15/10/2026
Placing the patron and their family within the sweep of history is an established tradition in Italian palace painting. Carlo Sada observed it faithfully at Palazzo Parisio.
On the landing of the piano nobile, he and Filippo Venuti laid out an allegory of Malta's entire history: people arriving in waves, from the Phoenicians through to independence in 1964, with Malta herself at the centre gazing toward a soldier who gestures out to sea.
The ships in the harbour below were modelled on the actual Scicluna fleet; around the edges, smaller panels celebrate the rise of the steamship - the Marquis's other great preoccupation, tucked into the margins.
He commissioned a history of a nation and found room in it for everything he loved.