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Contact information, map and directions, contact form, opening hours, services, ratings, photos, videos and announcements from Podium Gallery, Art Gallery, Unit 9D, E Tat Factory Building, 4 Heung Yip Road, Wong Chuk Hang, Hong Kong.

Founded in 2023, Hong Kong-based contemporary art gallery PODIUM operates as a robust platform for underrepresented emerging and mid-career artists whose creative practices reflect idiosyncratic aesthetics and resonate with current social discourses.

10/09/2026

[Dew Kim - Italian Pavilion at the 16th Gwangju Biennale]

PODIUM is delighted to share that Dew Kim’s (Dew Kim) ‘Legion, Nowhere Whole’ (2026) is currently on view at the Italian Pavilion at the 16th Gwangju Biennale (재단법인 광주비엔날레 Gwangju Biennale Foundation). This iteration, themed ‘The Look is A Li(k)e’, is curated by Irene Campolmi (Irene Campolmi), produced by Valentia Buzzi (Valentina Buzzi | 발렌티나) and organised by the Italian Cultural Institute in Seoul (주한이탈리아문화원 🇮🇹🇰🇷 IIC Seoul).

In Legion, Nowhere Whole (2026), Dew Kim extends his investigation of the body as a site of resistance within contemporary systems of surveillance, digital control, and normative power. Echoing a Roman maxim, the title evokes a state of total dismemberment in which no part remains intact. It alludes to the collective experience of self-fragmentation produced by the proliferation of identities across social media and algorithmic networks, where selves are reduced to data, disassembled, and commodified for profit under the logic of capitalism.

Examining how identity and desire are disciplined, shaped, and consumed under technological, patriarchal, and gendered regimes of surveillance, Kim suggests that within such structures resistance lies not in escape but in dissolution into untraceable forms. The work takes the form of an anti-monument: a disembodied figure scattered into fragments whose original configuration appears impossible to reconstruct, transforming mechanisms of control into gestures of self-determination. Rather than depicting passive submission, the work reclaims disobedience as a deliberate aesthetic and political act, proposing resistance through subversion rather than evasion.

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Italian Pavilion at the 16th Gwangju Biennale
‘Legion, Nowhere Whole’
05 September 2026 - 14 February 2027

Image:
Installation view of ‘Legion, Nowhere Whole’, Italian Pavilion at the 16th Gwangju Biennale, 2026.
Commissioned by the Italian Cultural Institute in Seoul, 2026.
Courtesy of the artist and PODIUM, Hong Kong.

Dew Kim
재단법인 광주비엔날레 Gwangju Biennale Foundation

07/09/2026

[Luis Xertu: Halfway Across the Rubicon]

Opening Reception
19 September (Sat) 2-7 PM

PODIUM is proud to present ‘Halfway Across the Rubicon’, Rotterdam-based artist Luis Xertu’s (Luis Xertu) first solo presentation with the gallery and in Asia.

The exhibition title draws on the small river in north-eastern Italy that once marked a decisive boundary in the late Roman Republic, and reimagines it as a threshold suspended between becoming and arrival. It conjures the fragile interval in which intimacy has already set itself in motion, yet has not fully revealed its shape—a moment when feeling gathers quietly, lingering at the edge of expression.

At the same time, it suggests an emotional point of no return: once desire, attachment, or tenderness have crossed so far, there is no simple way back to the state before they emerged. The title thus holds tension and surrender in the same breath, reflecting Xertu’s interest in those charged passages where love moves from the barely perceived to the irrevocably felt.

The artist will be present at the opening, we look forward to welcoming you at the opening!

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Image:
LUIS XERTU
The Waves
Material transformation initiated 2026; ongoing natural chromatic shift
Acrylic and organic materials on canvas
105 x 150 cm | 41.3 x 59.1 in
(detail)

Luis Xertu

31/08/2026

[OPEN STUDIO - Min-Jia]

PODIUM is pleased to invite you to Min-Jia’s (皿家 Min-Jia) Open Studio, taking place concurrently with Berlin Art Week 2026—

12 September (Sat)
12 NOON—6 PM CEST
Berlin
Address will be provided upon RSVP

The presentation offers a first look at the artist‘s newly created shadow puppets—their distinctivce practice built upon an apprenticeship in Shaanxi Huaxian shadow puppetry under master Wang Tianwen. Crafted from vellum, a medium that oscillates between flesh and objecthood, Min-Jia’s puppets sample and remix traditional techniques, materials, and ornamental forms across cultures, probing the myths through which origin and identity are constructed.

Reserve now via DM or email at [email protected]!
Attendance is on a first-come, first-served basis.

Min-Jia‘s (b. 2001, lives and works in Berlin) practice spans painting, drawing, sculpture, installation, and writing. Their work reimagines the body as a site of transformation, continually remade by the frictions between desires, social constructions, and physical limitations. Min-Jia’s recent exhibitions include PODIUM, Hong Kong (2025); Bernheim, London & Zürich (2025); James Fuentes Gallery, New York (2024); Franz Kaka, Toronto (2024); and X Museum, Beijing (2023). Their works are held in the collection of the Royal Bank of Canada.

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Images:
(2-3) Works in progress at Min-Jia‘s studio.
Courtesy of the artist and PODIUM, Hong Kong.
(4) Open Studio at HART Haus, Hong Kong, 11 September 2025.
Courtesy of HART Haus, Hong Kong and PODIUM, Hong Kong.
(5) Puppet-Making Workshop at HART Haus, Hong Kong, 30—31 August 2025.
Courtesy of HART Haus, Hong Kong and PODIUM, Hong Kong.

皿家 Min-Jia

30/08/2026

[Dew Kim - The 13th Busan Biennale]

PODIUM is proud to share that Dew Kim’s (Dew Kim) site-specific installation The Stage – After God (2026) is currently on view at the 13th Busan Biennale (부산비엔날레조직위원회). This iteration is co-curated by artistic directors Amal Khalaf (Amal Khalaf) and Evelyn Simons (Evelyn Simons).

Dew Kim transforms the Museum of Contemporary Art Busan and the former Busan Nam High School into a single, three-act pilgrimage. Across these linked spaces, the work traces how marginalised bodies absorb the costs of blind faith, dogmatic idolatry, and desire; and what persists once objects of worship have vanished and no clear point of orientation remains. Here, Kim choreographs a passage through absence: from the sacrifice of an offering, through an empty centre, to the emergence of a new order.

Co-commissioned by Sunpride Foundation (Sunpride Foundation) and Busan Biennale Organising Committee, 2026.
This work has been made possible with the generous support of Patrick Sun, founder of Sunpride Foundation.

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The 13th Busan Biennale – Dissident Chorus
‘The Stage – After God’
29 August - 01 November 2026

Image:
Installation view of ‘The Stage – After God’, The 13th Busan Biennale, 2026.
Co-commissioned by Sunpride Foundation and Busan Biennale Organising Committee, 2026.
Courtesy of the artist and PODIUM, Hong Kong.

Dew Kim
부산비엔날레조직위원회
Sunpride Foundation

Act 1: The Stage of Blood – The Aesthetics of Sacrifice (MoCA Busan)

An altar-like stage holds a cross-shaped microphone stand and is clad in latex bas-reliefs bearing the silhouettes of q***r and shamanic figures. As a pipe organ “exhales,” the latex surface compresses, revealing fossil-like imprints of these bodies. The surrounding emptiness and suspension evoke ritual tension, suggesting that such violence continues to reverberate quietly through everyday life—woven into gestures that still depend on the kneeling of some to confirm the power of others.

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The 13th Busan Biennale – Dissident Chorus
‘The Stage – After God’
29 August - 01 November 2026

Image:
Installation view of ‘The Stage – After Go

26/08/2026

[Omyo Cho - Seoul Art Week Happenings]

Must-see during the upcoming Seoul Art Week: Omyo Cho’s (Omyo CHO) institutional presentations at Centre Pompidou Hanwha (Centre Pompidou Hanwha) and SONGEUN Art and Cultural Foundation (송은 SONGEUN). Alongside the exhibitions, PODIUM will present Omyo Cho’s Open Studio on 3 September (Thu). Information can be found on pinned post, RSVP now via [email protected].

Centre Pompidou Hanwha
‘The Garden Project: Imprinting Time’
6 September 2026 - 7 March 2027
Centre Pompidou Hanwha

Bringing together three Korean women artists from distinct generations, the exhibition explores the meaning of the objects, words, and events they encounter in the realities they have lived. Omyo Cho invites into the garden unknown life forms that seem to resemble nature and parts of the body yet remain strangely unfamiliar. With the curves of vines, the glimmer of dew, and the strength of roots, these beings crash-land here and coexist with nature. As if extracted from a future yet to arrive, the slowly seep into the climate and landscape of the present. In doing so, they imbue this familiar place with a sudden sense of the unfamiliar.

SONGEUN Art and Cultural Foundation
‘Unboxing Project: Generative Forms’
19 August - 10 October 2026
송은 SONGEUN
Curated by Minjin Chae MINJIN CHAE

Marking the 25th anniversary of the SONGEUN Art Award, the exhibition invites each participating artist to create a work within the resonant format of 25 x 25 cm—accentuating the plurality of approaches and dynamics while fabricating from equal scale and dimensionality.

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Images:
(1) Omyo Cho. Photo: Lee Woojeong. Courtesy of the artist.
(3-4) Installation view of ‘2025 SeMA-Project A Permanent Exhibitions’ at Seoul Museum of Art, Seoul, 2025.
Photo: Hong Cheolki. Courtesy of the artist and Seoul Museum of Art, Seoul.

Omyo CHO

24/08/2026

[Final Week - Shimon Kamada: Phantom(‘s) Presence]

Seize the last chance to visit our exhibition — “Shimon Kamada: Phantom(‘s) Presence” — before it closes this Saturday, 29 August!

Drawing from his photo archives that span his childhood and teenage years in his hometown in Japan, Rotterdam-based artist Shimon Kamada (Shimon Kamada) conjures realms where these images drift, overlap, and intertwine like fragmented memories.

From hometown streets and domestic settings to scenes of natural sublimity and surreal dreamscapes; the artist bathes each composition in skewed light, melancholic shadows, and psychological tension to render a series of enigmatic narratives, revealing the fragile and elusive nature of remembrance.

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“Shimon Kamada: Phantom(‘s) Presence”
13 June - 29 August 2026
Tuesday - Saturday, 11:00 AM - 7:00 PM

Shimon Kamada

Installation view of “Shimon Kamada: Phantom(‘s) Presence” at PODIUM, Hong Kong, 13 June - 29 August 2026.
Photo: Lok Hang Wu. Courtesy of PODIUM, Hong Kong.

18/08/2026

[OPEN STUDIO - Omyo Cho]

PODIUM is pleased to invite you to Omyo Cho’s (Omyo CHO) Open Studio, taking place concurrently with Seoul Art Week 2026—

3 September (Thu)
11 AM—1 PM KST
Seoul
Address will be provided upon RSVP

The Open Studio presentation offers a revisit of the artist’s current practice and a first look at a developing body of work that speculates on nature’s quiet return into the urban fabric—where future ecologies seep into the present, and the boundaries between ruin and renewal begin to blur. Operating as both relic and premonition, the works trace emergent forms of life already taking root within our current reality.

Reserve now by 27 August (Thu) via DM or email at [email protected]! Attendance is on a first-come, first-served basis.

During the art week, Omyo Cho will also be featured in two institutional exhibitions at Centre Pompidou Hanwha and SongEun Art and Culture Foundation. Stay tuned for more on the artist’s happenings around Seoul.

Translating nebulous memories and imaginary futures into tangible writings and sculptures, Omyo Cho’s recent exhibitions include Gyeongnam Art Museum, South Korea (2026); SONGEUN Art Space, Seoul (2026); PODIUM, Hong Kong (2026); Seoul Museum of Art (2025); Incheon International Airport (2025); Simose Art Museum, Hiroshima (2025); BUAM ART, Seoul (2024); Ulsan Art Museum (2024); SEHWA Museum of Art, Seoul (2024); Insa Art Space, Seoul (2023); Soorim Cube, Seoul (2023); and TEMI, Dajeon (2021), among others.

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Image:
(2) Omyo Cho’s Studio.
Courtesy of the artist.
(3) From ‘Omyo Cho Imagines Future Lifeforms Inspired by Seoul’s Cityscape’, Frieze Seoul.
Courtesy of the artist and Frieze.

Omyo CHO

15/08/2026

[Dew Kim - Korea Art Week Happenings: Busan, Seoul, and Gwangju]

During the upcoming art week in Korea, PODIUM is proud to spotlight a series of dynamic programmes featuring artist Dew Kim (Dew Kim), unfolding nationwide across three major platforms: the 13th Busan Biennale, Yongsan Cultural Foundation, and Italian Pavilion at the 16th Gwangju Biennale.

The 13th Busan Biennale – Dissident Chorus
‘The Stage – After God’
29 August - 11 November 2026
부산비엔날레조직위원회

Yongsan Cultural Foundation
‘PARALLAX: Where We Meet’
24 August - 12 September 2026

Italian Pavilion at the 16th Gwangju Biennale
‘Legion, Nowhere Whole’
5 September - 15 November 2026
재단법인 광주비엔날레 Gwangju Biennale Foundation

The 13th Busan Biennale – Dissident Chorus
‘The Stage – After God’
29 August - 11 November 2026
부산비엔날레조직위원회

Dew Kim’s site-specific installation The Stage – After God (2026) transforms the Museum of Contemporary Art and the abandoned Busan Nam High School into a single, three-act pilgrimage. Across these linked spaces, the work traces how marginalised bodies absorb the costs of blind faith, dogmatic idolatry, and desire; and what persists once objects of worship have vanished and no clear point of orientation remains. Here, Kim choreographs a passage through absence: from the sacrifice of an offering, through an empty centre, to the emergence of a new order.

This work has been made possible with the generous support of Patrick Sun, founder of Sunpride Foundation (Sunpride Foundation).

Images:
Making of DEW KIM, The Stage – After God, 2026.
Commissioned by Busan Biennale 2026 with the support of Sunpride Foundation.
Courtesy of the artist and PODIUM, Hong Kong.

Dew Kim
부산비엔날레조직위원회
Sunpride Foundation

The 13th Busan Biennale – Dissident Chorus
‘The Stage – After God’
29 August - 11 November 2026
부산비엔날레조직위원회

Dew Kim’s site-specific installation The Stage – After God (2026) transforms the Museum of Contemporary Art and the abandoned Busan Nam High School into a single, three-act pilgrimage. Across these linked spaces, the work traces how marginalised bodies absorb the costs of blind faith, dogmatic idolatr

16/06/2026

[On View - Shimon Kamada: Phantom(‘s) Presence]

“Shimon Kamada: Phantom(‘s) Presence” is now officially open!

As Rotterdam-based Japanese artist Shimon Kamada’s (Shimon Kamada) first solo presentation with the gallery and in his career, this new body of work draws from his photo archives that span his childhood and teenage years in his hometown in Japan, conjuring realms where these images drift, overlap, and intertwine like fragmented memories.

The exhibition title unfolds along a dual register. On one hand, memories return as spectral traces, resurfacing as phantoms that linger within the present. On the other hand, it references the phenomenon of the phantom limb, where absence is paradoxically experienced as presence, blurring the boundary between reality and fantasy. Together, these ideas probe the unstable and illusionary nature of memory as something both fleeting and insistently felt. Additionally, to underscore the plasticity and influx nature of memories, the exhibition will not remain a static presentation, instead it will be restructured mid-way during its exhibition period.

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Exhibition Dates
13 June - 29 August 2026

Shimon Kamada

Installation view of “Shimon Kamada: Phantom(‘s) Presence” at PODIUM, Hong Kong, 13 June - 29 August 2026.
Photo: Lok Hang Wu. Courtesy of PODIUM, Hong Kong.

08/06/2026

[Dew Kim at Seoul Museum of Art]

PODIUM is delighted to share that Dew Kim () is part of the exhibition ‘AMOR EX MACHINA’ at the Seoul Museum of Art (). The exhibition is curated by Gyusik Lee () and is on view until 6 September.

The presentation rediscovers love, which is the human essence that endures even before the immensity of technological civilization. The title (‘love from the machine’) also references the classical concept ‘Deus Ex Machina’ (‘god from the machine’), pcivilization. The title (‘love from the machine’) also references the classical concept ‘Deus Ex Machinam us is love―the fundamental ground of being.

In Dew Kim’s revamped ‘The Succulent Gospel’, the human rib is overlayed with the reproductive mechanisms of succulents, rewriting narratives of creation and origin from a q***r perspective. Bodies beyond normativity mold themselves and lean on one another, sketching the contours of a new community. Like succulents that regenerate from severed parts, the work traces emergent narratives of origin that unfold through relations of pe*******on and dependence.

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For more information on Dew Kim’s available works, DM or send us an email at [email protected].

Installation view of ‘AMOR EX MACHINA’, Seoul Museum of Art, South Korea, 30 April - 6 September 2026.
Photo: Kyuho Shim. Courtesy of Seoul Museum of Art.

#金斗眞

Address

Unit 9D, E Tat Factory Building, 4 Heung Yip Road, Wong Chuk Hang
Hong Kong

Opening Hours

Tuesday	11:00 - 19:00
Wednesday	11:00 - 19:00
Thursday	11:00 - 19:00
Friday	11:00 - 19:00
Saturday	11:00 - 19:00

Telephone

+85231651452

Website

http://www.podiumgallery.com/

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