14/10/2026
SECCI | José Carlos Martinat
Now Nation, 2026 — José Carlos Martinat
In Now Nation (2026), Martinat lifts a fragment of the city and brings it indoors — not an image of a wall, but the wall itself.
Since the Peruvian presidential elections of 2021, he has developed a gesture of extraction and translation — the wall extractions — performed on real walls in Peru and Venezuela, where walls are not simply structural elements but vehicles of popular expression, screens for propaganda, residues of an ongoing state of emergency. A Peruvian Red Cross logo lifted from an abandoned building recalls a country inflamed by organised crime and shaken by uprisings against the new government. A graffito of a large watermelon, nodding to Peruvian agriculture, becomes the backdrop for how the country’s political polarisation shapes readings of the Israeli-Palestinian conflict.
Transferred into the space of art as witnesses to institutional disintegration, these fragments — surfaces laden with writing, colour, slogans and erasures — do not turn neutral. They become devices of memory, urban archaeologies and ruins of the present, pressing against the boundaries between public and private, legitimate and subversive.
José Carlos Martinat (b. 1974, Lima) lives and works in Lima.