14/06/2026
‘This time, I imagined a security guard who has been watching over Para Site for thirty years—like a ghost—haunting the exhibition space.’ 📺👁️🌀
Tianyi Zheng ()’s site-specific commission ‘A Station That Never Sleeps’ takes the form of an unmanned surveillance console assembled from office shelves and found objects worn down by the weight of time.
Developed in conversation with Para Site’s three-decade archive, the work draws on Zheng’s own passage through the institution—as a student visitor, an intern, and now a practicing artist whose work probes the entangled relationship between urban space and the memory it holds.
Archival photographs and footage loop across the old monitors in fragments: glitched, distorted, recurring. As visitors pass before the installation, each step folds into a sequence already in motion—one that accumulates, flickering, beyond its original parameters and into something it is still becoming.
In eerie disquiet, a guard never clocked out; hauntingly, history is making itself.
On view now at Site-seeing until Sun 14 Jun 2026.
Para Site 22/F
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「這一次，我想像了一位三十年來守望著Para Site的保安員，如同幽靈，縈繞在展場之內。」📺👁️🌀
鄭天依的場域特定委約作品《展場夜更》以一座無人監控站的形式呈現, 它由辦公架與歷經時光磨蝕的現成物組裝而成。
作品以與Para Site橫跨三十年檔案的對話為引，亦承載著鄭天依與這機構之間的深厚淵源——從昔日觀展的學生，到在此實習，再到如今成為一名全職藝術家，以創作探索城市空間與其所承載之記憶。
舊螢幕上, 檔案照片與影像如碎片般循環映現：畫面閃爍、扭曲、週而復始。當觀眾在裝置前走過，每一步都悄然融入了這個已在運行的序列之中——它緩緩累積，閃爍，越過原有的邊界，化為某種仍在生成之物。
在詭譎的寂靜之中，那保安未曾離崗；幽然，歷史書寫著自身。
現正於「易過借房」展出，展期至2026年6月14日（星期日）。
Para Site 22樓
