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193 Gallery

Accueil
France
Paris
193 Gallery

La 193 Gallery (193, comme le nombre de pays dans le monde) est une galerie d’art contemporain dédiée aux arts du monde.
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17/10/2026

🔛Venice │ Rob Tucker: “Echoes of Italy” │On view through October 31

In this new body of work, Tucker turns his gaze towards both imagined and real Italian landscapes: mountains and lakes, canals and verdant fields become the setting for a renewed exploration of his pictorial “windows” onto the world. These landscapes occupy an elusive space between observation and invention. Through their dreamlike, almost mystical points of view, they appear less as representations of places than as passages into an imagined reality—one that feels, paradoxically, closer to life than ever before.

Tucker’s fascination with space and form is articulated through a distinctive language of bold painted lines, unexpected shapes and vibrant, sometimes exuberant color. These elements are tempered by passages of pastel and softer tonalities, creating a subtle tension between intensity and tranquillity, abstraction and recognition.

Discover Rob Tucker’s exhibition “Echoes of Italy” in our second Venice space through October 31, 2026.

📍193 Gallery Venice, Salizada San Samuele, 3336, 30124 Venezia VE, Italy
📷Photos by Gabriele-Bortoluzzi

16/10/2026

✨Bringing a little sparkle to London with Shourouk Rhaiem

Discover her works at our booth E15 at 1-54 London, on view through Sunday, October 18.

The practice of the French-Tunisian artist unfolds at the intersection of photography, sculpture, and installation. Her work incorporates family photographs, vintage objects, and consumer products, which she collects, reconfigures, and meticulously adorns with Swarovski crystals. Magazines, laundry detergent boxes, perfume bottles, soda bottles, and video cassette cases become vehicles for an economy of desire, blending fascination, projection, and memory. Through these arrangements, Rhaiem draws on a childhood imagination shaped by advertising images that contributed to a sense of everyday enchantment. Her work examines how popular visual culture shapes our personal narratives and representations.

🗓1-54 London, October 15–18, 2026
📍Somerset House, Strand, London, WC2R 1LA, United Kingdom
✨Shourouk Rhaiem, Kalamon Selected Olives, 2026. Metallic can containing olive oil embellished with Swarovski crystals, 15 x 10 x 7 cm (5 7/8 x 4 x 2 3/4 in)

15/10/2026

🔛 1-54 London 2026 ⎮October 15 - 18, 2026⎮Booth E15

We’re thrilled to reconnect with our London friends for this new edition of 1-54 London! Find us at Somerset House, booth E15.

For the first time at the fair, we’re delighted to present works by Los Angeles–based artist April Bey, Abidjan–based artist Joana Choumali, and Art Basel Awards medalist Carla Gueye. Join us at booth E15 to discover their work alongside pieces by fellow gallery artists Sesse Elangwe, Hassan Hajjaj, Thandiwe Muriu, Hyacinthe Ouattara, and Shourouk Rhaiem.

🗓1-54 London, October 15–18, 2026
📍Somerset House, Strand, London, WC2R 1LA, United Kingdom

14/10/2026

The works in Gaëlle Choisne’s “Pause-Clope” series take the form of small sculptural compositions arranged on shelves, deliberately hovering between the ashtray, the catchall tray, and the intimate altar. Ci******es collected by Gaëlle Choisne during her travels sit alongside bottles sourced from magic shops, whose potion-like appearance and slogans oscillate between incantation and promise. Fire, liquids, and coins bring a ritual vocabulary to the surface, while smoke and fragrances evoke offerings made to ancestors and to the lwa, Haitian spirits. Bureaucratic time and space are thus transformed into an altar, turning the cigarette break into a moment of suspension within the working day. These objects also map a geography of to***co, shaped by the history of plantations and exploitation, capitalist mechanisms of dependency, and the climates and territories in which to***co is produced and consumed.

Discover Gaëlle Choisne’s work in our current Paris exhibition, “Mémoire Matérielle”, curated by Azu Nwagbogu, presented alongside artists Joana Choumali, Andile Dyalvane, and Carla Gueye.

🗓”Mémoire Matérielle”, on view through October 31, 2026
📍193 Gallery Paris, 24 rue Béranger 75003, Paris, France
✨Gaëlle Choisne, “Pause-clope, Geisha”, 2026. Mixed media, 11 x 22 x 19 cm (4 3/8 x 8 5/8 x 7 1/2 in)

10/10/2026

🔛Venice │ Thandiwe Muriu: “More Than Half” │On view through December 31, 2026.

In her series “More Than Half” Muriu shifts her focus from camouflage to coexistence, anchoring her subjects in the kimono while setting them against the wax textile, a widely accepted backdrop of ‘Africanness.’ In doing so, she recognises the experience of Afro-Asian (Blasian) women, whose identities naturally bridge two cultures. In Japan, where the term hāfu (half) reflects an assumption of incompleteness, Muriu’s portraits assert that both origins form a singular, unified presence.

Created during the artist’s residency in Kyoto, the series channeled the spirit of 一如 (Ichinyo) meaning « all things are fundamentally one » as she evokes a world where belonging is not granted by resemblance, but expanded by existence.

Discover the exhibition until December 31, 2026 in our Venice space.

📍193 Gallery Venice, Salizada San Samuele, 3337, 30124 Venezia VE, Italy
📷Photos by Gabriele-Bortoluzzi

09/10/2026

🔜 1-54 London 2026 ⎮October 15 - 18, 2026⎮Booth E15

🕵️‍♀️Artist focus: Hyacinthe Ouattara (Hyacinthe OUATTARA )

Hyacinthe Ouattara (b. 1981, Burkina Faso) is a self-taught artist whose work is deeply inspired by ancestral traditions. His practice explores the connections between humans, the natural world, and the unseen forces that shape our lives. Using materials rich with history, such as fabrics with past lives or indigo ink from a tree native to his region, Ouattara creates pieces that reflect the interconnectedness of humanity and the forces beyond our immediate perception. In his work, the red thread, a symbol of life, becomes a tool for repairing, connecting, and transforming, emphasizing the relationship between the individual and the collective.

Ouattara currently lives and works in Paris. He has shown his work in major international biennales, including the International Sculpture Biennale of Ouagadougou (BISO) in Burkina Faso (2022), the 14th Dakar Biennale in Senegal (2022), the 2nd Kinshasa Biennale (2022), and the Havana Biennale in Cuba (2024).

Discover Hyacinthe Ouattara’s work, alongside works by April Bey, Joana Choumali, Carla Gueye, Sesse Elangwe, Hassan Hajjaj, Thandiwe Muriu, and Shourouk Rhaiem in our booth E15 at 1-54 London.

📍Somerset House, Strand, London, WC2R 1LA, United Kingdom

08/10/2026

🔜 1-54 London 2026 ⎮October 15 - 18, 2026⎮Booth E15

We’re delighted to return to London for the next edition of 1-54 Contemporary African Art Fair, taking place at Somerset House from October 15 to 18, 2026.

We’re thrilled to present, for the first time at the fair, works by Los Angeles–based artist April Bey, Abidjan–based artist Joana Choumali, and Art Basel Awards medalist Carla Gueye.

Join us at Booth E15 to discover their work alongside new and recent pieces by gallery artists Sesse Elangwe, Hassan Hajjaj, Thandiwe Muriu, Hyacinthe Ouattara, and Shourouk Rhaiem.

📍Somerset House, Strand, London, WC2R 1LA, United Kingdom
✨ Sesse Elangwe, Stretch in Time, 2026. Acrylic on canvas, 213 x 183 cm.

03/10/2026

We’re delighted to share highlights from Hassan Hajjaj’s solo exhibition, "My Rock Stars", recently opened at the Musée de la Musique – Philharmonie de Paris.

On view through April 25, 2026, the exhibition marks Hassan Hajjaj’s second major museum presentation in Paris, following his celebrated retrospective at the Maison Européenne de la Photographie in 2019.

"My Rock Stars" presents the musical pantheon of the artist in an installation that celebrates the diversity of the artist’s cultural influences and his creative freedom. In response, the group Acid Arab immerses visitors in a musical alchemy through an electronic composition that blends traditional sounds from the Arab world, electronic basslines, and global rhythms.

✨Congratulations to the artist, and a heartfelt thank you to all our collectors who generously loaned works from their collections for this exhibition, as well as to the Musée de la Musique team for their incredible work and dedication in bringing "My Rock Stars" to life.

🗓Discover the exhibition from September 22, 2026 to April 25, 2027.
📍 Cité de la musique - Philharmonie de Paris, 221, avenue Jean-Jaurès, 75019 Paris
📷 Photos by Nicolas Brasseur

02/10/2026

In Carla Gueye’s work, the body and its memory do not exist in isolation. The vegetal world, matter, and architecture become structures capable of containing and protecting. Bodily forms rise up bearing the traces of what has shaped them. The motif of protrusion, which recurs throughout her visual vocabulary, belongs to this same logic: it emerges from the surface like an imprint, a growth, or the visible manifestation of a buried history.

Carla Gueye creates her sculptures using lime, drawing on expertise passed down from her father. Traditionally used to coat and protect the walls of houses in the Charente region, where she grew up, lime evokes the home and the body in equal measure. The sculptures are then covered with a dark, earth-toned patina, creating a skin across their surfaces that retains the traces of the artist’s hand. Matter itself thus becomes a vehicle for memory.

Discover Carla Gueye’s work in our Paris gallery until October 31, as part of the exhibition "Mémoire Matérielle”.

🗓"Mémoire Matérielle”, on view through October 31, 2026
📍193 Gallery Paris, 24 rue Béranger 75003, Paris, France
📷Photos by Nicolas Brasseur

01/10/2026

Congratulations to Shourouk Rhaiem, whose work is featured on the poster and throughout the visual identity of “Vive la mariée !” (Long Live the Bride!), group exhibition currently on view at the Institut du Monde Arabe in Paris, where she presents an installation comprising her series “Nuptiae Neapolis” (The Nabeul Wedding).

The series, drawn from photographs of weddings preserved in her Tunisian family archives dating from the late 1950s to the 1980s, explores memory, transmission, and heritage through the rituals and gestures that carry culture from one generation to the next.

Bringing together 27 contemporary artists, primarily women, from Tunisia, Algeria, Morocco, and their diasporas, “Vive la mariée !” examines marriage as a social ritual in constant evolution, and the ways in which wedding traditions continue to shape and challenge contemporary societies.

Discover the exhibition until February 28, 2027, at the Institut du Monde Arabe in Paris.

✨Shourouk Rhaiem, “Nuptiale Neapolis”, 2026. Acrylic paint and print on Rhodoid, coloured paper assemblage, vintage fabrics, embroidery, and Swarovski crystals, approx. 40 x 32 cm (approx. 15 3/4 x 12 5/8 in).

Adresse

24 Rue Béranger
Paris
75003

Heures d'ouverture

Mardi	10:00 - 19:30
Mercredi	10:30 - 19:30
Jeudi	10:30 - 19:30
Vendredi	10:30 - 19:30
Samedi	10:00 - 19:30

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http://www.193gallery.com/

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