RedD Gallery

RedD Gallery Art Gallery in Chania Crete showcasing work by a selection of International Contemporary Artists. Opening May 2019

BRAVE BUILD, 2026by Acrylic on canvas78 7/10 × 59 1/10 in | 200 × 150 cmBUILD BUILD, 2026by Acrylic on canvas78 7/10 ×...
14/06/2026

BRAVE BUILD, 2026
by
Acrylic on canvas
78 7/10 × 59 1/10 in | 200 × 150 cm

BUILD BUILD, 2026
by
Acrylic on canvas
78 7/10 × 59 1/10 in | 200 × 150 cm

Reflecting on the series, Bisco writes:
“To chase dreams, to create, to make life, to believe in the future is to be brave. It takes bravery to wake up and work towards a better tomorrow especially in these heavy days.”

Balancing the raw urgency of the street with the legacy of Abstract Expressionism, these works become both personal reflections and collective reminders — to move forward despite fear, to imagine new futures, and to build bravely.

“Be brave out there… with bravery worlds are built, change is made, futures are imagined, life is created.”

KEITH HARING IN PROGRESS, 2026by Acylic on linen63 4/5 × 63 4/5 in | 162 × 162 cmIn this playful homage to one of conte...
11/06/2026

KEITH HARING IN PROGRESS, 2026
by
Acylic on linen
63 4/5 × 63 4/5 in | 162 × 162 cm

In this playful homage to one of contemporary art’s most influential figures, Moisés Yagües reimagines the creation of Keith Haring’s iconic imagery through his signature cast of whimsical characters. Blending humor, nostalgia, and art historical reference, the work celebrates creativity as a collective and ongoing process. By transforming a familiar artistic legacy into a scene of imagination and collaboration, Yagües invites us to see art history not as something fixed, but as a conversation that continues across generations.

Mattia Novello paints with coloured ice.Suspended above the canvas, frozen forms slowly melt, allowing gravity, temperat...
11/06/2026

Mattia Novello paints with coloured ice.

Suspended above the canvas, frozen forms slowly melt, allowing gravity, temperature, and time to shape each work. Rather than imposing every mark, Novello collaborates with natural forces, embracing unpredictability as part of the creative process.

The ice sculptures seen here exist only temporarily before dissolving, leaving behind atmospheric traces of their passage. What remains is not simply a painting, but the record of an event—a delicate balance between control and chance.

The final work from the Where Lighting Is Born series evokes the luminous colour fields of Rothko while remaining deeply connected to the physical realities of water, light, and transformation. A horizon where process becomes image, and impermanence becomes something lasting.

Ubuntu, 2026by Oil on Canvas78 7/10 × 78 7/10 in | 200 × 200 cmCreated as a commission for the Museum of Five Continent...
06/06/2026

Ubuntu, 2026
by
Oil on Canvas
78 7/10 × 78 7/10 in | 200 × 200 cm

Created as a commission for the Museum of Five Continents in Munich for the exhibition Decolonisation (2026), Ubuntu responds to a colonial-era painting by Wilhelm von Hauschild that depicted a world divided by hierarchy, difference, and domination.

In this work, shimmering figures emerge from the landscape as interconnected beings, moving together through a shared space. Human and animal forms dissolve into one another, blurring distinctions and rejecting the structures of power embedded in the historical image.

The title refers to the African philosophy of Ubuntu—“I am because we are”—a belief that our humanity is inseparable from our relationships with others. Rather than reproducing narratives of separation, the painting imagines a world grounded in reciprocity, solidarity, and collective belonging.

Bartley’s response to the violence of colonial histories is love. This spirit is perhaps most famously expressed in Bob Marley & The Wailers’ song One Love:

“One love, one heart,
Let’s get together and feel alright.”

Surrenders 2024by Oil on canvas157 x 132 cmIn Surrender, Ella Baudinet explores the delicate moment when resistance giv...
04/06/2026

Surrenders 2024
by
Oil on canvas
157 x 132 cm

In Surrender, Ella Baudinet explores the delicate moment when resistance gives way to acceptance. Emerging from a luminous expanse of light, fluid forms drift across the canvas, suspended between appearance and dissolution. The composition unfolds with a quiet sense of gravity, drawing the viewer into a space where certainty dissolves and intuition takes over.

Baudinet’s characteristic interplay of fluidity and structure is evident throughout the work. Glossy, undulating forms seem to melt into one another, while subtle flashes of pink, green, and pale yellow punctuate the darker passages below. The painting exists in a state of continual transformation, evoking shifting emotional and psychological landscapes rather than fixed imagery.

The vast, radiant upper field acts as both presence and void-an open space that contrasts with the denser, more corporeal forms beneath. This tension between fullness and emptiness creates a contemplative atmosphere, inviting reflection on themes of vulnerability, release, and trust in the unknown.

As with much of Baudinet’s practice, Surrender inhabits the threshold between the conscious and subconscious, the material and the immaterial. The work suggests that surrender is not an act of defeat, but a transformative gesture - one that allows new possibilities, perceptions, and states of being to emerge.

Three Eyed Snake, 2024by Car Hood, Acrylic Paint, Marker, Gloss26 4/5 × 51 1/5 × 3 1/10 in / 68 × 130 × 8 cmA salvaged ...
30/05/2026

Three Eyed Snake, 2024
by
Car Hood, Acrylic Paint, Marker, Gloss
26 4/5 × 51 1/5 × 3 1/10 in / 68 × 130 × 8 cm

A salvaged car hood transformed into a living, watchful presence. Part machine, part serpent, part urban relic, Three Eyed Snake blurs the boundaries between street art, sculpture, and contemporary mythology. Its three hypnotic eyes stare back at the viewer, turning an object of movement into a symbol of surveillance, transformation, and rebirth.

Industrial waste becomes a totem. Graffiti aesthetics meet existential tension. A reminder that even discarded objects carry stories, memories, and new lives waiting to emerge.

Check out more works by Daskalakis on &

BUILD BRAVE, 2026by Acrylic on canvas78 7/10 × 59 1/10 in | 200 × 150 cm
28/05/2026

BUILD BRAVE, 2026
by
Acrylic on canvas
78 7/10 × 59 1/10 in | 200 × 150 cm

BRAVE BUILD, 2026by Acrylic on canvas78 7/10 × 59 1/10 in | 200 × 150 cmBUILD BUILD, 2026by Acrylic on canvas78 7/10 ×...
26/05/2026

BRAVE BUILD, 2026
by
Acrylic on canvas
78 7/10 × 59 1/10 in | 200 × 150 cm

BUILD BUILD, 2026
by
Acrylic on canvas
78 7/10 × 59 1/10 in | 200 × 150 cm

Reflecting on the series, Bisco writes:
“To chase dreams, to create, to make life, to believe in the future is to be brave. It takes bravery to wake up and work towards a better tomorrow especially in these heavy days.”

Balancing the raw urgency of the street with the legacy of Abstract Expressionism, these works become both personal reflections and collective reminders — to move forward despite fear, to imagine new futures, and to build bravely.

“Be brave out there… with bravery worlds are built, change is made, futures are imagined, life is created.”

Behind RedD Gallery is founder and director Denia Kazakou.Born in New York City and raised between cultures, Kazakou fou...
25/05/2026

Behind RedD Gallery is founder and director Denia Kazakou.

Born in New York City and raised between cultures, Kazakou founded RedD Public Relations in London in 2012 during her final year studying Fine Arts at the . Prior to opening the gallery, she worked across the art, fashion, luxury retail, and hospitality industries in London, while building an international network within the contemporary art world. She has lived and worked between New York, London, Berlin, and Crete. (RedD Gallery)

In 2019, she opened RedD Gallery in the historic Venetian Harbour of Chania, Crete, with the vision of creating an international platform for both emerging and established contemporary artists. Since then, the gallery has collaborated with over 100 artists internationally through exhibitions, fairs, residencies, online projects, and curatorial collaborations across Europe and the United States.

During the global pandemic, Kazakou’s Instagram LIVE series gained international attention and was featured in .official under its “Art & Tech” section. She later collaborated with , hosting the “Beyond Art” interview series through their membership platform. Her work and projects have also been featured in publications including , , and The Art Gorgeous.

In 2022, Kazakou launched the RedD Art Residency, welcoming European contemporary artists to Crete for research, collaboration, and cultural exchange. The residency project will continue in 2027 through a new upcoming space currently under development - expanding RedD’s long-term vision of supporting artists through immersive and community-driven experiences.

Photo from RedD Gallery’s booth during Miami Beach 2025 during Miami Beach week featuring works by by .

The RedD Gallery continues international expansion between Crete, New York, and beyond.

Untitled, 2026by Oil, ink, and silver derivatives on canvas31 1/2 × 23 3/5 in | 80 × 60 cm with frame includedMarco Rei...
24/05/2026

Untitled, 2026
by
Oil, ink, and silver derivatives on canvas
31 1/2 × 23 3/5 in | 80 × 60 cm with frame included

Marco Reichert’s Untitled explores the unstable space between abstraction, gesture, and digital perception. Layered reflective surfaces, sweeping linear forms, and glitch-like interruptions create a composition suspended between movement and collapse — where the image behaves like a frozen transition or fragmented signal.

Working within his hybrid painting practice, Reichert combines painterly intervention with technological systems, coding structures, and machine-assisted processes. The reflective silver elements activate the surrounding space, pulling light, architecture, and the viewer into the work itself. What initially appears polished and controlled gradually reveals traces of instability, material resistance, and interruption beneath the surface.

Oscillating between the raw and the finished, the physical and the virtual, Reichert’s paintings transform abstraction into a perceptual environment shaped by the visual conditions of the post-digital age.

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Χανιά

Opening Hours

Monday 11:00 - 21:00
Tuesday 11:00 - 21:00
Wednesday 11:00 - 21:00
Thursday 11:00 - 21:00
Friday 11:00 - 21:00
Saturday 23:00 - 21:00

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