Royal Society of Sculptors

Royal Society of Sculptors The Royal Society of Sculptors was created more than 100 years ago to champion contemporary sculpture and the artists who create it.

For our March Third Thursday we are pleased to welcome back to Dora House Fay Winter of State of Clay following her prev...
06/03/2025

For our March Third Thursday we are pleased to welcome back to Dora House Fay Winter of State of Clay following her previous sold out workshops.

Join us on Thursday 20 March and create a porcelain clay ‘spring’ dish inspired by nature… personalise and bring your own foliage or simply attend and use ours, all are welcome to come and try something new!

Please note that for this two hour pottery workshop only ten places are available so we strongly encourage early bookings.

* Participants will have the opportunity to experience making a personalised porcelain ‘spring’ ceramic dish inspired by nature.
* Feel free to bring your own foliage, stamps and textures or to use ours.
* You will be shown different ways to create surface decorations and have the option to add colour through the use of clay slips.
* Pieces will be fired in an electric kiln after the event (items will be posted to participants once finished, UK postage included) to high stoneware 1260C temperature.
* Items will be capable of holding water, food and frost proof for outside use.

For more information go to https://sculptors.org.uk/whats-on/2025/event/third-thursday-state-clay



We are pleased to welcome Mtec to the Society's Suppliers' Circle.  With over 30 years of experience, Mtec has evolved f...
05/03/2025

We are pleased to welcome Mtec to the Society's Suppliers' Circle. With over 30 years of experience, Mtec has evolved from specialising in large-scale sculpture installations to offering a broad range of art handling services.

'We’ve refined our bespoke solutions over the decades, continuously improving to ensure we get it right every time. From vast public spaces to galleries and studios, we remain true to our roots and driven by the passion that defines our work.

Mtec is passionate about providing bespoke art services that meet the unique needs of artists, galleries, collectors, and museums around the world. Whether it’s handling a single treasured piece, installing complex structures, or managing international exhibitions, we approach every project with care and expertise.

With our focus on fine art handling, we offer a full range of services including transport, storage, shipping, and installation. Our team of specialists bring a wealth of experience, ensuring a seamless and tailored experience that prioritises professionalism, discretion, and efficiency.

We understand the value of art and are dedicated to supporting it with care and expertise at every stage. To find out more and contact us visit our website https://mtecfineart.com/ '

To enquire about projects at any scale email the Mtec team.

https://sculptors.org.uk/our-supplier-circle







04/03/2025

Watch this video and hear from Poojan Gupta MRSS who joined the Royal Society of Sculptors in 2023, speak about her experience of being a member.

'For me, the Society is more than a community, it is a safe space for artists working with sculptural practices where one can share ideas, exchange dialogue and collaboration with fellow artists from all over the world. As a member you also get access to lots of opportunities. It's an honour to be a member of the Royal Society of Sculptors and I highly recommend for artists to apply'

- - - - -

Applications for membership of the Royal Society of Sculptors are open until Tuesday 4 March, 5pm (UK time).

For more information, to hear other testimonials from members and to apply go to https://sculptors.org.uk/membership

We welcome applications from established, national or international, professional artists who make sculpture in any of its forms as a significant part of a coherent professional practice, whose work adds to the language of sculpture .

Successful applicants will demonstrate a high level of expertise, experience and contemporary understanding. Applicant's work should be high quality, distinctive and adds to the language of sculpture; whilst also demonstrating the skilled realisation of ideas. The selection panel is keen to see evidence of enquiry and reflection.

Prospective Members will be selected for membership based on the quality of the application and provide evidence of:

1. Distinctive and high-quality work which adds to the language of sculpture

2. A critically engaged practice with contemporary understanding

3. Accomplished use of materials, techniques and processes


Applications for membership of the Royal Society of Sculptors close on Tuesday 4 March, 5pm (UK time).The Royal Society ...
28/02/2025

Applications for membership of the Royal Society of Sculptors close on Tuesday 4 March, 5pm (UK time).

The Royal Society of Sculptors champions sculpture and the artists who create it. As a member, you will join our professional network of sculptors from around the world. We support and connect our members at all stages of their career. Successful applicants will demonstrate a high level of expertise, experience and contemporary understanding.

You can also hear directly from our members about their experience of membership on our Vimeo Channel https://vimeo.com/showcase/10207437 where you can find here recent testimonials from Sheena Devitt MRSS an artist based in County Down, Northern Ireland, Julian Wild PVPRSS based in West Sussex , and Anne-Laure Cano MRSS based in Barcelona, Spain.

See full details here https://sculptors.org.uk/membership

As  we continue to profile the artists in our current exhibition, the Gilbert Bayes Award 2024 winners exhibition, today...
28/02/2025

As we continue to profile the artists in our current exhibition, the Gilbert Bayes Award 2024 winners exhibition, today we present Laura Ni Fhlaibhin who is exhibiting 'Stirrer' and 'Pearls are dripping from their furry hole', 2024

The works of Laura Ní Fhlaibhín cite her maternal ancestors. In 'Stirrer', a gift from her dearly departed grandmother and great aunt, from Wexford, Ireland, is cast in bronze, becoming an amulet of care,strength and protection.

Laura wills an ecstatic, multi-species afterlife for her ancestors in 'Pearls are dripping from their furry hole'. The engraved tablet of Irish beeswax,held with stainless steel surgical seekers, depicts an animal spirit in a realm of wild or****ic pleasure.

The exhibition has been curated by Clemency Cooke and Charlotte Latham, founders of Cooke Latham Gallery and showcasing the work of the 2024 Gilbert Bayes Award Winners. Open now until Saturday 22 March at Dora House, it will travel to The Art House, Wakefield, in the spring.

For more information and to read the exhibition essay go to our profile or click on https://sculptors.org.uk/whats-on/2025/exhibition/gba-2024-winners-exhibition-dora-house

📸 credit: Grace & Mike from MikeGlide Photography







As  we continue to profile the artists in our current exhibition, the Gilbert Bayes Award 2024 winners exhibition, today...
27/02/2025

As we continue to profile the artists in our current exhibition, the Gilbert Bayes Award 2024 winners exhibition, today we present Chris Thompson who is exhibiting 'Untitled (Shredder)', 2024. About this work, Chris has written the following:

'There was a large-scale sculpture I made several years ago, supported by the Gilbert Bayes Trust, that emulated a massive broken industrial shredding machine. I enjoy the metaphor of a thing threatening to rip to shreds and consume anything that touches it, now rendered impotent.

I think about my own labour and what I make, either for money or for myself, in relation to systems that consume me/it/them. I think about this idea a lot in relation to post-industrial economies and what happens to people and areas afterwards. On one hand, bridge and shipbuilding offered pride, purpose and a wage, and on the other it was brutal, with often terrible working conditions and an often-unacknowledged colonial legacy.

My impotent shredder lives on in the form of its mangled remnants adorned with eagles of suspect lineage, waiting for a purpose beyond an empty threat and a glorious past.'

The exhibition has been curated by Clemency Cooke and Charlotte Latham, founders of Cooke Latham Gallery and showcasing the work of the 2024 Gilbert Bayes Award Winners. Open now until Saturday 22 March at Dora House, it will travel to The Art House, Wakefield, in the spring.

For more information and to read the exhibition essay go to our profile or click on https://sculptors.org.uk/whats-on/2025/exhibition/gba-2024-winners-exhibition-dora-house

📸 credit: Grace & Mike from MikeGlide Photography







As  we continue to profile the artists in our current exhibition, we invite you to meet  Maria Positano MRSS who is exhi...
27/02/2025

As we continue to profile the artists in our current exhibition, we invite you to meet Maria Positano MRSS who is exhibiting 'Inside Out' and 'Root Cord', 2024

Root Cord draws a connection between the physical and the symbolic, blending organic forms with architectural and decorative motifs. It evokes the image of an umbilical cord. A lifeline tying flesh to its origins, nourishment, and roots. The suspended cord and ceramic forms suggest the pulsing connection of the body to its life-source,while the architectural patterns reference decorative structures. By juxtaposing raw, organic materials with structured ornamentation,a dialogue is created between the primal and the constructed.The textures and forms call to mind the enduring strength of roots,suggesting connection-to, survival-from, and transformation-into.

Inside Out evokes the sensation of inner layers of the body seeping from the painting and emerging into view. The piece plays with contrasts between geometry repetition and raw, organic textures. The seed-like patterns mimic germinal forms or the layers beneath the skin, while the tactile surfaces resemble the textures of flesh, skin, even scarring. The combination of forms and materials suggest a visceral narrative of transformation, vulnerability, and exposure. It is both metaphorical and a literal peeling back of surfaces, inviting the viewer to contemplate what lies beneath.

The exhibition has been curated by Clemency Cooke and Charlotte Latham, founders of Cooke Latham Gallery and showcasing the work of the 2024 Gilbert Bayes Award Winners. Open now until Saturday 22 March at Dora House, it will travel to The Art House, Wakefield, in the spring.

For more information and to read the exhibition essay go to our profile or click on https://sculptors.org.uk/whats-on/2025/exhibition/gba-2024-winners-exhibition-dora-house

📸 credit: Grace & Mike from MikeGlide Photography







As  we continue to profile the artists in our current exhibition, the Gilbert Bayes Award 2024 winners exhibition, today...
26/02/2025

As we continue to profile the artists in our current exhibition, the Gilbert Bayes Award 2024 winners exhibition, today we present Elinor Haynes who is exhibiting 'Drowning', 2024 and 'Release for 2', 2025

Together, the two works explore the transition from restraint to release,emphasizing the sensuality of the physical experience. They challenge the ideals of the self-contained body, instead highlighting its fluidity and motion. Each piece responds to the other, with the material either emerging from or submerged within the transient glass structure.

'Drowning' evokes a visceral response to overwhelming containment—submerged, never hermetic. In 'Release for 2', the wooden form escapes in dynamic movement, letting go in a material manifestation of fluidity. Intertwined.

The exhibition has been curated by Clemency Cooke and Charlotte Latham, founders of Cooke Latham Gallery and showcasing the work of the 2024 Gilbert Bayes Award Winners. Open now until Saturday 22 March at Dora House, it will travel to The Art House, Wakefield, in the spring.

For more information and to read the exhibition essay go to our profile or click on https://sculptors.org.uk/whats-on/2025/exhibition/gba-2024-winners-exhibition-dora-house

📸 credit: Grace & Mike from MikeGlide Photography







As  we continue to profile the artists in our current exhibition, the Gilbert Bayes Award 2024 winners exhibition, today...
25/02/2025

As we continue to profile the artists in our current exhibition, the Gilbert Bayes Award 2024 winners exhibition, today we present Melania Toma who is exhibiting 'Door I, II, III' from the 'Doors for the Kagneji House', 2024. Melania has written about the work as follows:

'This group of sculptures was born during my time at Thread Residency in Sinthian, Senegal, where I had the chance to spend time observing small millipedes. Known as Kagneji in Pulaar, these insects emerge between the rainy and dry seasons. Unlike other millipedes, they are community oriented.

These creatures constantly merge and divide, forming extraordinary shapes.

Local people use them to nourish their cows; when the cows consume these insects, they stay unified and don’t get lost in the bushes, moving as one harmonious being.

They speak about wholeness.The Kagneji appear and disappear very fast, as if they were dreamlike entities travelling towards different realities. Doors of the Kagneji House is a series of works in a dialogue with their ability of creating and dismantling images. I am showing a series of wooden tablets in response to the specific liminal character of these insects.'

The exhibition has been curated by Clemency Cooke and Charlotte Latham, founders of Cooke Latham Gallery and showcasing the work of the 2024 Gilbert Bayes Award Winners. Open now until Saturday 22 March at Dora House, it will travel to The Art House, Wakefield, in the spring.

For more information and to read the exhibition essay go to our profile or click on https://sculptors.org.uk/whats-on/2025/exhibition/gba-2024-winners-exhibition-dora-house

📸 credit: Grace & Mike from MikeGlide Photography







As  we continue to profile the artists in our current exhibition, we invite you to meet  Rong Bao MRSS who is exhibiting...
21/02/2025

As we continue to profile the artists in our current exhibition, we invite you to meet Rong Bao MRSS who is exhibiting 'Swaying Flower', 2024

Swaying Flower is a dynamic installation artwork which is full of life. The piece takes the form of a large white flower, with a yellow centre cradling three expressive faces, resembling lives nurtured within its core.

As the petals gently sway with the movement of the installation, the ping pong balls suspended on long wires graze the ground, creating friction sounds that mimic the whispers of nature.

Through its dynamic visual effects and interactive sound, the artwork creates a mysterious and poetic atmosphere. It symbolizes the fragility and rhythm of life, revealing the subtle resonance between nature and humanity.

The exhibition has been curated by Clemency Cooke and Charlotte Latham, founders of Cooke Latham Gallery and showcasing the work of the 2024 Gilbert Bayes Award Winners. Open now until Saturday 22 March at Dora House, it will travel to The Art House, Wakefield, in the spring.

For more information and to read the exhibition essay go to our profile or click on https://sculptors.org.uk/whats-on/2025/exhibition/gba-2024-winners-exhibition-dora-house

📸 credit: Grace & Mike from MikeGlide Photography







Our current exhibition has been curated by Clemency Cooke and Charlotte Latham, founders of Cooke Latham Gallery and sho...
20/02/2025

Our current exhibition has been curated by Clemency Cooke and Charlotte Latham, founders of Cooke Latham Gallery and showcases the work of the 2024 Gilbert Bayes Award Winners. Today we feature Kishwar Kiani MRSS who is exhibiting 'Chadar' and 'Tumbleweed', 2024

Chadar means ‘veil’ in Urdu and captures the overwhelming weight of societal expectations. With twisted, bent, and broken scaffolds,ladders and bars, the work evokes the oppressive structures that confine individuals. The wall of scaffolding, seemingly torn, leans towards the viewer, symbolising the strain of rigid societal norms on personal freedom. This work serves as a metaphor for the emotional conflict between personal convictions and societal demands.

Tumbleweed leverages the imperfections of poorly welded joints as a deliberate design choice, mirroring the natural, irregular connections of tumbleweed branches. While structurally robust and securely welded internally, the external appearance of the joints is made to resemble the organic aesthetic of the tumbleweed. Encased within a box, the work symbolises restriction and control, juxtaposing the tumbleweed's inherent imperfections with a personal narrative of freedom, self-expression, and the challenges faced by marginalised Muslims navigating the confines of conservative households that stifle their growth and individuality.

The exhibition is open until Saturday 22 March at Dora House. There will be a further opportunity to see the show at The Art House, Wakefield, in the spring.

For more information and to read the exhibition essay go to our profile or click on https://sculptors.org.uk/whats-on/2025/exhibition/gba-2024-winners-exhibition-dora-house

📸 credit: Grace & Mike from MikeGlide Photography







This week we continue to profile the artists in our current exhibition curated by Clemency Cooke and Charlotte Latham, f...
19/02/2025

This week we continue to profile the artists in our current exhibition curated by Clemency Cooke and Charlotte Latham, founders of Cooke Latham Gallery and showcasing the work of the 2024 Gilbert Bayes Award Winners. Meet Laura Hills MRSS who is exhibiting 'Cornered' and 'Verge', 2024

Cornered collages different elements to draw viewers into the cornerspace, around and behind the work. Overlapping and translucency create an awareness of internal space and the relationship between the outer skin and the wall behind.

Verge marks the transition between the two architecturally different areas of the exhibition space at Dora House. In its current form, it is situated in the corridor between the two spaces but will go through a process of adaptation when the exhibition travels to The Art House, Wakefield in response to the new space.

The exhibition is open until Saturday 22 March at Dora House. There will be a further opportunity to see the show at The Art House, Wakefield, in the spring.

For more information and to read the exhibition essay go to our profile or click on https://sculptors.org.uk/whats-on/2025/exhibition/gba-2024-winners-exhibition-dora-house

📸 credit: Grace & Mike from MikeGlide Photography







Our current exhibition has been curated by Clemency Cooke and Charlotte Latham, founders of Cooke Latham Gallery and sho...
18/02/2025

Our current exhibition has been curated by Clemency Cooke and Charlotte Latham, founders of Cooke Latham Gallery and showcases the work of the 2024 Gilbert Bayes Award Winners. Today we feature Jack Evans MRSS who is exhibiting 'Infernal Basin' and 'Vanitas 1.0', 2024

Working in cast aluminum, Jack Evans’ material choice references a modern, industrial aesthetic whilst tying into the themes of mass production and the societal consequences of industrial and technological excess.

Vanitas 1.0 is modelled after traditional Dutch vanitas paintings, which originally served to remind viewers of the transience of life. In this reinterpretation, the artwork uses cast aluminum to represent these themes,bringing a modern twist to the classic genre by integrating elements that suggest the contemporary world’s focus on technological advancement and aesthetic.

Infernal Basin I takes inspiration from the historical design of a Temperance basin, reimagined here as part of a futuristic, neoclassical vision. The basin's design incorporates detailed motifs and symbols that reflect on themes of excess and degradation, set against the backdrop of a world shaped by human neglect and apathy.

The exhibition is open until Saturday 22 March at Dora House. There will be a further opportunity to see the show at The Art House, Wakefield, in the spring.

For more information and to read the exhibition essay go to our profile or click on https://sculptors.org.uk/whats-on/2025/exhibition/gba-2024-winners-exhibition-dora-house

📸 credit: Grace & Mike from MikeGlide Photography







17/02/2025

Watch Julian Wild PVPRSS, who joined the Society 20 years ago, speak about his experience of being a member of the Society and what how it has supported his career.

Applications for membership of the Royal Society of Sculptors are now open until Tuesday 4 March, 5pm (UK time)

We welcome applications from established, national or international, professional artists who make sculpture in any of its forms as a significant part of a coherent professional practice, whose work adds to the language of sculpture .

Successful applicants will demonstrate a high level of expertise, experience and contemporary understanding. Applicant's work should be high quality, distinctive and adds to the language of sculpture; whilst also demonstrating the skilled realisation of ideas. The selection panel is keen to see evidence of enquiry and reflection.

Prospective Members will be selected for membership based on the quality of the application and provide evidence of:

1. Distinctive and high-quality work which adds to the language of sculpture

2. A critically engaged practice with contemporary understanding

3. Accomplished use of materials, techniques and processes

Please read the full guidelines on our website https://sculptors.org.uk/membership and for any questions contact us via [email protected]

Applications must be submitted online via CuratorSpace - here is the link https://www.curatorspace.com/opportunities/detail/membership-applications-winter/8696



14/02/2025

Find out about how to 'Reduce the Impact of Sculpture Making' in this case study by Coles Castings, fine art foundry specialising in bespoke sculptural works in bronze, cast iron and aluminium. The foundry grew organically out of the sculpture studios of artists Stephen Coles and Necole Schmitz and their shared love of sculpture, metal casting and finding solutions to sticky problems in making.

One of the driving principles of Coles Castings is to reduce the environmental impact of metal casting and reduce sculpture making’s dependency on fossil fuels. To help realise this goal, Coles Castings has developed crucible furnaces which utilise recycled vegetable oil for fuel. The standard fuel for crucible furnaces is propane, which whilst useful is a fossil fuel and has the limitation of being unable to reach temperatures hot enough to melt metals such as iron. Iron is commonly cast using coke fired cupola furnaces or electro arc induction furnaces.

To find out more about this process, click here and read the full case study on our blog https://sculptors.org.uk/blog

Coles Castings is a member of the Society's Suppliers' Circle. For more information and to contact them go to their website: https://www.colescastings.com/

Our current exhibition has been curated by Clemency Cooke and Charlotte Latham, founders of Cooke Latham Gallery and fea...
13/02/2025

Our current exhibition has been curated by Clemency Cooke and Charlotte Latham, founders of Cooke Latham Gallery and features work by the 2024 Gilbert Bayes Award Winners. Today we are featuring Euphrosyne Andrews MRSS who is exhibiting 'Hemmed with Green', 2024. Euphrosyne has written about her work as follows:

A manicured lawn or clipped box hedge, an abundant hedgerow or parkland path. 'Hemmed with Green' presents a sickle-shaped crescent of hypothetical textile samplers or aerial planting plans.

The printing plate displays its floral motives, shaped by their process of production. Its presence in the work prevents its ability to produce multiple identical forms, instead allowing a pause for consideration. Of our strive for perfection, of boundaries, artwork and product, consumer and viewer, and of the point at which we meet nature, and the hand meets the machine.

The exhibition is open until Saturday 22 March at Dora House. There will be a further opportunity to see the show at The Art House, Wakefield, in the spring.

For more information and to read the exhibition essay go to our profile or click on https://sculptors.org.uk/whats-on/2025/exhibition/gba-2024-winners-exhibition-dora-house

📸 credit: Grace & Mike from MikeGlide Photography







Today we're sharing a few close ups of works in the GBA 2024 winners exhibition now on view at Dora House until Saturday...
12/02/2025

Today we're sharing a few close ups of works in the GBA 2024 winners exhibition now on view at Dora House until Saturday 22 March. Join us to explore the work created by emerging sculptors and the incredible diversity of textures, materials and details in these pieces. The exhibition has been curated by Clemency Cooke and Charlotte Latham, founders of Cooke Latham Gallery

For more information and to read the exhibition essay go to our profile or click on https://sculptors.org.uk/whats-on/2025/exhibition/gba-2024-winners-exhibition-dora-house

📸 1 - Maria Positano
📸 2 - Elinor Haynes
📸 3 - Kishwar Kiani
📸 4 - Chris Thompson
📸 5 - Rong Bao
📸 6 - Melania Toma
📸 7 - Euphrosyne Andrews
📸 8 - Laura Hills
📸 9 - Laura Ni Fhlaibhin
📸 10 - Jack Evans

📸 credit: Grace & Mike at MikeGlide Photography






11/02/2025

If you haven't yet seen our current show the Gilbert Bayes Award 2024 winners exhibition, you can now watch a short video introduced by Clemency Cooke who, together with Charlotte Latham, curated the show. Clemency and Charlotte are the founders of Cooke Latham Gallery

Exhibiting artists:
Chris Thompson
Elinor Haynes
Euphrosyne Andrews
Jack Evans
Kishwar Kiani
Laura Hills
Laura Ni Fhlaibhin
Maria Positano
Melania Toma
Rong Bao

On the terrace you can see Personal Growth, 2025 by Ally Rosenberg also selected by Clemency and Charlotte.

The GBA Award is generously supported by the Gilbert Bayes Charitable Trust.

📸 credit: Grace & Mike from MikeGlide Photography






Address

108 Old Brompton Road
London
SW73RA

Alerts

Be the first to know and let us send you an email when Royal Society of Sculptors posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Museum

Send a message to Royal Society of Sculptors:

Videos

Share

Our Story

The Royal Society of Sculptors is an artist led, membership organisation. We support and connect sculptors throughout their careers and lead the conversation about sculpture today through exhibitions and events for all.

The Society was created more than 100 years ago to champion contemporary sculpture and the artists who create it. Today we welcome everyone interested in exploring this art form and its many possibilities.

We are based in London’s South Kensington, a few minutes’ walk from its great museums, in a beautiful listed building called Dora House. Come and join in the conversation, through exhibitions, artists’ talks and creative workshops . We invite you to view the world from a different perspective, to dig deep into the practice of individual sculptors and to challenge the way you think.

The Society provides a supportive membership community to sculptors throughout their careers, offering access to expert advice, training, bursaries, residencies and awards. Read more about the benefits of becoming a member.