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21/06/2026

Zero 10: Art Basel’s manifesto for the digital era.

Named after Malevich’s 0,10 (1915), the moment painting broke with its own century. A fitting reference: this is Art Basel staking its claim that digital art is no longer at the margins but central to where the market is moving.

Conceived and led by Eli Scheinman, co-curated this Basel edition with Trevor Paglen under the theme The Condition, five decades of instruction-based and computational work, from postwar pioneers to today’s generative practices.

On view: Rafael Lozano-Hemmer’s hypnotic Spiral Reflector, John Gerrard’s Western Flag and Flare, and works that treat the screen, the algorithm and the pixel as serious material.

The takeaway for collectors: a new canon is being written in real time, and Basel just made it official.

📍Zero 10, Art Basel 2026
eli_schein

18/06/2026

A painter who moves between canvas, design and architecture without losing anything on the way.

Collaborations with Hermès, Acqua di Parma and Monoprix. A pool in Normandy. A language that is entirely his own.

15/06/2026

Six fairs. Four museums. One method
Our Basel Field Guide ↓ Art Basel
Independent & strategic art advisory
Private walk-through or advisory session available on request

10/06/2026

Step inside AP, our portrait in
Private sales, hospitality, market intelligence.
Three axes. One method.

05/06/2026

Pace says the model is “unfixable.” Basel keeps its best works offline until the doors open. The market is consolidating around conviction, not scale.
This is the week the industry stopped pretending.

03/06/2026

Inside the Parisian home of photographed for Issue Ten, The Icon Issue.

A collector, retailer, and one of Europe’s most refined contemporary tastemakers, De Bayser has built a world around the quiet authority of the eye.

His sensibility moves fluently between fashion, art, and historic design, with a particular affinity for mid-century masters such as Jean Prouvé, Jean Royère, Georges Jouve, Charlotte Perriand, and the Lalannes.

What makes his interiors compelling is not simply the calibre of the objects, but the intelligence of their placement. Nothing feels staged for effect.

A particular kind of Parisian elegance, not decorative, but edited, tactile, and lived with. A home shaped by someone who understands that taste is not accumulation, but selection.

A remarkable selection from his collection, works by Georges Jouve, Jean Prouvé, Charlotte Perriand, Jean Royère, François-Xavier Lalanne, Alberto Giacometti, Anish Kapoor, and Günther Förg, is coming to auction at , on view in New York June 5 through 9 ahead of the live sale.

01/06/2026

Art doesn’t decorate the room. It re-prices it.
A Warhol above the desk at the Dolder Grand. A museum-grade collection at Rosewood Hong Kong. The art program woven through Le Sirenuse, Positano.
The best hotels (boutique to palace) stopped competing on thread count. They compete on what’s on the wall. And it’s not just the palaces : 4/5-star and lifestyle houses are using art to charge more, get photographed, and bring guests back.
📍 · ·

31/05/2026

A Parisian interior by Valérie Rostaing reminds us of a principle we hold at AP Art Advisory: a collection is not merely owned, it is composed.

Here, every name on the wall and on the floor earns its place.

The artists.

Lucio Fontana, his slashed canvas, the taglio, turned a gesture of rupture into one of the defining acts of post-war art; the perfect counterpoint to a refined room.

Antony Gormley, the British sculptor whose work returns endlessly to the human body as a measure of space.

Auguste Rodin, the father of modern sculpture, here lending timeless gravitas to a contemporary setting.

Pablo Picasso, needing no introduction, the century’s pivot point between tradition and rupture.

Lee Bae, the Korean artist who works in charcoal, bridging Eastern materiality and Western abstraction.

Gabriel Klasmer, the Israeli painter known for his gestural, layered compositions.

Christophe Charbonnel, the French sculptor whose monumental bronzes draw on myth and the classical figure.

Andy Warhol, and his Double Elvis (1963), the silkscreen that fixed celebrity itself as a Pop icon.

The design.

Jean Royère, the legendary French decorator whose Ours Polaire (Polar Bear) armchairs are among the most coveted forms of 20th-century design.

Ado Chale, the Belgian master whose sculptural tables embed stone and metal into surfaces of extraordinary depth.

Christian Liaigre, the French designer who defined a quiet, architectural luxury copied the world over.

Éric Schmitt, contemporary French designer of sculptural, almost archaic furniture.

Hervé Van der Straeten, the Parisian designer-jeweller turned furniture-maker, prized for his gilded bronze.

Gilles & Boissier, the duo behind some of the most distinctive interiors and objects in luxury today.

Interior:
Photography:

27/05/2026

Buildings, not bids. Three power moves. One thesis. Week 22 • Market Intelligence

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