The Modern Institute

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The Modern Institute The Modern Institute is a contemporary visual art gallery founded in Glasgow in 1997.

Dike Blair
Dirk Bell
Martin Boyce
Julia Chiang
Jeremy Deller
Alex Dordoy
Duggie Fields
Urs Fischer
Kim Fisher
Luke Fowler
Martino Gamper
Marco Giordano
Henrik Håkansson
Mark Handforth
Thomas Houseago
Richard Hughes
William E. Jones
Chris Johanson
Andrew Kerr
Liz Larner
Jim Lambie
Victoria Morton
Scott Myles
Nicolas Party
Toby Paterson
Simon Periton
Manfred Pernice
Walter Price
Mary Redmond
Eva Rothschild
Monika Sosnowska
Simon Starling
Katja Strunz
Tony Swain
Spencer Sweeney
Joanne Tatham & Tom O’Sullivan
Pádraig Timoney
Sue Tompkins
Hayley Tompkins
Cathy Wilkes
Michael Wilkinson
Richard Wright
Gregor Wright

24/10/2026

‘There was a prismatic effect that started to interest me, which you can see differently depending on a number of factors: the time of day, the weather. In this sense they are very similar to the wall paintings that also disappear.’ - Richard Wright⁠
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Wright’s glass works are concerned with space, light and time. His intricately designed coloured pieces incorporate handmade glass, leaded in complex patterns. They emerged from his permanent commission at Tate Britain, completed in 2013, and Wright has continued to design and experiment with his methods since, using his language of graphic abstraction and decorative iconography to create repeated geometric patterns that meticulously fold into one another.⁠
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Pictured:⁠
Richard Wright, No Title, 2015, Leaded glass, 460 x 174 cm. Installation view, The Modern Institute, Art Basel Paris, 2026⁠
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Slip Touch is a solo exhibition by Marco Giordano opening on 29 October at Centro Cultural Recoleta. It will be the arti...
22/10/2026

Slip Touch is a solo exhibition by Marco Giordano opening on 29 October at Centro Cultural Recoleta. It will be the artist’s first presentation in South America. ⁠
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The exhibition brings together two bodies of work: a group of monumental video installations that repurpose industrial pipelines as cinematographic apparatuses, and a series of drawings on rice paper. Both series expand the artist’s ongoing investigation into the interrelations between energy and communication flows, staging moments of spillage, rupture, and failure as conditions from which other relational grammars can emerge.⁠
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CENTRO CULTURAL RECOLETA

Richard Wright⁠Art Basel Paris⁠Booth C13 ⁠⁠We are presenting site-specific solo booth of Richard Wright’s work at the Gr...
22/10/2026

Richard Wright⁠
Art Basel Paris⁠
Booth C13 ⁠
⁠
We are presenting site-specific solo booth of Richard Wright’s work at the Grand Palais, Paris, until 23 October.⁠
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Our presentation comprising various pieces – from glassworks, watercolours, wall paintings and artist’s books – shows the depth of Wright’s practice. ⁠
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Images:⁠
1. Installation view, Richard Wright, The Modern Institute, Art Basel Paris, 2026⁠
2-3. Richard Wright, No Title, 2023, Acrylic on door, 270 x 90 x 4.4 cm⁠
4-5. Richard Wright, No Title, 2026, Watercolour, Indian ink and blush on paper, 76.7 x 77.8 x 5 cm framed⁠
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Art Basel

We are delighted to announce that Cathy Wilkes is the recipient of the Francis Bacon Mid-Career Artist Award, one of the...
22/10/2026

We are delighted to announce that Cathy Wilkes is the recipient of the Francis Bacon Mid-Career Artist Award, one of the inaugural Francis Bacon Awards for Irish Visual Arts. ⁠
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The award recognises her internationally acclaimed practice spanning sculpture, painting, drawing and installation.⁠
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Wilkes will receive the award during this year’s Dublin Gallery Weekend Dublin Gallery Weekend, which runs 5–8 November.⁠
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Pictured:⁠
1. Cathy Wilkes, photo by Torsten Lauschmann⁠
2. Cathy Wilkes, Untitled, 2026 (detail), Paper and fabric, Dimensions variable. Installation view, The Model, Sligo, 2026⁠
3. Cathy Wilkes, Untitled (Possil, at last), 2013 (detail), Mixed media, Dimensions variable. Installation view ‘The Encyclopedic Palace’, Venice Biennale, Venice, 2013

Michael Wilkinson's 'fluorochiaroscuro' is now on view at P.P.O.W P·P·O·W, New York, at 392 Broadway.Known for his conce...
22/09/2026

Michael Wilkinson's 'fluorochiaroscuro' is now on view at P.P.O.W P·P·O·W, New York, at 392 Broadway.

Known for his conceptual approach to artmaking and installation, this latest series of works develops Wilkinson's concern with still life painting. Combining the optical illusionism of trompe l’oeil with non-representational interventions associated with the readymade, Wilkinson renders ordinary subject matter stunningly enigmatic. Updating the still life genre for our contemporary age, Wilkinson explores its innate ties to ephemerality with a self-awareness that is at once playfully ambivalent and earnestly serious.

Pictured:


Still life with mirror, Irises, 2026,
Acrylic on board, etched mirror
28 x 23 5/8 ins

Liz Larner 'A hard line to bend' is now on view at Camden Art Centre.The exhibition brings together works primarily from...
22/09/2026

Liz Larner 'A hard line to bend' is now on view at Camden Art Centre.

The exhibition brings together works primarily from the last decade and foregrounds the artist’s current ecological concerns and her continued radical experiments in material and form. Unfolding as a series of rooms, the show traces ideas of transformation: from ancient myth and cosmology to the cycles of matter. Informed by post-human and eco-feminist thought, the works reflect on how we are embodied within and intervene in the material world around us.

Wishing Yuichi Hirako a Happy Birthday!Hirako’s work asks for a reconsideration of our relationship to nature and offers...
21/09/2026

Wishing Yuichi Hirako a Happy Birthday!

Hirako’s work asks for a reconsideration of our relationship to nature and offers a subtle allegory for current global environmental issues, expressed in his joyful aesthetic language. A questioning of our awareness of the greenery around us formed the impetus for recent works: the shapes of leaves on houseplants; the plantings, arrangement of flower beds and topiary in local parks; the attractive but unsettlingly wild masses of tree species that constitute a forest. Hirako asks us to look at situations where nature enters our world, disguised and interspersed with human creations and technologies.

Yuichi Hirako's exhibition "HUMAN AND NATURE" opened on September 5, 2026, as the first program marking the opening of Tokyo Midtown Hibiya Hall and will run until the 18th October.

Images:
Yuichi Hirako, 'HUMAN AND NATURE', Tokyo Midtown Hibiya Hall, Toyko, 2026

Martin Boyce, Hang Up the Day Put on The Night, opening tonight at The Modern Institute's Aird's Lane gallery, 6–8pm!Mar...
17/09/2026

Martin Boyce, Hang Up the Day Put on The Night, opening tonight at The Modern Institute's Aird's Lane gallery, 6–8pm!

Martin Boyce’s exhibition title is an invitation, one which casts the galleries as a liminal interior, a place both eerie and incomplete. It also points to a movement from interior to exterior, one concurrent with a change from natural to manmade. Boyce produces a simultaneity of conditions, somewhere between home, stage and landscape. Each artwork has a double-life, nodding to elements in the environment and industrial design, to the real and fictional: a sculpture registers as a coat stand and an orrery; steel chain resembles the branches of a tree; glass lanterns are cherry blossom; a fireplace becomes a theatre.

Medusozoa Blossom, 2026, a skeletal chandelier, holds a central place in the installation; the Medusozoa of the title referring to categories of jellyfish.

Images:

(1) Installation view 'Hang Up the Day Put on The Night', The Modern Institute, Aird's Lane, 2026 (2-3) Martin Boyce, Medusozoa Blossom, 2026, Galvanised steel, galvanised chain, hand blown glass, electrical components, 190 x 100 x 100 cm

Andrew Kerr Capture Builthis opening tonight at The Modern Institute's Osborne Street gallery, 6–8pm!Andrew Kerr’s pract...
17/09/2026

Andrew Kerr Capture Builthis opening tonight at The Modern Institute's Osborne Street gallery, 6–8pm!

Andrew Kerr’s practice is rooted in drawing. His pencil drawings, exploring letterforms, text and shape, provide both pictorial ideas and a technique which move into painting. This intuitive method, one which relies on following an unfolding process rather than a strict logic, extends into Kerr’s investigations of sculpture and architecture too. Shapes chime between the dancing vessels, column-like emblems, and pleated spaces in the paintings and the interventions in the space.

Images:

(1-2) , Untitled, 2026, Acrylic on paper mounted on card, 37.5 x 55.2 x 3.4 cm (3) Installation view 'Capture Builthis', The Modern Institute, Osborne Street, 2026

Monika Sosnowska 'Weight of Matter' is now on view at South London Gallery.Sosnowska’s work reflects on the implosion of...
13/09/2026

Monika Sosnowska 'Weight of Matter' is now on view at South London Gallery.

Sosnowska’s work reflects on the implosion of the communist regime in Poland and the legacy of modernism, with a particular focus on the impact that architecture and space have on people.

'Architecture serves to organise and give order. Socio-political systems are reflected in it. My works are about introducing chaos and uncertainty. They make reality cease to be obvious.' – Monika Sosnowska

At the SLG, a site-specific installation at the Main Gallery showcases a group of large-scale hanging sculptures, some of which weigh over half a tonne. Suspended from the rafters like carcasses, or remnants of architectural and broader histories, the individual works merge into an intertwined and sometimes incomprehensible mass.

Address

14-20 Osborne Street
Glasgow
G15QN

Opening Hours

Tuesday 10am - 6pm
Wednesday 10am - 6pm
Thursday 10am - 6pm
Friday 10am - 6pm
Saturday 12pm - 5pm

Telephone

+441412483711

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