The Old School Gallery

The Old School Gallery Welcome to the Old School Gallery
Alnmouth | Northumberland We have a unique and inspiring collection of affordable art and prints.
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Gallery Hours
Mon – Sat: 10:00 – 17:00
Sun: 10:00 – 16:00
Open Bank Holidays

Café Hours
Mon – Sat: 10:00 – 16:00
Sun: 10:00 – 15:00
Drinks, cakes and tray-bakes
*we currently do not offer indoor seating

Dogs welcome indoors
Any questions: 01665 830554

School Yard Pizza
*currently closed until Saturday 16th July 2022
Thursday 17:00 - 20:00
Friday 17:00 - 20:00
Saturday 12:00 - 20:00
Sunday 12:00 - 20:00

Do you need an ornamental hermit?Our Cuthbert exhibition poster is now on sale (see stories)Ornamental hermits, or garde...
27/08/2026

Do you need an ornamental hermit?
Our Cuthbert exhibition poster is now on sale (see stories)

Ornamental hermits, or garden hermits, were eccentric real-life figures hired by wealthy 18th- and early 19th-century British landowners to live in purpose-built grottoes, caves, or rustic huts as living landscape features (rich people eh).

To project an aura of profound wisdom and philosophical melancholy, these individuals were bound by bizarre contracts that required them to dress like ancient Druids in robes or animal skins and strictly forbid them from cutting their hair, beards, or fingernails. Often supplied with only a Bible, an hourglass, and a human skull as props, many were also subjected to a vow of silence, functioning essentially as live-action dioramas to impress visiting estate guests.
Recruiting and keeping a garden hermit proved notoriously difficult in practice, leading to frequent turnover and humorous failures. At Charles Hamilton’s Surrey estate, a famous seven-year experiment with a £500 to £700 payout collapsed just three weeks in when the newly hired hermit was discovered sneaking off to frequent a local pub. When real hermits proved too difficult to retain or impossible to find, some estates even resorted to substituting them with mechanical automatons or dummies to maintain the illusion for travelers.
Rooted in a mixture of Renaissance revivals, neoclassical romanticism, and an Enlightenment obsession with the “simple life,” the trend eventually faded away by the Victorian era. Viewed today as the ultimate Georgian eccentric garden accessory—and the conceptual predecessor to the modern garden gnome—these live-in hermits merged landscape architecture, theater, and performance art into a uniquely bizarre slice of British history.

Adorn your cave with this beautiful print. OWN YOUR OWN HERMIT.

Stephen Fowler’s prints have been such a favourite with people visiting our Cuthbert exhibition—all four pieces have now...
25/08/2026

Stephen Fowler’s prints have been such a favourite with people visiting our Cuthbert exhibition—all four pieces have now sold.

His prints feel like found artefacts, beautifully crafted and composed, printed DIY on Tetra Pak.

Beyond exhibitions, his zines and artists books are held in major national collections, including Tate Britain and the Victoria & Albert Museum.
Fowler is also well-known for running collaborative, experiential workshops in drawing and printmaking at prestigious venues such as the Whitechapel Gallery, the Library of Birmingham, the V&A, the Hayward Gallery’s Wide Open School, and Margate’s Turner Contemporary.

Exhibition open today until 4pm

“When the Distance Turns to Blue.”2026. size 55 x 75cm. £1,200William HeardWe love these paintings of Lindisfarne causew...
19/08/2026

“When the Distance Turns to Blue.”
2026. size 55 x 75cm. £1,200
William Heard

We love these paintings of Lindisfarne causeway by Bill Heard an expert study of light and build up of colour - abstract turning into a physical presence.
Hundreds of tiny paint dots trick the eye into seeing a continuous solid object. A gorgeous meditation on landscape.

If you need some new original art for your home we have gathered together some excellent printmakers, illustrators and f...
15/08/2026

If you need some new original art for your home we have gathered together some excellent printmakers, illustrators and fine artists for our current exhibition- Cuthbert. Swipe to take a look.

considered work made by a human hand.
Exhibition catalogue in bio

A moment to be ‘ by Laura Gee
Acrylic on canvas
60 x 40 cm in a wood float frame £925

Devotion I by Lucy May Schofield
woodblock print on handmade paper, 5/20, 2026
framed £620

Cloud by Jane Kell
Oil on canvas
100 cm square
Framed
£2600

Calling’ by Jodie Howard
Oil on Wood Panel
Image Size: 17.5cm W x 12.5cm H
Framed Size: 21cm W x 16cm H
Retail Price: £250

Fujiko Rose
‘garden at 9’ 
£1800

Half remembered, half imagined 4 by Luca Ortis
82.5×60.5 toned cyanotype on Unryo paper, 23c gold
£2500 unframed
£2850 framed

Stephen Fowler
Untitled 3
Tetra Pak Print
Framed £250 / Unframed £180

All work framed beautifully ready to hang.

Beadnell Bay, Original monotype, 81 cm x 64 cm, Somerset Satin, 300gsm £495
Hannah Forsyth

All work available to view online
Exhibition catalogue in bio

A dusty hire car through an incredibly hot Italy the last couple of weeks to see sone art culminating yesterday at the R...
12/08/2026

A dusty hire car through an incredibly hot Italy the last couple of weeks to see sone art culminating yesterday at the Rothko exhibition in Florence.
A really beautiful pairing of his paintings with the frescoes of Fra Angelico at San Marco.

Unlike standard renaissance altarpieces meant for public admiration, these frescoes were painted inside small, bare, whitewalled dormitory cells meant for private aids to prayer and meditation to the individual friars.

Rothko traveled to Italy in the 50s with his wife Mell. During his stay in Florence, he spent hours transfixed inside the quiet cells of San Marco looking at these paintings.
It’s hard to capture on instagram (as always) these two deeply moving and contrasting interpretations and styles of spirituality, Rothko a Jewish born self described atheist feathered voids and Fra Angelico buon frescos - a technique where pigments are mixed with water and applied directly onto wet lime plaster. Both artists wanted people to view their art without distraction as aids to contemplation.

They made us all stop and stand still.
Picture 4 is of an empty cell a single arched window admitting soft indirect daylight that seemed to project a quiet Rothko glow onto the walls.

Also a big shout out to Antony Gormley’s boxy exhibition in boxy San Gimignano and Piero della Francesca in Arezzo and the psychedelic DMT cathedral in Siena.

Looking forward to the eclipse in Lucca tonight 🌒 🌞

Our own exhibition on quiet contemplation - Cuthbert continues today in the gallery until 4pm

A beautiful day to visit Alnmouth and our Cuthbert exhibition. Open till 4pm
02/08/2026

A beautiful day to visit Alnmouth and our Cuthbert exhibition. Open till 4pm

Look at this beautiful fold out illustration by Alice Melvin inspired during her stay with us Shoreside Lots of creativi...
01/08/2026

Look at this beautiful fold out illustration by Alice Melvin inspired during her stay with us Shoreside
Lots of creativity continued over the last few weeks, with the brilliant staying to develop new work, followed by Marion Elliot before her upcoming exhibition at Tinsmiths.
Hosting artists here is a genuine privilege. If you need a quiet space to focus on your own projects, we have availability for October.
Book via Shoreside.

As the moon retreats from us by Lucy May Schofieldwoodblock print on handmade paper, 3/20, 2026 – framed £360This print ...
28/07/2026

As the moon retreats from us by Lucy May Schofield
woodblock print on handmade paper, 3/20, 2026 – framed £360

This print has been made with earth and mineral pigments, hand printed with a Baren (no mechanical press used) on 100% mulberry paper, handmade in Japan.

Lucy May Schofield (1979) is a British artist. She studied Printmaking and Book Arts at London College of Printing, and is now based in rural Northumberland where she continues to practice water-based woodcut. She regularly travels to Japan to study under master craftspeople using traditional and contemporary mokuhanga techniques. Her prints have been presented at The Kentler International Drawing Space in New York, The London Original Print Fair, and The Royal Academy Summer Exhibition. Her work is held in private and public collections including Tate Britain and Yale Centre for British Art. In 2021 she was awarded a Queen Elizabeth Scholarship Trust award to develop her sustainable printmaking practice. Lucy was awarded the Flourish Award for excellence in print-making by WYPW in 2020. In 2022 she was elected as an associate member of the Royal Society of Painter-Printmakers and the selected print fellow resident at the Scuola Internazionale Grafica in Venice in 2025. She is the recipient of various residencies in Japan, Iceland, California, Quebec, Florence, Scotland and Wales and notable commissions from Diageo for site-responsive expanded print works for the interior of the Port Ellen distillery on the island of Islay. She is a founding member of the Mokuhanga Sisters collective, an international group of nine artists across five countries who together, curate, collaborate and exhibit to promote the art of mokuhanga.

Cuthbert Exhibition - a hermits view
Open today until 4pm

A Summer’s Day At The Coast’ by Laura GeeAcrylic, oil stick, oil pastel on canvas board30”× 20” in a white wood frame.Lo...
26/07/2026

A Summer’s Day At The Coast’ by Laura Gee
Acrylic, oil stick, oil pastel on canvas board
30”× 20” in a white wood frame.

Look at these wonderful paintings by Laura Gee - windows into wild gardens and hazy summer landscapes. Her work has been exhibited at The Garden Museum, Bankside Gallery, Dulwich Picture Gallery.
All on display as part of our Cuthbert Exhibition. Gallery open today until 4pm.


A moment to be’
Acrylic on canvas
60 × 40cm in a wood float frame,

‘Morning coffee in the garden ‘
Acrylic on canvas
60 × 40cm in a wood float frame

Take in the day’
Acrylic on canvas
30 x20” in a wood float frame,

‘Respite ‘
Acrylic on canvas
30 x20” in a wood float frame,

Address

The Old School Gallery, Foxton Road
Alnmouth
NE663NH

Opening Hours

Monday 10am - 5pm
Tuesday 10am - 5pm
Wednesday 10am - 5pm
Thursday 10am - 5pm
Friday 10am - 5pm
Saturday 10am - 5pm
Sunday 10am - 4pm

Telephone

01665 830554

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