Rise Art

Rise Art Rise Art is a curated online gallery that supports artists from around the globe

Rise Art is the place to discover, rent and buy artworks from emerging and established artists, hand picked by experts. Free art consultations, weekly curated collections and a try before you buy scheme all ensure that it's easier than ever to discover art you love.

Swipe to step inside House of Hulda, your residency home.Set between mountain and ocean at the edge of the Arctic Circle...
14/05/2026

Swipe to step inside House of Hulda, your residency home.

Set between mountain and ocean at the edge of the Arctic Circle, House of Hulda offers artists the increasingly rare possibility of total retreat into practice. Fewer than 5,000 people inhabit the island; a hidden, otherworldly place suspended beneath the shifting Northern lights, snow-laden peaks and a silence so profound it borders on the sublime.

Residents are granted exclusive access to a private live-work space conceived for deep concentration and sustained immersion. The space comprises an upper floor with a bedroom, bathroom, kitchen, and open-plan living and dining area. On the ground floor, there is an additional guest bedroom alongside a dedicated workshop space.

Participation is free, with artists invited to leave behind one work for a growing permanent collection and future exhibition programme.

A stipend from Rise Art and House of Hulda, generously supported by Nordland Fylkeskommune, contributes towards flights, materials and food.

Applications close 24 May 2026, 23:59 CEST.

Apply via the link in bio.



lindhansen

APPLICATIONS NOW OPEN | Autumn / Winter 2026House of Hulda has partnered with Rise Art to launch a new programme of four...
01/05/2026

APPLICATIONS NOW OPEN | Autumn / Winter 2026

House of Hulda has partnered with Rise Art to launch a new programme of four fully-funded artist residencies in Andøya, Norway.

Set within the remote Arctic landscape, the residency offers a rare opportunity for focused development in an incredible, otherworldly location.

Includes:
- Travel, materials and food covered
- Stipend provided
- Opportunity to exhibit in London and Andøya (2027)
- Contribution to a growing permanent collection

Deadline to apply: 24 May 2026, 23:59 (CEST)

Residency dates:
21 Sept – 7 Oct
8 Oct – 25 Oct
26 Oct – 11 Nov
12 Nov – 29 Nov

Open to emerging and established artists without gallery representation. More details and application form available via link in bio. For any questions, please DM or


Kindly supported by

30/04/2026

We are pleased to welcome Lisa Nooin to Rise Art ()

Nooin’s distinctive, stained glass–like compositions, built through layered blocks of colour, transform everyday moments, portraits, and still lifes into luminous scenes.

Rooted in illustration and shaped by a meditative process, Nooin’s work celebrates the beauty of the ordinary with a gentle, reflective touch.

Nooin is currently based in San Francisco. 🔗 in bio for works exploring shared experiences and daily rituals by the Vietnamese Australian artist.


For design studio Jolie, emotions are the brief. “Working with neuroscientists has fundamentally reframed how I think ab...
27/04/2026

For design studio Jolie, emotions are the brief.

“Working with neuroscientists has fundamentally reframed how I think about design, not as something people simply look at, but something their nervous system responds to before conscious thought takes over.”

Guided by an instinct to reconcile creativity with scientific inquiry, Franky Rousell established design studio Jolie as a counterpoint to the ocular bias that continues to shape contemporary design culture.

This reframing challenges the very metrics by which value and impact are continually measured, deliberately de-prioritising sight at the beginning of each project in a felt-first design process.

Discover the eight works Rousell would choose to live with from Rise Art, selected not for their visual authority but for their sensory potential, alongside a short interview with the founder. Link in bio.




Image 2: The Reserve, Chester Zoo | Photographer: Jasper Fry
Image 9: Victoria Riverside | Photographer: Jasper Fry



Swipe to see the completed artwork, ‘Untitled’ by Fa Razavi.⁠Fa Razavi explores the unstable terrain of memory and displ...
21/04/2026

Swipe to see the completed artwork, ‘Untitled’ by Fa Razavi.
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Fa Razavi explores the unstable terrain of memory and displacement. The residency functioned as a quiet destabilisation of this focus and her usual approach, allowing her to inhabit her practice differently - more tentatively, and with an increased sensitivity to what remains unresolved.⁠
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Describing her experience at House of Hulda, she said: “I didn’t change direction so much as deepen my existing concerns. The work I made moved away from direct expression towards suggestion, holding meaning in suspension and resisting closure.”⁠
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Razavi created four works during her residency. You can view them online now, alongside supporting commentary, via the link in our bio. ⁠
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📸: mariell.lindhansen⁠
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19/04/2026

For the second chapter of our residency partnership with House of Hulda, we hosted Fa Razavi in Andøya, Norway.⁠
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Razavi () approaches image-making as a site of reconstruction, where personal and cultural histories are continually reassembled rather than resolved. During her residency, this inquiry encountered a markedly different set of conditions. ⁠
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Rather than prompting a visible rupture, House of Hulda introduced a kind of spatial and temporal dislocation that subtly reoriented her process.

Removed from the density of the urban and the immediacy of lived reference, Razavi’s attention shifted towards intervals: pauses, silences, and the thresholds between presence and absence. ⁠
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The landscape, at once austere and atmospheric, did not assert itself as a subject but operated more obliquely, as a field against which perception could loosen and drift.⁠
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🔗 in bio to view the works created on location and a short interview with the artist ⁠
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📷: .lindhansen⁠
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When did appearances become more persuasive than truth itself? And how do we look beyond the image when it insists on it...
14/04/2026

When did appearances become more persuasive than truth itself?

And how do we look beyond the image when it insists on its own authority?

Marianne Hendriks’ latest series ‘In Uncertainty’ emerges from a climate of political instability, where the boundaries between fact and fiction feel increasingly porous.

The works occupy a space between reality and fabrication, probing how perception itself can be engineered. “I play with the idea of truth as currency and power,” the artist notes, “where blindsiding and altering perception has become an accepted view of truth.”

At first glance, the compositions seduce with their abundance: glossy, ripened fruits rendered in luminous colour. Yet the longer one looks, the more their appeal curdles.

The sheen becomes cloying, the palette artificially sweet. Hendriks constructs scenes that are at once theatrical and precariously composed - worlds that hover between coherence and collapse.

Beneath their vivid surfaces, a low register of unease disrupts any sense of harmony.

Built through fine, accumulative layers of oil, the paintings resist immediacy. Each surface is worked and reworked, embedding a process of continual revision into the image itself.

“I use layering to force myself to constantly re-evaluate the appearance of the work,” Hendriks explains, “and for the viewer to understand that things are not always what they seem.”

🔗 in bio to view the full series, now available on Rise Art.



How much of what we make is shaped by where we are?⁠ Is artistic process ever truly fixed, or is it always contingent on...
12/04/2026

How much of what we make is shaped by where we are?⁠ Is artistic process ever truly fixed, or is it always contingent on where it unfolds?⁠
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Rise Art and House of Hulda welcomed Henry Ward to the first in an ongoing residency partnership. ⁠After an initial period of adjustment, the absence of everyday distraction became invaluable to the artist, allowing for a slower, more sustained engagement with thought. ⁠
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In this recalibration, away from his trio of studio, shed, and kitchen workplaces, subtle departures from his usual process began to surface.⁠
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“I began in a familiar mode, approaching the work much as I would in my studio or shed, without any conscious intention to alter my process. ⁠
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Yet, in retrospect, certain differences emerged – small deviations that seem to have been prompted by context and atmospheric registers rather than decision.⁠” - Henry Ward ⁠
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Swipe to see glimpses from his time at House of Hulda. If a place has shaped your own way of seeing and making, share your experiences in the comments - we’d love to hear where and how.
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📸: .lindhansen⁠
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Increasingly, it seems as though black and white imagery is hardcore.⁠⁠There is a prevalence of it on black metal album ...
10/04/2026

Increasingly, it seems as though black and white imagery is hardcore.⁠
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There is a prevalence of it on black metal album covers, for instance. It’s like putting an iPhone in greyscale mode to deter overstimulation. I decided to pursue making traditional black and white etchings. ⁠
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These works feel prop-like, as if I am roleplaying an etcher. Proliferating work through this historical method implicates me, much like how Mike Kelley once placed pictures of himself in a girl’s scrapbook to make it seem as though he were its author.⁠
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- Sean Pearl⁠
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Presented by Santi in collaboration with Minor Attractions. 🔗 in bio for the full text and print series.⁠
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Address

24 Berwick Street
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W1F8RD

Opening Hours

Monday 9am - 6pm
Tuesday 9am - 6pm
Wednesday 9am - 6pm
Thursday 9am - 6pm
Friday 9am - 6pm

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+448455271564

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