Society of Antiquaries of London

Society of Antiquaries of London We support conservation & scholarship related to material culture.
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The Society of Antiquaries of London focuses on the 'encouragement, advancement and furtherance of the study and knowledge of the antiquities and history of this and other countries'. It supports an elected Fellowship of 3,000 academics, professionals, researchers, scholars and others working with material culture. It also supports conservation and grant programmes, a Public Lecture Series, an aca

demic lecture series for Fellows, and a conference and seminar programme. It manages an important research library and a museum at Burlington House as well as a historic property, Kelmscott Manor in Oxfordshire, that was the former Cotswold retreat for William Morris and his family.

Our online display, 'A Magna Carta Miscellany', is now live! Our 2025 exhibition 'Magna Carta 1225' marked 800 years sin...
29/05/2026

Our online display, 'A Magna Carta Miscellany', is now live!

Our 2025 exhibition 'Magna Carta 1225' marked 800 years since King Henry III reissued what most historians consider to be the definitive version of the famous legal charter.

Now, this online display responds to questions that emerged during the exhibition run. Discover more about Magna Carta, together with highlights from across the Society’s collections that explore and uncover fascinating stories relating to social hierarchy, rights and freedoms, the role of women, and the enduring legacy of the Charter in popular imagination.

This project was produced by an amazing team of volunteers working with the Society’s Learning and Outreach Manager and Assistant Librarian to research, write, and curate 'A Magna Carta Miscellany'.

To take a look at the online display, follow this link https://stories.sal.org.uk/magna-carta-1225.

This painting of Pentre Ifan (the largest and best-preserved Neolithic dolmen in Wales) was done by Richard Tongue (1795...
24/05/2026

This painting of Pentre Ifan (the largest and best-preserved Neolithic dolmen in Wales) was done by Richard Tongue (1795–1873) in 1835.

Pentre Ifan chambered tomb, in Pembrokeshire, dates from the Neolithic Period and is of the classic closed portal types. The chamber was erected in a large pit cut into the hillside, and the load-bearing structure consists of a sloping capstone, 5m long, weighing over 16 tons.

Richard Tongue was a self-taught amateur artist with an interest in prehistoric monuments. He painted a series focused on prehistoric monuments, or ‘Celtic antiquities’ as they were described at the time, and precariously balanced rocks said to have Druidic associations.

It's a hot bank holiday in the UK, but is it as hot as it was standing around in the crater of Mount Vesuvius in 1775 be...
23/05/2026

It's a hot bank holiday in the UK, but is it as hot as it was standing around in the crater of Mount Vesuvius in 1775 before the great eruption of 1769?!

This illustration comes from 'Campi Phlegræi: Observations on the Volcanos of the Two Sicilies', by Sir William Hamilton. Over the course of three Society meetings from 26 January 1775, the diplomat, archaeologist, volcanologist and antiquarian Sir William Hamilton FSA communicated an account of the recent discoveries at Pompeii. His papers were illustrated with a series of gouache paintings by Pietro Fabris, a painter of English and Italian descent.

These are drawings of a statue exhibited by Rev Edmund Ferrers at the Society of Antiquaries meeting of 4 May 1797. The ...
21/05/2026

These are drawings of a statue exhibited by Rev Edmund Ferrers at the Society of Antiquaries meeting of 4 May 1797. The minutes for that meeting describe it as 'a most curious Idol, male on one side and female on the other, with an inscription under each'.

An anonymous explanation of the inscription on the Man's side, states that, it is 'a short but clear description of the name, residence, qualification, learning, employment, office, and dignity of Lord Samy, of Mathartera, the sublimely learned Theologist, Philosopher, Astronomer, and the Grand Ruler or Superintendant and Governor of the Nilometer and of the Sluices and Water Courses of Egypt.'

An explanation of the inscription on the Woman's side was sadly not given.

The cultural affinities of this statue have not been identified yet, do you have any guesses? Some have said the original statue may have been a fake, which is why it hasn't been properly identified.

We're excited for the upcoming exhibition at Kelmscott Manor! Running from 11 June – 31 October 2026, a solo show of new...
19/05/2026

We're excited for the upcoming exhibition at Kelmscott Manor! Running from 11 June – 31 October 2026, a solo show of new work by leading tapestry weaver Chrissie Freeth will be on display.

Freeth has brought together her love of early tapestries and her admiration for Victorian writer, designer-maker and activist William Morris (1834 – 96) to create a series of tapestries especially for Kelmscott Manor, his idyllic country home near Lechlade-on-Thames. The title of the series, ‘Good Women’, references medieval writer Geoffrey Chaucer, a source to which Morris returned many times in both his writings and designs.

Don't miss out on seeing these beautiful and expressive works in the stunning countryside location of Kelmscott Manor. https://bit.ly/3Re9gnD

Our placement student, Anna Gustavsen, who is an undergraduate student at Aarhus University in Denmark, was delighted to...
15/05/2026

Our placement student, Anna Gustavsen, who is an undergraduate student at Aarhus University in Denmark, was delighted to discover that one of Denmark’s national treasures is mentioned in the Society’s records. She uncovered and wrote the following information searching through our collections and records...

The Guldhornene (Golden Horns) date to around 400 CE. These two gold-plated horns were discovered in a field in Gallehus, southern Jutland, nearly a hundred years apart, in 1639 and 1734. Both horns were tragically stolen and melted down for gold in 1802, but their significance has been preserved through prints, drawings, and descriptions – including those found in the Society minutes of meetings.

In March 1725, Society Fellows were presented with a treatise on the horn found in 1639 by the Danish scholar and antiquary Ole Worm (1588-1654). Worm is regarded as a pioneer of northern antiquarian studies and museology, famous for his cabinet of curiosities, known as the Museum Wormianum.

The 1639 horn was also mentioned at a meeting in October 1735, where Fellows were informed of the discovery of a second golden horn bearing mysterious runic inscriptions; but the most detailed reference is from November 1786, when the Icelandic-Danish scholar Grímur Thorkelin (1752-1829) visited the Society to present engraved impressions of both horns.

The meeting minutes described the artefacts as ‘two curious Danish horns’. They offered a thorough description of their materiality and appearance, including the runic inscription on the smaller horn, which was believed to be talismanic. The following year, Thorkelin was elected an honorary member in recognition of his contribution to northern antiquarian studies (until recently, international scholars were elected as Honorary Fellows rather than achieving full Fellowship status).

In nineteenth-century Denmark, the golden horns became central to the national romantic movement as symbols of the nation’s history. During a period marked by war and political upheaval, writers and artists turned to the stories of the past in search of strength and a shared identity. Even though the original artefacts are lost to time, the horns remain powerful and celebrated symbols of Danish national culture.

Thanks to Anna for the work into researching this subject and writing about it for us!

The image shown here is a drawing of the Golden Horn of Christian V of Denmark.

It's the late 14th century and you're feeling ill, where do you turn for medical advice? We recommend the 'Medical colle...
12/05/2026

It's the late 14th century and you're feeling ill, where do you turn for medical advice? We recommend the 'Medical collections of John Arderne'. John of Arderne was a renowned surgeon who gained fame through his medical works that he produced towards the end of his life.

This particular manuscript contains a notable recipe for cancer, which begins with the phrase 'Accipe anxungiam porci' ('take pig fat/grease'). It also includes much relating to the treatment of fistulas and has a wide variety of recipes, like a cure for rabies. It also has various other instructions, like directions for catching birds. Additionally, there are many marginal drawings of instruments, plants, animals and human figures.

🎉Happy 100th birthday to Sir David Attenborough! 🎉The legendary broadcaster, natural historian and writer became an Hono...
08/05/2026

🎉Happy 100th birthday to Sir David Attenborough! 🎉The legendary broadcaster, natural historian and writer became an Honorary Fellow of the Society in 2007 and we're delighted to send him our best wishes for this milestone celebration! 🎂

The image shown here is beautiful depiction of the natural world. It is an embroidered bed curtain designed by May Morris for William Morris's bed at Kelmscott Manor. The design is based on William Morris’s 'Trellis' wallpaper design of 1864, with additional flora and fauna. It was worked on from 1891-93 by May Morris with assistance from Maude Deacon, Ellen Wright and Lily Yeats. It consists of coloured wools and silks on a pale linen ground.

It shows a central pomegranate tree, which is flanked by two climbing rosebushes which grow against a trellis. An assortment of brightly coloured birds can be seen amidst the leaves and branches, and a rabbit sits at the foot of the tree. There are various flowers, including iris and snakeshead fritillary, which occupy the foreground. Branches at the outer edges suggest additional pomegranate trees.

Which brooch would you choose? We've got....A pretty Anglo-Saxon jewelled brooch from Derbyshire.A vaguely creepy Anglo-...
06/05/2026

Which brooch would you choose? We've got....

A pretty Anglo-Saxon jewelled brooch from Derbyshire.
A vaguely creepy Anglo-Saxon enamelled brooch with a crowned portrait on it, from London.
A 7th-century silver penannular brooch from Italy, with some cute animals head ends (possibly dogs or leopards).

All these drawings come from a Society album called 'Personal ornaments', showcasing decorative accessories from various regions and times.

This is the earliest known spring-driven clock made by Jacob Zech of Prague in 1524. It's a Bohemian astronomical clock ...
01/05/2026

This is the earliest known spring-driven clock made by Jacob Zech of Prague in 1524. It's a Bohemian astronomical clock of gilt brass, where the body of the clock is covered with engraved decoration and the face shows the engraved symbols of the zodiac. At the centre of the clock face, forming the pivot of the hand, are engraved the arms of Poland impaling Visconti under a crown.

It's currently on long term loan to the British Museum.

These drawings, Thomas Underwood (1772-1835), are some of the finest examples of a cavalry parade helmet from Roman Brit...
27/04/2026

These drawings, Thomas Underwood (1772-1835), are some of the finest examples of a cavalry parade helmet from Roman Britain. The helmet was discovered accidentally in 1796 by the son of a clog-maker playing in some wasteland in Lancashire. The helmet and much of the hoard found alongside it was purchased by Charles Townley FSA in 1797 and later acquired by the British Museum.

When comparing this drawing to the real helmet the achievement of the artist is clear: the fine decorative detail has been minutely recorded, as well as the nature of the corrosion of the helmet ‘as found.’

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