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Almine Rech

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Almine Rech

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ALMINE RECH │ Paris - Brussels - London - New York - Shanghai - Monaco In 2016, Almine Rech opened a second space in London and a new location in New York.
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Art Gallery based in Paris since 1997, Brussels since 2007, Almine Rech opened in London in 2014. In July 2019, Almine Rech inaugurated its new Shanghai space. In January 2021, Almine Rech opened a second space in Paris, avenue Matignon in the 8th district. Almine Rech settled a temporary location in Aspen, Colorado, during summer 2021. The gallery's artistic focus is defined by strong individualities who share a deep commitment to creativity and originality. PARIS TURENNE
64 Rue de Turenne
75003 Paris FR
T +33 145 83 71 90
Tuesday — Saturday, from 11:00 to 19:00
General Inquiries: [email protected]

PARIS MATIGNON
18 avenue Matignon
75008 Paris FR
T +33 143 87 30 66
Tuesday — Saturday, from 11:00 to 19:00
General Inquiries: [email protected]

BRUSSELS
Abdijstraat 20 Rue de l’Abbaye
1050 Brussels BE
T +32 26 48 56 84
Tuesday — Saturday, from 11:00 to 19:00
General Inquiries: [email protected]

LONDON
Grosvenor Hill, Broadbent House,
W1K 3JH London UK
T +44 20 72 87 36 44
Tuesday — Saturday, from 10:00 to 18:00
General Inquiries: [email protected]

NEW YORK
39 East 78th Street, 2nd Floor
New York, NY 10075, USA
T +1 (212) 804 8496
Tuesday — Saturday, from 10:00 to 18:00
General Inquiries: [email protected]

SHANGHAI
27 Huqiu Road, 2nd Floor,
200002 Shanghai, China
T +86 21 63120260
Tuesday — Saturday, from 11:00 to 19:00
General Inquiries: [email protected]

THE SHOP
T +32 26 48 56 84
Tuesday — Saturday, from 11:00 to 19:00
[email protected]
purchase books & editions

MONACO (OFFICE)
Palais Saint James
5 Avenue Princesse Alice
98000 MONACO
By appointment only

www.alminerech.com

18/10/2026

Almine Rech is pleased to announce that artist Oliver B**r has been selected as one of four finalists in the competition to design a contemporary stained glass window for the Cathedral of St. Peter and St. Paul of Nantes, France! Oliver B**r will team up with the Duchemin workshops to develop his proposal.

Oliver B**r Cathédrale de Nantes

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Oliver B**r is a visual artist and composer whose sculptures, paintings, installations, videos and immersive performances explore the hidden acoustic properties and inherent musicality of objects, bodies and architectural spaces. Drawing on his dual background in musical composition and visual art, his practice investigates how personal, cultural and familial relationships shape the ways we assign meaning to the objects around us. One of his most significant ongoing bodies of work, the Resonance Project (2007–), features vocal performances designed to activate the natural harmonics of architectural structures, creating a visceral and intimate connection between audiences and the spaces they inhabit. His Resonance Paintings extend this research by transforming musical harmony into visual form: sound waves vibrate loose pigments across the canvas, producing abstract compositions that capture the physical “shape” of sound and merge auditory and visual expression in a singular process.

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The French State, project owner of the cathedral’s restoration, and the Diocese of Nantes chose a contemporary creation to replace the 48 square meters of stained glass destroyed in the fire of July 18, 2020, including the large bay of the west façade, which measures 11 by 7 meters. The call for applications, launched in April 2026, received 70 submissions, each pairing an artist with a master glassmaker, 15 of them international.

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Oliver B**r at his London studio, 2026
Photo: Matilda Hill-Jenkins

©️Oliver B**r

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**r

17/10/2026

‘Moteur Imaginaire’, the inaugural exhibition featuring Oliver B**r and Thu-Van Tran, opens today at Large in Île Seguin, France and is on view through March 7, 2027!

Oliver B**r

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The name “Large” has a double connotation, suggesting at once an important destination and a departure towards other horizons – as in the French expression “prendre le large” [“set sail”]. It not only points to the topography of the site in the middle of the Seine, where flowing water and open horizons suggest a sense of freedom, but also to an idea of openness: welcoming as broad a public as possible, expanding imaginaries and going beyond expected formats. Large is a place for creation, production and transmission, open onto the city and accessible to all, imagined as a space for dialogue, experimentation and sharing.

For its opening exhibition, Large has entrusted its programme to internationally recognised curator Cecilia Alemani. Entitled “Imaginary Engine: From Masterpieces of the Collection Renault to Artists of Today”, the exhibition explores the symbolic heritage of the Île Seguin’s status as the historic home of the Renault factories. The selected artists and works explore the relationship between humans and machines, with a particular emphasis on the automobile.

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Installation views of Oliver B**r and Thu-Van Tran in ’Moteur Imaginaire’, on view at Large in île Seguin, France from October 17, 2026 to March 7, 2027 - Photo : Aurélien Mole
©️ Adagp, Paris, 2026
Courtesy of the artists and Almine Rech

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The exhibition is presented in partnership with Fonds Renault pour l’art et la culture.

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Large **r

17/10/2026

”Robert Indiana: Alchemy“, Robert Indiana‘s first monographic exhibition with the gallery, organized in collaboration with The Robert Indiana Legacy Initiative, opens today at Almine Rech Paris and will be on view until January 23, 2027! Concurrent with the exhibition, a monumental LOVE sculpture (”LOVE Wall“, 1966 - 2006) by the artist will be on view as part of Art Basel Paris’ public program.

A panel featuring Joe Lin-Hill and Clare Lilley also takes place at 5:30 pm today at Almine Rech Paris, with Annabelle Ténèze as the moderator.⁠

Robert Indiana⁠

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William Katz describes Indiana’s artistic vocabulary as that of a formalist, a geometer, and a poet: “Geometry, Identity, Memory, and the encircling unity of these three.” The found wood bears the written word of a poet that condenses to a spiritual sign. Every element here asserts its “thingness”: nothing is other than itself, the word is not a stand-in for the thing, but the thing itself, for the “word became image.” In his works, the materiality of the found exists in a productive tension with the perfect surfaces of the hard-edge paintings and the LOVE sculptures. Between found materials, words, numbers, signs, and forms, an artistic oeuvre emerges that is borne by contradiction and marked by continuing significance.

— Extract from “Robert Indiana: From the Neglected into the Wanted,” essay by Dieter Buchhart, art historian and curator.

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”Ge“, 1960, cast 1991
Signed, dated, numbered, and inscribed along the interior edge of underside of sculpture
Painted bronze
Edition 8 of 8 plus 2 APs

”Orb“, 1960, cast 1991
Signed, dated, numbered, and inscribed along the interior edge of underside of sculpture
Painted bronze
Edition 8 of 8 plus 2 APs
Photo: Courtesy of Walla Walla Foundry, Washington

”LOVE“, 1966–2006
Incised with artist‘s signature and date on the base: R
Marble (Marmo Bianco)
89.2 x 95.1 x 54.5 cm
35 1/4 x 37 1/2 x 21 1/2 in
487 kg

©️ The Robert Indiana Legacy Initiative / Artists Rights Society (ARS), NY
Courtesy of the Robert Indiana Legacy Initiative and Almine Rech

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16/10/2026

These are the last days to visit the Special Focus on Taryn Simon at Almine Rech New York, before it closes on October 21, 2026! On the occasion of the artist’s solo exhibition ‘Taryn Simon | Father Country I Do Love You’ at the Guggenheim, the presentation stages a group of her recent series, Executive Orders.

Taryn Simon

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In the United States, executive orders are a privileged override switch by the president that accelerates change without any legislative intervention. In his first year back in office, Donald Trump signed 230 executive orders and more than 100 proclamations and memorandums. One by one, in a carousel of documents, a nation is pointed in a new direction. The objects in Simon’s photographs mark the distance between an office, a pen, an idea, and the real world – almost like an archeology of the present.

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Installation View of the Special Focus on Taryn Simon, on view at Almine Rech New York from September 16 to October 21, 2026.
Photo: Dan Bradica

Artwork details
Photo: Charles Roussel

©️ 2026 Taryn Simon
Courtesy of the Artist and Almine Rech

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15/10/2026

These are the last days to visit ‘The Tesseract’, Zio Ziegler‘s fourth solo exhibition with the gallery at Almine Rech New York, before it closes on October 21, 2026!

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Ziegler refrains from overt ethical judgment or prediction, but he acknowledges that the transformation that lies on the other side of this modern-day expulsion myth will not arrive without turmoil. In one painting, a single face (whose likeness recalls Ziegler himself) stares out at the viewer against a golden background, with hair tousled like a crown of thorns. It recalls the devotional type known as the “Man of Sorrows,” where Christ, both dead and alive, wears a crown of thorns and displays the wounds of his crucifixion. In other paintings, we see Ziegler in the thick of the pictorial melee, at his easel or seated in contemplation. If ’The Tesseract‘ is prophetic, it is so in asserting that art and artists must help us through these growing pains toward a new world order to come.

— Jeffrey Richmond-Moll, Ph.D., The George Putnam Curator of American Art, Peabody Essex Museum

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©️ Zio Ziegler - Courtesy of the Artist and Almine Rech

Video by Shaffer Nickel()

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01/10/2026

‘The tool of poetry is words. The tool that’s always been the tool of painting is one thing. Color is the tool of painting. Period. Just color, you can paint with ketchup and mustard or anything that’s a color.’

— Larry Poons (talking about his solo show ‘Kentucky Cols.’ at Almine Rech Paris in 2026)

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Happy birthday to Larry Poons (Larry Poons)! On the occasion, we look back at his most recent show with the gallery, ‘Kentucky Cols.’ at Almine Rech Paris a few months ago with a spotlight of ‘Ballroom Chassi’(2025). We then turn to his solo show ‘Larry Poons: Recent Paintings’ at Almine Rech Brussels in 2023, and his first solo show with the gallery at Almine Rech London in 2021! We end with two institutional shows in 2023, ‘Glory of the World: Color Field Painting (1950s to 1983)’ at the NSU Art Museum in Fort Lauderdale, US and ‘To Weave the Sky: Textile Abstractions’ at El Espacio 23 in Miami, US!

Larry Poons is an abstract painter known for his contributions to Op Art and post-painterly abstraction. Poons debuted with his first solo exhibition in 1963 at Richard Bellamy’s renowned Green Gallery. By the late 1970s, Poons had grown dissatisfied with the limitations of purely optical art. Today, Larry Poons divides his time between his studios in New York City and East Durham, New York. His work remains widely exhibited, notably appearing in Painting after Postmodernism: Belgium - USA (2016–18), an international traveling show curated by Barbara Rose.

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1.Extract of the artist’s talk on the occasion of ‘Kentucky Cols.’, 2026
Video by InstanT Productions
Courtesy of the artist and Almine Rech

2-3.‘Kentucky Cols.’ Almine Rech Paris, 2026
Photo: Nicolas Brasseur

4.Artwork spotlight, ‘Ballroom Chass’, 2025
Photo: Dan Bradica

5-6.‘Larry Poons: Recent Paintings’, Almine Rech Brussels, 2023
Photo: Hugard and Vanoverschelde

7-8.Larry Poons, Almine Rech London, 2021

9-10. ‘Glory of the World: Color Field Painting (1950s to 1983)’, NSU Art Museum, Fort Lauderdale, US, 2023
Photo: Steven Brooke

11-12.‘To Weave the Sky: Textile Abstractions’, El Espacio 23, Miami, US, 2023
Photo: Evelyn Sosa

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01/10/2026

The first glimpse of Joël Andrianomearisoa’s project ABÉCÉDAIRE DE NOS ÉTATS AFFECTIFS for
the exhibition of Marcel Duchamp Prize 2026 curated by Odile Burluraux and Nicolas Liucci-Goutnikov. Revealed on Friday, October, 2026 at the Musée d’Art Moderne de Paris.

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Born in 1977 in Antananarivo, Madagascar, Joël Andrianomearisoa lives and works across multiple territories: Paris, Antananarivo, and Magnat-l’Étrange. Andrianomearisoa expresses himself through various mediums and materials, seeking to give form to non-explicit and abstract narrations. From sculpture to installation, from craftsmanship to writing, from textile to architecture, he adopts a plural approach inspired by his Malagasy roots but also by the world and its multiple geographies. Imbued with complex emotional experiences, his work gives rise to delicate and tension-filled creations, mirroring the breaths of our lives. A series of exercises in constant evolution … continuous explorations of the materiality of emotions.

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©️ Studio Joël Andrianomearisoa
Courtesy of the Artist and Almine Rech

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30/09/2026

”[Leonora Carrington] famously rejected the role often imposed upon women in the arts, declaring: ‘I didn’t have time to be anyone’s muse. I was too busy rebelling against my family and learning to be an artist.’“

— Almine Rech

Watch a teaser of Almine Rech’s conversation with Dr. Mylène Ferrand, art historian and curator, on the occasion of Leonora Carrington’s first solo exhibition with the gallery! Organized in collaboration with the Consejo Leonora Carrington and rossogranada, the exhibition is currently on view through October 10, 2026 at Almine Rech Paris.

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Through this exceptional collection, Almine Rech seeks to showcase the richness of an inexhaustible creative process. More than just a historical figure of the 20th century, Leonora Carrington stands out as one of the great visual thinkers in art, which she viewed as a potential for transmutation. Her work invites us to reconsider our relationship with the world, with other living beings, and with imagination itself. At a time when certainties are wavering and new narratives are needed, her works remind us that transformation is not merely an iconographic theme: it embodies a way of being in the world. Between myth and matter, magic and knowledge, memory and becoming, they create a space where boundaries cease to be limitations, opening up passages and crossing new thresholds. Perhaps this is where her undiminished power still lies today.

— Dr. Mylène Ferrand, art historian and curator

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Video by InstanT Productions

Views of Leonora Carrington, Almine Rech Paris,2026 / ©️ 2026 Estate of Leonora Carrington / ADAGP, Paris - Courtesy of Almine Rech, Consejo Leonora Carrington and rossogranada

‘The Lovers’, 1987 - Loan from FAMM (Femmes Artistes du Musée de Mougins) / The Levett Collection ©️ ADAGP, Paris

‘Laberinto‘, 1991 - Private Collection / ©️ 2026 Estate of Leonora Carrington / ADAGP, Paris

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29/09/2026

‘Picasso – Bacon. What It Feels Like to Be Human’ is currently on view at The ALBERTINA Museum, Vienna, Austria through January 31, 2027! This major show undertakes an exciting juxtaposition of the 20th century’s two most important figurative painters: Pablo Picasso and Francis Bacon.

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Bacon was inspired to become a painter by Picasso’s works. Throughout his life, he would compete with him, eventually striving to surpass him. Bacon wanted to be the late 20th-century version of what Picasso was to its first half: a chronicler of being human in all of its tornness. Both of these seminal artists placed human existence at the core of their pictorial worlds. The subject they shared was the human figure – pulled apart, thrown back together, and reinvented with an unprecedented savagery. In their distorted portrayals, they elucidated pain, desire, and vulnerability, holding up a merciless mirror to the modern soul. To both, themes such as crucifixions, screams, bullfights, nudes, and the Tears of Eros revealed the drama of life itself. Although Picasso for his part was never influenced by Bacon, he followed his career very closely.

Although Picasso himself was not influenced by Bacon, he closely followed his career. About 70 key works from international museums and private collections illustrate in an impressive confrontation the similarities in the oeuvre of the two masters and Picasso‘s significance for the subsequent generation of artists.

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Installation view of Pablo Picasso in ’Picasso – Bacon. What It Feels Like to Be Human‘, on view at The ALBERTINA Museum, Vienna, Austria from September 18, 2026 to January 31, 2027 - ©️ The ALBERTINA Museum, Vienna - Photo: Rainer Iglar

©️ 2026 Succession Picasso

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ALBERTINA Museum # PabloPicasso

29/09/2026

‘Exploding Cell’, a new project dedicated to Peter Halley at Cucina Triennale, Triennale Milano in Milan, Italy opens this Thursday on October 1, 2026 and will be on view until January 31, 2027.

Peter Halley Triennale Milano

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The contemporary art project curated in collaboration with Galleria Massimo Minini continues, following Alberto Garutti and Robert Barry, with a new chapter dedicated to Peter Halley (New York, 1953).

Associated with the Neo-Conceptualist movement of the 1980s, the American artist presents a corpus of works for the spaces of Cucina spanning more than three decades of his practice and bringing together fine art printmaking, installation and digital experimentation. In this series of new works, the digital medium represents not simply a technical evolution, but a new space for experimentation within an artistic practice that began in the 1990s. The transformation of the image—from print to screenprint, from installation to digital painting—becomes an integral part of the work, as does the constant tension between construction and destruction, past and present, memory and reinvention.

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‘Exploding Cell #3’, 2026
Digital print on metallic foil mounted on disband
114 × 174cm
45 x 68 in
©️ Peter Halley
Photo: Petrò Gilberti

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64, Rue De Turenne
Paris
75003

Heures d'ouverture

Mardi	11:00 - 19:00
Mercredi	11:00 - 19:00
Jeudi	11:00 - 19:00
Vendredi	11:00 - 19:00
Samedi	11:00 - 19:00

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