10/12/2025
Ana María Caballero’s work has accompanied us throughout the year: delicate, beautiful, and with a particular sensitivity to the nuances of language and image. There is this saying about “reading between the lines.” Ana María creates and researches in those in-between lines, in many other interstices, and above all in the space of translation. She explores how language generates imaginaries, how we envision what is not yet visible and how generative systems become a kind of archive for such inventions. Born in Miami and raised in Bogotá, the artist works transdisciplinarily across poetry, generative image-making, performance, and sculpture, asking how language inscribes itself into visual and spatial forms and what ultimately resists translation by both humans and machines.
Some of this year’s key moments include Echo Graph at in Berlin, Pace, a multichannel work combining live performance, cinematic AI, and custom-coded visuals, The Sylphs from Being Borges, awarded the 2025 (Still Image), and Speech Patterns with the sculptural work Radical Repair during Miami.
Olena Yara spoke with Ana María Caballero about these subtle shifts between text, image, feeling, and AI in “Ana María Caballero: The Linguistic Implications of Generative AI.” Many thanks to and .yara for this interview. Read the full piece at art-magazine.ai.
Image: Ana María Caballero at Art Basel Miami Miami
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