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Almine Rech

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Almine Rech

ALMINE RECH │ Paris - Brussels - London - New York - Shanghai - Monaco In 2016, Almine Rech opened a second space in London and a new location in New York.
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Art Gallery based in Paris since 1997, Brussels since 2007, Almine Rech opened in London in 2014. In July 2019, Almine Rech inaugurated its new Shanghai space. In January 2021, Almine Rech opened a second space in Paris, avenue Matignon in the 8th district. Almine Rech settled a temporary location in Aspen, Colorado, during summer 2021. The gallery's artistic focus is defined by strong individuali

ties who share a deep commitment to creativity and originality. PARIS TURENNE
64 Rue de Turenne
75003 Paris FR
T +33 145 83 71 90
Tuesday — Saturday, from 11:00 to 19:00
General Inquiries: [email protected]

PARIS MATIGNON
18 avenue Matignon
75008 Paris FR
T +33 143 87 30 66
Tuesday — Saturday, from 11:00 to 19:00
General Inquiries: [email protected]

BRUSSELS
Abdijstraat 20 Rue de l’Abbaye
1050 Brussels BE
T +32 26 48 56 84
Tuesday — Saturday, from 11:00 to 19:00
General Inquiries: [email protected]

LONDON
Grosvenor Hill, Broadbent House,
W1K 3JH London UK
T +44 20 72 87 36 44
Tuesday — Saturday, from 10:00 to 18:00
General Inquiries: [email protected]

NEW YORK
39 East 78th Street, 2nd Floor
New York, NY 10075, USA
T +1 (212) 804 8496
Tuesday — Saturday, from 10:00 to 18:00
General Inquiries: [email protected]

SHANGHAI
27 Huqiu Road, 2nd Floor,
200002 Shanghai, China
T +86 21 63120260
Tuesday — Saturday, from 11:00 to 19:00
General Inquiries: [email protected]

THE SHOP
T +32 26 48 56 84
Tuesday — Saturday, from 11:00 to 19:00
[email protected]
purchase books & editions

MONACO (OFFICE)
Palais Saint James
5 Avenue Princesse Alice
98000 MONACO
By appointment only

www.alminerech.com

31/08/2026

Dive into Hans Op de Beeck’ process directly from his studio in Brussels! The scale of his artwork varies dramatically, from intimate watercolors to grand three-dimensional installations that can span up to 600m². This diversity in size and medium underscores the artist’s commitment to using the appropriate visual language for each project. Op de Beeck’s work is distinguished by its aesthetic versatility, ranging from minimalist designs to elaborate and exaggerated visuals, all aimed at expressing the core meaning of each piece as clearly as possible. His thematic focus centers on human relationships with time, space, and society.

Almine Rech Brussels is pleased to present ‘Vanishing Point’, Hans Op de Beeck’s first solo exhibition with the gallery, on view from Sep 10 to Nov 7, 2026.

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“My bed a raft. My room the sea. And then I laughed, some gloom in me. Leaving out color, it is not about simulation, but more about evoking a feeling, an atmosphere, a mood.”

— Hans Op de Beeck

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Director: Matteo Lonardi
Editor: Emanuele Passilongo
DOP: Jordan van Schel
All rights reserved
©️ Hans Op de Beeck - Courtesy of the Artist and Almine Rech

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31/08/2026

Kim Tschang-Yeul will be featured at our Booth C27 at Frieze Seoul, from Wednesday, Sep 2, 2026 to Saturday, Sep 5, 2026.

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Kim Tschang-Yeul is one of the greatest Korean painters. Born in 1929 in the north of the then unified Korea, he migrated to the south to escape the communist regime. He subsequently left for New York to pursue his artistic dreams before finally settling in Paris in 1969. There, he began to nurture, over a period of forty years, a unique motif: the drop of water. The waterdrop was the starting point for a singular and iconic body of work, which stands at the confluence of lyrical abstraction, Pop art and Chinese calligraphy. This simple and limpid œuvre subtly fuses Taoist wisdom, modern conceptual irony and the tragedy of war. Kim Tschang-Yeul is considered one of the pre-eminent figures in the establishment of contemporary Korean art on the international scene, alongside Nam-June Paik and Lee Ufan.

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Frieze Seoul 2026
Booth C27
Sep 2 – 5, 2026
COEX
513 Yeongdong-daero Gangnam-gu, 06164 Seoul, South Korea

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‘Waterdrop’, 1970
Pencil on canvas
80 x 80 cm, 31 1/2 x 31 1/2 in
©️ Kim Tschang-Yeul - Courtesy of the Artist and Almine Rech
Photo: Hugard and Vanoverschelde

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프리즈서울.운영

28/08/2026

These are the last days to visit Chloe Wise‘s ‘Extrasensory’, her first institutional exhibition at the Kulturstiftung Basel H. Geiger | KBH.G in Basel, Switzerland, before it closes on Sep 6, 2026. The exhibition marks the artist’s first major presentation in the country and introduces her most expansive film project to date, set within a large-scale immersive installation.

Chloe Wise

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In ’Extrasensory‘, Chloe Wise extends her longstanding investigation into how subjectivity is constructed through images, symbols, and cultural codes. Her practice, which frequently interrogates the entanglement of representation and desire, here shifts toward the conditions of perception itself, examining how meaning is produced at the intersection of sensory experience, belief systems, and narrative structures. The exhibition understands perception not as a neutral reception of reality, but as an active, mediating process shaped by language, history, and cultural expectations. Wise introduces figures that evoke angels, supernatural beings, or technological apparitions, yet present themselves as unstable constructs.

— Raphael Suter, Director of Kulturstiftung Basel H. Geiger | KBH.G

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Installation views of Chloe Wise in ‘Extrasensory’, on view at Kulturstiftung Basel H. Geiger | KBH.G, Basel, Switzerland from Jun 12 to Sep 6, 2026
Courtesy of Kulturstiftung Basel H. Geiger | KBH.G

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 Kulturstiftung Basel H. Geiger

28/08/2026

‘Fields of Resonance’, Tia-Thuy Nguyen’s solo exhibition opens today at Almine Rech Shanghai! This is the artist’s third solo exhibition with the gallery, on view from August 28 to October 31, 2026.

Tia-Thuy Nguyen Official

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Cloudscapes are endlessly mutable. Yet observed from the same place over the course of a year, they reveal recurring patterns of their own. Much like climate, every place is marked by recurring patterns of cloud cover—dense or sparse, light or heavy, each season bringing with it a familiar sky.

Towering cumulus clouds—a familiar presence in the skies of Vietnamese artist Tia-Thuy Nguyen’s hometown—occasionally appear in continental landscapes far drier than Vietnam. When they do, they can leave people, half in jest, wondering: Am I still here? Or have I somehow arrived in another city?Fleeting and ever-changing, clouds possess a quiet yet remarkable ability to unsettle our confidence in the reality we inhabit, if only for a moment.

— Ying, writer and editor

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‘Dreamy yesterday’, 2024
Embellishment on canvas
30 x 30 cm
11 3/4 x 11 3/4 in

‘Passionate in supernatural’, 2023
Oil on canvas
160 x 200 cm
63 x 78 3/4 in

‘Fairer than a fairy’, 2026
Embellishment on canvas
200 x 300 cm
78 3/4 x 118 in

‘Gilded glamour’, 2024
Oil on canvas
30 x 30 cm
11 3/4 x 11 3/4 in

©️ Tia-Thuy Nguyen - Courtesy of the Artist and Almine Rech

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27/08/2026

‘All the work is about the sea and the sky. I would like to have some way, a magic saw, to cut out large chunks of ocean or sky and say, ‘Here it is.’’

— De Wain Valentine

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De Wain Valentine was on August 27, 1936! To mark this day, we look at some selected highlights from across time. We start with an artwork spotlight of ‘Double Disk (blue with red edge)’, (1966 - 2019), followed by a few gallery shows over the years: ‘Works from 1967 to present’ at Almine Rech New York in 2019, ‘Plastic Show’, Organized by De Wain Valentine at Almine Rech London in 2017 and his very first show at Almine Rech Paris in 2014! We end with a selection of institutional shows.

Valentine established himself as a leading figure of the Light and Space movement, a significant current within the 1960s California scene. His sculptures sought to replicate light, smog, and atmosphere using industrial plastics and resin. This distinctly modern material language allowed Valentine to create works with pristine surfaces evoking the glossy finish of machine-made objects. His sculptures reflect and distort light, becoming what the artist referred to as “transparent colored space.”

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1.Artist Portrait
2014 De Wain Valentine Artist Rights Society New York (ARSNY); Photo credit, Harry Drinkwater. De Wain Valentine, steel mold, 8 ft. Concave Red Circle, Venice Studio

2.Artwork spotlight: ‘Double Disk (blue with red edge)’, 1966 - 2019
Fiberglass

2-4. ‘Works from 1967 to present’, Almine Rech New York, 2019
Photos by Matt Kroening

5-6.’Plastic Show’
Organized by De Wain Valentine, Almine Rech London, 2017
Photos by Melissa Castro Duarte

7-8. De Wain Valentine, Almine Rech Paris, 2014

9.Installation view of De Wain Valentine in ‘american minimal’, San Diego Museum of Art (SDMA), CA, US, on view from March 6 to June 1, 2025 / courtesy of the San Diego Museum of Art

10.’Triple Disl Red Metal Flake - Black Edge, 1966 at the Hayward

11-12.Hayward gallery

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27/08/2026

‘I started to learn how to draw because I had all these crazy ideas and things I saw that I just felt like I needed to communicate somehow. […] Then, it’s almost like everything I see in the real world gets taken in and synthesized and runs through this filter and it accumulates.’

— Alejandro Cardenas (from the extract of his studio visit video in Madrid, Spain)
Watch the full interview on the gallery’s Youtube channel!

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Happy birthday to Alejandro Cardenas (Alejandro Cardenas)! On the occasion, we look back at his most recent exhibition with the gallery, ‘ARACHNE’ at Almine Rech New York a few months ago with a spotlight of ‘Untended Expanse’ (2026) from the show. We then turn to three earlier gallery shows: ‘OLYMPIA’ at Almine Rech Gstaad in 2025, ‘FANTASMI DI PRIMAVAERA’, a special show in Venice in 2023 and finally, we end with his very first gallery show, ‘ALEXANDRIA’ at Almine Rech New York in 2021!

Alejandro Cardenas (born 1977, Santiago, Chile) is a contemporary artist whose paintings and sculptures envision a post-human world where human forms and their environment exist in harmony and unity. Drawing inspiration from Surrealism, science fiction, and magical realism, Cardenas creates surreal, meticulously composed scenes featuring polished, gridded interiors inhabited by angular, faceless figures.

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1.Studio Visit extract, 2026
Watch the full interview on the gallery’s Youtube channel!

2-3.’ARACHNE’, Almine Rech New York, 2026
Photos by Dan Bradica

4.Artwork spotlight, ‘Untended Expanse’, 2026

5-6.’OLYMPIA’, Almine Rech Gstaad, 2025
Photos by Annik Wetter

7-9.’FANTASMI DI PRIMAVAERA’, Venice, Italy, 2023

10-11.’ALEXANDRIA’, Almine Rech New York, 2021
Photos by Dan Bradica

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26/08/2026

Dustin Yellin’s short film ‘GOODNIGHT LAMBY’ will be screening at the Palazzo Diedo - Berggruen Arts & Culture in Venice, Italy from September 6 to September 13, 2026!

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Dustin Yellin has long described his sculptural practice as a form of “frozen cinema,” and here, for the first time, he brings one of his glass collages to life through this short film. Inspired by his three-year-old daughter Zia, who stars alongside Paul Rudd and Chris Rock, the film follows Zia as she ventures into her father’s vast sculpture in search of her missing stuffed lamb, Lamby.

Produced by Darren Aronofsky and Justin A. Gonçalves through Primordial Soup, the short blends generative AI with collage-style animation, extending Yellin’s handmade materials — collage, photography, glasswork — into a moving, cinematic world. ‘Goodnight, Lamby’ was an official selection at the 2026 Festival de Cannes, and will screen in Palazzo Diedo’s Black Box for the duration of the Venice Cinema Biennale.

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Courtesy of the Artist
A Primordial Soup production

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26/08/2026

For this edition of Frieze Seoul, Almine Rech is pleased to present an intergenerational group exhibition. Each artist brings a unique perspective and distinctive formal language, pushing the boundaries of contemporary and modern art.

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The booth will feature works by renowned Korean artists Kim Tschang-Yeul, Ha Chong-Hyun, Minjung Kim, and Youngju Joung. The presentation further brings together iconic figures such as Pablo Picasso and Yosh*tomo Nara with contemporary voices including Christopher Le Brun, Oliver Beer, Mehdi Ghadyanloo, John McAllister, Javier Calleja, Han Mengyun, and Gongkan.

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Works by Kim Tschang-Yeul, Minjung Kim, Christopher Le Brun
©️ Estate of Kim Tschang-Yeul
©️ Minjung Kim
©️ Christopher Le Brun
Courtesy of the Estate, the Artists and Almine Rech

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Frieze Seoul 2026
Booth C27
Sep 3 — 5, 2026
COEX, 513 Yeongdong-daero
Gangnam-gu, 06164
Seoul, South Korea

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25/08/2026

Almine Rech Brussels is pleased to present ‘Vanishing Point,’ Hans Op de Beeck’s first solo exhibition with the gallery, on view from September 10 to November 7, 2026.

On the occasion of the exhibition, the gallery has partnered with The Merode for a special screening on September 25 of ‘Staging Silence (3),’ followed by a conversation between the artist and Chantal Pattyn, art historian and director of Klara.

Hans Op de Beeck

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In Op de Beeck’s work, this vanishing point functions not merely as a formal principle but also as an existential metaphor. His oeuvre revolves around what eludes our grasp: time, memory, presence, and meaning. The exhibition at Almine Rech in Brussels makes explicit the idea of the vanishing point as a mental space. The title refers not only to a principle of perspective, but to a state in which the concrete gradually slips into interiority, the tangible into the imaginary. The visitor moves through an environment populated by furniture, sculptures, and decorative elements that appear both familiar and enigmatic. Each object seems to contain the trace of a story, yet no story ever fully reveals itself.

— Ruud Priem, Head of Department and Curator of Fine Arts at the National Museum of Archaeology, History and Art (MNAHA), Luxembourg. Curator of the exhibition ‘Erwin Olaf & Hans Op de Beeck. Inspired by Steichen’ (2022–2023, National Museum of Archaeology, History and Art, Luxembourg).

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‘Cécile’, 2026
Polyester, polyamide and coating
125 x 170 x 120 cm
49 x 67 x 47 in
Edition 2/5 plus 2 APs
Photo by Hans Op de Beeck Studio
©️ Op de Beeck - Courtesy of the Artist and Almine Rech

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25/08/2026

Almine Rech New York is pleased to present ‘The Tesseract’, Zio Ziegler’s fourth solo exhibition with the gallery, on view from September 16 to October 21, 2026.

Zio Ziegler

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What holds the center in Ziegler’s vibrant pictorial system, however, is not a single point but a space laden with enduring possibility. It is a window through which we look out onto an unnamed future, from a present reality that is (as he declares) “far too dense for any single voice to hold.” In the dynamic, even combustible, interplay between these four opposing aesthetic structures, Ziegler seeks to spark a new way of thinking. Resisting the homogenizing consensus that AI systems seem hellbent on producing among their human users, Ziegler suggests that we need a diverse visual language for self-reflection, as we continue to reckon with new intelligences we have built but have yet to understand.

— Jeffrey Richmond-Moll, Ph.D., The George Putnam Curator of American Art, Peabody Essex Museum

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Artist portrait
Photo by Bryson Malone

‘Anatta and Eden’, 2026
Oil, acrylic on gouache on canvas
243.8 x 182.9 x 4.4 cm
96 x 72 x 1 3/4 in
Photo by Matthew Kroening
©️ Zio Ziegler - Courtesy of the Artist and Almine Rech

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Adresse

64, Rue De Turenne
Paris
75003

Heures d'ouverture

Mardi	11:00 - 19:00
Mercredi	11:00 - 19:00
Jeudi	11:00 - 19:00
Vendredi	11:00 - 19:00
Samedi	11:00 - 19:00

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http://www.alminerech.com/

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