Art & Beyond

Art & Beyond An online gallery headquartered in New Delhi, showcasing many respected artists from the contemporary and modern art fraternity.

We aim to build a visually aesthetic experience for art enthusiasts looking to invest in art from the comfort of their homes.

11/08/2026

Before acquiring an artwork, it is essential to understand its physical condition.

In this reel, our co-founder Saanya Anand explains what a condition report reveals, what collectors should look for and why asking the right questions leads to a more informed acquisition.

Because collecting with confidence begins with knowing exactly what you are investing in.

To book your consultation, write to us on [email protected].

In Shobha Broota’s practice, abstraction becomes a disciplined inquiry into rhythm, perception and inner consciousness.D...
31/07/2026

In Shobha Broota’s practice, abstraction becomes a disciplined inquiry into rhythm, perception and inner consciousness.

Drawing upon her training in Hindustani classical music, Broota approaches the canvas much like a musical composition. Colour, repetition and layered mark-making establish tempo and tonal movement, while the pictorial field becomes a space for stillness and contemplation.

In her work ‘Untitled 08’’, form is pared back to its essential elements, yet the surface appears to expand beyond its physical boundaries. The work does not demand immediate interpretation. Instead, it rewards sustained looking, gradually drawing the viewer into its meditative intensity.

Artwork in frame:
Shobha Broota
Untitled 08, 2010
Acrylic on canvas
48 × 48 in

To enquire about her works, write to us at [email protected].

25/07/2026

The art market isn’t one marketplace. It’s two, and understanding the difference can completely change how you collect.

In this reel, our Co-Founder, Shriya Anand, breaks down the primary and secondary market, what sets them apart, and why every collector should know where they’re buying from.

Questions about collecting? Drop them below or write to us at [email protected].

17/07/2026

F.N. Souza’s distorted faces were never meant to please. They were meant to provoke.

Behind the fractured features, sharp lines and unsettling gaze lies one of the most radical voices of Indian modernism. Souza challenged beauty, morality, religion and power with a language that still feels fierce, uncomfortable and alive.

So why do collectors pay crores for these faces?

Because they are not just portraits. They are rebellion, rendered in line.

Watch the reel to understand why Souza’s distortion continues to hold such extraordinary value.

Avinash Chandra’s practice moved through remarkable visual transformations.From the charged landscape of Shah Alam’s Tom...
07/07/2026

Avinash Chandra’s practice moved through remarkable visual transformations.

From the charged landscape of Shah Alam’s Tomb to the lush, foliate world of Sea of Life, his work reveals an artist who never treated landscape, body and nature as separate subjects. In his hands, architecture could pulse with emotion, the female body could become terrain, and flowers, birds and foliage could carry the memory of human form.

A modernist of rare visual instinct, Chandra built a language where colour, curve and rhythm became the true subject. His paintings do not simply depict the world. They reimagine it as sensation.

Works featured:
Avinash Chandra
Shah Alam’s Tomb, 1955
Oil on Canvas

Avinash Chandra
Sea of Life, 1987
Oil on Canvas

To inquire about his works, write to us at [email protected]

05/07/2026

An informed acquisition begins before the payment is made.

In this reel, our co-founder Saanya Anand breaks down the essential questions every collector should ask before purchasing an artwork, from pricing and payment terms to documentation, delivery, insurance and after-sales support.

Because collecting is not just about choosing the right work. It is about entering the process with clarity, confidence and trust.

To book your art consultation, write to us on [email protected].



04/07/2026

An informed acquisition begins before the payment is made.

In this reel, our co-founder Saanya Anand breaks down the essential questions every collector should ask before purchasing an artwork, from pricing and payment terms to documentation, delivery, insurance and after-sales support.

Because collecting is not just about choosing the right work. It is about entering the process with clarity, confidence and trust.

To book an art consultation, write to us on [email protected].



02/07/2026

To stand before an S.H. Raza is to enter a universe of colour, silence and precision.

A founding member of the Bombay Progressive Artists’ Group, Raza helped shape the language of Indian modernism before developing one of its most recognisable symbols: the Bindu. What may appear minimal at first is deeply layered. Memory, Indian philosophy, nature and abstraction all meet within his geometric worlds.

Reading a Raza begins with slowing down. Let the colour speak. Let the form settle. Let the centre pull you in.

An S.H. Raza’s work is not just seen, it is experienced.

To enquire about his works, write to us on [email protected]

25/06/2026

Scale may command attention, but significance is built through detail, context and artistic intent.

In this reel, our co-founder, Shriya Anand, reflects on why scale alone cannot define the significance of an artwork. Period, rarity, ex*****on, provenance and the artist’s intent often carry far greater weight.

From miniature paintings to intimate works by modern masters, some of the most powerful pieces are the ones that ask us to look closer.



Chittaprosad remains one of the most uncompromising voices in modern Indian art, not because he simply documented histor...
19/06/2026

Chittaprosad remains one of the most uncompromising voices in modern Indian art, not because he simply documented history, but because he challenged the very idea of what art could do.

During the Bengal Famine, his drawings became testimony. His publication Hungry Bengal was banned and nearly destroyed by the British, yet the work survived as one of the most powerful visual records of colonial violence and human suffering.

But to remember him only through famine is to miss the extraordinary range of his practice. Chittaprosad was also a poet, illustrator, printmaker, poster artist, storyteller and puppeteer. He made works for political movements, for children, for theatre, for peace, and for the everyday dignity of people rarely seen in art history.

His was not an art of decoration.
It was an art of conscience.

To enquire about his works, write to us on [email protected].

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