24/04/2025
藝術家戈子餘經過長期的自我審視與思考，終於回歸到自己的文化之根，將宣紙、墨、傳統書畫形式從特定工具屬性及傳統文化義涵中解放出來，回到其本初：在多層宣紙上重復書寫，邊書寫邊消解書寫痕跡，以書寫乾掉書寫，破繭為蝶，涅槃重生，形成層層疊疊多維負空間。作品現於江蘇省常州市舜山美術館展出。
After a long period of self-examination and reflection, artist Ge Ziyu finally returned to his cultural roots, liberating rice paper, ink, and traditional calligraphy and painting forms from specific tool attributes and traditional cultural connotations, returning to their original nature: repeatedly writing on multiple layers of rice paper, eliminating writing traces while writing, using writing to kill writing, breaking out of the cocoon and becoming a butterfly, reborn from the ashes, and forming layers of multi-dimensional negative space. The work is currently on display at Shunshan Art Museum in Changzhou, Jiangsu Province.
#中國文化 #中國藝術 #中國當代藝術 #當代水墨 #當代藝術家 #裝置藝術
