ENIA GALLERY

ENIA GALLERY Contact information, map and directions, contact form, opening hours, services, ratings, photos, videos and announcements from ENIA GALLERY, Art Gallery, Agiou Dimitriou 74 & Mesologgiou 55, Piraeus.

Η ΕΝΙΑ GALLERY αποτελεί έναν εκθεσιακό χώρο στις εγκαταστάσεις που παλιά στεγαζόταν η βιομηχανία της «ΚΟΣΤΑΛ» και έχει ως στόχο να προβάλλει τη σύγχρονη ελληνική και διεθνή εικαστική σκηνή. In the place where housed the old “COSTAL” industry, ENIA GALLERY was created, as a reference point for contemporary art and culture, which purpose is to play a leading role in the visual scene of Greece.

18/07/2026

Permanent Collection
Video : Costas Vittis

Tassos Triandafyllou"Craft II", opaline paper 300g, ink, 2026Τάσσος Τριανταφύλλου«Λέμβος ΙΙ», 05Χ40Χ10cm, Χαρτί Οπαλίνα ...
13/07/2026

Tassos Triandafyllou
"Craft II", opaline paper 300g, ink, 2026
Τάσσος Τριανταφύλλου
«Λέμβος ΙΙ», 05Χ40Χ10cm, Χαρτί Οπαλίνα 300gr- μελάνι, 2026.
Στο εσωτερικό μέρος του γλυπτού αναγράφεται σε εγχάρακτη μορφή απόσπασμα από την «Ραψωδία Ε» του κειμένου της Οδύσσειας σε απόδοση της νέας Ελληνικής γλώσσας (μετάφραση Δ.Ν.Μαρωνίτης).
Το κείμενο έχει χαραχτεί στην επιφάνεια του χαρτιού και εκ των υστέρων όλη η επιφάνεια του γλυπτού έχει μελανωθεί.
Το έργο «Λέμβος ΙΙ» αποτελεί μέρος μιας ευρύτερης εικαστικής έρευνας για την ιδέα του επιπλέοντος αντικειμένου (Λέμβος) το οποίο λειτουργεί ως επιφάνεια καταγραφής και μνήμης.
Λέμβος ΙΙ- Απόσπασμα
Επάκουσε, όποιος κι αν είσαι, ποταμέ βασιλικέ μου.
Προσπέφτω, χίλιες φορές παρακαλώ σε , γλύτωσέ με
Από την απειλή του ποσειδώνιου πελάγου.
Πρέπει πιστεύω και οι αθάνατοι Θεοί να τον σπλαχνίζονται
Όποιον παραδαρμένος τους ζητά το έλεος.

Tassos Triandafyllou“Development of a spiral”, wood, 240X220X70cm, 2017.«Ανάπτυγμα σπείρας», ξύλο, 240X220X70cm, 2017
03/07/2026

Tassos Triandafyllou
“Development of a spiral”, wood, 240X220X70cm, 2017.
«Ανάπτυγμα σπείρας», ξύλο, 240X220X70cm, 2017

George GyzisCarte Postale   #3202676 x 56cm Acrylic on paper ( 640g )- New body of work coming next , stay tuned
02/07/2026

George Gyzis
Carte Postale #3
2026
76 x 56cm
Acrylic on paper ( 640g )

- New body of work coming next , stay tuned

Open on Sunday 28 / 06 / 2612:00-17:00Permanent collection▫️
20/06/2026

Open on Sunday 28 / 06 / 26
12:00-17:00

Permanent collection

▫️


16/05/2026

Η ENIA Gallery και η ΔΛ Gallery ενημερώνουν το κοινό ότι από τις 24 Μαΐου 2026 έως τις 30 Ιουνίου 2027 οι δραστηριότητές τους θα πραγματοποιούνται αποκλειστικά κατόπιν ραντεβού, λόγω εργασιών ανακαίνισης και αναβάθμισης των εγκαταστάσεων.
Κατά τη διάρκεια αυτής της περιόδου, θα παρουσιάζονται επιλεγμένα έργα από τη μόνιμη συλλογή, καθώς και ειδικές δράσεις και events.
Μπορείτε να ενημερώνεστε από τις σελίδες μας στο Facebook

ENIA Gallery and DL Gallery inform the public that from May 24, 2026, until June 30, 2027, their activities will take place exclusively by appointment, due to renovation and upgrading works on their facilities.
During this period, selected works from the permanent collection will be presented, along with special actions and events.
You can stay updated via our pages

George GyzisAcrylic on paper51x72 cm▫️
12/05/2026

George Gyzis
Acrylic on paper
51x72 cm

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Permanent collection, V. Kaniaris, I. Savvidis,  ▫️
18/04/2026

Permanent collection
, V. Kaniaris, I. Savvidis,


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The solo exhibition “Which side are you on?”  by Artemis Potamianou, represented by ENIA Gallery, is presented at ID Gal...
16/04/2026

The solo exhibition “Which side are you on?” by Artemis Potamianou, represented by ENIA Gallery, is presented at ID Gallery (Stockholm, Sweden). The opening will take place on Friday, April 24, 2026, at 17:00.
Which side are you on? is a scathing comment on the social conditions that may signify either protection or confinement for women. In her installation at ID Gallery, Artemis Potamianou composes an environmental narrative that unfolds in space as a reflection on the totality of female experience, juxtaposed with the still unrealized dream of freedom and true equality.
The exhibition space is transformed into a site-specific installation, metaphorically operating as a cage that contains a series of elaborate birdcages. Within these structures, the artist encloses objects that function as symbols of socially constructed roles and expectations: toys traditionally associated with girls, suggestive of early conditioning toward domesticity and motherhood, alongside clocks, keys, and identity cards. These elements point to the persistence of stereotypes that define and confine the perceived nature of women. Surrounding the installation, a hand-crafted wallpaper reminiscent of another era unfolds across the space, bearing classical floral motifs within which hidden eyes are embedded—silent observers that evoke a condition of constant surveillance, reinforcing the sense of control and restriction.
Drawing from the visual language of art history, Potamianou references depictions of female figures standing before open cages, releasing birds into the air—a gesture historically associated with emancipation and the fragile condition of the female subject. Here, however, this gesture is reconsidered. The cage itself, echoing the ornate constructions of earlier periods that often replicated architectural forms, borrows from the structure of a dismantled building. It emerges as an ambivalent symbol, oscillating between shelter and prison, depending on the viewer’s perception.
Alongside the installation, the video work Art scene – Art seen is presented as a two-channel projection composed of two videos in direct synergy. The first assembles a collage of excerpts in which well-known artists speak about their work, while the second brings together cinematic scenes depicting the lives of artists in moments of creation. Through this parallel structure, the work examines the life, struggle, fear of failure, and continuous pursuit of recognition, as well as the mechanisms and “backstage” processes behind artistic establishment. The juxtaposition of lived reality and its stylized, often idealized cinematic representation forms a critical commentary on the myths surrounding artistic identity—both as constructed by the film industry and perpetuated by artists themselves.
Together, the works invite viewers to reflect on systems of representation, control, and self-definition, posing an open question: which side are you on?
FREE ENTRANCE
Exhibition Dates: April 24–28, 2026
Opening: Friday, April 24, 2026, 17:00–20:00
Opening Hours: Friday 17:00–20:00, Saturday and Sunday 12:00–17:00
Address: Tjärhovsgatan 19, 116 28 Stockholm, Sweden

Address

Agiou Dimitriou 74 & Mesologgiou 55
Piraeus
18545

Opening Hours

Thursday 12:00 - 19:30
Friday 12:00 - 19:30
Saturday 12:00 - 16:00

Telephone

+302104619700

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