Ronchini Gallery

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Ronchini Gallery Welcome to the official Ronchini Gallery page Ronchini Gallery evolved from 20 years of private collecting.

Ronchini Gallery is a contemporary art gallery founded by Lorenzo Ronchini in 1992, in Umbria, Italy, which expanded in February 2012 with a space in Mayfair, London. Its exhibitions have explored pioneering movements within Italy; the gallery aesthetic is defined by Minimalism, Spatialism, Conceptualism and Arte Povera and it retains an unblinking future-focus on progressive movements. Paterfamilias Adriano Ronchini was an early supporter of artists such as Alighiero Boetti, Daniel Buren, Joseph Kosuth, and Michelangelo Pistoletto and collected their work throughout the seventies. Subscribing to the highest standards of curatorship and scholarship, the gallery provides a rigorous context in which its artists can be viewed. Ronchini Gallery also maintains a successful publishing arm which produces exhibition catalogues, monographs, critical texts and artist’s books.

Save the date! Paul Jenkins: As Above so Below opens on Tuesday, 13 October with a preview from 6-8pm.Ronchini presents ...
30/09/2026

Save the date! Paul Jenkins: As Above so Below opens on Tuesday, 13 October with a preview from 6-8pm.

Ronchini presents the first-ever recreation of As Above so Below, originally exhibited in 2005 at the historic Abbaye de Silvacane in Provence.

Join us on from 6-8pm on Tuesday, 13 October at Ronchini, 21 Conduit St. Don’t miss it!

Final few days to view Rebecca Ward: lighter later at Ronchini! Rebecca’s work moves between two visual traditions that ...
28/09/2026

Final few days to view Rebecca Ward: lighter later at Ronchini!

Rebecca’s work moves between two visual traditions that have often been gendered differently: the masculine lineage of Minimalism and the female-associated practices of weaving, dyeing and sewing.

On working between these categories, Ward reflects:

“I didn’t set out to make work about a binary, but over time I realized that the materials I use inevitably carry those histories. Minimalism has often been framed through industrial production, objecthood, and a masculine lineage, while textile practices have historically been associated with domestic labor and women’s work.

Rather than treating those traditions as separate, I bring them into conversation.

For me, sewing, dyeing, and thread are structural ways to think about line, color, and space. Abstraction becomes more tactile when it passes through fabric and stitched surfaces. I hope as I the work between these categories they emerge less fixed.”

Rebecca Ward: lighter later
On view through 30 September

Opening Today: Ronchini at Join us at Booth 103! View SHARA MAYS | Painter | Visual Artist solo booth of new works, foll...
24/09/2026

Opening Today: Ronchini at

Join us at Booth 103!

View SHARA MAYS | Painter | Visual Artist solo booth of new works, following the success of her solo exhibition ‘Runaway’ earlier this year at Ronchini.

Mays’ new body of large-scale paintings explores the shifting relationship between gesture, colour and the figure, drawing on ideas of memory, movement and displacement.

Booth 103
The Armory Show, New York
VIP Preview | 24 Sep
Fair Days | 25-27 Sep

Works pictured:
1. Installation shot
2. Shara Mays, ‘Rachel (very well featured)’, 2026, oil an acrylic on canvas, 35 1/2 x 23 1/2 in
3. Shara Mays, ‘Pothos Dorado Revisited’, 2026, oil and acrylic on torn canvas, 12 x 12 x 60 in
4. Shara Mays, ‘Valentine (of gingerbread color)’, 2026, oil an acrylic on canvas, 35 1/2 x 23 1/2 in

As part of Musée d’Art Moderne et Contemporain Genève (MAMCO Geneva) mamco_geneve’s “In Course of Acquisition” project, ...
03/09/2026

As part of Musée d’Art Moderne et Contemporain Genève (MAMCO Geneva) mamco_geneve’s “In Course of Acquisition” project, we are thrilled to share the museum has acquired Katsumi Nakai’s “Object 46-104”, 1973.

Acquired in situ during Art Genève Art Genève 2026, “Object 46-104” was selected for the museum’s permanent collection in a radically transparent process wherein MAMCO’s booth was populated live by works discovered at the fair. This acquisition further solidifies Nakai’s institutional presence in Europe, following the Centre Pompidou Centre Pompidou’s 2020 acquisition of his work, “Untitled”, 1971.

Artwork:
Katsumi Nakai
46-104, 1973
oil and plywood on canvas
Closed: 50 × 122 cm, open: 85 × 147 cm
MAMCO Collection, acquired through the Friends of MAMCO Association, an anonymous donor, and Mirabaud & Cie bank

🗞️ For more Ronchini news, view the link in bio!

As part of Musée d’Art Moderne et Contemporain Genève (MAMCO Geneva) mamco_geneve’s “In Course of Acquisition” project, ...
03/09/2026

As part of Musée d’Art Moderne et Contemporain Genève (MAMCO Geneva) mamco_geneve’s “In Course of Acquisition” project, we are thrilled to share the museum has acquired Katsumi Nakai’s “Object 46-104”, 1973.

Acquired in situ during Art Genève Art Genève 2026, “Object 46-104” was selected for the museum’s permanent collection in a radically transparent process wherein MAMCO’s booth was populated live by works discovered at the fair. This acquisition further solidifies Nakai’s institutional presence in Europe, following the Centre Pompidou Centre Pompidou’s 2020 acquisition of his work, “Untitled”, 1971.

Artwork:
Katsumi Nakai
46-104, 1973
oil and plywood on canvas
Closed: 50 × 122 cm, open: 85 × 147 cm
MAMCO Collection, acquired through the Friends of MAMCO Association, an anonymous donor, and Mirabaud & Cie bank

🗞️ For more Ronchini news, view the link in bio!

Ronchini is now closed for our summer break, from 15-31 August. We wish all friends of Ronchini a restful summer, and lo...
14/08/2026

Ronchini is now closed for our summer break, from 15-31 August.

We wish all friends of Ronchini a restful summer, and look forward to welcoming you back to the gallery from 1 September to continue viewing Rebecca Ward’s Rebecca Ward lighter later, on view through 30 September.

🗞️ Katsumi Nakai in the New York Times! 🗞️“Fontana slashed and poked holes in the canvas. Nakai’s solution, both gentler...
01/08/2026

🗞️ Katsumi Nakai in the New York Times! 🗞️

“Fontana slashed and poked holes in the canvas. Nakai’s solution, both gentler and more radical, was to allow a painting to approach a viewer,” writes Max Lakin, “His hinged paintings […] gave the painting agency, allowing it to protest, defend itself, misbehave. Folded, they’re tidy monochromatic squares; opened, they flower into unruliness.”

Congratulations to polina berlin gallery for this stunning review!

Read the full article at www.nytimes.com, and don’t miss Nakai’s monumental solo show at polina berlin gallery through August 8.

The New York Times

Now Open! Ronchini at Aspen Art Fair 2026Booth B13A tightly curated booth featuring works by:Alice BaberGianpietro Carle...
29/07/2026

Now Open!
Ronchini at Aspen Art Fair 2026
Booth B13

A tightly curated booth featuring works by:
Alice Baber
Gianpietro Carlesso
Paul Jenkins
Tanya Ling
Frank Stella
Hap Tivey
Rebecca Ward

Aspen Art Fair
Collector’s Preview | 29 July 2025
General Admission | 30 July – 1 August 2025

Come say hi at Booth B13!

We’re thrilled to share that Ronchini-represented artist, Berndnaut Smilde’s () ‘Nimbus de Toekomst 1’ (2019) has been c...
10/07/2026

We’re thrilled to share that Ronchini-represented artist, Berndnaut Smilde’s () ‘Nimbus de Toekomst 1’ (2019) has been chosen by Peter Gabriel (Peter Gabriel) for the album cover of his new single, ‘I Belong to the Sky’.

‘I loved this image of the sky,’ Gabriel remarks, ‘The cloud brought inside – that mixture of outside and interior worlds. I think that’s what the song is all about. This mix between the interior and the exterior and the transition between them.’

🔗 For more Ronchini-related news, visit the link in bio!

Today, in honour of the Fourth of July, we revisit ‘We the People’ (1988), Paul Jenkins’ () original stone lithograph tr...
04/07/2026

Today, in honour of the Fourth of July, we revisit ‘We the People’ (1988), Paul Jenkins’ () original stone lithograph triptych, included within a limited edition folio.

Housed in a red calfskin clamshell with bronze medallions cast from 1787 and 1792 coins, the folio brings together reproductions of America’s founding documents with Jenkins’s abstract triptych, printed from stone at Atelier Clot, Bramsen & Georges (Atelier Clot, Bramsen & Brunholt), Paris’ oldest lithography workshop.

Address

21 Conduit Street
London
W1S2XP

Opening Hours

Monday 10am - 6pm
Tuesday 10am - 6pm
Wednesday 10am - 6pm
Thursday 10am - 6pm
Friday 10am - 6pm
Saturday 10am - 5pm

Telephone

+442076299188

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