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The Courtauld World-famous Gallery and international centre for the teaching, research and enjoyment of art history Look deeper, see further.
(1889)

Explore art across centuries and from around the globe.


29/08/2026

Friday night plans? Join us for a special late night opening to see The Joseph Hage Aaronson & Bremen Exhibition: Hepworth in Colour after hours on Friday 4 September 🌙

★★★★★ “A dazzling fresh take on a genius” – The Times
★★★★★ “Compelling” – London Standard
★★★★ “Ravishing sculptures” – The Guardian

Tickets are selling fast - grab yours now: https://courtauld.ac.uk/whats-on/exh-hepworth-in-colour/

⏰ Open until 20:00 on Friday 4 September 2026. Hepworth in Colour is open until 6 September 2026.
💛 Courtauld Members go free

Did you know that working in bronze marked a turning point in Barbara Hepworth's sculptural practice?It allowed her to i...
27/08/2026

Did you know that working in bronze marked a turning point in Barbara Hepworth's sculptural practice?

It allowed her to immerse herself in colour, after a gap of about eight years, in the late 1950s. Her close collaboration with the Morris Singer Foundry led to the development of a variety of innovative patinas encompassing a wide range of colours, especially greens, and her favourite - a blue-green like that of oxidised copper.

This work, Sea Form (Porthmeor) made in 1958 and named after a beach in St Ives, has a mottled green patina with flecks of white. Its surface has been described as though "salted from long immersion in seawater".

See it on display in The Joseph Hage Aaronson & Bremen Exhibition: Hepworth in Colour.

Courtauld Members go free. ⁠
Until 6 September 2026 ⁠
🎟️ Book now: https://courtauld.ac.uk/whats-on/exh-hepworth-in-colour/

📷Barbara Hepworth (1903-1975), Sea Form (Porthmeor), 1958, bronze. Tate: Presented by the artist 1967. Barbara Hepworth © Bowness

A dreamlike mezzotint 🪟Like her husband, Mark Balakjian, Dorothea Wight favoured mezotint printing, prizing the dreamlik...
25/08/2026

A dreamlike mezzotint 🪟

Like her husband, Mark Balakjian, Dorothea Wight favoured mezotint printing, prizing the dreamlike quality it lent her images. Here, she depicts a tranquil landscape framed by a bay window.

But are we inside or outside?

On closer inspection it appears we are on the outside of a house, gazing at a landscape within - calling into question whether we are seeing a real or imagined landscape, dissolving the distinction between interior and exterior.

Discover the world of Dorothea Wight and Marc Balakjian's London Printmaking Studio in our current display, Studio Prints: An Artists' Workshop, until 13 September.

Gilbert and Ildiko Butler Drawings Gallery⁠
Included with Gallery Entry. Members go free. Book now - https://courtauld.ac.uk/whats-on/exh-studio-prints-artists-workshop/

📷Dorothea Wight (1944-2013), Dawn of a New Season, 1978, mezzotint. Accepted under the Cultural Gifts Scheme by HM Government from the archive of Studio Prints gifted by the Balakjian family and allocated to the Courtauld Gallery, 2024. © Dorothea Wight.The Balakjian Estate

★★★★★ “A dazzling fresh take on a genius” – The Times⁠★★★★★ “Compelling” – London Standard⁠★★★★ “Ravishing sculptures” –...
24/08/2026

★★★★★ “A dazzling fresh take on a genius” – The Times⁠
★★★★★ “Compelling” – London Standard⁠
★★★★ “Ravishing sculptures” – The Guardian⁠

If you haven't seen The Joseph Hage Aaronson & Bremen Exhibition: Hepworth in Colour yet - it's your last chance! 🔵⁠

Closing on 6 September, experience the first exhibition to explore Barbara Hepworth's lifelong fascination with colour, which she used in highly original and unexpected ways. Explore her early innovative sculptures with colour of the 1940s, united for the first time, major examples of her work with colour from the 1950s and 1960s, and some of the most important drawings from the period.⁠

Book now: https://courtauld.ac.uk/whats-on/exh-hepworth-in-colour/

On Friday 4 September, experience the exhibition after hours, with the Gallery open until 20:00.⁠

Courtauld Members go free.

📷️ Barbara Hepworth (1903-1975), Sculpture with Colour (Oval Form) Pale Blue and Red, 1943, Wood, paint and strings on a painted wooden base. Wakefield Permanent Art Collection (The Hepworth Wakefield), Barbara Hepworth © Bowness, Image © The Hepworth Wakefield. Photo: Mark Heathcote.

Throughout her life, Barbara Hepworth continued to adapt the painting techniques she had learned while sharing a studio ...
21/08/2026

Throughout her life, Barbara Hepworth continued to adapt the painting techniques she had learned while sharing a studio with Ben Nicholson in London in the 1930s, such as the use of razor blades to scrape back layers of paint.

This work was made using that technique. Hepworth explained:

"Each surface I rubbed down or scraped down until I got the hardness and depth that I required. [....] As I worked, I used an infinite number of razor blades as well as brushes and pencils [...]. This gave me great flexibility and approximated more to a carving technique."💬

See it on display in The Joseph Hage Aaronson & Bremen Exhibition: Hepworth in Colour, and don't miss the accompanying display of photographs from Hepworth and Nicholson's London studio in the Project Space.

Courtauld Members go free. ⁠
Until 6 September 2026 ⁠
🎟️ Book now https://courtauld.ac.uk/whats-on/exh-hepworth-in-colour/

📷Barbara Hepworth (1903-1975), Oval Form, 1956, oil and pencil on board. Collection of Rachel Kidd, on long loan to The Hepworth Wakefield. Barbara Hepworth © Bowness

Tall trees swaying in the breeze 🍃The Jas de Bouffan was a rural estate just outside Aix-en-Provence owned by Paul Cézan...
18/08/2026

Tall trees swaying in the breeze 🍃

The Jas de Bouffan was a rural estate just outside Aix-en-Provence owned by Paul Cézanne’s father. The artist painted many views of the house, grounds and farmworkers from 1866 until 1899, when the estate was sold.

This painting was worked with short, parallel brushstrokes, a technique Cézanne favoured in the 1880s. It creates a shimmering effect particularly well suited to this scene. The leaves of the tall trees seem to rustle in the breeze.

See it on display in the LVMH Great Room on your next visit, part of the largest collection of works by Cézanne in the UK.

🎟️Book now - https://courtauld.ac.uk/gallery/
💛Courtauld Members go free

📷️Paul Cézanne (1839-1906), Tall Trees at the Jas de Bouffan, c.1883, oil on canvas. Courtauld Gallery, London (Samuel Courtauld Trust) © Courtauld

These photographs of works by Barbara Hepworth, taken by Paul Laib in 1933, are their only known documentation - these s...
12/08/2026

These photographs of works by Barbara Hepworth, taken by Paul Laib in 1933, are their only known documentation - these sculptures were all destroyed during the Second World War.

They were taken when Laib was photographing the studio that Hepworth shared with Ben Nicholson in Hampstead, London in the 1930s. Marked by a simplicity and focus on light and shadow, they create an interesting composition - in the second work, 'Figure' seems to have been lit by two lamps to create a pair of looming shadows, with a third light source highlighting the top edge.

See them on display in our current display in the Project Space.

Hepworth and Nicholson: The Hampstead Studio Photographs
Until 4 October 2026
Courtauld Members go free.

🎟️ Book now: https://courtauld.ac.uk/whats-on/hepworth-and-nicholson-the-hampstead-studio-photographs/

📷Paul Laib (1869-1958), Barbara Hepworth's Figure, 1933; Barbara Hepworth's Figure (Mother and Child), 1933; Barbara Hepworth's Carving, 1933. Vintage gelatin silver prints from the original glass plate negative. The de Laszlo Collection of Paul Laib Negatives, Courtauld Institute of Art. Barbara Hepworth © Bowness; Paul Laib © The de Laszlo Foundation

The painter hath made a finer story than the poet' 💬The Rome-based French painted Nicolas Poussin drew on one of the mos...
07/08/2026

The painter hath made a finer story than the poet' 💬

The Rome-based French painted Nicolas Poussin drew on one of the most famous poems of the Renaissance, Jerusalem Delivered by Torquato Tasso 1581, to create this dramatic scene.

It shows the moment when Erminia, a Saracen princess, discovers the wounded Christian warrior Tancred. She cuts her hair to bind his wounds; her use of a sword to do so is Poussin's invention. Cherubs bearing torches and arrows indicate that the pair will soon be united in love.

When this painting was purchased in 1717 by the artist James Thornhill (whose murals adorn the walls above the grand staircase at Hanbury Hall in Worcestershire), it became the first work by Poussin to enter an English collection. Encountering it then, one contemporary viewer declared:

''The painter hath made a finer story than the poet'

It was one of also one of the first paintings to enter the Barber collection, in 1938 – a year before the Barber’s galleries opened.

Explore a selection of exceptional paintings from the Barber Institute of Fine Arts, University of Birmingham , on view while the Barber undergoes a major refurbishment project.

Courtauld Members go free. ⁠

Until 31 August 2026 ⁠

🎟️Included with Gallery Entry. Book now: https://courtauld.ac.uk/whats-on/exh-the-barber-in-london-highlights-from-a-remarkable-collection/

📷Nicolas Poussin (1594-1665), Tancred and Erminia, around 1634, oil paint on canvas. The Henry Barber Trust, The Barber Institute of Fine Arts, University of Birmingham

The Courtauld Institute has a limited number of places available on our BA History of Art degree programme for September...
07/08/2026

The Courtauld Institute has a limited number of places available on our BA History of Art degree programme for September 2026 entry through UCAS Clearing.

Our BA programme offers teaching across an unrivalled breadth of periods and cultures. You will study art and architecture from across the globe, from late antiquity to the present, from Byzantium to the Early Modern Islamic World, and from contemporary China to Black art histories.

Applications are assessed on a case-by-case basis, and we will consider your academic record, personal statement, and reference. If you feel inspired by the power of art to inform our view of the world today and would like to be considered for a space on this programme, we want to hear from you.

Find out more: courtauld.ac.uk/study/undergraduate/ucas-clearing/

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