What are the opening hours?

Monday 11:00 - 21:00 Tuesday 11:00 - 21:00 Wednesday 11:00 - 21:00 Thursday 11:00 - 21:00 Friday 11:00 - 21:00 Saturday 11:00 - 21:00 Sunday 11:00 - 21:00

Tomorrow Maybe, 4/F Eaton HK, 380 Nathan Road, Kowloon (2026)

07/06/2026

Offline Memories: Hong Kong LGBTQ+ Archive of Printed Matter from the Pre-Internet Era ()
離線回憶：前互聯網時代香港同志印刷品檔案庫

Presenters: Eaton HK 香港逸東酒店 (.hk) , Tomorrow Maybe ()

Sponsor 贊助: WMA ()
Project Consultant 項目顧問：Anson Mak 麥海珊 (.sun)
Curator 策展人：Joseph Chen 陳敬元 ()

Exhibition 展覽
11AM - 9PM, 18th June - 19th July 2026
4/F Tomorrow Maybe 藝廊, Eaton HK
Artists 藝術家：Johnny Au 歐健韋 (), Chan Ting 陳庭 (), Dorothy Cheung 張紫茵 (), Anson Mak 麥海珊 (.sun), Ellen Pau 鮑藹倫 (), Beatrice Wong 黃雪綾, Eric Yip 葉晉瑋 (.ycw) x Veegay ()

Opening Reception 開幕式
7PM - 9PM, 18th June 2026 (THUR)
4/F Tomorrow Maybe 藝廊, Eaton HK

Guided Tour 導賞
7PM - 7:30PM, 18th June 2026 (THUR)
4/F Tomorrow Maybe 藝廊, Eaton HK

Opening Performance 開幕表演
8:30PM-9PM, 18th June 2026 (THUR)
4/F Music Room, Eaton HK
Artist 藝術家：Veegay () & Eric Yip 葉晉瑋 (.ycw)

Online Artist Talk 線上藝術家座談
4PM - 6PM, 27th June 2026 (SAT)
Moderator 主持: Joseph Chen 陳敬元 ()
Speakers 講者：Johnny Au 歐健韋 (), Chan Ting 陳庭 (), Dorothy Cheung 張紫茵 (), Anson Mak 麥海珊 (.sun), Beatrice Wong 黃雪綾 , Eric Ip 葉晉瑋 (.ycw)
Talk will be conducted in Cantonese 講座將以粵語進行

Screening: Hong Kong Early Tongzhi Video Art 放映會：香港早期同志錄像藝術
7PM - 9PM, 28th June 2026 (SUN)
1/F KINO, Eaton HK
Artists 藝術家：Anson Mak 麥海珊 (.sun), Ellen Pau 鮑藹倫 ()
Talk will be conducted in Cantonese 講座將以粵語進行

Talk: Tongzhi Groups Activities in the 1990’s 座談：90年代同志活動面面觀
2 - 4PM, 11th July 2026 (SAT)
1/F KINO, Eaton HK
Moderator 主持: Anson Mak 麥海珊 (.sun)
Speakers 嘉賓講者: Gumgum 金佩瑋, Connie Chan 陳文慧, Lai Chung Keung, Michael 黎頌強
Talk will be conducted in Cantonese 講座將以粵語進行

Talk：Introduction to the Highlights of Hong Kong LGBTQ+ Printed Matter 座談：香港同志印刷品精華介紹
4:30PM - 6PM, , 11th July 2026 (SAT)
1/F KINO, Eaton HK
Speaker 講者：Anson Mak 麥海珊 (.sun)
Talk will be conducted in Cantonese 講座將以粵語進行

Registration 登記: Link in bio

06/06/2026

Dunes () : La Désertrice
8:30PM - 9PM, 12th JUNE 2026 (FRI)
4/F Tomorrow Maybe, Eaton HK
Free Entry 免費入場
RSVP: https://tinyurl.com/2jyj5fy2

Dunes Kiefer is a French performance artist based between Paris and Beijing. Her work combines movement, installation, and improvisation to explore the body’s relation to space, memory, and structures of control.

Using lightweight and transformable materials such as paper, fabric, wax, and sculptural elements, she creates immersive performance environments that evolve over time. Her practice emphasizes tension, fragility, and spatial transformation, while remaining focused on gesture, atmosphere, and live presence.

Her performances are non-narrative and sensory, shaped by light, sound, texture, and movement. Coming from an independent artistic background, she develops work through experimentation and material research rather than fixed choreographic systems.

Dunes Kiefer是一位駐巴黎和北京的法國行為藝術家。她的作品融合了肢體動作、裝置藝術和即興創作，探索身體與空間、記憶以及控制結構之間的關係。

她運用紙張、織物、蠟和雕塑元素等輕盈且可變形的材料，創造出隨著時間而不斷演變的沉浸式表演環境。她的創作實踐強調張力、脆弱性和空間轉換，同時又注重姿態、氛圍和現場呈現。

她的展演是非敘事性的，以感官體驗為主，並由光線、聲音、質感和動作塑造而成。她擁有獨立藝術背景，其創作方式是透過實驗和材料研究，而非固定的編舞體系。

05/06/2026

A Q***r Pans*xual Feminist Proposal: Archiving reflections on relationship by Sonia Wong ()
泛性戀、酷兒、女性主義者提案：關係反思之檔案建構

8PM - 8:30PM
12th June 2026
4/F Music Room 音樂室, Eaton HK
Free Entry 免費入場
https://tinyurl.com/4ybc999m

What does it mean for a q***r pans*xual feminist to begin to think about coupledom and marriage – when the political comes crashing into the personal? Artist and scholar Sonia Wong shares her on-going reflection on themes of q***rness, femininity, relationship, and commitment in this archival performance, leading the audience through the immaterial, transient, volatile, contesting, and constantly evolving.

對一個泛性戀酷兒女性主義者而言，當政治與個人生活碰撞交織時，思考伴侶關係和婚姻意味著什麼？在這場檔案演出中，藝術家兼學者Sonia Wong將透過回溯自己的作品，分享她對酷兒身份、女性氣質、關係與承諾等主題的持續思考，引領觀眾探索其中無以名狀的、短暫易變的、黑白不明的甚麼。

26/05/2026

Soft Rules: Amy Ching-Yan Lam Artist Talk

3-5 pm, 7 June
Venue: Music Room, 4/F, Eaton HK
Language: English
Moderated by Zian Chen ()

In the versatile work of Hong Kong–Canadian artist and poet Amy Ching-Yan Lam—spanning poetry, artists’ books, and exhibitions—artistry and humor arrive sideways, surfacing where they seem least supposed to exist.

In this talk, Lam will share projects from the past decade, including Looty Goes to Heaven (2023), a speculative novel and animation exploring British colonial extraction through the perspective of a Pekin dog stolen after the O***m Wars, and Acceptable Protest (2025), which satirizes the absurd logic of “approved” dissent on North American campuses following the Palestine encampments.

Moderated by her translator, Zian Chen, the conversation will explore how literary gestures fold into exhibition-making, and how institutional critique slips back into writing. After the talk, the speakers will open up an informal exchange with the audience on writing poetry, making artists’ books, and organizing exhibitions in Hong Kong.

Amy Ching-Yan Lam is an artist and writer born in Hong Kong who lives in Tkaronto/Toronto and Lenapehoking/Brooklyn. She works between what capitalism requires of life and what it feels like to be alive.

🌐Amy Lam: www.amylam.me
🎟️RSVP: https://tinyurl.com/5ezyzcza

唔使講出口
林靜昕藝術家講座

6月7日｜下午茶3-5時
地點：香港逸東酒店4樓音樂室
語言：英語
主持：陳璽安

若你初次接觸香港裔加拿大藝術家林靜昕的作品，你或許會被她輕描淡寫、彷彿在不應該有詩歌和藝術之處尋找到頭緒的靈巧所吸引。她寫詩、製作藝術家書，也做展覽，從日常遭遇中提煉幽默感，把它作為文學方法，也作為一種政治態度，回應那些塑造當代生活的制度與結構。

這場講座中，她將分享過去十年間的寫作與展覽實踐：包括《洛蒂上天堂》（2023）——一部以鴉片戰爭後被劫掠的京巴犬為視角，重新想像英殖民掠奪史的推想小說與動畫作品；近期的《抗議的容忍度》（2025）則拆解近年北美大學校園對學生活動重重設限的荒謬邏輯與界線。

講座將由她合作的譯者陳璽安主持對話，探討文學手法如何融入展覽創作，以及機制批判如何折疊回寫作，也歡迎大家在會後留下分享交流，關於在港寫詩，寫藝術家書，做展覽的二三事。

生於香港的林靜昕，現居多倫多（Tkaronto）和布魯克林（Lenapehoking）。她的創作遊走於「資本主義要求我們如何活」與「活著實際是甚麼感覺」之間。

02/05/2026

Last week to visit Joshua Serafin: Grieve the Departed Wound, catch the exhibition before it ends. ⚔️

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Exhibition: Grieve the Departed Wound
Artist: Joshua Serafin ()
Dates: 20 Mar - 10 May
Opening: 6-9PM 20 Mar
Venue: Tomorrow Maybe, 4/F, Eaton HK
Curator: Joseph Chen ()

16/04/2026

Q***r Animals 酷兒莊園
A performance by Soya the Cow & Piano Prince featuring Shanghai-based artist Yihao as a special guest

Date and Time: 7PM, 24 APR, 2026
Venue: Music Room, 4F, Eaton HK, 380 Nathan Road
Artists: Soya the Cow, Piano Prince, Yihao
Free entry
RSVP: link in bio

All animals are equal. But some are gay, some change s*x on a Tuesday, and some just don’t need males at all — wait, what?!

Soya the Cow & Piano Prince bring their concert performance Q***re Tiere to Hong Kong — a naughty, thought-provoking evening of song celebrating the wild and wonderful love and s*x lives of animals.

Gay swans who steal eggs to become parents. Sex-changing snails. Unforgettable wormgasms. And life forms beyond imagination.

With Yihao, moving on the threshold between human and beast — with a particular fascination for insects and the armoured beauty of exoskeletons.

Together, the three delve into the untamed diversity of nature’s s*xualities — set to rich musical variety, narrative depth, and mesmerising visuals. Poetic, entertaining, and deeply moving.

Science was never this fabulous.

23/03/2026

Healing is rarely found on the path of least resistance; it is found in the conscious, sensory confrontation with the terrain of the self. In “Stepping Stones Won’t Break My Bones” in ’s booth at HK, Sharu B Sikdar bridges a quiet dialogue between the weight of the body and and the ground supporting you—a physical reminder that while we are fragile, we are not easily broken.
———————
Sharu Binnong Sikdar (): Stepping Stones Won’t Break My Bones
Eaton HK, Tomorrow Maybe @ Art Basel HK ()

Exhibition
Artist: Sharu B. Sikdar ()
Curator: Joseph Chen ()
Venue: Institution 4, Level 1 Concourse, Hong Kong Convention and Exhibition Centre
Date: 27-29 Mar, 2026 (VIP preview on 25-26 Mar, 2026)

18/03/2026

✨ Joshua Serafin: Grieve the Departed Wound ✨

Joshua Serafin: Grieve the Departed Wound is a performative milieu that dislodges the exhibition from the white cube and situates it within a black box. Here, the traditional boundary between spectator and performer dissolves in a site of intra-action between objects and humans—a process of co-constituted worlding. Within this atmospheric environment of contemporary abstractions and indigenous cosmovisions, visitors become part of a dynamism of forces composed of light, sound, fluids, mechanics, biomaterials, and spirits. They complete the wound and inhabit the very entanglement they witness—moving, imagining, and breathing through the work.

Apart from the exhibition, Joshua Serafin will perform Relics in the parties at M+ and Eaton HK in Hong Kong Art Week, get your tickets now.

About Relics
Relics is a solo choreography based performance rooted in Joshua’s transoceanic family history, beginning with their Japanese great-great-grandfather who migrated to the Philippines in 1909. This work delves into forgotten narratives and the loss of an identity once tied to a lineage, summoning cathartic energy and creating visual spectacle through movement, ritual, and embodied storytelling.

Joshua Serafin @ Hong Kong Art Week
—————————————————————

Exhibition: Grieve the Departed Wound
Artist: Joshua Serafin
Dates: 20 Mar - 10 May
Opening: 6-9PM 20 Mar
Venue: Tomorrow Maybe, 4/F, Eaton HK
Curator: Joseph Chen

The Party @ M+ (by invitation only)
Date and Time: 8:30pm-12am 23 Mar
Performance Programme: Relics by Joshua Serafin presented by Eaton HK

Party: Ancestral Frequencies
Date and Time: 9pm till late, 26 March
Venue: Terrible Baby, 4/F, Eaton HK
Artists: Joshua Serafin, Abyss X, Zoë Marden + Sonia Wong, Dis Fig, Fotan Laiki, Mario Barrantes Espinoza, Lydia McGlinchey, Fake Moss, Brandon Tay
Ticket Price: HKD300
RSVP: https://tinyurl.com/5c6bx425

Artist Residency
Period: 15 - 28 Mar

10/01/2026

🧠💥 解殖瘋狂：自然（不）完整的人🫀

公眾講座

張馨儀 × 周耀輝 × 李柏翰 × 王修悟

一起穿越自我懷疑，直見差異中的同一本性 ✨

(English version shown at comment)

我們每個人都本自圓滿，為何仍被語言、法律與制度定義的「痛苦」困住？

從十年前《殘疾資歷》一書出版後至今，一路走過來，藝術家張馨儀的工作一向不僅表達精神痛苦來達至療癒，更想調查「痛苦」是如何被我們的語言、法律和制度所定義、分類和管理的：在我們被告訴「你是誰」之前，我們可能是誰？

她邀請觀眾進行的，不是一次情感的共鳴，而是一次認知的遷徙——從「在疾病框架內尋找意義」，遷徙到審視框架本身的圍牆，並在牆外呼吸，更透過藝術拆牆。

今次公開講座，策展人及藝術家張馨儀將分享個人如何從少年被診斷為「精神分裂症」直至脫離精神醫學治療，於28歲起參與聯合國《殘疾人權利公約》的審議至今的難忘經歷，以及文學、藝術創作與法律人類學研究如何造就自己。此外，她更榮幸邀請到著名填詞人香港都會大學教授周耀輝，來自台灣的全球公共衞生學者李柏翰以及台灣失序者聯盟的王修悟，跟公眾一起談人生的「自然（不）完整」又如何自處？

如果佛學所說的每個生命在本體上本自圓滿：「本自具足」，卻在現象中始終流變。我們為什麼執著所謂標籤與障礙？

展覽講座邀請大家一起穿越講者的人生中種種自我懷疑的時刻，直見那在差異中熠熠生輝的同一本性。

立即保存日期，一起拆牆！👇

《解殖瘋狂：自然（不）完整的人》

公眾講座｜2026年1月17日

地點｜逸東酒店 1/F Kino

語言｜廣東話及國語

RSVP: https://www.eventbrite.hk/e/1980344516759?utm-campaign=social&utm-content=attendeeshare&utm-medium=discovery&utm-term=listing&utm-source=cp&aff=ebdsshcopyurl

對談講者簡介：

周耀輝 () ，1989年發表第一首詞作，書寫歌詞及其他文字創作至今。近年亦參與舞台及視覺藝術創作，以及社區文創活動。現任香港都會大學教授。

王修梧 () ，臺灣台北，失序者聯盟創辦者跟理事長，TCI 獎助研究員 (2025) 。從同志運動、反反毒運動到今日的倖存者運動，我的倡議之路，也是我對自己的生命關注旅程。

李柏翰 (.jelph)，國立臺灣大學全球衛生學程副教授、法律白話文運動資深編輯。經常練習以女性主義、酷兒理論、批判障礙研究的角度來理解社會現象，主編《公民不盲從》（麥田，2022）、《隱性歧視》（麥田，2025）等書。

#解殖瘋狂

24/12/2025

Decolonising Madness: The Naturally (In)complete Human

In a world that labels systemic failures and its normality as “madness,” we choose to respond by delving deeply into the laws of nature: every life is, by its very essence, (in)complete.

This exhibition critiques the legal concept of “mental incapacity” and the systems that measure legal capacity and subjectivity. Artist Sophie Cheung adopts “dis-identification” as method—neither fully accepting nor rejecting labels like “disability” or “recovery,” but strategically reclaiming and reassembling them. Through ten years of community art workshops in Hong Kong and London, she and participators forged excluded experiences into raw material for creating “life” as the ultimate artwork. The show reveals how, at the margins of discipline, each of us can find vibrant ways of becoming ourselves.

“The Naturally (In)complete Human” evokes an authentic (in)completeness, exposing how legal “mental (in)capacity” violates our natural state. Western “natural law” stems from divine ideals of order, yet true nature has no tangled labels—only endless transformation and flowing energy.

A withered tree is not “dead” but a hub sheltering new life; winter branches are reservoirs of strength. Trees do not judge each other “disabled”—they coexist, sharing nutrients in unconditional symbiosis. When we return humans to life’s interconnected web, many “personal problems” reveal themselves as signs of systemic imbalance.

Thus, the title playfully parodies “the mentally incapacitated person.” It offers no new “truth,” but a fluid, nature-like understanding: dissolving the permanence of labels. Every marked life state is a node of transformation in an unconditional ecological network—not seeking another “completeness,” but living at the edge of definition, in creative uncertainty.

Exhibition period: 9 Jan – 1 Feb 2026

Venue: Tomorrow Maybe, 4/F, Eaton HK

Public Talk: 17 Jan 2026

Tomorrow Maybe

07/06/2026

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26/05/2026

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16/04/2026

23/03/2026

18/03/2026

10/01/2026

24/12/2025

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Monday	11:00 - 21:00
Tuesday	11:00 - 21:00
Wednesday	11:00 - 21:00
Thursday	11:00 - 21:00
Friday	11:00 - 21:00
Saturday	11:00 - 21:00
Sunday	11:00 - 21:00