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Monday 10am - 6pm Tuesday 10am - 6pm Wednesday 10am - 6pm Thursday 10am - 6pm Friday 10am - 6pm Saturday 12pm - 5pm

http://www.mayfairdesigndistrict.com/

Mayfair Design District, 12 Grafton Street, London (2026)

26/05/2026

Artist Spotlight | James Shaw

James Shaw is an explorer of the material landscape with a hands on approach. His work aims to interrogate the material, systemic and formal approaches to the creation of objects. Frequently his work considers the resources around us challenging the notion of ‘waste’ to create new beautiful materials. Waste plastic has been a key theme of his work both through his ongoing Plastic Baroque project and notably in the exhibition Plastic Scene he co-curated with Laura Housely in 2018, which was named ‘the standout show of LDF’ by the

has exhibited internationally including at , , , and .

Past awards include being nominated for the Design Museum Designs of the Year Award and winning the Arc.

His work is in the permanent collections of MoMA, and the among others.

Currently in our show extended show ‘The Language of Colour in Contemporary Design’ are his Plastic Baroque Chair and the Plastic Baroque Planter.

James Shaw
Plastic Baroque Chair - Edward’s earliest memory is watching his mother shower
2021
Recycled HDPE plastic
H 75 W 57 D 43 cm
Unique

James Shaw
Plastic Baroque Planter
Recycled HDPE plastic
H 35 D 30 cm
Unique

All artworks in the exhibition are available to purchase. Please contact us for further information.

With special thanks to

The exhibition closes tomorrow.

22/05/2026

Artist Spotlight | José María Balmaceda

José María Balmaceda is a textile designer and entrepreneur from Mexico City. Always immersed in the world of design, he began his career working as a costume and set designer, to later work in interior design and the textile industry. The latter being his great passion, which he enjoyed practicing for six years and where he had the opportunity to work hand in hand with architects and interior designers from all over the country.

During a personal search for a professional change and being faithful to his passion for textiles, he undertook a trip to India and Nepal. It was in the course of this trip that he began to bond with his current Indian and Nepalese partners, who eventually became like family. This trip was a tremendous source of inspiration where everything that is known today as Balmaceda Studio, took shape.

José María started working on the pieces of his first collection: Fossil in 2019. From that first collection where he shows a very personal and intimate side to Monumento presented in February 2024 inspired by Mexican architecture, José María continues to express through his collections a personal project where he experiments with his vision of life and different sources of inspiration to conceptualize his ideas. His collections have been presented at the gallery and at in Mexico City. Since then Balmaceda Studio has presented 4 more collections at ZONA Maco and has participated in international fairs in Paris, France.

is currently represented and distributed by art galleries in the United States, and in England and in Australia.

JOSÉ MARÍA BALMACEDA
Wild Flower 5
Glass
H 50cm Ø 22 cm
Unique

The Jardines collection of blown glass presents a series of vases that evoke the delicate beauty of wildflowers and plants. Each piece, with its organic forms and vibrant colors, captures the essence of nature in motion-transforming glass into living sculptures that celebrate the harmony between art and the natural world.

This work is on show as part of The Language of Colour until the 27th May.

21/05/2026

Artist Spotlight | Minhee Kim

Minhee Kim’s artistic journey extends beyond exploration and discovery; it is an ongoing dialogue with the intricacies of human existence. With an academic background culminating in an MA in Textiles from the brings a profound understanding of the art and craft to her multidisciplinary practice.

In her paintings, Minhee captures elusive emotions and memories, depicting moments that defy verbal expression. Canvases become a canvas for life’s subtle narratives, each stroke resonating with the essence of shared human experiences.

Textiles, with their tactile language, serve as a unique platform for Minhee’s artistic expression. Delving into the fragility of existence and the resilience of the human spirit, she intricately weaves delicate threads and fallen hairs, translating unspoken narratives into tangible and evocative forms.

Minhee’s journey has expanded once more, during her artist-in-residence experience in Switzerland in 2023, where stone sculpture became an integral dimension of her exploration. Engaging in a profound dialogue with raw materials weathered by time, she uncovers forms embodying both strength and vulnerability. The chiselling process delves into the layers of time, shaping narratives that speak to the enduring nature of human stories.

Her work stands as a testament to the belief that art serves as a bridge between the seen and the unseen, the spoken and the unspoken. Whether on canvas, in textiles, or through sculpture, Minhee Kim’s creations aim to engage viewers on a visceral level, inviting them into a shared space of contemplation and connection.

Beyond her various experiences, including being a finalist in the 2019 prize & participation in biennale, exhibitions, her art reflects a continuous journey of expression and connection.

Minhee Kim
From My Grandmother’s Treasure Trove - Dried Persimmon
2025
Monofilament, wire
H 49.5 W 21 D 14 cm
Unique

Currently on show as part of The Language of Colour in Contemporary Design exhibition

20/05/2026

Emily Alston, aka is a UK-based artist and designer whose multidisciplinary practice encompasses collaborations for a diverse range of international clients including the , , and

Emily’s first solo show, ‘Neverland’, took place during 2016, paving the way for the creation of her celebrated wooden architectural ‘Assemblages’ as well as sparking her interest in creating domestic objects.

Alongside working on custom installations and art collaborations with global brands, Emily has also been commissioned by private collectors, interior designers, stylists and architects to create bespoke pieces for a variety of residential and hospitality projects.

More recently, Emily has added interior projects to her multidisciplinary portfolio. Channelling her longstanding interest in colour, material, and the built environment, this latest evolution of her practice allows Emily to translate her visual language from the page to lived spaces, reflecting her playful sensibility, confident use of colour, and the rigorous engagement with design history that underpins her work.

Emily Forgot
Construct III (Assemblage)
Painted wood
H 35 W 30 cm
Unique

Emily Forgot
Ensemble
Framed painted paper collage
H 42 W 32 cm
Unique

Both works can be seen in our Language of Colour in Contemporary Design as part of - the show is up until the 27th May.

19/05/2026

As part of the Language of Colour in Contemporary Design we are presenting Gravity Candelabra 6x by .fig

Dutch artists’ Ruben Hoogvliet and Gijs Wouters found each other in their fascination for materials, crafts and love for nature during their studies at the art academy ArtEZ in Arnhem. After graduation, they joined forces and experiences in Atelier Fig.

“FIG stands for ‘figure’ - a name that embodies a free and experimental vision of form, function and use. Inspired by the wonder of creation and human interaction, we embrace research, collaboration, and the endless possibilities where tech and craft meet.”

Through experimental processes and innovative designs they create a world of extraordinary objects. The aesthetic experience creates awareness of the tactility and transformation within the creative process and shows what often remains unexposed. With their work they provide a playful answer to the demand for new and personalised products within the current industry.

“The world revolves around efficiency, speed and preferably fitting into the mold of expectations. But it is the world out there that makes us wonder.”

The candelabra serves as a beautiful centrepiece for any table, designed to hold multiple candles in a graceful, upward-reaching structure. Echoing the inverted gravity concept, these holders use parabolic forms to support the weight of multiple candles. Like the other Gravity pieces the design process of the candelabra begins with an analog approach, involving hand-drawn sketches and paper models. Mathematical formulas are used to perfect the structure before the pattern is crafted from sponge material. This careful combination of artistry and precision ensures that each candelabra maintains its architectural integrity.

Atelier Fig
Gravity Candelabra 6x
Porcelain, glaze
H 18 ø 32 cm
Unique

All artworks in the exhibition are available for sale, please contact us for more information.

18/05/2026

In a world defined by constant stimulation, The Language of Colour in Contemporary Design explores colour as a powerful yet often overlooked force in shaping how we feel, focus and rest.

Presented during and running until the 27th May, the exhibition brings together a curated selection of contemporary artists and designers whose practices engage with colour as both a visual and sensory language. Across ceramics, textiles, glass and sculptural objects, each work examines how colour interacts with material, form and light to influence perception and emotional response.

Rather than presenting objects in isolation, the exhibition considers the dialogue between them. It proposes the interior as a composed environment, where colour contributes to atmosphere, rhythm and a sense of balance.

Positioned within ’ evolving perspective on rest and wellbeing, the project reflects on how thoughtfully designed spaces can support clarity, calm and restoration.

Curated by Anne-Laure Pingreoun, Mayfair Design District, in collaboration with Savoir. All artworks are available for sale.

1. | Annica 1
2. | From My Grandparents’ Treasure Trove - Dried Persimmon
3. | Wild Flower 5
4. .fig | Gravity Chandelier 6x
5. | Still Life with Mortadella
6. | Plastic Baroque Chair
7. | Plastic Baroque Chair (detail)
8. | Plastic Baroque Planter
9. | Jolly
10. | Ensemble
11. | Construct III
12. | Handle Platter - Disco Gourds Collection
13. .1882ltd | Moon Jar
14. | Flower
15. | Garden Ware Platter
16. | Garden Ware Platter
17. Max Lamb | Crockery Pink Big Vase 2

With thanks to and all those BTS who have contributed to making this exhibition happen.

04/05/2026

Ian Turnock’s poetic ‘Light Falling Through Trees’ can be found atop the Sushi Bar in the Atrium restaurant where its elegant form invites you to discover the beauty of nature frozen in time.

Ian Turnock
Light Falling Through Trees
Corten Steel
H 50 W 50 D 20 cm

Ian Turnock is an experienced sculptor based in the UK. His works suitable for interior and exteriors explore organic forms using industrial materials such as stainless steel, corten, aluminium and copper to create unique, intricate pieces. creates intricate and detailed drawings from which the final artwork is digitally cut. His work is represented by

‘My sculpture is inspired by complex patterns and structures created by the natural world. Currently my main sources of inspiration are the silhouettes trees form against the sky at different times of the year. Often it is the empty spaces and gaps I am looking for just as much as the leaves and branches themselves, an aesthetic concept known in Japanese culture as ‘Ma’ which is akin to the silences between the notes in
music. The Japanese also have a poetic word for the dappled light trees create: ‘Komorebi’.

My background in graphic design influences my exploration of form and line. Drawings and photographs are the starting point from which I develop organic, abstract and figurative sculpture. I create intricate drawings from which the final artwork is digitally cut into stainless steel, corten weathering steel, aluminium, copper and plywood, transforming the drawn line into a tangible object.’

Turnock has been commissioned by , ’s Queen Mary II and for Brackenbury Square.

This artwork is available for purchase, for enquiries please contact us.

03/05/2026

A continuation of the cross thatched technique first developed for the Latitude bench in 2019, Longitude introduces the use of square stocks salvaged from the floorboards of a renovated East Sussex hospital in Hastings. 240 linear metres of rich toned Rhodesian mahogany have been painstakingly refurbished. Composed with a sculptural array of subtle interlocking joints, Longitude’s dynamic form is structurally lightweight whilst surprisingly rigid.

Brodie Neill
Longitude
2022
Reclaimed mahogany
H 38 W 220 D 70
Edition of 8 + 2AP + 2 Prototypes

Brodie Neill is a globally recognised Tasmanian designer whose practice spans collectible design, public art, and large-scale placemaking. For the past two decades, he has led a multidisciplinary studio in London working at the intersection of material innovation, craftsmanship, and environmental
consciousness.

His pioneering use of ocean plastic includes Gyro, the centrepiece of Australia’s presentation at the inaugural (2016).

In 2025, he was awarded the Artist-at-Sea residency to study climate impacts in Antarctica. He has addressed the and on the harmful effects of ocean plastic waste and contributed to the First Nations–led Rubbish on the Shore think tank in Arnhem Land, Australia.

His work has been exhibited at leading institutions, including London, Frieze Gallery London, , , Sydney and , and he contributed to two NGV Triennials. Neill’s ‘’ was recognised in magazine’s The Design 100, while his Cowrie and Alpha chairs for Made in Ratio appear in ’s 1000 Chairs.

A six metre tall patinated bronze sculptural seat, commissioned by for their new landmark City of London property, One Leadenhall was installed in 2025.

Brodie’s work sits in private collections worldwide.

Longitude is available for purchase, please contact us for further information.

02/05/2026

Was there a busier designer at Milan Design Week? launched her Mille Fleurs chandelier for , she led a tassel making workshop as part of When Apricots Blossom, highlighting the traditional craft practices of as well as creating a bread stamp and tray exploring everyday rituals for them. At our friends showcased Bethan’s Pickle Tower as part of their Milan debut at Salone Raritas whilst exhibited her Terrazo Rocks collection. On via della Spiga you could find her installation, The Landscape of Mestieri d’Arte for whilst on viale Lancetti she adorned an entire penthouse suite for at their Grand Hotel commissioned by

Back in London there’s still time to catch a couple of her masterful Shrine Candelabras flanking the entrance to as part of our East West | Creative Crossings exhibition.

Bethan Laura Wood
Shrine Candelabras
2012
Turned, lacquered wooden ‘bows’, brass, wooden base
H 79.2, Base: W 30 D 24 cm

Bethan Laura Wood has run a multidisciplinary studio since 2009 characterised by materials investigation, artisan collaboration and a passion for colour and detail. Residencies and location-based projects have become an important factor in her design process, often working in response to her location, in collaboration with local manufacturers, or reflecting
back into her work the visual and material culture particular to that area. Bethan is fascinated by the connections we make with the everyday objects that surround us and, as a collector herself, likes to explore what drives people to hold onto one particular object while discarding another. Bethan explores these relationships and questions how they might become cultural conduits. She is interested in critical approaches to achieving sustainability within mass consumption and the production-driven context of the design industry.

All artworks are available for sale, please contact us for more information and details.

01/05/2026

As Barnaby Barford opens his latest show, We Are Where We Are, at David Gill Gallery we put a spotlight on his Love Blue sculpture currently on show at Mandarin Oriental Mayfair as part of our East West | Creative Crossings exhibition.

Barnaby Barford
Love Blue
Steel, Acrylic Paint, Jesmonite
H 75 W 94 D 60 cm

Barnaby Barford (b. 1977) is a British artist working across sculpture, drawing, installation, film, and ceramics. His practice explores the values, systems, and behaviours embedded in everyday culture, often transforming familiar forms into narrative devices that address consumerism, morality, and desire. Repetition and accumulation are central to his work, from word-based drawings to large - scale sculptural installations where meaning shifts through scale and reiteration. has realised major institutional projects including The Tower of Babel at the - a solo exhibition at the , and TOPIA, commissioned by for

His work is held in international public collections including the Victoria and Albert Museum, , .museum (Charlotte, US), and the National Libraries of the Netherlands and France, and he is represented by London.

This artwork is available, please contact us for further information

Mayfair Design District

26/05/2026

22/05/2026

21/05/2026

20/05/2026

19/05/2026

18/05/2026

04/05/2026

03/05/2026

02/05/2026

01/05/2026

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Monday	10am - 6pm
Tuesday	10am - 6pm
Wednesday	10am - 6pm
Thursday	10am - 6pm
Friday	10am - 6pm
Saturday	12pm - 5pm