𝘳 𝘘𝘶𝘪𝘭𝘵 by Grace Yu Piper.

2026, handmade paper, thread, 800 x 1600 mm

18 February -15 March 2026

'During a recent artist residency in Taiwan I stumbled upon a stack of handmade paper left behind by a previous artist. Paper is so abundant and utilitarian, I never considered it to be a beautiful thing.

Returning home to Aotearoa I began to make paper in my studio, examining its material qualities and re-imagining it as a decorative quilt.

By assembling sheets of paper as one might piece together fabric, the material shifts from a carrier of information to an object of contemplation.'


www.graceyupiper.com

TheSeeHere is very pleased to present 𝘚𝘰𝘶𝘭 𝘊𝘭𝘰𝘤𝘬 by guest artist Lee Woodman. Timber, stone, thread, graphite on paper. ...
28/01/2026

TheSeeHere is very pleased to present 𝘚𝘰𝘶𝘭 𝘊𝘭𝘰𝘤𝘬 by guest artist Lee Woodman.

Timber, stone, thread, graphite on paper.
510 x 460 x 1520mm

Graphite on paper; 700 x 1000mm

𝘚𝘰𝘶𝘭 𝘊𝘭𝘰𝘤𝘬 is an object embodying a meditation. It counts the time in a season of insecurity to sense a way through. While this is a still, quiet position, there is an intention for internal momentum and like the seasons the unseen underground work eventually leads to growth. These changes are imperceptible in the moment but are nonetheless taking place. In the meantime the stillness is felt, accepted and honoured.

25 January - 18 February
woodman
leewoodman.co.nz
see.here

Nina van Duijnhoven has just received her copy of this stunning book "Constellations: Contemporary Jewelry at the Dallas...
19/01/2026

Nina van Duijnhoven has just received her copy of this stunning book "Constellations: Contemporary Jewelry at the Dallas Museum of Art." 

Nina's beautiful piece "Brown-White-Black necklace" 2022, is a promised gift by Deedie Potter Rose to the Dallas Museum of Art.






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85 Ghuznee Street
Wellington
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