ba d'arts藝趴

ba d'arts藝趴 藝術共創平台 | 策展 | 設計文創
𝘉𝘳𝘪𝘯𝘨 𝘢𝘳𝘵 𝘵𝘰 𝘣𝘢-𝘸𝘩𝘦𝘳𝘦 𝘵𝘩𝘦𝘳𝘦 𝘪𝘴 𝘯𝘰 𝘣𝘢𝘳
與我們來一場藝術派對

【營運公告 Operation Notice】因場地維護,藝趴將於9月5日至9月21日暫時休館。我們將於9月22日重新開放,期待與大家共同體驗更多藝術呈現。Due to venue maintenance, ba d’arts will b...
04/09/2026

【營運公告 Operation Notice】

因場地維護,藝趴將於9月5日至9月21日暫時休館。

我們將於9月22日重新開放,期待與大家共同體驗更多藝術呈現。

Due to venue maintenance, ba d’arts will be temporarily closed from September 5 to 21.

We will reopen on September 22, and look forward to sharing the profound artistic experience with you all.

閉關通知 Operation Notice藝趴將由8月24日至8月27日暫時休館,以全力投入「告訴我仍然可以快樂」音樂 x 展覽的籌備工作。我們將於8月28重新隆重開幕,期待與大家共同體驗這場深刻的藝術呈現。 ba d’arts will ...
23/08/2026

閉關通知 Operation Notice

藝趴將由8月24日至8月27日暫時休館,
以全力投入「告訴我仍然可以快樂」
音樂 x 展覽的籌備工作。

我們將於8月28重新隆重開幕,
期待與大家共同體驗這場深刻的藝術呈現。

ba d’arts will be temporarily closed from
August 24 to August 27 to prepare the
new exhibition.

We will grandly reopen on August 28 and look forward to reuniting with everyone to experience the profound artistic presentation together.

《被。看見 TO BE SEEN: Beyond The Norms》 這場展覽展出的,不只是他們這三年在 DSE 制度下走過的藝術旅程更是十六個年輕靈魂,在無數質疑之後,依然選擇相信自己、重試、再出發的故事。他們不再只是考生,而是策展人;...
14/08/2026

《被。看見 TO BE SEEN: Beyond The Norms》
這場展覽展出的,不只是他們這三年在 DSE 制度下走過的藝術旅程

更是十六個年輕靈魂,在無數質疑之後,依然選擇相信自己、重試、再出發的故事。

他們不再只是考生,而是策展人;不再只是交功課,而是用展覽發聲。

藝術可以不只是分數。他們突破考試制度的框架,只為讓無數藝術學生的聲音,被社會真正看見。

邀請你從公式化的制度抽身,見證這些不被分數局限、由汗水與靈魂堆砌而成的聲音。

展期 | 2026.08.07 – 08.23 (Tue - Sun)

開放時間 | Tue - Thu: 1100 - 1800 | Fri: 1400 - 2100 | Sat-Sun: 1000 - 1800 | 星期一及公眾假期暫停開放
地點 | ba d’arts 藝趴 ba.d.arts 香港上環德輔道西32-36號利豐商業大廈11樓
門票 | 自由定價

Dice art studio x ba.d.arts

閉館通知 Operation Notice藝趴將由7月31日至8月6日暫時休館,以全力投入《TO BE SEEN: Beyond The Norms》展覽的籌備工作。我們將於8月7重新隆重開幕,期待與大家共同體驗這場深刻的藝術呈現。 ba ...
30/07/2026

閉館通知 Operation Notice

藝趴將由7月31日至8月6日暫時休館,
以全力投入《TO BE SEEN: Beyond The Norms》展覽的籌備工作。

我們將於8月7重新隆重開幕,
期待與大家共同體驗這場深刻的藝術呈現。

ba d’arts will be temporarily closed from July 31 to August 6 to prepare the new exhibition
“TO BE SEEN: Beyond The Norms”.

We will grandly reopen on August 7 and look forward to reuniting with everyone to experience the profound artistic presentation together.

【Light in the Dark】Azania 馮芷蕎在那片黑暗、深邃、無盡的海洋裡,水母如同人被困時的思緒——渺小、脆弱、近乎沉默地漂浮著,透明而無聲。此作品以水下的「鎖鏈」與「網」構築出生命中無形的困住。金屬鎖鏈與纖維網在水中交織,...
30/07/2026

【Light in the Dark】
Azania 馮芷蕎

在那片黑暗、深邃、無盡的海洋裡,水母如同人被困時的思緒——渺小、脆弱、近乎沉默地漂浮著,透明而無聲。此作品以水下的「鎖鏈」與「網」構築出生命中無形的困住。金屬鎖鏈與纖維網在水中交織,形成視覺與空間上的壓迫,象徵社會壓力、內心限制與關係的纏繞。它們如深海中的枷鎖,讓人感到動彈不得。

然而,它們在深淵中,成為一束從內在緩緩釋放的光。這不是因為強大,而是因為牠們本質上就是光的載體。水母擁有八行由無數纖毛組成的櫛板結構,當光線穿過時,纖毛如細小的稜鏡,將不同波長的光折射、散射成流動的彩虹閃爍。它們在脆弱與無聲中緩緩游動,折射著周遭的光輝,提醒我們:被困,不等於必須熄滅。

人在尋找光,其實同樣是在尋找自己,看清上帝創造物的本相——有脆弱、有限制,卻同時看見身上折射的恩典。

水母從不獨自長久發光,牠們在流動中彼此映照,發出微弱的光。「你們是世上的光。」(馬太福音 5:14)這光,因著我們彼此的連結,逐漸在深海之中顯明。

In the deep, boundless darkness of the ocean, jellyfish resemble human thoughts in times of hardship—small, fragile, yet quietly floating, transparent and resilient. This work uses underwater “chains” and “nets” to construct the invisible bonds in life. Metal chains and fiber webs intertwine in the water, creating visual and spatial oppression that symbolizes social pressure, inner limitations, and the entanglement of relationships, leaving one feeling unable to move.

Yet, it is precisely in this abyss that the jellyfish become a gentle light released from within. They do not shine because they are powerful, but because they are carriers of light by nature. The jellyfish’s comb plates, composed of countless cilia, act like tiny prisms when light passes through, refracting and scattering it into flowing rainbow sparkles. In their fragility and silence, they drift softly, reflecting the surrounding light and reminding us: being trapped does not mean one must be extinguished.

In seeking light, we are also seeking ourselves—seeing clearly the true nature of God’s creation: though fragile and limited, we can still reflect the grace of His light.

Jellyfish do not glow alone for long; they illuminate one another as they move together. “You are the light of the world.” (Matthew 5:14) This light, through our connection with one another, gradually shines forth in the deep sea.

【背光Backlight】
2026.07.05 – 07.30|ba d’arts 藝趴
免費入場 Free Admission

【藝趴惡劣天氣營運公告】因應惡劣天氣影響,展覽營業安排如下:一號戒備信號/三號強風信號/黃色或紅色暴雨警告:照常開放八號烈風或暴風信號/黑色暴雨警告:暫停開放八號烈風或暴風信號/黑色暴雨警告取消後:展覽將於信號取消後 2小時 重新開館全日閉...
25/07/2026

【藝趴惡劣天氣營運公告】

因應惡劣天氣影響,展覽營業安排如下:

一號戒備信號/三號強風信號/黃色或紅色暴雨警告:
照常開放

八號烈風或暴風信號/黑色暴雨警告:
暫停開放

八號烈風或暴風信號/黑色暴雨警告取消後:
展覽將於信號取消後 2小時 重新開館

全日閉館情況:
若八號烈風或暴風信號/黑色暴雨警告維持至15:00,本館將會全日關閉。

敬請有意到場觀展的朋友留意天氣變化!

最新資訊請留意 ba.d.arts story 更新

【ba d’arts Severe Weather Operation Notice】

In response to severe weather conditions,
the exhibition‘s operating arrangements are as follows:

Standby Signal No. 1 / Strong Wind Signal No. 3 / Amber or Red Rainstorm Warning:
Open as usual

Storm Signal No. 8 / Black Rainstorm Warning:
Temporarily closed

After Gale or Storm Signal No. 8 / Black Rainstorm Warning is cancelled:
The exhibition will reopen 2 hours after the signal is cancelled

Full-day Closure:
If Gale or Storm Signal No. 8 / Black Rainstorm Warning is still in force at 15:00.

Please stay updated on the weather if you plan to visit!

For the latest information, please check ba.d.arts story updates.

【Vessel of Light】Josh Chu 曲亭宇本次作品以「Backlight」為題,靈感取自《哥林多後書》4:7 中「我們有這寶貝放在瓦器裡」的意象,延伸出「Vessel of Light(承載光的器皿)」概念。作品探討人在不完...
19/07/2026

【Vessel of Light】
Josh Chu 曲亭宇

本次作品以「Backlight」為題,靈感取自《哥林多後書》4:7 中「我們有這寶貝放在瓦器裡」的意象,延伸出「Vessel of Light(承載光的器皿)」概念。作品探討人在不完美、脆弱與有限之中,依然能夠承載並反射光的可能性。

創作過程中,Josh Chu 刻意以非慣用的左手進行書寫。生疏、不穩定的筆觸,象徵人最真實而未經修飾的狀態;那些看似不成熟與不完美的痕跡,反而成為最赤裸且誠實的生命表達。作品藉此探討「接納真實自我」的命題,以及人在世界目光之下,如何仍選擇坦然面對自身的脆弱。

畫布上不規則的孔洞所透出的光線,將直接投射於觀者身上,使觀看者不只是旁觀作品,而是成為作品的一部分。當光照向自身時,人將如何回應?是否願意接受這道光,也接受那份被賦予的使命,成為能夠反射光、承載光的器皿。

整體創作游走於信仰、街頭文化與當代藝術之間,透過帶有粗糙感與真實性的視覺語言,重新詮釋「不完美」與「使命」之間的關係。

This exhibition piece, titled Backlight, is inspired by 2 Corinthians 4:7 — ”We have this treasure in jars of clay“ — extending that image into the concept of the ”Vessel of Light.“ The work explores how human beings, in all their imperfection, fragility, and limitation, remain capable of carrying and reflecting light.

Throughout the creative process, Josh Chu intentionally wrote and drew using his non-dominant left hand. The unfamiliar, unsteady strokes embody the most unguarded and unfiltered state of being. What appears imperfect or incomplete becomes the most honest expression of life — raw and without pretense. Through this, the work meditates on the act of accepting one‘s true self, and on how one might still choose to openly face one’s own vulnerability under the gaze of the world.

Irregular openings cut across the canvas allow light to pass through and fall directly onto the viewers themselves — transforming them from observers into part of the work. Faced with this light, the audience is invited to ask: Will they accept it? Will they also embrace the purpose and calling placed within them, and choose to become vessels that carry and reflect that light?

Situated between faith, street culture, and contemporary art, Josh Chu‘s practice uses a raw and authentic visual language to reinterpret the relationship between imperfection and purpose.

【背光Backlight】
2026.07.05 – 07.30|ba d’arts 藝趴
免費入場 Free Admission

公眾導賞團 Guided Tour | $30/人
團體優惠 | 10人或以上$25 / 人
🔗Link in Bio

【斗底與燈台 Bushel and Lampstand】Hui Ka Ling 許嘉玲,Cath Lau 劉宜釧(圖1-4)一盞垂吊的鎢絲燈靜靜燃燒。牆壁與地板覆蓋相同紋理的紙張,徹底模糊了上下界限。當觀者搖晃光源,燈光投射、閃動、搖曳,牆...
18/07/2026

【斗底與燈台 Bushel and Lampstand】
Hui Ka Ling 許嘉玲,Cath Lau 劉宜釧

(圖1-4)
一盞垂吊的鎢絲燈靜靜燃燒。牆壁與地板覆蓋相同紋理的紙張,徹底模糊了上下界限。當觀者搖晃光源,燈光投射、閃動、搖曳,牆上隨即出現飛蛾舞動的影子。我們在這光影流動之間沉思:發亮之處究竟何在?是懸於天花板的燈源?地板上流轉不息的倒影?還是存在於飛舞閃動之間的動態?

飛蛾凝視地面粼粼波光,誤以為那是光源本身,漸漸奔向虛幻。我們時而靜止、時而尋索、時而沉淪。但當觸及真光,那殘缺的飛蛾得以重新甦醒、重新尋找、重新看見——光從來不是源自我們自身,卻又透過我們彰顯、映照與折射出去。「高臺的燈」正蘊藏於對應與映照的動態之中。

此作品以極簡的光影,構築出神與背光者生命之間的光暗交織。或許,「高臺的燈」正需在殘缺所折射的光影裡,才能被真正見證。

(圖5-6)
此作品邀請觀者進入一場關於神同在與背光者的深刻沉思。以帳幕作為外在結構,編織交纏的彩線,呼應出埃及記35:35所載耶和華賜予工匠巧手、精通刺繡與圖案的恩賜。光線自外部穿透層層幔幕,在核心處營造「斗底」的幽暗意象,卻同時將整個空間轉化為「燈臺」。觀者不禁自問:哪裡是斗底?哪裡又是燈臺?

神親自設計會幕,作為祂與以色列民同在的神聖空間,從天上降到人間的暗黑之地。莫特曼在《創造中的上帝》中指出,萬物皆活在「上帝的空間」之中。無論斗底或燈臺、光明或暗處,上帝無所不在。

七對鞋子參照古代以色列鞋形燈的意象,與點燃的紅蠟線相連,置於「斗底」之下,卻如被高高舉起的燈臺,發出絢麗的光芒。它們訴說七位背光者的故事——當生命活在聖靈充滿的空間裡,便得著真正的自由。這「哪裏」,從來不是世界的某一處所,而是那充滿萬有的聖靈本身。

所謂「作光」,從不是劃一單一的宗教形式,更非狹窄死板、如工廠流水線般的規範。人作為要在世界發光的燈,在上帝廣闊的生命空間中,以各自獨特的方式,於這條道路上折射聖靈的光線。

當你凝視這件作品,從光與暗的交織、背光者的形態之中,便會發現那充滿萬有的主。

For the English version, please refer to the comment section.

【背光Backlight】
2026.07.05 – 07.30|ba d’arts 藝趴
免費入場 Free Admission

公眾導賞團 Guided Tour | $30/人
團體優惠 | 10人或以上$25 / 人
🔗Link in Bio

【光、影、隧道 / Tunnel·Journey】藝術家 Artist|Billy Wong 黃子健 Billy Wong技術支援 Technical Support| Nicam Mok 莫沚晞 heiheimokkk,Grace Leu...
16/07/2026

【光、影、隧道 / Tunnel·Journey】
藝術家 Artist|Billy Wong 黃子健 Billy Wong
技術支援 Technical Support| Nicam Mok 莫沚晞 heiheimokkk,Grace Leung

哥林多前書 13:12a 我們如今彷彿對著鏡子觀看,模糊不清,到那時就要面對面了。(聖經 - 現代標點和合本)

建基於藝術家較前期的作品,利用門一般大的鏡子組合,在一個細小而狹窄的鏡像迷宮,建構了一條長長的隧道,如同眾聖徒所揀選的「窄路」一樣。你有想像過,窄路是怎樣的嗎?是直線還是有轉彎的時候?有沒有出口的?需要退後行嗎?窄路究竟是怎樣的?要怎麼走的?跟著什麼走的?身邊有什麼?透過具象化的經歷來讓觀眾體驗在窄路上走向那道光的生命旅程。在隧道的不同階段上可能會發現不同的元素,彷彿窄路旅程上不同的經歷。

沿著窄路,當觀眾隨隨步進隧道,就會看得更清楚最後的那個光,直到與那光「面對面」。這是一趟由聖靈與觀眾同行的經歷。

1 Corinthians 13:12a: For now we see only a reflection as in a mirror; then we shall see face to face. (The Bible, NIV)

This piece is based on a previous work using door sized mirrors to make a narrow maze look like a long tunnel. As you walk down the ‘tunnel’ like the apostle who chose to take the narrow way. Have you ever imagined what it is like taking the narrow way? Is that gonna be a straight path? When is the turn? No turning back? Will I reach the exit? How should I continue on the path? What do I have around me? By realizing the experience of walking in the narrow road to seek the light, you may feel the different stages of the journey.

Walking down the narrow path, at the end of the journey, we shall see the light face to face.

【背光Backlight】
2026.07.05 – 07.30|ba d’arts 藝趴
免費入場 Free Admission

公眾導賞團 Guided Tour | $30/人
團體優惠 | 10人或以上$25 / 人
🔗Link in Bio

【Seek A Light That Never Fades; Misplaced Gold/God; Please Don’t Mind the Gap; Light to My Path】Jemiarth Jemiarth AJJemi...
14/07/2026

【Seek A Light That Never Fades; Misplaced Gold/God;
Please Don’t Mind the Gap; Light to My Path】
Jemiarth Jemiarth AJ

Jemiarth 是一位扎根於香港的基督徒藝術創意工作者,專注於混合媒體藝術與設計。她的作品擅長在黑暗中捕捉光的軌跡,傳遞堅定的希望信念。她以情感為筆、經歷為顏料,將空白畫布化為破繭而出的非凡故事,讓創作成為靈魂與世界對話的橋樑。

她創作的「城市之光」系列,包括《Misplaced Gold/God》、《Please Don’t Mind the Gap》、《Light to My Path》三幅作品。在香港這個急速的城市中,她學習在日常平凡中看見永恆的上帝。她以城市常見的建築結構取代傳統基督象徵,透過這系列作品,在匆忙無情的環境裡,凸顯上帝的同在與平安。

《Seek A Light That Never Fades》則述說社交媒體帶來的挫敗感與對名聲的盲目追求,始終無法與那道永不消逝的光相比。

Jemiarth is a faith-based mixed media artist based in Hong Kong. Her works capture traces of light in the darkness, conveying a message of hope. She uses emotion as her brush and life experiences as her palette, transforming blank canvases into extraordinary stories of breakthrough, making creation a bridge between the soul and the world.

She has created the “City Light” Series, which includes three artworks: “Misplaced Gold/God”, “Please Don’t Mind the Gap”, and “Light to My Path”. In the fast-paced city of Hong Kong, she is learning to see the eternal God in the midst of everyday life. Through this series, she replaces classic symbols of Christ with common urban structures. In the mundane scenery of daily life, even when everything seems rushed and relentless, the more one sees His presence, the more His peace and companionship stand out.

“Seek A Light That Never Fades” speaks of how the frustrations brought by social media and the blind pursuit of fame can never compare to that one certain Light that never fades.

【背光Backlight】
2026.07.05 – 07.30|ba d’arts 藝趴
免費入場 Free Admission

公眾導賞團 Guided Tour | $30/人
團體優惠 | 10人或以上$25 / 人
🔗Link in Bio

Address

11/F, Lee Fung Commercial Building, 32-36 Des Voeux Road W, Sheung Wan
Hong Kong
999077

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Wednesday 11:00 - 18:00
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