Art and Charlie

Art and Charlie Art Curation | Artist Agency | Art Acquisition Consultants

Bringing back critique in art. What does it mean to commission critique for an artist? Can it even be done? Is intention...
26/08/2026

Bringing back critique in art. What does it mean to commission critique for an artist? Can it even be done? Is intention setting enough to counter the conflict inherent in commissioning it for yourself as an artist? Does the larger context of the death of art criticism as we knew it, change how we see this intervention? An experiment, an intervention as experimental as they come. Is this what roasts look like in the art world? How playful will it really be? Come find out with us this Saturday.

Bringing back critique, this time as an intervention. The site is an artist’s solo exhibition, the critic is his profess...
26/08/2026

Bringing back critique, this time as an intervention. The site is an artist’s solo exhibition, the critic is his professor. Come and see what happens when we experiment with the process of critique itself

An Intervention by Indrapramit Roy for ‘Hell Is Other People’, a solo exhibition by Vyom at Art and Charlie, Mumbai

Hell is other people (“L’enfer, c’est les autres” ), is a line written by Jean-Paul Sartre in his 1944 play No Exit. It ...
22/08/2026

Hell is other people (“L’enfer, c’est les autres” ), is a line written by Jean-Paul Sartre in his 1944 play No Exit. It names a particular anguish: the way another’s gaze can fix us into a single, static image. He articulates a kind of violence in being seen once, and mistaken for the whole of who we are.

Vyom ‘s works, made from metals whose colours and textures continue to change over time, refuse to be judged as a whole at any moment. Carbon residue will fall away. Oxidation will bring in new reds and browns. Although Vyom’s practice has always leaned towards posthumanism, it has taken him the better part of two decades to truly find camaraderie with the materials he works with and be able to allow the material and processes to be participant in the making. He now relinquishes part authorship of his works to humidity, air, light and time. Both viewer and artist are decentred in the life of the work, which may in the end outlast our claim to it.

Hell is Other People marks an important threshold in Vyom’s practice. For years, he accumulated fragments of metal, building materials, failed experiments and discarded objects across small storage spaces, often without fully knowing why he was holding on to them. With the opening of a new workshop, these materials could finally be laid out, revisited and seen. What emerged was a body of work shaped by intuition, memory and a submission of control. The artist steps back. The final transformation belongs to the material’s own internal logic.

Vyom asks the viewer to witness the exhibition in its process of transformation, not fix it in a single gaze. Perhaps, he asks the same for himself and us. “My work is only beginning”, he says.

Curated by Ayesha Parikh
at Art and Charlie opens 22 Aug 2026, 6pm

Opens today, Saturday | Hell Is Other People | Vyom solo exhibition | 6pm at Art and Charlie, 22 Aug 2026
22/08/2026

Opens today, Saturday | Hell Is Other People | Vyom solo exhibition | 6pm at Art and Charlie, 22 Aug 2026

‘Dear Bhaarat, even if it fits me; I am wounded by it’, 2026Oil on canvas35 x 46 inBy Aksh Diwan Garg (Aksh)🟢 AvailableD...
15/08/2026

‘Dear Bhaarat, even if it fits me; I am wounded by it’, 2026
Oil on canvas
35 x 46 in

By Aksh Diwan Garg (Aksh)

🟢 Available
DM for more information

‘Wedding Season | आप किसकी तरफ से?’ curated by Mihir Thakkar (Mihir Thakkar)

Save the date for our next exhibition ‘hell is other people’ by Vyom (Vyom) (b. 1985) whose work evokes a diverse world ...
13/08/2026

Save the date for our next exhibition ‘hell is other people’ by Vyom (Vyom) (b. 1985) whose work evokes a diverse world of non-human presences, beings in continuing flux, through play and discovery, and shifts of power.

He studied sculpture at the Faculty of Fine Arts at M.S.U, Baroda. In addition, the experience of his early apprenticeship with Lynda Benglis in America as much as his more recent work with the potters of Mandla, Madhya Pradesh, Molela, Rajasthan and Poshina Gujarat, have had a significant impact on his thinking and practice. He showed his work at Art and Charlie in solo presentations and in various group exhibitions at the Kasturbhai Lalbhai Museum of Art, Ahmedabad; the India Art Fair, Delhi; Jaipur Lit Fest, among others.

🗓️ 22nd August 2026
🕕 6 - 9PM

📍Art and Charlie

Thank you Chintan Girish Modi (Chintan Girish Modi) for writing about Aksh Diwan Garg (Aksh)On view till 14th Aug, 11 am...
12/08/2026

Thank you Chintan Girish Modi (Chintan Girish Modi) for writing about Aksh Diwan Garg (Aksh)

On view till 14th Aug, 11 am - 8 pm

‘Topper cousin with bad styling’, 2026Oil on linen20 x 36 inBy Aksh Diwan Garg (Aksh)🟢 AvailableDM for more information‘...
12/08/2026

‘Topper cousin with bad styling’, 2026
Oil on linen
20 x 36 in

By Aksh Diwan Garg (Aksh)

🟢 Available
DM for more information

‘Wedding Season | आप किसकी तरफ से?’ curated by Mihir Thakkar (Mihir Thakkar)

On view till 15th August
Wed - Sun, 11 am - 8 pm

09/08/2026

“These are the kind of days that make me proud of Art and Charlie and all the discussions we platform, discussions that run quietly in intimate groups with signups from our community. This room was curious, and reflected on Sandesh Awdan’s (Sandesh_Awdan) research, of folk songs passed down generations, that are sung by women at Indian weddings.

We laughed at some of the eccentric rituals. We were amazed by how effortlessly, the folk songs seemed to adapt to the present day, almost as though oral nature of their inheritance had deliberately allowed for this adaptability across generations. We observed the subtle heirarchies of who gets to sanctify the marriages, which caste, which gender. A participated asked if this could be another colonial fallacy, that proclaims that written knowledge is the best way to preserve all knowledge. Sandesh Awdan spoke about theories of the possibility of early matrilineal societies that may have existed for over 30,000 years before the advent of patriarchy around 3000 BCE, potentially around the same period that structures around marriage and monogamy were changing.

We discussed all that we inherit, participate in and sometimes begin to question only much later. When the session ended, it felt like we had all been embraced in a metaphorical safe hug for that hour together. I definitely healed a little more.”

Reflections on the lecture at Art and Charlie by researcher and historian Sandesh_Awdan

Find Saviya Lopes ‘s work in Chennai, acquired by Avtar Foundation for The Arts Jaiveer Johal and exhibited at their new...
08/08/2026

Find Saviya Lopes ‘s work in Chennai, acquired by Avtar Foundation for The Arts Jaiveer Johal and exhibited at their newly opened exhibition ‘Unruly Bodies | Sighting the body politic’ curated by Suchitra Vijayan. The exhibition is at Alliance Française Madras and open to view Thurs to Tue 10am to 6pm

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