Galerie Marian Goodman

28/03/2024

Robby Müller’s photographs, often taken in his time off while working on films such as those of Wim Wenders and Jim Jarmusch were, at first, not intended to be displayed.

Known as one of the most influential directors of photography, Robby Müller spent months on the road, sleeping in hotel rooms. There he observed reflections on mirrors, windows or TV screens, noticing the particularities of light cast from a table lamp, and discerning the sun’s rays descending on a coffee maker or piercing through shutters.

These intimate, personal snapshots, captured in moments of solitude, contextualize the world through his eyes.

Immerse yourself in "Robby Müller: Polaroïds"—exhibition at Galerie Marian Goodman, 66 rue du Temple, Paris, which remains on view through 27 April 2024. https://shorturl.at/krxIN

26/03/2024

"Annette Messager: Laisser aller" continues at the Galerie Marian Goodman in Paris.

in the vaulted space are the sound work ‘Comme si’ (2022) and ‘Le désir attrapé par le masque’ (2021). The title of the latter is a nod to Pablo Picasso's surrealist play ‘Le désir attrapé par la queu’; here, a pair of naturalized palmipeds, topped with heads of soft toys, perch on a suspended mirror, lit by a twirling bulb.

The artist’s voice speaks to visitors through ‘Comme si,’ a phrase alluding to our inclination for pretense, murmured repeatedly like a litany, akin to the words she diligently reproduces on paper.

Through 11 May 2024: https://shorturl.at/txHOR

🎥 Valentin Caron

20/03/2024

19/03/2024

"Laisser aller" means ‘go with the flow.’ In Annette Messager’s new exhibition at the Galerie Marian Goodman in Paris, the artist offers a journey through her new production, emblematic of the polysemic and abundant work she has been unfolding since the early 1970s.

For the artist, ‘playfulness is a way of telling the truth,’ and "Laisser aller" could be likened to a treasure hunt, in which the drawings, assemblages, words and sounds that make up her work are all clues to her universe.

Experience the voyage for yourself; the exhibition runs now through 11 May 2024: https://shorturl.at/fQU09

🎥 Valentin Caron

18/03/2024

“Robby Müller is often compared to Vermeer,” Bianca Stigter said. “They do not use light to convey a scene; they use a scene to convey the light.”

Our inaugural exhibition with Robby Müller showcases a selection of photographs chosen from his exceptional archive of over 2,000 Polaroids, which interpret varying degrees of luminosity.

Exhibition continues at our Paris space (66 rue du Temple) through 27 April 2024: https://shorturl.at/nBDN8

08/03/2024

Celebrating International Women’s Day with , whose work often reminds us of their power and resilience. Join us tonight for "Annette Messager: Laisser aller," a new exhibition opening at the Parisian gallery where she first exhibited in 2000. The artist offers a journey through her new work, emblematic of the polysemic and abundant work she has been unfolding since the early 1970s. https://shorturl.at/lAJMO

Annette Messager
“Sein-Saturne (Breast-Saturn),” 2017
Acrylic on paper

07/03/2024

04/03/2024

The Palazzo Grassi – Pinault Collection presents a major exhibition of the work of Julie Mehretu, curated by Caroline Bourgeois in collaboration with the artist. The exhibition also features works by artists who are part of Mehretu's circle of close friends and influential interlocutors: Nairy Baghramian, Huma Bhabha, Robin Coste Lewis, Tacita Dean, Paul Pfeiffer, and Jessica Rankin.

The exhibition brings together a selection of more than sixty paintings and prints by Mehretu produced over a period of twenty-five years, including some of her most recent canvases produced between 2021 and 2023. Presented on both floors of Palazzo Grassi, the exhibition includes works from the Pinault Collection as well as loans from the artist's collection, international museums and private collections.

🗓️Opening 17 March 2024: https://shorturl.at/amFOW

Julie Mehretu
“Your Eyes are two blind Eagles, That Kill what they can't see,” 2022-2023
Ink and acrylic on canvas
96 x 120 in. (243.8 x 304.8 cm)

04/03/2024

"Pierre Huyghe: Liminal," an exhibition created in close collaboration with curator Anne Stenne, presents major new creations alongside works from the last ten years, with several from the Pinault Collection in particular.

Huyghe has always questioned the relation between the human and the non-human, and conceives his works as speculative fictions from which emerge other modalities of the world. Fictions, to him, are “vehicles for accessing the possible or the impossible—what could be or could not be.”

The exhibition opens on Sunday, 17 March, at the Punta della Dogana – Pinault Collection in Venice. For more information, please visit our website. https://shorturl.at/cfCH0

Image: Pierre Huyghe, “Camata”, 2024. Robotics driven by machine learning; self-directed film, edited in real time by Artificial Intelligence; sound, sensors. © Pierre Huyghe/ADAGP, Paris (2024).