Afikaris

Afikaris Contemporary Art gallery representing artists from Africa and diaspora

29/08/2026

| Save the Date |

AFIKARIS is pleased to invite you to the opening of Hervé Yamguen’s second solo exhibition in France, Nos géographies intimes (Our Intimate Geographies), on Saturday September 5, from 11 AM to 8 PM, in the presence of the artist.



On the occasion of the exhibition, the artist’s first monograph will also be published.



The exhibition emerges from a question that is at once intimate and universal: what are we made of? For Hervé Yamguen, a human being can never be reduced to what the eye can perceive. Each of us carries within us landscapes, memories, wounds and dreams. As the artist writes in « La fenêtre de mes rêves » (The Window of My Dreams):

“Words raise
Before us
A great mirror
Where faces, memories,
And landscapes drift by.”



Hervé Yamguen | Nos géographies intimes
📆 5 September—31 October, 2026
🥂 Opening reception: Saturday 5.09, 11AM—8PM
📍7 rue Notre Dame de Nazareth, 75003 Paris

| Summer break | The gallery closed its doors for the summer break and will return on September 5th to present Hervé Yam...
09/08/2026

| Summer break |

The gallery closed its doors for the summer break and will return on September 5th to present Hervé Yamguen’s new solo exhibition — Nos géographies intimes.

We wish you a lovely summer and look forward to seeing you all again in a few weeks!



Herve Yamguen | Nos géographies intimes
📆 5 September – 31 October, 2026

🥂Opening reception:
Saturday 5 September | 11AM—8PM
In the presence of the artist

📍7 rue Notre Dame de Nazareth, 75003 Paris



Danser les hauts, les bas, 2026
Acrylic on canvas
100x80 cm

Visages dedans - dehors, 2026
Bronze
55x38x23 cm

Visages et corps de nuit, 2026
Acrylic on paper
61,5 x 46 cm

| OFF SITE |We’re proud to announce that Boluwatife Oyediran is part of the group exhibition “RISD Emerging,” featuring ...
06/08/2026

| OFF SITE |

We’re proud to announce that Boluwatife Oyediran is part of the group exhibition “RISD Emerging,” featuring works by Rhode Island School of Design alumni from classes of 2023-26, presented Featherstone Center for the Arts and curated by RISD President Crystal Williams and Director of Campus Exhibitions Mark Moscone.



Oyediran presents “Portrait of the Artist as an Alien of Extraordinary Ability—by the Sea” (2025–26), a self-portrait that reflects on migration, identity, and the politics of belonging. Developed while the artist prepared an EB-1A petition amid shifting U.S. immigration policies, the work considers the tensions between recognition and precarity, asking what it means to be deemed « extraordinary » within a changing national landscape.

The artist reflects:
“I’ve never struggled with a painting the way I struggled with this one. Right from the start, its whole premise didn’t make sense to me, because the painting presents a portrait of me—a Black non-immigrant—in negative, standing by the ocean, gallantly wearing U.S. flag dungarees (as both armor and costume?). I developed the painting from a photo taken of me at RISD Beach in December 2024, at a time when my world as a Nigerian in America was less chaotic, and when I hadn’t yet fully contemplated my place in this country. But as time passed, and as I reluctantly returned to the piece again and again—while simultaneously working on my EB-1A ‘Alien of Extraordinary Ability’ petition—and as immigration policies tightened and my home country was banned indefinitely and my world took a dark turn, I began to ponder: what is my place in this country, what is the extent of my extraordinariness, in this country I’ve long admired, especially in its 250th year?”



📷 “Portrait of the Artist as an Alien of Extraordinary Ability—by the Sea” (2025-26)
Oil and acrylic on canvas
182 x 122 cm



📆 On view through August 16, 2026 at Featherstone Center of the Arts, Martha’s Vineyard.

📍30 Featherstone Lane (off of Barnes Road), Oak Bluffs, MA 02557, USA

This body of work is part of Elolo Bosoka’s solo exhibition « Sabala Kotoku, and Other Structures » at Kunstverein Wilhe...
05/08/2026

This body of work is part of Elolo Bosoka’s solo exhibition « Sabala Kotoku, and Other Structures » at Kunstverein Wilhelmshöhe in Ettlingen, Germany — on view through this Sunday, August 9.

Created two years ago during Bosoka’s residency with Artistes en résidence in Clermont-Ferrand, France, these paintings marked a return to a more traditional approach to painting. Working with a new palette that combined acrylic paint and everyday objects he used or found around him, Bosoka began exploring material, memory, and structure in new ways.

The artworks presented in Elolo Bosoka’s solo exhibition « Common Forms » at AFIKARIS Gallery in April 2025 further extended this approach, refining the formal vocabulary and conceptual concerns that define the series.

▪️

1 • Yellow, 2024
Acrylic paint, paper and plastic on MDF plywood
160x120 cm

2 • Barcode paint receipt, 2024
Acrylic paint, receipts and tags on MDF plywood
160x120 cm

3 • Middle grounds, 2024
Acrylic paint, paper and rag on MDF plywood
160x120 cm

4 • Ticket in mesh, 2024
Acrylic paint, receipts and tags on MDF plywood
160x120 cm

▪️

Curation: Emma Rumpf & Hendrik Hoffarth
📷 Photo credit: Lukas Giesler

Barcode paint receipt, 2024. 160x120 cm

Middle Grounds, 2024. 160x120 cm

Ticket in mesh, 2024. 160x120 cm

This body of works is part of Elolo Bosoka’s solo exhibition « Sabala Kotoku, and Other Structures » at Kunstverein Wilh...
05/08/2026

This body of works is part of Elolo Bosoka’s solo exhibition « Sabala Kotoku, and Other Structures » at Kunstverein Wilhelmshöhe in Ettlingen, Germany — on view through this Sunday, August 9.

Created two years ago during Bosoka’s residency with Artistes en résidence in Clermont-Ferrand, France, these paintings marked a return to a more traditional approach to painting. Working with a new palette that combined acrylic paint and everyday objects he used or found around him, Bosoka began exploring material, memory, and structure in new ways.

The artworks presented in Elolo Bosoka’s solo exhibition « Common Forms » at AFIKARIS Gallery in April 2025 further extended this approach, refining the formal vocabulary and conceptual concerns that define the series.

▪️

1 • Yellow, 2024
Acrylic paint, paper and plastic on MDF plywood
160x120 cm

2 • Barcode paint receipt, 2024
Acrylic paint, receipts and tags on MDF plywood
160x120 cm

3 • Middle grounds, 2024
Acrylic paint, paper and rag on MDF plywood
160x120 cm

4 • Ticket in mesh, 2024
Acrylic paint, receipts and tags on MDF plywood
160x120 cm

▪️

Curation: Emma Rumpf & Hendrik Hoffarth
📷 Photo credit: Lukas Giesler

| OFF SITE | Throwback to « Containers », Elolo Bosoka’s solo exhibition in Denmark, at SOL Nexø, the artist-run space f...
24/07/2026

| OFF SITE | 

Throwback to « Containers », Elolo Bosoka’s solo exhibition in Denmark, at SOL Nexø, the artist-run space for contemporary art.

In this exhibition Bosoka was given complete freedom to respond to the space and its surroundings. The artist turned the idea of “the white cube” as a neutral container for individual artworks. Because in his work, there is no self-referentiality at all. Instead, it reminds us of the many networks we as humans are part of: the economic, social and emotional webs that are constantly at play in our daily lives.

Curated by Sofie Amalie Andersen

📷 Elolo Bosoka, SOL, Brian Kune

Congratulations to Elolo Bosoka on his solo exhibition « Sabala Kotoku, and Other Structures » at  in Ettlingen, Germany...
11/07/2026

Congratulations to Elolo Bosoka on his solo exhibition « Sabala Kotoku, and Other Structures » at in Ettlingen, Germany.

The exhibition brings together a comprehensive selection of the artist’s practice, featuring installations, photographs, and mixed-media works drawing a map of the artist’s movements over the last few years.

The everyday life is maybe one of the most prominent anchor points of Bosoka’s practice. Elolo Bosoka turns the traces of usage into painterly gestures. He is approaching the found object not as the purpose-giving artist but rather with a curiosity for the hands and places it has passed through before and the marks they left, now merely adding his own entropic gestures to the mix and giving the material a new form.

On view at Kunstverein Wilhelmshöhe
📆 until 8 August, 2026
📍Schöllbronner Straße 86, 76275 Ettlingen

Curation: Emma Rumpf & Hendrik Hoffarth
Installation views: Elolo Bosoka

[ News from the Studio ] Hervé YamguenAhead of his forthcoming solo exhibition at AFIKARIS this September, « Nos géograp...
09/07/2026

[ News from the Studio ]
Hervé Yamguen

Ahead of his forthcoming solo exhibition at AFIKARIS this September, « Nos géographies intimes (Our Intimate Geographies) », get a glimpse at Hervé Yamguen’s studio in Douala, Cameroon.

Rooted in African philosophies, and particularly the philosophy of Ubuntu — “I am because you are” — Yamguen’s new body of work continues his exploration of the visible and invisible forces that shape how we inhabit the world.

As the artist reflects:
“I do not see the human being as an isolated individual, but as someone who carries within them the heritage of humanity. We are more than what we appear to be: we are the heirs to centuries of lives and histories.”



Hervé Yamguen | Nos géographies intimes
📆 5 September - 31 October, 2026
📍7 rue Notre Dame de Nazareth, 75003 Paris

Adresse

7 Rue Notre-Dame-de-Nazareth
Paris
75003

Heures d'ouverture

Mardi 11:00 - 19:00
Mercredi 11:00 - 19:00
Jeudi 11:00 - 19:00
Vendredi 11:00 - 19:00
Samedi 11:00 - 19:00

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