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RedD Gallery Art Gallery in Chania Crete showcasing work by a selection of International Contemporary Artists. Opening May 2019

WHERE LIGHTNINGS DANCE, 2026by mattia novello Coloured Ice on Canvas55 1/10 × 55 1/10 in | 140 × 140 cmImagine falling a...
28/10/2026

WHERE LIGHTNINGS DANCE, 2026
by mattia novello
Coloured Ice on Canvas
55 1/10 × 55 1/10 in | 140 × 140 cm

Imagine falling asleep beneath an endless blue sky, surrounded by the stillness of the outdoors.

Where Lightning Dances, from Mattia Novello’s series Where Lightning Is Born, brings the beauty and serenity of the open sky indoors, blurring the boundaries between inside and out. A little piece of the outdoors to dream beneath, every single night.

Visit our page on Artsy & Artnet for more works by Novello.

Our First Ride , 2023by Yasser Claud-Ennin Oil pastel on Aso-Oke fabric16 × 20 in | 40.6 × 50.8 cmIn Ouf First Ride, Yas...
27/10/2026

Our First Ride , 2023
by Yasser Claud-Ennin
Oil pastel on Aso-Oke fabric
16 × 20 in | 40.6 × 50.8 cm

In Ouf First Ride, Yasser Claud-Ennim celebrates the joy of childhood and the tenderness of fatherhood through the lens of family memory.

Combining archival family photographs with traditional Nigerian and Ghanaian textiles inherited from his family, Claud-Ennim weaves together generations of history with contemporary narratives. The work challenges conventional ideals of masculinity, presenting fatherhood as an expression of care, vulnerability and affection. By reimagining inherited traditions, he creates space for more compassionate forms of masculinity, reminding us that honouring the past can also mean breaking with the norms that no longer serve us.

A celebration of family, connection and the freedom to redefine tradition.

Ubuntu, 2026By Hope BartleyOil on Canvas200 x 200 cmA world of connection, reciprocity, and shared belonging.Created for...
26/10/2026

Ubuntu, 2026
By Hope Bartley
Oil on Canvas
200 x 200 cm

A world of connection, reciprocity, and shared belonging.

Created for the Museum of Five Continents in Munich as part of the exhibition Decolonisation (2026), Ubuntu responds to the colonial narratives embedded in historical representations of Africa. Through shimmering, translucent figures that emerge from a lush tropical landscape, Hope Bartley reimagines a world in which boundaries dissolve and all beings exist in relation to one another.

Inspired by the African philosophy of Ubuntu — “I am because we are” — the painting offers a vision of humanity grounded in solidarity, mutual care, and collective existence. Where colonial histories have drawn divisions between people, Ubuntu proposes another possibility: a world shaped by love.

We are also delighted to share that Hope Bartley has been nominated for the Young Generation Art Award 2027, presented by Monopol Magazin in collaboration with Degussa Goldhandel

Congratulations, Hope, on this wonderful recognition!

For more works by Hope Bartley | Artist feel free to visit our pages on Artsy & Artnet (links in bio).

Residual Blue, 2026by Taher Jaoui Oil, Acrylic and Charcoal on Canvas66 9/10 × 59 1/10 in | 170 × 150 cmResidual Blue by...
25/10/2026

Residual Blue, 2026
by Taher Jaoui
Oil, Acrylic and Charcoal on Canvas
66 9/10 × 59 1/10 in | 170 × 150 cm

Residual Blue by Taher Jaoui unfolds as a luminous field of blues, whites and violet tones, where abstraction and figuration continuously shift into one another.

Circles, grids, gestural lines and fragmented forms emerge across the surface, suggesting eyes, bodies, machines and symbols without ever settling into a fixed identity. The painting feels like a collection of traces—forms that have appeared, disappeared and remained as residual marks within the canvas.

The restrained palette gives the work a particular sense of atmosphere. Cobalt and ultramarine move between transparency and intensity, creating moments of depth and shadow against the pale ground. Jaoui’s spontaneous gestures introduce rhythm and movement, while geometric structures and repeated circular forms bring an underlying sense of order.

At the heart of Residual Blue is the tension between calculation and instinct, structure and spontaneity, abstraction and figuration. The eye is never given a single point of focus; instead, it moves continuously across an all-over composition, discovering new relationships between marks and forms.

A painting about what remains—the trace of a gesture, the memory of a figure, the residue of an emotion—Residual Blue transforms the act of painting into a process of accumulation, erasure and rediscovery.

More information on this piece and others by Taher Jaoui can be seen on our pages on Artsy and Artnet

Untitled, 2026by ᴍᴀʀᴄᴏ ʀᴇɪᴄʜᴇʀᴛ Oil on Canvas39 2/5 × 53 1/10 in / 100 × 135 cmMarco Reichert’s Untitled explores the in...
21/10/2026

Untitled, 2026
by ᴍᴀʀᴄᴏ ʀᴇɪᴄʜᴇʀᴛ
Oil on Canvas
39 2/5 × 53 1/10 in / 100 × 135 cm

Marco Reichert’s Untitled explores the intersection of abstraction, digital perception, and material process. Through layered surfaces, gestural interruptions, and the interplay of control and accident, the painting evokes an image caught between formation and dissolution — somewhere between a physical trace and a digital signal.

Part of Reichert’s ongoing Hybrid Paintings practice, the work brings together traditional painterly gestures and technological ways of seeing. Glitches, textures, and unexpected shifts become integral to the composition, revealing the tension between machine logic and the unpredictability of paint.

Rather than illustrating the digital, Reichert translates its visual language into something tactile and immediate, inviting us to reconsider where the virtual ends and the material begins.

For more works by Reichert feel free to visit our pages on Artsy and Artnet (links in bio).

Black Girl VI, 2026by Wole Lagunju Studio Inc Oil on Canvas190 x 146 cm / 75 x 57 inA striking celebration of Black femi...
20/10/2026

Black Girl VI, 2026
by Wole Lagunju Studio Inc
Oil on Canvas
190 x 146 cm / 75 x 57 in

A striking celebration of Black femininity, identity, and cultural expression. In Black Girl VI, Wole Lagunju presents a poised, dark-skinned figure adorned in a vibrant, patterned dress and an extraordinary floral headdress. The bold geometry of the garment contrasts beautifully with the flowing blue-and-white botanical motifs that surround her, creating a captivating interplay between pattern, fashion, and nature.

Blending Yoruba visual traditions with contemporary portraiture, Lagunju challenges conventional representations of beauty and identity, placing the Black woman at the centre of a richly imagined visual world. Monumental in scale and exquisite in detail, the painting commands attention through its quiet strength and exuberant colour.

Congratulations to our artist Hope Bartley | Artist on being shortlisted for Monopol Magazin’s ‘Young Generation Art Awa...
17/10/2026

Congratulations to our artist Hope Bartley | Artist on being shortlisted for Monopol Magazin’s ‘Young Generation Art Award’ 2027!

Selected from over 600 submissions, this is a fantastic recognition of Hope’s distinctive artistic practice and compelling exploration of our connection with the natural world.

We’re incredibly proud to see Hope’s work receiving this recognition and look forward to following this exciting next chapter.

WHERE LIGHTNINGS DANCE, 2026by mattia novello Coloured ice on canvas59 1/10 × 51 1/5 in | 150 × 130 cmWhere light become...
15/10/2026

WHERE LIGHTNINGS DANCE, 2026
by mattia novello
Coloured ice on canvas
59 1/10 × 51 1/5 in | 150 × 130 cm

Where light becomes colour, and nature takes the lead.

Mattia Novello’s Where Lightnings Dance captures the fleeting beauty of transformation — a luminous interplay of colour, movement and energy, suspended between dream and reality.

The Green Algorithm, 2026by Taher Jaoui Oil, Acrylic and Charcoal on Canvas66 9/10 × 59 1/10 in | 170 × 150 cmThe Green ...
11/10/2026

The Green Algorithm, 2026
by Taher Jaoui
Oil, Acrylic and Charcoal on Canvas
66 9/10 × 59 1/10 in | 170 × 150 cm

The Green Algorithm explores the space between intuition, systems and pattern. Dominated by vivid greens, turquoise and flashes of yellow, orange and blue, the composition unfolds through geometric structures, circular forms, coded marks and spontaneous gestures.

The title introduces a distinctly contemporary dimension: algorithms are constantly identifying patterns, organizing information and shaping the systems through which we navigate the world. Jaoui transforms this idea into a physical, painterly language, where repetition, interruption and instinct generate their own visual logic.

Green adds another layer of meaning. Associated with growth, nature, technology and the language of financial markets, it becomes both an organic and highly coded colour within the composition. The painting therefore moves between the natural and the synthetic, the intuitive and the calculated.

As part of Jaoui’s Colour series, the work reflects his ongoing dialogue between mathematical structure and gestural abstraction, turning colour into a kind of visual system—one that continuously evolves, overlaps and resists complete resolution.

For more works by Taher Jaoui feel free to visit our pages on Artsy & Artnet (link in bio).

Untitled, 2026by ᴍᴀʀᴄᴏ ʀᴇɪᴄʜᴇʀᴛ Ink on Canvas70 9/10 × 53 1/10 in | 180 × 135 cmA new hybrid painting by Marco Reichert,...
10/10/2026

Untitled, 2026
by ᴍᴀʀᴄᴏ ʀᴇɪᴄʜᴇʀᴛ
Ink on Canvas
70 9/10 × 53 1/10 in | 180 × 135 cm

A new hybrid painting by Marco Reichert, where abstraction becomes a space between digital velocity and physical matter. Layers of violet, ultramarine, turquoise and silver-grey sweep horizontally across the canvas, creating the sensation of a signal moving through space — fragmented, compressed and continuously interrupted.

Dark, fluid forms punctuate the surface like glitches or data clusters, contrasting with the finely repeated linear marks beneath them. The painting shifts between transparency and density, precision and accident, suggesting an image caught somewhere between a digital rendering and its material translation.

Reichert’s hybrid practice brings together painting, technology, machine processes and digital ways of seeing. Here, the traces of movement remain visible: the raw and the controlled, the programmed and the unpredictable. The canvas becomes less a fixed image than an active system — one that changes as the eye moves through its layers.

Stunning new works by Marco Reichert from his Hybrid series are now available via the RedD Gallery. Feel free to visit our pages on Artsy & Artnet for more options (link in bio).

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Χανιά

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Monday 11:00 - 21:00
Tuesday 11:00 - 21:00
Wednesday 11:00 - 21:00
Thursday 11:00 - 21:00
Friday 11:00 - 21:00
Saturday 23:00 - 21:00

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