Blindspot Gallery 刺點畫廊

Blindspot Gallery 刺點畫廊 Set up in 2010, Blindspot Gallery is a Hong Kong-based contemporary art gallery. The gallery began w

The gallery began with a primary focus on contemporary photography and image-based art, and has evolved to include diverse media in contemporary art. The gallery represents both emerging and established artists, mainly from Hong Kong and the region but also beyond.

創辦於2010年，刺點畫廊是一間建基於香港的當代藝術畫廊。畫廊初期以當代攝影及影像主導的創作為重點，及後持續發展至融合各種當代藝術媒介。畫廊展出新晉和著名藝術家，他們主要是來自香港及亞洲地區的藝術家，但亦有海外的藝術家。

Isaac Chong Wai‘s works are now on view at the 7th Mardin Biennial - “SKYground” in Mardin, Turkey, running through 21 J...
05/06/2026

Isaac Chong Wai‘s works are now on view at the 7th Mardin Biennial - “SKYground” in Mardin, Turkey, running through 21 Jun 2026.

🚣‍♂️ In the project 𝙄 𝙈𝙖𝙙𝙚 𝙖 𝘽𝙤𝙖𝙩 𝙞𝙣 𝙋𝙧𝙞𝙨𝙤𝙣, Chong made a life-size boat out of segments of wire fences he cut out from a prison in Weimar. While the boat is made out of penetrable metal fences and is thus futile as a transportation vessel, the artist dragged it across the city of Weimar back to the prison, charting a fictional path between geographical mobility and escapist fantasy.

🟦 The paintings in the project depict fences with colored lines. By intentionally leaving lines missing, the artist transforms the representation of a fence into an object that addresses fragility and permeability.

🔗 Link in bio for more info
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𝟳𝘁𝗵 𝗠𝗮𝗿𝗱𝗶𝗻 𝗕𝗶𝗲𝗻𝗻𝗶𝗮𝗹 - ”𝗦𝗞𝗬𝗴𝗿𝗼𝘂𝗻𝗱“
Curated by Çelenk Bafra
📅 Until 21 Jun 2026
📍 Deyrulzafaran Monastery/Sakıp Sabancı Mardin City Museum, Mardin, Turkey
🕐 10am - 5pm
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Images:
[1] Installation view of 𝘐 𝘔𝘢𝘥𝘦 𝘢 𝘉𝘰𝘢𝘵 𝘪𝘯 𝘗𝘳𝘪𝘴𝘰𝘯–𝘈 𝘑𝘰𝘶𝘳𝘯𝘦𝘺 𝘵𝘰 𝘵𝘩𝘦 𝘚𝘩𝘰𝘳𝘦 (2015)
[2] Installation view of 𝘐 𝘔𝘢𝘥𝘦 𝘢 𝘉𝘰𝘢𝘵 𝘪𝘯 𝘗𝘳𝘪𝘴𝘰𝘯–𝘈 𝘞𝘢𝘭𝘬 𝘪𝘯 𝘞𝘦𝘪𝘮𝘢𝘳 (2015)
[3] Installation view of 𝘓𝘪𝘯𝘦𝘴 𝘪𝘯 𝘣𝘭𝘶𝘦 (2018-2020)
Images courtesy of artist and Mardin Biennial
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Chen Wei’s works will be featured in GOLD‘s second exhibition by , ”𝐝𝐫𝐞𝐚𝐦𝐞𝐝𝐜𝐨𝐫𝐞“, opening to the public this Saturday (...
02/06/2026

Chen Wei’s works will be featured in GOLD‘s second exhibition by , ”𝐝𝐫𝐞𝐚𝐦𝐞𝐝𝐜𝐨𝐫𝐞“, opening to the public this Saturday (6 June 2026)! 🦋

Curated by Shirley Lau and Tobias Berger, “the exhibition treats the algorithmic aesthetic of “dreamcore” not simply as subculture, but as a generational condition. Merging exhibition, concept store, and runway, dreamedcore explores how a new generation reshapes visual culture from internet nostalgia and atmospheric tones through fluid media.” — Serakai Studio 🌀

Link in bio to learn more 🔗
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𝐝𝐫𝐞𝐚𝐦𝐞𝐝𝐜𝐨𝐫𝐞
Curated by Shirley Lau and Tobias Berger
📅 6 Jun – 1 Aug 2026
📍 GOLD, G/F Remex Centre, 42 Wong Chuk Hang Road, Wong Chuk Hang, Hong Kong
🕐 Open Wednesday–Saturday 12–6pm
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Images:
[1] Courtesy of Serakai Studio.
[2] Chen Wei, 𝘛𝘪𝘮𝘦 𝘚𝘩𝘰𝘱, 2019
[3] Chen Wei, 𝘛𝘳𝘰𝘶𝘣𝘭𝘦 𝘊𝘪𝘵𝘺 #250102, 2025
[4] Chen Wei, 𝘏𝘺𝘱𝘯𝘰𝘵𝘪𝘤 𝘙𝘢𝘪𝘯 (𝘏𝘒), 2025
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Sin Wai Kin's 𝘿𝙧𝙚𝙖𝙢𝙞𝙣𝙜 𝙩𝙝𝙚 𝙀𝙣𝙙 (2023) is now on view in the group exhibition "Visions of Antiquity" at Saint Louis Art M...
30/05/2026

Sin Wai Kin's 𝘿𝙧𝙚𝙖𝙢𝙞𝙣𝙜 𝙩𝙝𝙚 𝙀𝙣𝙙 (2023) is now on view in the group exhibition "Visions of Antiquity" at Saint Louis Art Museum in Missouri, USA, running through 18 October 18, 2026.

"The exhibition explores the power and persistence of Greek and Roman antiquity in art, with works ranging from 1500 to the present.......Accompanying the characters of The Storyteller and Change, Sin's film 𝘋𝘳𝘦𝘢𝘮𝘪𝘯𝘨 𝘵𝘩𝘦 𝘌𝘯𝘥 is a colorful meditation on human experience. It takes viewers on a dreamlike journey through Rome’s landscape, revealing layers of meaning in the historic sediment." —Saint Louis Art Museum

🔗 Learn more here: https://www.slam.org/exhibitions/visions-of-antiquity/
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𝗩𝗶𝘀𝗶𝗼𝗻𝘀 𝗼𝗳 𝗔𝗻𝘁𝗶𝗾𝘂𝗶𝘁𝘆
Curated by Clare Kobasa
📅 Until 18 October 18 2026
📍 Saint Louis Art Museum, Saint Louis, Missouri, USA
🕐 Open TUE – SUN, 10am – 5pm | FRI, 10 am – 9 pm
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Images courtesy of artist and Saint Louis Art Museum
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Works by Hao Jingban, Wang Tuo, and Jiang Zhi will be screening in 𝗔𝘀𝗶𝗮𝗻 𝗔𝘃𝗮𝗻𝘁-𝗚𝗮𝗿𝗱𝗲 𝗙𝗶𝗹𝗺 𝗙𝗲𝘀𝘁𝗶𝘃𝗮𝗹 𝟮𝟬𝟮𝟲: 𝗦𝗽𝗮𝗰𝗲 𝗘𝗻𝘁𝗲𝗿 𝗦𝗵𝗶...
29/05/2026

Works by Hao Jingban, Wang Tuo, and Jiang Zhi will be screening in 𝗔𝘀𝗶𝗮𝗻 𝗔𝘃𝗮𝗻𝘁-𝗚𝗮𝗿𝗱𝗲 𝗙𝗶𝗹𝗺 𝗙𝗲𝘀𝘁𝗶𝘃𝗮𝗹 𝟮𝟬𝟮𝟲: 𝗦𝗽𝗮𝗰𝗲 𝗘𝗻𝘁𝗲𝗿 𝗦𝗵𝗶𝗳𝘁 at M+ Cinema from 29-31 May 2026. 📽

Hao Jingban’s 𝙊𝙛𝙛 𝙏𝙖𝙠𝙚𝙨 (2016) is featured in the program ”Anwhere But Here“. The film weaves discarded footage from the artist‘s 𝘉𝘦𝘪𝘫𝘪𝘯𝘨 𝘉𝘢𝘭𝘭𝘳𝘰𝘰𝘮 𝘗𝘳𝘰𝘫𝘦𝘤𝘵 (2012–2016) with her personal voiceover as she reflects on her creative process, exploring the lives of Chinese ballroom dancers who were active from the 1950s to the post-Cultural Revolution 1970s and beyond. 💃🏻

𝙊𝙗𝙨𝙚𝙨𝙨𝙞𝙤𝙣𝙨 (2019) by Wang Tuo is presented in the program ”No Mere Construct: Architecture on Screen“. The film juxtaposes the Fusuijing Building—a socialist architectural landmark—with a hypnotherapy session, revealing subconscious chambers that mirror human desire. 🏬

With a fluid, ‘flying’ hand, Jiang Zhi’s 𝙁𝙡𝙮, 𝙁𝙡𝙮 (1997) navigates a cramped Beijing apartment and the monochrome reality of an artist struggling to break free from a precarious life.

🎟 Festival and Day Pass and more info via link in bio 🔗
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🎥 𝐀𝐧𝐲𝐰𝐡𝐞𝐫𝐞 𝐁𝐮𝐭 𝐇𝐞𝐫𝐞
👤 𝗛𝗮𝗼 𝗝𝗶𝗻𝗴𝗯𝗮𝗻, 𝙊𝙛𝙛 𝙏𝙖𝙠𝙚𝙨, 2016
📍29/5 (Fri) 14:00 House 2, M+ Cinema
📍31/5 (Sun) 15:00 House 2, M+ Cinema

🎥 𝐍𝐨 𝐌𝐞𝐫𝐞 𝐂𝐨𝐧𝐬𝐭𝐫𝐮𝐜𝐭: 𝐀𝐫𝐜𝐡𝐢𝐭𝐞𝐜𝐭𝐮𝐫𝐞 𝐨𝐧 𝐒𝐜𝐫𝐞𝐞𝐧
👤 𝗪𝗮𝗻𝗴 𝗧𝘂𝗼, 𝙊𝙗𝙨𝙚𝙨𝙨𝙞𝙤𝙣𝙨, 2019
📍29/5 (Fri) 1:30pm House 1, M+ Cinema
📍30/5 (Sat) 11:00am House 2, M+ Cinema

🎥 𝐀 𝐑𝐨𝐨𝐦 𝐨𝐟 𝐎𝐧𝐞’𝐬 𝐎𝐰𝐧
👤 𝗝𝗶𝗮𝗻𝗴 𝗭𝗵𝗶, 𝙁𝙡𝙮, 𝙁𝙡𝙮, 1997
📍 30/5 (Sat) 11:30am House 1, M+ Cinema
📍 31/5 (Sun) 1:30pm House 2, M+ Cinema
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Images and videos courtesy of M+
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AsianAvantGardeFilmFestival

Isaac Chong Wai's two-channel video 𝘾𝙤𝙣𝙩𝙧𝙤𝙡𝙡𝙖𝙗𝙡𝙚/𝙐𝙣𝙘𝙤𝙣𝙩𝙧𝙤𝙡𝙡𝙖𝙗𝙡𝙚 𝙏𝙚𝙖𝙧𝙨 (2022) is currently on view in the group exhibitio...
27/05/2026

Isaac Chong Wai's two-channel video 𝘾𝙤𝙣𝙩𝙧𝙤𝙡𝙡𝙖𝙗𝙡𝙚/𝙐𝙣𝙘𝙤𝙣𝙩𝙧𝙤𝙡𝙡𝙖𝙗𝙡𝙚 𝙏𝙚𝙖𝙧𝙨 (2022) is currently on view in the group exhibition "𝗙𝗮𝗹𝗹𝗶𝗻𝗴 𝗨𝗽" at Outside Art Space (外部空間) in Beijing, curated by Leo Li Chen. The exhibition will run through 19 Sep 2026. ⬆️

In Isaac’s 𝘊𝘰𝘯𝘵𝘳𝘰𝘭𝘭𝘢𝘣𝘭𝘦/𝘜𝘯𝘤𝘰𝘯𝘵𝘳𝘰𝘭𝘭𝘢𝘣𝘭𝘦 𝘛𝘦𝘢𝘳𝘴, the double screens are installed vertically, juxtaposing comparable expressions: crying unemotionally, sobbing without tears, or wailing with eye drops, along with the decorative chains descending bit by bit from the eyes just as though a passage is paved for the teardrops. The segmented emotions embodied by acting, feelings, thoughts, and expressions infer the dialectical sorrow between the controllable and uncontrollable and the liminal state of performing and authenticity. 💧

🔗 By appointment only. RSVP here: https://mp.weixin.qq.com/s/_hpSr3OpMaqU-pDpiJLZ-w
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𝗙𝗮𝗹𝗹𝗶𝗻𝗴 𝗨𝗽
Curated by Leo Li Chen
📅 Until 19 Sep 2026
📍 E5-1, Haitang Gong She, No. 4 Bailusi Road, Beijing, China
🕐 TUE - SAT | 1 - 5pm
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Sin Wai Kin is presenting their latest video work 𝙏𝙝𝙚 𝙇𝙚𝙣𝙨 (2026) in their debut solo exhibition in the Netherlands, “St...
23/05/2026

Sin Wai Kin is presenting their latest video work 𝙏𝙝𝙚 𝙇𝙚𝙣𝙨 (2026) in their debut solo exhibition in the Netherlands, “Still Life”, at Frans Hals Museum in Haarlem, running through 30 Aug 2026! 🍽

The work is commissioned by the Frans Hals Museum. “In the film, the artist’s parents are given the leading role. They talk to each other over a Cantonese meal, surrounded by classic vanitas and food still lifes from the collection of the Frans Hals Museum.” —Frans Hals Museum. 💐

Alongside the newly commissioned film, Sin's moving image series 𝘗𝘰𝘳𝘵𝘳𝘢𝘪𝘵𝘴 (2023-) will also be featured in the exhibition.

🔗 More info here: https://franshalsmuseum.nl/en/see-and-do/sin-wai-kin
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𝗦𝗶𝗻 𝗪𝗮𝗶 𝗞𝗶𝗻: 𝗦𝘁𝗶𝗹𝗹 𝗟𝗶𝗳𝗲
Curated by Manique Hendricks
📅 22 May — 30 Aug 2026
📍 Frans Hals Museum, Haarlem, the Netherlands
🕐 Open TUE – SUN | 11am – 5pm
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Images:
Sin Wai Kin, 𝘛𝘩𝘦 𝘓𝘦𝘯𝘴 (film still), 2026
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Fresh off a debut at Perth Institute of Contemporary Arts (PICA, ), Un Cheng‘s paintings, featured in the group exhibit...
21/05/2026

Fresh off a debut at Perth Institute of Contemporary Arts (PICA, ), Un Cheng‘s paintings, featured in the group exhibition “Painting Itself / 绘画本身”, will travel to ANU School of Art & Design Gallery in Canberra, Australia, opening tonight! 💫

Curated by Jonathan Nichols the exhibition explores a horizontal culture in painting, where fundamental ideas about its history and vitality — long the influence of European and American values — are being reshaped in East and Southeast Asia.⁠ 🎨

Link in bio for more info. 🔗
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𝗣𝗮𝗶𝗻𝘁𝗶𝗻𝗴 𝗜𝘁𝘀𝗲𝗹𝗳
Curated by Jonathan Nichols ( )
📅 Opening 21 May 2026, 5:30pm (AEST)
📅 Exhibition Dates: 22 May - 28 Jun 2026
📍ANU School of Art & Design Gallery, Canberra, Australia
🕙 TUE – FRI 10:30am–3pm, SAT & SUN 11am–4pm
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Images:
[1] Courtesy of ANU School of Art & Design Gallery
[2] Un Cheng, 𝘕𝘰 𝘉𝘢𝘳𝘨𝘢𝘪𝘯 $10!, 2020
[3] Un Cheng, 𝘉𝘦𝘦𝘳, 𝘞𝘦𝘦𝘥 𝘢𝘯𝘥 𝘚𝘱𝘪𝘯𝘢𝘤𝘩, 2020
[4] Courtesy of ANU School of Art & Design Gallery

Jiang Zhi and Xiyadie will be featured in the group exhibition ”Reason Is a Flower“ in C22, Beijing, China, curated by Z...
19/05/2026

Jiang Zhi and Xiyadie will be featured in the group exhibition ”Reason Is a Flower“ in C22, Beijing, China, curated by Zhang Yuling and Dai Xiyun, opening to the public on 20 May 2026. 🌺

The exhibition features conceptual works that foreground the rarely discussed, exploring the intriguing relationship between floral imageries and human rationalities. The works together form a materially sensitive ecology that spans across diverse mediums.🪴

Visits are by appointment only. Link in bio to RSVP🔗
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𝗥𝗲𝗮𝘀𝗼𝗻 𝗜𝘀 𝗮 𝗙𝗹𝗼𝘄𝗲𝗿
Curated by Zhang Yuling & Dai Xiyun
📅 20 May - 30 Oct 2026
📍 C22, Haitang Commune, Beijing, China
🕐 MON-FRI | 1 - 7pm
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Images:
[1] Jiang Zhi, 𝘍𝘢𝘥𝘦 2, 2016-2017
[2] Jiang Zhi, 𝘍𝘢𝘥𝘦 7, 2016-2017
[3] Xiyadie, 𝘑𝘰𝘺, 2000s
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Works by Chen Wei, Pixy Liao, Ren Hang, Wang Tuo and Xiyadie are currently on view in the major Chinese contemporary art...
15/05/2026

Works by Chen Wei, Pixy Liao, Ren Hang, Wang Tuo and Xiyadie are currently on view in the major Chinese contemporary art group exhibition “𝗙𝗼𝗿𝗲𝘃𝗲𝗿 𝗧𝗼𝗺𝗼𝗿𝗿𝗼𝘄: 𝗖𝗵𝗶𝗻𝗲𝘀𝗲 𝗔𝗿𝘁 𝗡𝗼𝘄” at Auckland Art Gallery Toi o Tāmaki in New Zealand, running through 15 Aug 2026! 🛎️

“Spanning decades of artistic exchange since China’s Reform and Opening Up in 1978, the exhibition offers a captivating look at how a new generation of Chinese artists have responded to the seismic shifts in society – transitioning from rural to urban, traditional to modern, and industrial to global powerhouse.” —Auckland Art Gallery Toi o Tāmaki 💡

🎥 On 15 Aug, there will be a screening of 𝘛𝘩𝘦 𝘚𝘦𝘤𝘰𝘯𝘥 𝘐𝘯𝘵𝘦𝘳𝘳𝘰𝘨𝘢𝘵𝘪𝘰𝘯 (2023) by Wang Tuo, followed by a conversation between curator Hutch Wilco (.d.wilco ) and Meijing He. RSVP via the link in bio. 🔗
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𝗙𝗼𝗿𝗲𝘃𝗲𝗿 𝗧𝗼𝗺𝗼𝗿𝗿𝗼𝘄: 𝗖𝗵𝗶𝗻𝗲𝘀𝗲 𝗔𝗿𝘁 𝗡𝗼𝘄
Curated by Hutch Wilco with support from Feng Boyi
📅 Until 23 Aug 2026
📍 Auckland Art Gallery Toi o Tāmaki, New Zealand
🕐 Open every day | 10am — 5pm

𝗦𝗰𝗿𝗲𝗲𝗻𝗶𝗻𝗴 𝗼𝗳 𝙏𝙝𝙚 𝙎𝙚𝙘𝙤𝙣𝙙 𝙄𝙣𝙩𝙚𝙧𝙧𝙤𝙜𝙖𝙩𝙞𝙤𝙣
📅 11am - 1pm, 15 Aug 2026
📍 Auditorium, Auckland Art Gallery Toi o Tāmaki, New Zealand
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Images:
[1] Xiyadie, 𝘎𝘢𝘵𝘦, 1992
[2] Chen Wei, 𝘛𝘰𝘥𝘢𝘺 𝘪𝘴 𝘜𝘯𝘴𝘶𝘪𝘵𝘢𝘣𝘭𝘦 𝘧𝘰𝘳 𝘚𝘩𝘰𝘰𝘵𝘪𝘯𝘨, 2013
[3] Wang Tuo, 𝘛𝘩𝘦 𝘚𝘦𝘤𝘰𝘯𝘥 𝘐𝘯𝘵𝘦𝘳𝘳𝘰𝘨𝘢𝘵𝘪𝘰𝘯, 2023
[4] Pixy Liao, 𝘏𝘢𝘯𝘥𝘺 𝘗𝘢𝘯𝘵𝘺, 2022
[5] Pixy Liao, 𝘏𝘰𝘭𝘥, 2014; 𝘏𝘶𝘨 𝘣𝘺 𝘵𝘩𝘦 𝘗𝘰𝘯𝘥, 2010
[6] Ren Hang, 𝘜𝘯𝘵𝘪𝘵𝘭𝘦𝘥, 2009
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Chihoi is currently presenting his solo exhibition "𝗜'𝗺 𝘄𝗶𝘁𝗵 𝗠𝘆 𝗦𝗮𝗶𝗻𝘁" at the Visionario Cinema, Udine, Italy, on the oc...
14/05/2026

Chihoi is currently presenting his solo exhibition "𝗜'𝗺 𝘄𝗶𝘁𝗵 𝗠𝘆 𝗦𝗮𝗶𝗻𝘁" at the Visionario Cinema, Udine, Italy, on the occasion of the 28th edition of the Far East Film Festival. The exhibition runs through 24 May 2026! 💫

Featuring original drawings and selected publications, the exhibition celebrates the launch of the new Italian edition of 𝙄'𝙢 𝙬𝙞𝙩𝙝 𝙈𝙮 𝙎𝙖𝙞𝙣𝙩, published by Canicola Edizioni (). 📖

🔗 Link in bio to learn more
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𝗖𝗵𝗶𝗵𝗼𝗶: 𝗜'𝗺 𝘄𝗶𝘁𝗵 𝗠𝘆 𝗦𝗮𝗶𝗻𝘁
🗓️ Until 24 May 2026
📍Cinema Visionario, Udine, Italy
🎟️ Free entry
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Address

15/F, Po Chai Industrial Building, 28 Wong Chuk Hang Road, Wong Chuk Hang
Hong Kong

Opening Hours

Tuesday 10:30 - 18:30
Wednesday 10:30 - 18:30
Thursday 10:30 - 18:30
Friday 10:30 - 18:30
Saturday 10:30 - 18:30

Telephone

+85225176238

Website

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