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Final day to see Emily Mclatchie’s solo show, Earth & Bone today!
24/10/2026

Final day to see Emily Mclatchie’s solo show, Earth & Bone today!

23/10/2026

An exhibition walkthrough of .art’s solo show, Earth & Bone: The Shape of Passing. On until tomorrow (Saturday 24 October, 11am-4pm)

Penultimate day to see Emily Mclatchie’s beautiful exhibition Earth and Bone, 11am to 4pm today and again tomorrow
23/10/2026

Penultimate day to see Emily Mclatchie’s beautiful exhibition Earth and Bone, 11am to 4pm today and again tomorrow

Final 4 days to see Emily Mclatchie’s solo show, Earth & Bone. Open today through Saturday 25 October, 11am to 4pm.
21/10/2026

Final 4 days to see Emily Mclatchie’s solo show, Earth & Bone. Open today through Saturday 25 October, 11am to 4pm.

Emily McLatchie’s Earth & Bone: The Shape of Passing open Wednesday-Saturday 11am-4pm
14/10/2026

Emily McLatchie’s Earth & Bone: The Shape of Passing open Wednesday-Saturday 11am-4pm

Next in our autumnal series: Threads of Identity – Land of Thistles is a collaborative textile project by Andrea Orduña,...
11/10/2026

Next in our autumnal series: Threads of Identity – Land of Thistles is a collaborative textile project by Andrea Orduña, developed in partnership with Fundación Chol-Chol, Chile.

The exhibition brings together 24 machine-knitted textile pieces by Andrea Orduña and 6 textile pieces woven on the traditional Mapuche loom (witral) by Mapuche weavers from La Araucanía.

Organised around six interconnected axes; Earth, Water, Air, Fire, Existence and Consciousness. The project explores identity, territory, memory and the transmission of knowledge.

Inspired by Mapuche worldview, textile traditions and cultural heritage, the project creates a dialogue between machine knitting and traditional Mapuche weaving, and between Chile and Scotland.

Andrea Orduña is a Chilean Textile Designer based in Melrose, Scotland. Her textile practice explores relationships between textiles, identity, place, nature and cultural memory.

Working primarily with machine knitting, she investigates how colour, pattern, repetition, structure and material can communicate ideas and create connections between people and landscapes.

Congratulations ☽ Emily McLatchie 🀐 on a very successful opening night for your exhibition, Earth and Bones: The Shape o...
10/10/2026

Congratulations ☽ Emily McLatchie 🀐 on a very successful opening night for your exhibition, Earth and Bones: The Shape of Passing. Your work is beautiful and it is our privilege to get to host your first solo show. We know your work is going to resonate with so many people and we love how it is situated in our space.

📷: Katie McCraw

Later this week! Opening night Friday 9 October, 7-9pm all welcome
05/10/2026

Later this week! Opening night Friday 9 October, 7-9pm all welcome

We’re delighted to announce our first exhibition in our autumn series, Earth and Bone; The Shape of Passing, a solo show by ☽ Emily McLatchie 🀐

Emily McLatchie’s practice begins with walking and learning the land around her, gathering earth pigments, bone black and other materials from coastlines, forests and riverbanks through painting, photography, poetry and sound. Those she encounters - a fragment of bone, a stick, a stone - become part of paintings that hold traces of place, memory, weathering and decay.

Through this process, McLatchie reflects on memento mori not as an ending, but as part of the quiet cycle of loss, change, return and renewal, following the threads of life and movement within the land, where nothing is ever truly quiet, still or complete.

We’re delighted to announce our first exhibition in our autumn series, Earth and Bone; The Shape of Passing, a solo show...
22/09/2026

We’re delighted to announce our first exhibition in our autumn series, Earth and Bone; The Shape of Passing, a solo show by ☽ Emily McLatchie 🀐

Emily McLatchie’s practice begins with walking and learning the land around her, gathering earth pigments, bone black and other materials from coastlines, forests and riverbanks through painting, photography, poetry and sound. Those she encounters - a fragment of bone, a stick, a stone - become part of paintings that hold traces of place, memory, weathering and decay.

Through this process, McLatchie reflects on memento mori not as an ending, but as part of the quiet cycle of loss, change, return and renewal, following the threads of life and movement within the land, where nothing is ever truly quiet, still or complete.

Thanks for coming Hawick High School!
22/09/2026

Thanks for coming Hawick High School!

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TD99HB

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