Videotage

01/06/2026

D-NORMAL/V-ESSAY: IMPORTANT ANNOUNCEMENT 《平地數碼》錄像雜誌：重要宣布

A massive thank you to all of those who sent in their works for D-normal/V-essay: Videotage Edition! We received 480 entries from creators around the world, who wished to tell their observations from a different perspective.

Unfortunately, as we are still preparing our curatorial materials, the launch of our video zine and the physical showcase have been postponed. We are aiming to share the results with you within June - please look out for our future announcements.

We apologise for the delay. Thank you for your understanding!

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感謝大家踴躍參與《平地數碼：錄映太奇特刊》公開徵集！我們總共收到 480 件來自世界各地的精彩作品，呈獻來自不同視角的影像觀察。

由於我們仍忙於準備雜誌的策展文字，故《平》將未能按原訂時間面世，其後的優秀作品展覽亦將順延舉行。我們目標在本月內與大家分享我們精選的優秀作品，請密切留意後續公佈。

未能預期出版，我們深感抱歉。感謝大家體諒！

12/05/2026

Cyanne van den Houten: Phantasmagoria 幽園弱訊

Videotage is pleased to present Phantasmagoria, a solo exhibition by Netherlands-based artist and tinkerer Cyanne van den Houten, working across cyber sculptures, generative code and technological folklore. During a 6-week residency in Hong Kong, they investigated outdated and renovated technological configurations in Hong Kong, mapping the roles these places played in the past and their present status.

Drawing on Phantasmagoria–an early form of screen-illusion theatre–they repurpose this atmospheric space of horror to reflect local spatial configurations that underpin the city’s technological development. Rather than terrifying visitors with concealed mechanisms, the exhibition turns the dark room into a space where “apparitions” voice obsolete knowledge and failed experiments. It frames technology not as seamless progression, but as haunted, materialised, and deeply entangled with histories of (emotional) labor, control and capitalism.

Alongside humming field recordings and flickering searchlights, the artist’s self-built sculptural devices—used as ‘ghost detectors’—display environmental parameters such as current, heat, and network presence, registering energy flows to sense lingering presence in vanished sites.

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錄映太奇隆重呈獻荷蘭藝術家兼工匠 Cyanne van den Houten 個人展覽《幽園弱訊》，帶領觀眾穿梭於充斥電子雕塑、生成式編碼與科技傳說的廢墟。藝術家於香港駐留六星期，走訪城內過時或改建的科技場域，理解這些地方昔日的角色與當下狀況。

藝術家以「魅影劇場」（phantasmagoria）此一玩弄帷幕幻象的早期劇場形式為基礎，將蓄意營造的顫慄氛圍轉化為反映驅動城市科技發展之空間條件的怪異空間。在錄映太奇陰暗的展覽空間，「幽靈」不再只是令人畏懼的形象，而是述說過時知識和失敗實驗的存在。科技在此並非無縫迭代，而是與（情緒）勞動、控制權和資本主義歷史交纏、與過去記憶纏繞不斷，並被物化的結果。

在低鳴的田野錄音和搖曳的射燈之間，藝術家自行建造的「靈探」雕塑裝置顯示所收集的氣流、熱力、網絡訊號等環境數據，讓觀者意識到這些潛藏在廢置場域、真實流動的能量。

16.5.2026 – 14.6.2026
12:00 – 19:00（Wed to Sun 三至日）

Opening Reception | 開幕酒會
17:00 | 16.5.2026（Sat 六）

Artist | 藝術家：Cyanne van den Houten
Sound Design and Technical Assistance | 聲音設計及技術支援：The Living Void - Ymer Marinus (IG .online)
Curated by | 策劃：Doris P**n 潘韻怡
Coordination and Ex*****on | 統籌及執行：Chung Wing Shan, Stanley Ng 鍾詠珊、吳栢榮
Visual Design | 視覺設計：Lokto (IG )

Presented by | 主辦：Videotage 錄映太奇
Supported by | 資助：Stimuleringfonds
Venue Sponsor | 場地支援：V54 (IG .plk)

Establish Videotage as one of the most fundamental new media art institutions in the Greater China region with our perpetual commitment to serving artists and communities in Hong Kong

30/04/2026

Videotage × Forum Lenteng：鱗光映盪 Scales of Passage

Throughout history, ‘mobility’ has been a fundamental means of survival, while ‘diaspora’ describes the migration and displacement of entire communities. While the two terms differ by a single character in Chinese, the latter carries the weight of a seismic shift—a departure towards an unknown future. Regardless of the catalyst, such migrations represent more than just trails across oceans; they reveal a confluence of personal memories, collective trajectories, and the hybrid identities of future generations, merging through clear intersections and subtle, intangible flows. These memories accumulate over time, settling within the body as a continuous negotiation between generations and eras.

Situated across the Pacific Ocean, Indonesia and Hong Kong have distinct historical and linguistic trajectories; yet, both regions share cultural commonalities that imply profound and often overlooked linkages. While the Dragon is often a symbol of evil in the West, the Naga and the Dragon in Southeast and East Asia are revered as guardian spirits and auspicious creatures. As we bask in the symbolism of being the ‘descendents’ to such deities, how do we trace our heritage through these cultural fragments? Beyond shared beliefs and values, can individual and collective trauma can be understood and communicated? What experiences have layered together to form our identities today?

Videotage (Hong Kong) and Forum Lenteng (Jakarta) proudly present the touring screening series Scales of Passage. Drawing upon their deep-rooted commitment to promoting media art, the two organisations have curated a selection of video works from Hong Kong, Indonesia, and Southeast Asia, unearthing social histories through personal narratives. The programme explores the diverse interpretations of ‘diaspora’ within the contexts of Hong Kong and Southeast Asia, reflecting on how the experience of migration constructs and reconstructs collective and individual identities.

從古到今，「流動」一直是人類應付生存需求的手段；而「流散」則常用於形容一個族群的遷移與漂泊。流動與流散，在中文雖僅一字之隔，但後者附帶翻天覆地的轉變，暗示未知的將來。不論前因如何，這種遷移不只限於飄洋過海的痕跡，更匯聚了個人的記憶、族群既有的生活軌跡，以至後代的異地身份，當中有清晰具體的交集，亦有潛移默化的流轉。這些記憶層層積澱，安置在身體之中，是長存在世代與時代之間的持續協商。

印尼與香港兩者同處太平洋，雖有不同的歷史方向和語言，但眼前豐富多樣的日常卻似曾相識，彷彿暗示兩者的淵源：就如龍在西方是邪惡的象徵，但在東南亞及東亞，那伽（Naga）與龍卻是守護神靈及瑞獸。浸淫在神靈之裔的符號中，我們如何從眼前的文化碎片去追溯背後的承傳？信念、價值以外，族群之間的傷痛又可否共通傳遞？我們今日的身份，是由何樣的經歷疊加而成？

香港錄映太奇與雅加達 Forum Lenteng 攜手呈獻巡迴放映節目系列《鱗光映盪》，運用各自深耕推廣媒體藝術的經驗，精選來自香港、印尼及東南亞的錄像作品，並透過個人敍事挖掘及梳理兩地的社會歷史。節目探究「流散」概念在香港與東南亞語境之間的不同詮釋，思考遷移歷程如何影響個體以至社群的身份建立與重構。

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Screening 1
Date: 2/5/2026 (Sat)
Time: 1:10pm – 2:29pm

Screening 2
Date: 3/5/2026 (Sun)
Time: 8:00pm – 9:19pm

Venue: SPOT Huashan A2, Taipei
Featuring Artist: Tintin Wulia, Ivonne Kani, Elysa Wendi^, Weera-it Ittiteerarak, Ho Tzu Nyen
Moderator: Doris P**n (Videotage), Alifah Melisa (Forum Lenteng)
Language: Mandarin

^Artists participating in post-screening discussion

Scales of Passage is part of the 15th Taiwan International Documentary Festival’s Special Presentation.
Co-curated by: Videotage, Forum Lenteng
Supported by: Hong Kong Arts Development Council*, Singapore Trade Office in Taipei
*The Hong Kong Arts Development Council supports freedom of artistic expression. The views and opinions expressed in this project do not represent the stand of the Council.

放映場次一
日期：2/5/2026（六）
時間：1:10pm – 2:29pm

放映場次二
日期：3/5/2026（日）
時間：8:00pm – 9:19pm

地點：台北光點華山二廳
參與藝術家：Tintin Wulia、Ivonne Kani、葉奕蕾^、張喆、何子彥
主持：潘韻怡（錄映太奇）、Alifah Melisa（Forum Lenteng）
語言：國語

^將出席映後談的藝術家。

《鱗光映盪》為第15屆台灣國際紀錄片影展特別放映節目。
策劃：錄映太奇、Forum Lenteng
資助：香港藝術發展局*、新加坡駐台北商務辦事處
*香港藝術發展局支持藝術表達自由，本計劃內容並不反映本局意見。

14/04/2026

（中文請向下捲動）
Ghost Hardware Phantasmagoria Interfaces | A Hacking Workshop with Cyanne van den Houten

A hands-on tools sharing session where participants will explore how easy and fun it is to build interactive interfaces from techno-trash and conductive material.
Make your own game controller or instrument!

Date: 2 May 2026
Time: 14:30–17:00
Quota: Max. 8 Participants (registration is needed - https://forms.gle/wZkoxk9eD4YZSQU67)
Venue: V54 .plk (54 Village Road, Happy Valley)
RSVP: link in bio
No prior hacking experience needed, but welcome!

Broken microwaves hum with haunted syntax. Plastic cables twitch with residual signals. LED fragments flicker like afterimages of machine dreams. Within these discarded systems, something lingers…

This workshop unfolds as part of the artist research project: Phantasmagoria, an ongoing investigates of the ecological and material afterlives of generative AI systems. Behind every “immaterial” system lies an infrastructure of extraction, energy consumption, and eventual decay. Devices are abandoned, data centers expand, and invisible processes leave very real traces.

Here, the technological trash heap becomes a site of reanimation and inquiry: a speculative landscape where the ghosts of computation—forgotten datasets, obsolete hardware, and fragmented intelligences—continue to circulate. During this workshop, you are invited to make contact.

Using conductive scraps and your own hands, you will build a ritual interface: a hacked-together button. Each press becomes an invocation—triggering sound, text, or image from generative systems or your own collected data. Through this process, we reconnect the seemingly immaterial outputs to their physical, ecological substrates.

PARTICIPANTS WILL LEARN

* Basic hacking strategies to repurpose existing electronics
* How to make a button from unconventional materials / anything conductive!
* How to code an interaction from a button with Makey Makey in Processing (play audio, generate images, text – whatever you dream of!)

The goal is not to build “useful” tools, but to have fun and open portals: to listen to the broken, flickering parts of systems we once tried to abandon.
Let the rogue voices in the trash heap sing again! :)

USEFUL INFO FOR PARTICIPANTS

- Bring your own laptop/computer and any conductive material or techno-junk you want to revive: broken electronics, stray cables, haunted buttons.
There will also be some material present to work with! :)
- If you want to take your circuit with you the price of the Makey Makey is 230 hkd. You can repurpose this easily for your own projects!
- For the workshop, you will work with processing.org, please install the software beforehand
- Due to limited quota, reservations of the workshop beyond the first EIGHT will be placed on a waiting list. Successful applicants will be notified by 27 April. Should any successful applicants be unable to attend, Videotage will notify applicants on the waiting list separately.

ABOUT THE ARTIST
Cyanne van den Houten (they/she, ) is a media artist and tinkerer from the Netherlands working with hacking methods to expose hidden biases in technology. Their practice explores the mysteries surrounding humanity’s digital extensions and intentions. Cyanne is a resident at Videotage, supported by the Open Call Residency Videotage of . They designed this workshop as a playful extension of their ongoing project “Phantasmagoria” which investigates the ecological impact of generative AI. Here, the focus shifts to transformation, as discarded machines and exiled minds fuse into strange new sentient bodies.

Collaborators:
Creative Industries Funds NL
V54 .plk

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魅影劇場之幽靈硬件：Cyanne van den Houten 黑客工作坊

來動手製作自己的遊戲手掣或儀器吧！參加者可着手把玩工具，分享利用科技碎片和導電物料製作互動介面的簡易樂趣。

日期：02.05.2026（六）
時間：14:30–17:00
地點：V54（香港跑馬地村道54號）
名額：八名（需預先報名，請見https://forms.gle/wZkoxk9eD4YZSQU67）
不論黑客新手或專家，無任歡迎

失靈的微波爐低吟着鬼魅般的語句；數據訊號殘存在塑膠電線的扭結間；LED 燈閃鑠着如機器夢境般的殘像；一種難以名狀的氣息穿梭在這些棄置的系統間⋯⋯

工作坊為藝術家進行中的「魅影劇場」計劃一部份，計劃旨在審視生成式人工智能生態和物質上的來生。每套「無形」的系統背後，都有一套開採、消耗能源和自然淘汰的硬件基建。當儀器被棄置、數據中心再擴張、以至未曾公開的的運算過程，統統留下可觀的痕跡。

被遺忘的數據集、過時硬件、人工智能的碎片——種種運算的鬼魂仍浮游在科技垃圾堆中，構成重生和叩問的場域。工作坊誠邀你重返現場，與它們進行另類接觸。

透過重用導電廢料，你將親手搭建招魂儀式的舞台：一顆改裝拼湊而成的按鈕。每下按鍵將是一種祈求，從生成式系統或自己收集的數據中，觸發聲音、文字或圖像，將看似莫名其妙的輸出重新連接到物質和生態上的土壤。

參加者將學到：
侵入機器內部的基本方式，有助重用舊裝置
如何透過出奇的物料或任何導電物品，製作按鈕
如何使用 Processing 軟件編寫按鈕程式，操控 Makey Makey 電路板（例如播放聲音、生成圖像與文字，用途隨你所想）

留意工作坊並非旨在製作「實用」工具，而是把玩舊有裝置，打開與它們對話的空間，傾聽這些瀕臨廢棄的器具的破落低語。讓這些垃圾堆中的怪聲詠唱吧！

參加者須知：
請自備（手提）電腦及任何可導電的物料，或你想重新喚醒的科技碎片，例如廢電器、多餘電線、失靈按鈕等。同場亦有少量材料可供試玩！
參加者可以 230 元港幣，將工作坊的 Makey Makey 電路板帶回家，輕鬆融入你的創作中！
工作坊將使用編程教學軟件 Processing，請預先在官方網站（processing.org）下載。
由於工作坊名額有限，除首八名參加者外，其餘登記將進入候補名單。成功登記者將於4月27日前收到通知。若有成功登記者未能出席，錄影太奇將另行通知候補名單的登記。

關於藝術家
Cyanne van den Houten () 是來自荷蘭的媒體藝術家兼工匠，擅於透過深入科技內部，揭露隱藏其中的偏見。他們的創作旨在窺探人類在數碼時代的虛擬延伸和意圖背後的奧秘。 Cyanne 現參與由 Creative Industries Fund NL 資助的數碼文化駐留計劃，於錄映太奇擔任駐場藝術家。他們正在進行「魅影劇場」計劃，研究生成式人工智能的生態影響。工作坊將計劃焦點甚具玩味地轉移到機械的蛻變，融合被棄置的機器和被流放的思想，重塑成形態各異且具人類感知的軀體。

合作伙伴:
Creative Industries Funds NL
V54 保良局青年社區藝術推廣中心

25/03/2026

[ ] Videotage extends a warm welcome to Cyanne van den Houten, who will arrive in Hong Kong to be our resident artist for the next two months, supported by the Open Call Residency Videotage of !

Cyanne van den Houten is a media artist from the Netherlands. They work hands-on with DIY electronics and generative algorithmic systems to expose embedded power structures. Rooted in q***r, feminist, and noise ideologies, their large-scale interactive installations connect cyber-sculptures with chatbots, archives, and game environments through networked protocols. They create mystical, immersive spaces in which audiences can enter into dialogue with magnified aspects of our increasingly sentient-seeming machines.

As founder of the media-art collective Telemagic and the Rotterdam artist-run space .zip, they foster collaborative explorations of digital culture through artistic research, tool-sharing, and hackathons.

Their most recent solo exhibition Model Collapse (with Ymer Marinus) transformed the extractive, earthbound infrastructure of AI into a generative landscape filled with digital relics, addressing mystification, bias, compute maximalism, and labor in technological supply chains.

At Videotage, they will reanimate 18th-century screen illusion theatre techniques to make the material and cognitive devastation caused by AI production in the Pearl River Delta sensorially perceptible.

We are excited to show Cyanne around Hong Kong and meet with the artist community! Keep your eyes peeled for what they’ll bring to Cattle Depot next 👀

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錄映太奇歡迎 Cyanne van den Houten 蒞臨香港，參與由 Creative Industries Fund NL 資助的數碼文化駐留計劃，在接下來的兩個月成為我們的駐場藝術家！

Cyanne 是來自荷蘭的媒體藝術家，擅於從 DIY 電子製作和生成式演算系統着手，揭露纏繞在線路間的權力結構。他們創作的大型互動裝置立足於酷兒身分、女性主義和噪音想像之間，利用網絡協定，將電子雕塑連接到聊天機械人、網絡庫藏和遊戲場景等。他們藉構建一個既神秘又身歷其境的空間，放大機器日益形成的感知，予觀眾交流對話。

他們亦透過創辦媒體藝術群體 Telemagic 和位於鹿特丹的藝術家自營空間 .zip，並舉辦藝術研究、共享器材、黑客松（hackathon）等活動，啓發對數碼文化的共同探索。

他們最近與 Ymer Marinus 合作舉辦展覽《Model Collapse》，將人工智能以挖掘地球資源為主的基建結構，化身成佈滿電子遺跡的生成地景，回應科技供應鏈中的虛幻、偏見、運算極繁主義（compute maximalism）和勞工議題。

他們在錄映太奇駐留期間將重新喚醒 18 世紀的魅影劇場，將人工智能發展在珠三角地區造成的物質和認知破壞，具現成感官體驗。

我們期待帶 Cyanne 暢遊香港，並與本地藝術家群體見面！敬請期待他們即將為牛棚帶來的新搞作 👀

24/03/2026

[ ] Only in Art March: Self-guided VMAC Mini Cinema
藝術三月期間限定：VMAC 自選迷你影院
25-29.3.2026（Wed to Sat 三至六）| 12:00nn – 7:00pm

After four months of restoration work on the heritage site, Videotage has gradually relocated back to its original premises, with all venue setups expected to be completed by early April.

In response to Art Basel Hong Kong and various art-related programmes, Videotage will set up a mini cinema at the Cattle Depot space from March 25 to 29. The public is welcome to select and appreciate works from the Videotage Media Art Collection (VMAC), gaining insight into our efforts in preserving media art history.

(The VMAC kiosk is an upcycled mobile kiosk designed by local collective Zou-Mat and supported by Design Trust Seed Grant.)

經歷約四個月的古蹟修復工程後，錄映太奇現已逐步遷回原來的單位，預計四月初能完成所有場地設置。

為響應香港巴塞爾藝術展及各類藝術活動，錄映太奇將於三月二十五日至二十九日在牛棚會址設置迷你影院，歡迎公眾自行選擇及觀看錄映太奇媒體藝術庫的收藏，以了解我們保存媒體藝術歷史的工作。

（流動放映站由信言設計大使種籽資助計劃贊助，並邀得本地設計團隊「造物」改造錄映太奇舊傢俬而成。）

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Design Collaborator | 合作設計團隊：Zou-mat 造物
Presented by | 主辦：Videotage 錄映太奇
Supported by | 資助：Design Trust Seed Grant 信言設計大使種籽資助計劃

17/03/2026

[ ]
Videotage x EcoFutures (UAL): UK–Hong Kong Symposium on Sustainability in the Arts
錄映太奇 x 「生態未來」（倫敦藝術大學）：英國—香港藝術可持續發展研討會
20.03.2026 (Fri 五) | 2:00pm - 6:00pm
Venue | 地點: British Consulate General Hong Kong 英國駐香港總領事館

Videotage is proud to present programmes in British Council Hong Kong (BCHK)’s UK–Hong Kong Symposium on Sustainability in the Arts as a Programme Partner. It aims to further broaden the conversation on sustainable practices within Hong Kong’s arts sector, and to foster meaningful dialogue between arts practitioners in Hong Kong and the UK on sustainable practices.

Building on the conversation in the previous EcoFutures symposium in University of the Arts London (UAL), Videotage will present two thematic panels in BCHK. UK- and Hong Kong-based artists and initiatives are invited to share their experiences in fusing environmental advocacy in their art practices, and conducting practice-led research that encourages public participation and understanding in ecological polycrisis.

Videotage will also co-curate a screening programme with Golden Thread Gallery from Belfast, featuring video works by the artists from Hong Kong, Macau and Northern Ireland. Works will be displayed on the screening kiosk constructed from Videotage’s old furniture. After the physical screening, the programme will be made available online on the BCHK’s webpage to maximise audience reach.

Free entry, registration needed – please visit the link in bio for full details.

(Chinese version in the comment section)

Symposium: Artistic Practices on Sustainability
Time: 2:05 - 3:05pm
Moderator: Emilie Choi
Speakers: David Cross, Monti Lai, Lo Lai Lai Natalie

Symposium: Collective Infrastructures for Ecological Care
Time: 3:30 - 4:30pm
Moderator: Yim Sui Fong
Speakers: Jessica Wan (EcoFutures), Adeena Mey (Afterall), Michael Leung

Screening Programme by Videotage x Golden Thread Gallery
Featured artists: Bianca Lei, Kwan Q Li, Lo Lai Lai Natalie, Emily McFarland, Paul Moore, Una Walker

Presented by: British Council Hong Kong

13/03/2026

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Art Basel HK 2026: “Rewind-Still-REC” - screening
2026 巴塞爾藝術展香港展會：快轉漫步
28.03.2026 (Sat 六) | 6:00pm

“Rewind-Still-REC” transforms the single-channel video screen into a laboratory of temporal elasticity, where the laws of physics yield to the logic of the edit. By engaging with action-focused works, the program moves beyond the documentary function of the camera to explore visual experiences that are impossible to realize in our daily reality. Here, the recording device is not a passive witness but an active conspirator; through techniques of reversal, playback, and montage, the artists deconstruct the linear flow of existence, illustrating the "truth" of movement through manipulating the on-screen portrayal of time.

The selection traverses the spectrum from the mechanical to the metaphysical. Yuan Goang-Ming and Yao Qingmei utilize the body as a site of endurance and alienation, whether through the uncanny friction of walking backwards against the forward march of the world, or the anxious, repetitive flagging of an ideal. While scenes of the cityscape follow closely to Ernest Fung on the road, Eric Siu’s slapstick juxtaposition of pop culture shrinks the breathtaking chasing scenes in movies into pixel-sized video games. Alice Wong and Winsome Dumalagan Wong delve into the architecture of memory itself. Navigating between personal storytelling and the digital void of satellite imagery, they reconstruct civilizations from the debris of the archive, considering nuances between the seen materials and the occurred reality.

(Chinese version in the comment section)

Participating Artists | 參與藝術家：
馮偉 Ernest Fung
袁廣鳴 Yuan Goang-ming
蕭子文 Eric Siu
姚清妹 Yao Qingmei
王雅媛 Alice Wong
黃慧心 Wong Winsome Dumalagan

Curated by | 策劃：Stanley Ng 吳栢榮、Doris P**n 潘韻怡
Visual Design | 視覺設計：Chung Wing Shan 鍾詠珊
Presented by | 主辦：Videotage 錄映太奇
Venue | 地點：Auditorium, N101B, Level 1, Hong Kong Convention & Exhibition Centre, Wan Chai 香港會議展覽中心一樓演講廳N101B

12/03/2026

EcoFutures: Planetary Thinking and Infrastructures Arts & Research Symposium
《生態未來：行星思維與基建》藝術及研究座談會

We’d like to give a warm thank you to the wonderful crowd that participated in the symposium and offered their valuable insights. Our heartfelt gratitude also goes to all speakers who presented in the symposium and workshops, and to TrAIN and Afterall for their generous support in making the event possible.

EcoFutures is co-convened by David Cross and Jessica Wan with the support of University of the Arts London (UAL) and Research Centre for Transnational Art, Identity and Nation (TrAIN) . In collaboration with Videotage, the series invites artists and researchers from Hong Kong and the UK, to share their reflections on infrastructures’ role in shaping ecological care and resilience, and how artistic practice responds to the ecological crisis.

Building on the conversations at UAL, Videotage and EcoFutures will present two thematic panels in British Council Hong Kong’s UK–HK Symposium on ‘Sustainability in the Arts’. We will also co-curate a screening programme with Golden Thread Gallery from Belfast in response to the ecological discourse.

For full details of the programme, please see link in bio. Hope to see you there!

研討會現場反應踴躍，我們感謝各位來賓的分享 參與，讓充實的對話得以展開。我們亦向應邀出席座談會和工作坊的講者，以及在節目策劃過程中全力支持我們的 TrAIN 及 Afterall 致以由衷謝意。

「生態未來」由 David Cross 和溫傑思共同召集，並得到 UAL 和跨國藝術、身份及國界研究中心 （TrAIN）的支持。與錄映太奇共同策劃，本系列邀請英國、香港兩地的藝術家和學者，從生態和「行星思維」角度，重新審視基建如何塑造生態關懷和韌性，而藝術實踐如何回應當前面對的生態危機。

錄映太奇三月將延續 UAL 校園內的精彩交流，於英國駐香港總領事館舉辦兩場「生態未來」座談會，為英國文化協會「英國—香港藝術可持續發展研討會」節目之一；同場亦將與北愛 Golden Thread Gallery 合作舉辦放映節目，回應生態議題。

有關活動的詳細資料，請參閲個人檔案連結。期待再次見到大家！

26/02/2026

EcoFutures Symposium: Worlding Ecologies in a Relational World

28 February 2026, Sat, 13:45-15:00
Banqueting Hall, Chelsea College of Arts, UAL (16 John Islip St, London SW1P 4JU, United Kingdom)

Conducted in English. Free Admission. Online Registration is needed. RSVP link: https://www.eventbrite.co.uk/e/ecofutures-planetary-thinking-and-infrastructures-tickets-1982422687624

Speakers: Chris Cheung (artist & creative and artistic director of XCEPT and XCEED, HK), Kwan Q Li (artist, HK), Anahita Razmi (Artist & Senior Lecturer & Associate at TrAIN, UAL)
Moderator: Prof Paul Goodwin (TrAIN, UAL, London)

This panel explores how urban growth and AI-driven global infrastructures intersect with environmental conditions. XCEPT’s works explore how radiation, climate, and AI shape human perception and ideology, reimagining planetary consciousness through invisible forces and speculative futures. Bridging the macro-ecologies of vegetative survival and AI psyche, Li’s Urban Weeds, Digital Insomniacs reimagines ‘planetary health’ as a symbiosis between biological resilience and algorithmic unpredictability that seeks the ‘wild’ both in the split of a pavement and in the glitch of a neural network. Situated within Razmi’s broader practice of investigating cultural translation and economic circulation across Global North–Global South vectors, their collaborative project Darookhaneh Apotheke Pharmacy foregrounds how care, control, and representation are structurally entangled.

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Co-Curators: Jessica Wan, Angel Leung
Advisor: David Cross

Presented by:
UAL Research Centre for Transnational Art
Videotage

Supported by:
Afterall
Hong Kong Arts Development Council
*The Hong Kong Arts Development Council supports freedom of artistic expression. The views and opinions expressed in this project do not represent the stand of the Council.

Image: XCEPT, Radiant Florilegium, 2024. Courtesy of the artist.