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Twentysix Twentysix showcases contemporary, innovative and bold art.
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Now is a good time to start ampalaya (bitter melon) seeds indoors, a plant that connects Abigail Legg to her Filipino ro...
19/10/2026

Now is a good time to start ampalaya (bitter melon) seeds indoors, a plant that connects Abigail Legg to her Filipino roots here in Aotearoa 🌱

Abigail Legg
Ampalaya, 2024
Shot on medium format film
Printed on ilford gallerie gold fibre satin
Framed in canadian oak with AR70 glass
625 x 845
3 +1 artist edition

Send us a DM for enquiries.

Abigail Libot Legg

Three Emma Hercus paintings, each holding its own quiet kind of magic.Currently in our stockroom and available to inquir...
08/10/2026

Three Emma Hercus paintings, each holding its own quiet kind of magic.

Currently in our stockroom and available to inquire via DM.

1: Apple Picking, 2025
2: Shoulder Ride, 2025
3: Letting off steam, 2024

Emma Hercus

A place to sit. A book to open. A little world to disappear into.The language of unseen relations between things, 2025. ...
30/09/2026

A place to sit. A book to open. A little world to disappear into.

The language of unseen relations between things, 2025. Oil on linen, Tasmanian oak tray frame 325 x 325mm

Aida Smith works in professional grade oil paints using a solvent-free approach that keeps her practice in harmony with the world she captures. She chooses not to varnish her paintings, preferring the soft and natural finish of oil paint.

Available online at Twentysix

Aida Smith

James Watkins on The simple weight of everything: The work brings together three distinct interventions: the blue underp...
20/09/2026

James Watkins on The simple weight of everything: The work brings together three distinct interventions: the blue underpainting, quick fluid gestures in soft pastel, and reductive yellow paint. None of the line work has any corrective mistakes, keeping the sensibility of the line alive — floating, embryonic, freed.

The simple weight of everything, 2025. Oil and soft pastel on canvas. To***co stained Meranti tray frame, 405 x 505mm

James Watkins

DM us for more details about this work by Rosa Allison Prickles of the brain, 2024. Oil on canvas, framed in tasmanian o...
11/09/2026

DM us for more details about this work by Rosa Allison

Prickles of the brain, 2024. Oil on canvas, framed in tasmanian oak, 420 x 520 mm

The Story of Cephas, 2025. Oxides, glazed stoneware, 230 × 230 x 125 mmCatarina Correia Arnhold Star Act
03/09/2026

The Story of Cephas, 2025. Oxides, glazed stoneware, 230 × 230 x 125 mm

Catarina Correia Arnhold Star Act

Invited by Twentysix Gallery to curate an exhibition, Russell Kleyn has worked closely with emerging photographer Abigai...
15/05/2026

Invited by Twentysix Gallery to curate an exhibition, Russell Kleyn has worked closely with emerging photographer Abigail Legg on Kababayan, her first solo exhibition.

As a way to celebrate and connect with her Filipino whakapapa here in Aotearoa, Abigail photographs her titas (aunties) in their gardens, standing as caretakers on the whenua they reside on.

We warmly invite you to join us at the opening on Thursday 21 May 2026 at 5:30pm, kindly sponsored by kindly sponsored by Almighty, Fruit Cru, Dilly Dally and Beth’s Baking – with the PCA Rondalla Band playing at 6pm.

Up Next: Kababayan – Abigail LeggInvited by Twentysix Gallery to curate an exhibition, Russell Kleyn has worked closely ...
12/05/2026

Up Next: Kababayan – Abigail Legg

Invited by Twentysix Gallery to curate an exhibition, Russell Kleyn has worked closely with emerging photographer Abigail Legg on Kababayan, her first solo exhibition.
As a way to celebrate and connect with her Filipino whakapapa here in Aotearoa, Abigail photographs her titas (aunties) in their gardens, standing as caretakers on the whenua they reside on.

We warmly invite you to join us at the opening on Thursday 21 May 2026 at 5:30pm, kindly sponsored by kindly sponsored by Almighty, Fruit Cru, Dilly Dally and Beth’s Baking – with the PCA Rondalla Band playing at 6pm.






nz

As days pass us by and the seasons change, it is a gift to be able to crop into the details of our daily landscapes. A k...
11/05/2026

As days pass us by and the seasons change, it is a gift to be able to crop into the details of our daily landscapes. A kitchen table surrounded by family, or the bush as we traverse up into its hills - there is tangibility of time and much needed stillness to be found in both Aida Smith and Benjamin Cotter Dephoff’s canvases. This is the last week of ‘A Place to Sit’ - come and see before it’s gone!

Let us drink a cup of tea, 2025, Aida Smith, oil on linen, tasmanian oak tray frame, 265 x 205 mm

Tart, 2025, Aida Smith, oil on linen, tasmanian oak tray frame, 265 x 205 mm
09/05/2026

Tart, 2025, Aida Smith, oil on linen, tasmanian oak tray frame, 265 x 205 mm

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26 Constable Street
Wellington
6021

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