16/08/2026
The aim of our newest exhibition ๐
๐ด๐
๐ด๐ฝ๐ฒ๐ด ๐ผ๐ฐ๐
๐
๐ท & ๐ฟ๐
๐พ๐ณ๐
๐ฒ๐
๐ธ๐พ๐ฝ ๐ณ๐ด๐
๐ธ๐ถ๐ฝ: ๐ต๐ธ๐ป๐ผโ๐
๐ผ๐พ๐
๐
๐ธ๐ฝ๐
๐ธ๐
๐ธ๐ฑ๐ป๐ด ๐ฐ๐
๐
is not to show film designs as artworks โ though many of them are stunning artworks โ but to show Terry and his art department colleagues as they really lived and worked, behind the scenes โ not only as individual film artists, but, in succession, as apprentices, assistants, collaborators, mentors, sometimes grand masters, and โ above all โ friends.
Hence this exhibitionโs special focus not just on Terry, but on John Box, โthe magicianโ, Terryโs much-loved senior colleague on five films together (including ๐๐ช๐๐ป๐ฎ๐ท๐ฌ๐ฎ ๐ธ๐ฏ ๐๐ป๐ช๐ซ๐ฒ๐ช, ๐๐ต๐ฒ๐ฟ๐ฎ๐ป! & ๐๐ป. ๐ฉ๐ฑ๐ฒ๐ฟ๐ช๐ฐ๐ธ) and on Terryโs lifelong friend Tony Rimmington (โRimmersโ), a fellow assistant art director on Lawrence, a one-off and individualist who found his permanent niche as a specialist in hardware and engineering (boats, planes, and anything that exploded).
Picture: "Rimmers" and Terry Marsh (right) pose with a Zhivago film poster.
kentmomi.org/exhibitions