Plinth

Plinth Contemporary art consultancy, magazine and shop, based in London For the art curious | Collect and explore London's best contemporary art.

Help protect The Artist’s Garden — the world’s first and only free public sculpture garden dedicated to women artists, n...
02/06/2026

Help protect The Artist’s Garden — the world’s first and only free public sculpture garden dedicated to women artists, now under threat.

Follow .art, sign their petition, donate, and spread the word.

In the heart of London stands a bold, historic project: the Artist’s Garden — the world’s first and only public sculpture garden dedicated to the work of women artists.

Today it is at risk.

Since opening in 2021, it has welcomed over 100,000 visitors every year for free, every day. A free, open space where the brilliance of women is not hidden, but celebrated at scale — a place where artists, young people and communities come together to experience what women can achieve, collectively, in public space.

But on 1 October 2026, the Artist’s Garden faces eviction. Places for London, TfL’s commercial property arm, is granting a lease to a private developer, putting this public space — protected by its own legislation passed in 1864 and reinforced in 1919 — in danger of being lost.

This is bigger than one site.

It is about whether public land remains public.

It is about culture as a force for regeneration — inclusive, and open to all.

It is about ensuring women are seen, heard and represented in the fabric of our city.

The Artist’s Garden is not a “nice to have”. It is infrastructure. It shows what happens when we invest in people, creativity and community. It supports artists, creates jobs, and opens real pathways for young people who might never otherwise see themselves in the creative industries or in a cultural space.

Once spaces like this are gone, they do not come back.

"I was especially taken by Oleg Prokofiev’s sculptures in 'Bending Time', curated by .curator. They recall wooden Scalex...
29/05/2026

"I was especially taken by Oleg Prokofiev’s sculptures in 'Bending Time', curated by .curator. They recall wooden Scalextric track: encountering them suspended on string like improvised mobiles, rather than on a plinth feels entirely true to their distinctive lightness. On the opening night, as wind moved through 's newly opened in Dalston, they stirred into motion.

"The musical inheritance is impossible to ignore — Prokofiev being the son of Sergei Prokofiev — though its visual analogue is harder to pin down in these works: perhaps some strange form of notation, or the sudden upward-downward rupture of an arpeggio. Seen alongside the equally squiggly abstract paintings and notebooks, the effect is raw and exciting: doodles made manifest, but also transformed into something altogether stranger, sturdier yet unresolved." —

“Centred throughout Sara Cwynar’s 21-minute film Baby Blue Benzo (2024), on view at The Approach, is the 1955 Mercedes-B...
18/05/2026

“Centred throughout Sara Cwynar’s 21-minute film Baby Blue Benzo (2024), on view at The Approach, is the 1955 Mercedes-Benz 300 SLR – to date, the most expensive car sold at auction. As well as the ph***ic symbol, I mean, car, the title refers to ‘Benzos’ i.e. Benzodiazepines – Va**um, Xanax – substances designed to soothe the central nervous system, to take the edge off the pressures of modern life. Between acquisition and anaesthesia, the film revolves around this pun (at times somewhat literally, via smooth circular dolly track shots; a round pill rolled between thumb and forefinger.) The fast car stands for consumer desire — and this in turn for rampant capitalism, it seems — while pharmacology offers a way to detach from its relentless, competing distractions; while one accelerates, the other is a chemical seat recline.“ —

Read more via the link in our bio

is at until 7 June 2026

15/05/2026

Read the latest from the London art scene.

Link in bio.

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From 'Eight Vows' (2024), a photographic series of confetti the artist .Salane collects from outside City Hall, New York...
14/05/2026

From 'Eight Vows' (2024), a photographic series of confetti the artist .Salane collects from outside City Hall, New York.

14/05/2026

From 'Eight Vows' (2024), a photographic series of confetti the artist .salane collects from outside City Hall, New York.

"I wanted to bring together those works that had endlessly fascinated me as a child, and which had clearly evolved my ow...
05/05/2026

"I wanted to bring together those works that had endlessly fascinated me as a child, and which had clearly evolved my own aesthetic as an artist."

TONI DAVEY 1969 is 's "attempt to communicate the range, wit, commitment, and beauty of my mum's work."

The exhibition — which sees grids unfold over a range of mediums from ink on graph paper to burnt paper, cut paper, folded paper and maquettes of sculpture — opens at Friday 8 May in Camden and continues until 13 June.

“Anderson gets cast inadvertently as a painter of hot, atmospheric landscapes. But he is so often interfering with place...
04/05/2026

“Anderson gets cast inadvertently as a painter of hot, atmospheric landscapes. But he is so often interfering with places: erecting fences, peering through grilles, jostling with boundaries. He paints the terms in which a place can be seen at all.”

Read on Hurvin Anderson at Tate Britain via the link in our bio

A compelling exploration of the self, so well done .ellaphotography    Go see, 90 Chalton Street, NW1 until Sunday
02/05/2026

A compelling exploration of the self, so well done .ellaphotography Go see, 90 Chalton Street, NW1 until Sunday

Perfect exhibition, perfect spring day
01/05/2026

Perfect exhibition, perfect spring day

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