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DerivareMichele Savino, 2026per Giovanni ObertiCerto, il fiume non è mare, non è ventre ripetente col suo ritmico ansima...
14/10/2026

DerivareMichele Savino, 2026per Giovanni Oberti

Certo, il fiume non è mare, non è ventre ripetente col suo ritmico ansimare,
ma un ronzare permanente,un fluire interferente che vorrei sintonizzare.Qui l’acqua corre sfatta, necessitata e astratta senza scusa, ché il fiume non si scusa e agisce in modo vario, necessario, alla rinfusa e mai ei porta pena per qualcosa e pure se m’ammazzanessuno qui s’incazza per l’innocenza pazza di quest’acqua voluttuosa;son fatto d’acqua e di qualcosa che con tutta l’acqua mattacircostante ci si sposa,ma la mente non riposa, è prepotentemente acquosad’un’acqua con cui penso, che s’allinea a quel f***e flusso immenso che sta fuori, a quel ronzare sordo e densoe cessa d’essere loquace e diventaanch’essa interferenza elementare,brusio molle e criminale.
Cerco sassi da lanciare.

L’automne et le PêcheurGiovanni Oberti
until 21 November


Ph. OKNOstudio
Sara Sassi ~ Art Photographer

Giovanni Oberti
Untitled (P. p. 1), 2026
Mixed materials on raw cotton canvas.
(Rainwater, earth, seed oil, radiator enamel, spray fixative, wax)
40 x 50 x 1,2 cm.

 Giovanni ObertiUntitled (Big bounce), 2024ball, rubber tube, motor, timevariablevariable dimension Giovanni Oberti Piov...
17/09/2026


Giovanni Oberti
Untitled (Big bounce), 2024
ball, rubber tube, motor, timevariable
variable dimension


Giovanni Oberti
Piove lacrime nuove 2023
Glass jars, cotton cloth, iron shelf, water, dust Variable dimensions

Ph. OKNOstudio


Giovanni Oberti
A carafe in front of a mirror, 2022
Silver carafe, thermos, padlock chain, hooks, spring, electric resistance, water, dust, timer.
Variable dimensions.

Installation view at ICA, Milan. How far should we go?, curated by Rossella Farinotti

Ph Cosimo Filippini


Giovanni Oberti
A nest on the pillow, 2020
Two pillows, two cotton pillowcases, cotton thread, blackbird’s nest, dust
variable dimension


Giovanni Oberti
Il peso ai piedi dell’appeso, 2023
wool carpet, glass, dust
60 x 10 cm


Giovanni Oberti
May our loyal defense be lethal to you, 2025
Motorcycle helmets, lamps, electrical cables, smoke machines, colored gels
Variable dimensions

L’automne et le PêcheurGiovanni Oberti25.09.2026 h 18.30Opening Reception 26.09 - 21.11.2026Exhibition Period   Giovanni...
15/09/2026

L’automne et le Pêcheur
Giovanni Oberti

25.09.2026 h 18.30
Opening Reception

26.09 - 21.11.2026
Exhibition Period

Giovanni Oberti (b. 1982, Bergamo, Italy; lives and works between Paris and Milan) Graduating from the Accademia Carrara di Belle Arti in Bergamo in 2006, Oberti’s practice explores how everyday objects and architectural spaces accumulate emotional residue and temporal depth through processes of layering and sedimentation. Central to Oberti’s work is a delicate poetics of concealment and revelation. Selected solo exhibitions include Un telo nero bucato, un cielo buio stellato, Galleria Fuoricampo, Siena; I muri sentono l’amore e la rabbia..., Karussel, Palazzo Brancadoro, Fermo; La pelle degli oggetti, Galleria Milano, Milan; Onorarono, Munich Kunstverein, Munich.Group exhibitions include presentations at Cremona Contemporanea, Cremona; Cage Gallery and Eukaryote Gallery, Tokyo; Fondazione del Monte, Bologna; 22 Visconti, Paris; Emanuel Layr Gallery, Vienna; Fondazione Sandretto Re Rebaudengo, Turin.

Eugenia VanniAlius et Idem.Spiegata in controluce, 2026oil on blue cotton canvas, pencil30 x 40 cm
14/07/2026

Eugenia Vanni
Alius et Idem.
Spiegata in controluce,
2026
oil on blue cotton canvas, pencil
30 x 40 cm

Xiao ZhiyuTravelling While Lying Down, 2025, wood, oil on canvas, aluminium, silkvariable dimensionsThe work was produce...
13/05/2026

Xiao Zhiyu
Travelling While Lying Down, 2025, wood, oil on canvas, aluminium, silk
variable dimensions

The work was produced with the support of the Jan van Eyck Academie during the 2025 residency.

On show

Ph. Sara Sassi, .studio

Travelling while lying down Xiao ZhiyuWe went out after the rain at duskWe went out after the rain at duskchasing sky fo...
06/05/2026

Travelling while lying down
Xiao Zhiyu

We went out after the rain at dusk
We went out after the rain at dusk
chasing sky for clouds.
The mountains
moved
with the weightless pace of their own time.
We walked down the hill,
stopping above the running water.
Shrubs blocked our view.
We thought of
Leopardi‘s solitary hill and hedge
the dead seasons meant nothing in that eternity.
The white clouds still surged, in an encompassed silence deeper than the quiet
itself.
You asked: do you see violence?
We Went Out After the Rain at Dusk
The deep blue outlines
carried out a battle
soundlessly,
as if they had never trembled in fear,
nor ever tasted sweetness.
We climbed another hill
(the one we often look at from the kitchen window),
and looked back -
the city shimmered
below us,
and those white mountains were still unreachable,
larger than the city,
light enough to float
Geologists once said that mountains form when the
huge force between tectonic plates collide, compress,
and rise; then they collapse under their own weight.
I asked AI about their height -
it inferred from a photo that they were around ten
thousand meters.
Dark clouds slowly approached from the other side of the hill,
yet we couldn‘t resist climbing higher,
until fine rain blocked our path,
soaking the heavy concrete road
into an indistinct summer scent.
We began to retreat.
Walking in the rain, we kept talking about painting.
The drizzle soaked my coat,
dark spots blooming one by one on the cotton fabric - in our damp steps, the
words spread, dissolving,
until they were unrecognizable.
Like those paintings
that face me in the studio
late at night.


Ph. Sara Sassi .studio

Travelling While Lying DownXiao Zhiyu 25 April, 6.30 pmOpening ReceptionWe walked down the hill,stopping above the runni...
14/04/2026

Travelling While Lying Down
Xiao Zhiyu

25 April, 6.30 pm
Opening Reception

We walked down the hill,
stopping above the running water.
Shrubs blocked our view.
We thought of
Leopardi‘s solitary hill and hedge
the dead seasons meant nothing in that eternity.
The white clouds still surged, in an encompassed silence deeper than the quiet itself.

Xiao Zhiyu (CI, 1995). His painting practice explores how images—especially landscapes—are shaped by technologies of seeing, memory, and circulation. Moving between European and Chinese cosmologies, his work uses comparison as a method to map how modernity produced specific ideas of nature and human–land relations, which have since been naturalized to the point of appearing ahistorical. His modular works and display structures respond to shifting image conditions, foregrounding landscape is entangled with power, mobility and identity.
His recent activities include the group exhibition Dialogue at EMMA – Espoo Museum of Modern Art (2025) and the solo exhibition Layered Hills Send Off Glimmering Light at the Helsinki Art Museum (2024) . He holds an MFA from the University of the Arts Helsinki and was a participant at the Jan van Eyck Academie in 2025. He is currently part of the Berlin Program for Artists and will attend the International Studio & Curatorial Program ( ), New York, in 2027.

The work was produced with the support of the during the 2025 residency.

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