14/10/2026
With the discovery of linear perspective and the invention of the point of view, the viewer came to occupy a central position in relation to the object seen. Viewer and viewed were thus established across from one another, as if separate and opposed.
In September 2018, Looiersgracht 60 presented the group exhibition and symposium Seeing without a Seer in collaboration with Radical Reversibility (Radical Reversibility). Drawing from fields such as experimental psychology, biology, geometry, and philosophy, the participating artists examined machine vision and image-making in a post-digital era. The lens-based works in the exhibition displaced the viewer from the central position to which they had become accustomed, turning instead toward the barely visible and the microscopic to explore ideas of a “self-seeing world” and more-than-human ways of being.
Images courtesy of Radical Reversibility.