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Artist: Brad Lay Title: Key Performance Indicators (Westward Ho!)Medium: Digital Print on Cotton RagBrad Lay About: “Key...
01/09/2026

Artist: Brad Lay
Title: Key Performance Indicators (Westward Ho!)
Medium: Digital Print on Cotton Rag
Brad Lay
About: “Key Performance Indicators is a series of site-specific works examining the human desire to notate and quantify our surroundings. In this iteration at Westward Ho!, North Devon, a series of images documents the measurement of rocks with a standard tape measure. An act of folly, considering the sheer volume and diversity of these rocks at this site. The resulting digital collage shifts the individual images from documentation of process towards a collective aesthetic outcome. Divergences in scale and linearity become points of interest as do material contrasts. Ultimately, the rocks themselves may not care for these key performance indicators.

Artist: Michael Kofi Ocloo Title: Elimination Circumstances of Torment 1 Medium: Acrylic and oils on canvas
27/08/2026

Artist: Michael Kofi Ocloo
Title: Elimination Circumstances of Torment 1
Medium: Acrylic and oils on canvas

Artist: Kate OliverTitle: Sleepy Stella’Medium: Sculpture: giclée print on plywoodoliver About: Within my practice, I ha...
26/08/2026

Artist: Kate Oliver
Title: Sleepy Stella’
Medium: Sculpture: giclée print on plywoodoliver
About: Within my practice, I have a preference for working with collage. This is usually drawn from magazines and found images. This piece departs from that method by using original photography. A relaxed image of my sister is printed on paper and glued on plywood, cut into three hinged sections. The hinges allow the panels to be reconfigured, though once installed the work is static. The hinges signal the idea of movement rather than performing it. It exists in two versions with slightly different images, one roughly 1.5 times life size and the other half life size. The image borrows its references from Y2K magazines, gossip columns, spa imagery and advertising.

Artist: Léa MaraisTitle: Artefact IMedium: Photopolymer etching on paperLéa Marais About: “This photopolymer etching is ...
24/08/2026

Artist: Léa Marais
Title: Artefact I
Medium: Photopolymer etching on paper
Léa Marais
About: “This photopolymer etching is based on a carved stone discovered in a London woodland, whose origin remains under investigation. Removed from its context, the object occupies an ambiguous space between archaeological artefact, ritual object and geological form.

The image explores the point where observation gives way to imagination. By isolating the object, the work invites viewers to construct their own narratives, questioning how meaning emerges from fragments, uncertainty and the act of looking.”

23/08/2026

Critical Review with Brad Lay written by Chihiro Tateno.
Artist:
Writer: art.magazine
For the full article please fill our link in our bio for our website and look for SAVANT art magazine tab for the written articles.

Artist: Kengo HorikoshiTitle: Celebration of IndividualityMedium: Mild steel, bicycle spokes, glass tube and spray-paint...
22/08/2026

Artist: Kengo Horikoshi
Title: Celebration of Individuality
Medium: Mild steel, bicycle spokes, glass tube and spray-painted MDF base
Kengo Horikoshi
About: “Celebration of Individuality is a sculptural object that incorporates the function of a single-flower vase, reflecting on the beauty of individuality in both flowers and people.

Even within the same species, each flower has its own distinct character, expressed through the colours and shapes of its petals, leaves and stem. Yet when flowers are seen as part of a group, these individual qualities are often overlooked. I see a similar tendency in human society, where people are frequently recognised through broad categories such as nationality, age, workplace or school, rather than through their inner qualities, dreams, values and ways of thinking.

This work was created to draw attention to the quiet beauty of one flower, allowing it to stand alone and be fully seen. Lines made from bicycle spokes converge towards the flower, while curved steel sheets form a partial sphere around it; together, these elements guide the viewer’s gaze towards the single bloom at the centre. By framing a single bloom in this way, the object becomes a small celebration of singular presence, encouraging a more attentive and compassionate appreciation of individuality in everyday life.”

Artist: Julia McAllisterTitle: Doppelgänger Medium: Oil on canvasJulia McAllister About: Doppelgänger is a portrait of m...
20/08/2026

Artist: Julia McAllister
Title: Doppelgänger
Medium: Oil on canvas
Julia McAllister
About: Doppelgänger is a portrait of modern anxiety, exploring the horror of being perceived in an increasingly digital world. Trapped in a claustrophobic elevator, the figure confronts her robotic double as the boundaries between identity, performance, and reality begin to dissolve.

Artist: Gayle HallowellTitle: InterwovenMedium: Photography printGayle Hallowell About: “Trees are not solitary objects ...
17/08/2026

Artist: Gayle Hallowell
Title: Interwoven
Medium: Photography print
Gayle Hallowell
About: “Trees are not solitary objects but physiologically integrated communities whose lives are organised through roots and shared fungal networks (Wohlleben, 2016; Simard, 2021). Dendrophonia (Tree sounds) focuses on visualising tree roots to facilitate the storytelling of their communication. Beyond producing ~28% of our oxygen and absorbing CO2, trees participate in complex signalling through mycorrhizal networks spanning entire forests where they share carbohydrates and nutrients with stressed neighbours, recognise kin, and transmit defence cues (Wohlleben, 2016; Simard, 2021).

Using lumen prints, I place root material, soil and fungal residues directly onto photosensitive paper. Light and chemistry create indexical traces of contact rather than descriptive images, mirroring the slow reciprocity of underground networks where roots and fungi dissolve boundaries between trees.

This is no metaphor. Studies demonstrate plasticity and learning in root systems and behaviour that, in its complexity, invites comparison with animal societies (Simard et al., 2012; Simard, 2021; Wohlleben, 2016). As Dioum states, “We will conserve only what we love; we will love only what we understand...” (Dioum, 1968). Dendrophonia renders these subterranean networks visible to invite viewers to learn more and perhaps conserve.“

Artist: Fatemeh HeidarhosseiniTitle: From the Series: ‘Little Fragments’Medium: PaintingFatemeh
16/08/2026

Artist: Fatemeh Heidarhosseini
Title: From the Series: ‘Little Fragments’
Medium: Painting
Fatemeh

Artist: Anna MurphyTitle: I want to break freeMedium: Oil on canvasAnna Murphy Artist About: Under the surface of a huge...
15/08/2026

Artist: Anna Murphy
Title: I want to break free
Medium: Oil on canvas
Anna Murphy Artist
About: Under the surface of a huge barreling wave, a tornado of hands whips round and round, tangled in themselves, spiralling upwards, seeking the surface. They represent souls lost in the chaos and confusion of the life they are living, in the circumstances they find themselves in, seeking an exit, a salvation, freedom.

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NW18BB

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