Galerie Marcilhac

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Galerie Marcilhac 20th century french decorative arts, founded in 1969.
8 rue Bonaparte, 75006 Paris | 120 Rue du Faubourg Saint-Honoré, 75008 Paris Instagram : galeriemarcilhac

16/10/2026

Only 3 days until the MaSh art night ! 🥂

To open the Paris Art Week, 38 galleries from the Matignon Saint-Honoré district come together for a joint opening night. The neighborhood will be exceptionally pedestrianized to welcome art lovers, collectors,
professionals and curious visitors.

We look forward to welcoming you for an evening of art & discovery and music at Galerie Marcilhac ! ✨

14/10/2026

📢 Just 5 days until the MaSH Art Night!

In these latest episodes about the work of Claudius Linossier, we delve into the uniqueness of his work and its international journey beyond France.

We look forward to welcoming you at the exhibition of Claudius Linossier and enjoy the one of a kind art night during MaSH 2026, the opening event of Paris Art Week.

📍Galerie Marcilhac – Rive Droite
120 rue du Faubourg Saint-Honoré, 75008 Paris
📆 Monday, October 19, from 5 to 9 pm

SAVE THE DATE Opening Night : MaSH October 19, 2026 📍Galerie Marcilhac – Rive Droite120 rue du Faubourg Saint-Honoré, 75...
13/10/2026

SAVE THE DATE
Opening Night : MaSH October 19, 2026

📍Galerie Marcilhac – Rive Droite
120 rue du Faubourg Saint-Honoré, 75008 Paris
🕰️5–9 pm


Dear Friends, Clients and Collectors,
We are delighted to invite you to join us at Galerie Marcilhac – Rive Droite on Monday, October 19, for MaSH 2026, the opening event of Paris Art Week.

Exhibition :
CLAUDIUS LINOSSIER
(1893-1953)
An Art (Déco) Metalworker

We look forward to welcoming you for an evening of art,
discovery and music at Galerie Marcilhac.🎤🎤🎸

Today, we celebrate Alberto Giacometti, born on 10 October 1901.Discover his iconic “Egyptian” lamp, created for Jean-Mi...
10/10/2026

Today, we celebrate Alberto Giacometti, born on 10 October 1901.

Discover his iconic “Egyptian” lamp, created for Jean-Michel Frank and presented here alongside the luminous mirror compositions of Line Vautrin.

Echoing the timeless forms of ancient Egypt, its sculptural silhouette conveys a striking sense of monumentality. A captivating dialogue of form, light and reflection.

An elegant Art Deco ensemble bringing together works by Eugène Printz, Clément Rousseau, Eugénie O’Kin and Ivan da Silva...
05/10/2026

An elegant Art Deco ensemble bringing together works by Eugène Printz, Clément Rousseau, Eugénie O’Kin and Ivan da Silva Bruhns.

At the centre, a 1932 sideboard by Eugène Printz in Rio rosewood veneer, accompanied by a pair of armchairs in Brazilian rosewood, c. 1929.

The ensemble is completed by a side table by Clément Rousseau c.1925, a sculptural covered pot by Eugénie O’Kin, c. 1930, and a geometric rug by Ivan da Silva Bruhns, c. 1930.

A selection of vases by Claudius Linossier will also be presented during the MaSH evening on October 19th at Galerie Marcilhac – Rive Droite MaSH

02/10/2026

In this third episode, discover where Claudius Linossier found his inspiration 🏺

📆 Come and discover Linossier’s geometric motifs at the MASH evening on October 19!

Text by .pro

PIERRE CHAREAU at RIVE DROITE Gallery 💫“SN31” Floor Lamp, c. 1925Padauk wood, alabaster, and wrought iron.Model designed...
29/09/2026

PIERRE CHAREAU at RIVE DROITE Gallery 💫
“SN31” Floor Lamp, c. 1925
Padauk wood, alabaster, and wrought iron.
Model designed by Pierre Chareau in 1923.
H 183 cm – H 72 in.

Created in the early 1920s, the “Religieuse” – or SN31 – floor lamp stands among Pierre Chareau’s masterpieces in lighting design, balancing poetic form and architectural precision.

Its nickname comes from its silhouette, reminiscent of a nun’s habit: the alabaster shade, set within a black metal frame, unfolds like a starched headdress. The light, softened by the translucent stone, diffuses a quiet, almost spiritual radiance.

The shaft, crafted from padauk wood, reveals Chareau’s mastery of contrast — between density and delicacy, structure and luminosity.
A functional object turned luminous sculpture, the Religieuse captures Chareau’s vision of modernity: spiritual, sensual, and architectural.

25/09/2026

Art Déco Insights is a new online feature dedicated to ongoing research on Art Deco. For the first edition of the feature, we are delighted to highlight the work of Claudius Linossier through an article by Louis Pierson, an art historian specializing in Art Deco, exploring Linossier’s career and artistic practice. The online publication of the article will coincide with the MaSH evening on October 19. 
 
A video series entitled « Claudius Linossier – An Intimate Portrait in Seven Episodes » accompanies this initiative on Instagram and YouTube, starting on September 19.

In this second episode of intimates portraits, Louis Pierson explains us the origins and the techniques of the ancient art of dinanderie. 🏺

📜✍🏻.pro

The interplay between architecture, ornament and the natural colours of contrasting materials is characteristic of Bugat...
24/09/2026

The interplay between architecture, ornament and the natural colours of contrasting materials is characteristic of Bugatti’s work around 1900. Contemporary cabinets preserved or documented elsewhere employ the same vocabulary of parchment, dark wood, pewter and brass inlay, and repoussé metalwork. References to Oriental, Islamic and Japanese art are absorbed rather than literally reproduced. Here, the monumentality of the construction contrasts with the precious quality of its surfaces: broad parchment panels are punctuated by metal inlays, cabochons and geometric motifs that structure the façades.

Preserved together, the two cabinets acquire a particularly architectural presence: conceived as pendants, they transform repetition and symmetry into integral elements of the composition.

CARLO BUGATTI, Pair of cabinets, c. 1900

H 162 - W 105.5 - D 63 cm.
H 63 3/4 - W 41 1/2 - D 24 3/4 in

© Photo Édouard Auffray pour la Galerie Marcilhac

Created around 1900, this pair of cabinets belongs to the period in which Carlo Bugatti developed his most distinctive a...
22/09/2026

Created around 1900, this pair of cabinets belongs to the period in which Carlo Bugatti developed his most distinctive artistic vocabulary. Moving beyond the conventions of traditional cabinetmaking, he conceived furniture as architecture, combining materials rarely brought together: dark woods, parchment, pewter, brass and repoussé metalwork.

CARLO BUGATTI, Pair of cabinets, c. 1900

H 162 - W 105.5 - D 63 cm.
H 63 3/4 - W 41 1/2 - D 24 3/4 in

© Photo Édouard Auffray pour la Galerie Marcilhac
📷

Adresse

8 Rue Bonaparte
Paris
75006

Heures d'ouverture

Lundi 10:00 - 13:00
14:30 - 19:00
Mardi 10:00 - 13:00
14:30 - 19:00
Mercredi 10:00 - 13:00
14:30 - 19:00
Jeudi 10:00 - 13:00
14:30 - 19:00
Vendredi 10:00 - 13:00
14:30 - 19:00
Samedi 10:00 - 13:00
14:30 - 19:00

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