The Cube Gallery

28/04/2026

Ana Tsertsvadze (.a) creates delicate graphic works inspired by quiet moments of everyday life.

Her drawings invite you to slow down and notice beauty in stillness, echoing the idea of biophilia, our deep connection with nature and living things.

24/04/2026

Tamal Das () transforms scrap iron and industrial remnants into sculptural works that balance between the mechanical and the poetic. Using bolts, rods and metal fragments, he gives discarded materials a second life, turning waste into presence.

His practice reflects ideas of reuse, transformation and resilience, echoing biophilia as a cycle of coexistence rather than an idealised vision of nature.

20/04/2026

Ritesh Uttamchandani () explores abandoned Goan homes slowly reclaimed by nature.
A house is more than walls, it once held safety, memory, and a sense of belonging. In these spaces, nature returns quietly yet persistently, reclaiming what was once human.
Shot on 120 black and white film and developed using coffee, the series embraces slow, sustainable processes. It reflects Biophilia not as harmony, but as inevitability, nature always finds its way back.

16/04/2026

Nimmy Joshi (Nimmy Joshi) left architecture to reconnect with making by hand, finding in pottery a more intimate way to create. Since launching her miniature ceramics brand in Goa in 2015, her practice has grown into a quiet dialogue with nature, where boundaries between the living and the nonliving dissolve.

Co founder of Mudskippers Studio, she also supports a new generation of potters through community and shared knowledge. Today her work expands into mixed media, exploring identity as something deeply rooted in the natural world.

29/03/2026

21/03/2026

Working with the philosophy of Panchtatva, the five elements, Shyam Pahapalkar creates sculptures rooted in tribal memory, natural materials, and myth.
Coming from a tribal region himself, the artist brings stories where nature and human life cannot be separated, where belief, ecology, and imagination exist as one living system.
For Biophilia, natural textures meet subtle industrial elements, opening a new dialogue between nature, material, and mythology.

18/03/2026

Ramdas Gadekar () creates ceramic sculptures inspired by beetles — ancient life forms essential to processes of decay, renewal, and ecological balance.
Working with clay from the earth, the artist reflects on biophilia and our fragile connection with the living world.

15/03/2026

Nikunj Choradiya explores life as a self-sustaining cycle, where growth, decay, and renewal exist as one continuous movement.
In Chasing Itself, the spiral form echoes ancient rhythms of transformation, while in Coexistence organic materials — mycelium, wood, seeds, and mushrooms — become quiet witnesses of interdependence.
These works hold a fragile balance, reminding that life continues not through control, but through attention, care, and constant change.

12/03/2026

In these ceramic sculptures, Thomas Louis () creates hybrid, creature-like forms that feel both ancient and imaginary, somewhere between birds, reptiles, shells, and human figures. His style combines traditional pottery techniques with expressive textures and layered glazes, giving each piece a strong tactile and organic presence. The works feel playful and mysterious at the same time, as if they belong to their own evolving mythology.

Biophilia is on view until 21/05/2026.

09/03/2026

Sonja Weder’s Biotic Installations explore the dialogue between organic life and material transformation.
Hand-built papier-mâché forms are layered with natural pigments and embedded with seeds and plant residues.
Rooted in cycles of germination, decay, and renewal, the works exist between sculpture and organism.
A poetic reflection on the porous boundary between the human hand and the living world.

Biophilia is on view until 21/05/2026.