Galerie Jocelyn Wolff

Galerie Jocelyn Wolff Informations de contact, plan et itinéraire, formulaire de contact, heures d'ouverture, services, évaluations, photos, vidéos et annonces de Galerie Jocelyn Wolff, Galerie d’art, 1 Rue de Penthièvre, Paris.

Focus William Anastasi · William Anastasi, Katinka Bock, and Franz Erhard Walther in 𝘈𝘣𝘴𝘵𝘳𝘢𝘤𝘵𝘪𝘰𝘯, 𝘢𝘣𝘴𝘵𝘳𝘢𝘤𝘵𝘪𝘰𝘯𝘴!Curated b...
29/08/2026

Focus William Anastasi · William Anastasi, Katinka Bock, and Franz Erhard Walther in 𝘈𝘣𝘴𝘵𝘳𝘢𝘤𝘵𝘪𝘰𝘯, 𝘢𝘣𝘴𝘵𝘳𝘢𝘤𝘵𝘪𝘰𝘯𝘴!

Curated by Thierry Davila
📍les Tanneries - Centre d’art contemporain, Amilly
Les Tanneries - Centre d’art contemporain d’intérêt national

Group show
Nicolas Aiello, Francis Alÿs, William Anastasi, Silvia Bächli, Katinka Bock, Philippe Decrauzat, Philippe Gronon, Jacques Julien, Ad Minoliti, Pascal Pinaud, Delphine Reist, Emma Reyes, Christian Robert-Tissot, Edgar Sarin, Alain Séchas, Agnès Thurnauer, Franz Erhard Walther

On view until 30 August 2026

« The exhibition Abstraction, Abstractions! sets out to explore the vitality of one of the founding practices of modern and contemporary art by asking a series of simple questions: What remains of abstraction today? What forms does it take? How is it being reinvented, or how does it unfold within contemporary artistic creation? Through a selection of works produced from the late twentieth century to the present day, art historian and museum curator Thierry Davila, curator of the exhibition, offers a critical and sensitive journey through a territory that is as vast as it is elusive. Rather than attempting to confine abstraction within a single definition, the exhibition embraces its plurality—hence its title in the plural, resonating like a multiplied echo. Abstraction is presented here as a fluid and evolving field, shaped by diverse intentions, heterogeneous forms, and distant geographies. It may be rigorous or intuitive, painterly or sculptural, radical or decorative, critical or poetic. » Text by Les Tanneries - Centre d’art contemporain d’intérêt national

📸 Exhibition view by Jean-Christoph Lett

We are pleased to present the first gallery exhibition dedicated to Marcel Duchamp in Seoul, South Korea.𝘔𝘢𝘳𝘤𝘦𝘭 𝘋𝘶𝘤𝘩𝘢𝘮𝘱:...
27/08/2026

We are pleased to present the first gallery exhibition dedicated to Marcel Duchamp in Seoul, South Korea.

𝘔𝘢𝘳𝘤𝘦𝘭 𝘋𝘶𝘤𝘩𝘢𝘮𝘱: 𝘈 𝘗𝘢𝘳𝘪𝘴𝘪𝘢𝘯 𝘊𝘰𝘭𝘭𝘦𝘤𝘵𝘪𝘰𝘯

Meyer Riegger Wolff, Seoul Meyer Riegger Wolff
27 August — 5 November 2026

Bringing together an exceptional group of nearly 250 works, the exhibition offers a rare immersion into the universe of the artist. Conceived as an ambitious and coherent exploration, the works on display include books created or designed by Duchamp, exhibition catalogues, journals, artist’s books and ephemera. Far from constituting a simple documentary corpus, this ensemble forms a true experience, revealing the richness of a body of thought that profoundly transformed our understanding of art in the twentieth century. (...) - Press release: link in bio! 🔗

Photos: YANGIAN

Opening ·  𝗣𝗿𝗶𝗻𝘇 𝗚𝗵𝗼𝗹𝗮𝗺 at Hua International in Beijing𝘕𝘈𝘊𝘏𝘓𝘌𝘉𝘌𝘕Group show Prinz Gholam, Hélène Delprat, Alma Feldhandle...
27/08/2026

Opening · 𝗣𝗿𝗶𝗻𝘇 𝗚𝗵𝗼𝗹𝗮𝗺 at Hua International in Beijing

𝘕𝘈𝘊𝘏𝘓𝘌𝘉𝘌𝘕
Group show
Prinz Gholam, Hélène Delprat, Alma Feldhandler, Christa Joo Hyun D’Angelo, Jonas Weichsel, Rafael Domenech

Opening 29 August 2026
29 August – 17 October 2026

📍 Hua International in Beijing
D08-3, 798 East Road 798 Art District
100015 Pekin

«  Aby Warburg called it Nachleben, afterlife: a gesture that outlives the body which first made it, lying dormant for centuries before it resurfaces, still charged, in a body that has never heard of it. Images survive their occasion. They travel, they wait, they come back altered. Nothing here is lifted whole and held up for recognition; that would be appropriation, which needs the source remembered in order to work. This is closer to inheritance: unchosen, unrefusable, arriving whether or not it was asked for. Each artist is a place where an image, a gesture, or a grammar re-enters the world in a form its origin would not recognise.
Prinz Gholam anchor the exhibition. Their drawings are made by two people at once, four hands on one sheet, with no plan; what surfaces comes from memory rather than reference, and the same rabbit keeps returning across sheets like something the hands can’t stop reaching for. It arrives already carrying weight.
«  Hua International

Caption: Mephistopheles and the Sky, 2023, color pencil on paper, dated and signed on the back, 122 x 86 cm

Prinz Gholam

Couples
2024
color pencil on Ingres paper
dated and signed on the back
62.5 x 48 cm

Constructivist Moon
2023
color pencil on paper
dated and signed on the back
122 x 86 cm

Save the date 𝘙𝘪𝘥𝘪𝘯𝘨 𝘏𝘰𝘵𝗦𝗮𝗻𝘁𝗶𝗮𝗴𝗼 𝗱𝗲 𝗣𝗮𝗼𝗹𝗶For his third exhibition with the gallery, Santiago de Paoli presents 𝘙𝘪𝘥𝘪𝘯𝘨 𝘏𝘰...
25/08/2026

Save the date

𝘙𝘪𝘥𝘪𝘯𝘨 𝘏𝘰𝘵
𝗦𝗮𝗻𝘁𝗶𝗮𝗴𝗼 𝗱𝗲 𝗣𝗮𝗼𝗹𝗶

For his third exhibition with the gallery, Santiago de Paoli presents 𝘙𝘪𝘥𝘪𝘯𝘨 𝘏𝘰𝘵, a solo show unfolding across two venues in Paris.

• 10 September 2026, 6–8 pm
𝗚𝗮𝗹𝗲𝗿𝗶𝗲 𝗝𝗼𝗰𝗲𝗹𝘆𝗻 𝗪𝗼𝗹𝗳𝗳
📍1 rue de Penthièvre 75008 Paris

• 11 September 2026, 6-9 pm
𝗔𝗯𝗿𝗮𝗵𝗮𝗺 & 𝗪𝗼𝗹𝗳𝗳 Abraham & Wolff
📍12 rue des Saints-Pères 75007 Paris

This enigmatic and surreal title is borrowed from a series of paintings made using a variety of unconventional materials: wood, copper, cork stoppers, dried leaves, and even peanuts.

Santiago de Paoli continues his painterly exploration, in which images seem to emerge from a dream or a fragmentary memory populated by moons, landscapes, bodies, domestic objects, and organic forms. Oscillating between nature, magic, and abstraction, these elements are permeated by a constant tension between humour, poetry, and strangeness.

𝘙𝘪𝘥𝘪𝘯𝘨 𝘏𝘰𝘵 brings together a new body of monumental works, presented for the first time. The exhibition marks a new stage in the artist’s practice, in which the materiality of the works becomes an increasingly open field of experimentation.

𝗕𝗶𝗼𝗴𝗿𝗮𝗽𝗵𝘆
Born in Buenos Aires in 1978, Santiago de Paoli lives and works in Stanford, New York.
Recent solo exhibitions include Inside the Red Barn at OSMOS Station (2022); A leaf in the wind at Galerie Jocelyn Wolff, Paris-Romainville (2021); Bebê Rasteja at Mendes Wood DM, São Paulo (2019–2020); Entre nosotros y el objeto at Móvil (2016); Pescado y Papas at Wireless Ridge (2015); and The New Society at Swan Coach House Gallery (2007).

His work has also been presented in numerous group exhibitions, including at Site SANTA FE 12th International (2025), the X Museum (2021), the Museo de Arte Moderno de Buenos Aires (2019), the Nouveau Musée National de Monaco – Villa Paloma (2018), the Musée d’art contemporain de la Haute-Vienne – Château de Rochechouart (2018), and Lulu Gallery (2017).

Summer break 🌻🌸🌈The gallery will be closed from 15 August to 9 September 2026. We wish you all a great summer and look f...
15/08/2026

Summer break 🌻🌸🌈

The gallery will be closed from 15 August to 9 September 2026. We wish you all a great summer and look forward to welcoming you back on 10 September for the opening of Riding Hot, a solo exhibition by Santiago de Paoli.

Caption: The team at Manoir d’Alvémont, Normandy, June 2026. Photo: Marco Lombardi Marco Lombardi

Today marks the final day of « exhaling, then inhaling » • Thank you to everyone who visited the exhibition!William Anas...
14/08/2026

Today marks the final day of « exhaling, then inhaling » • Thank you to everyone who visited the exhibition!

William Anastasi (1933-2023)
Solo show
Curated by Dove Bradshaw

4 July – 14 August 2026
Galerie Jocelyn Wolff, Paris

We present « exhaling, then inhaling » the first significant exhibition after the passing of the artist William Anastasi (1933-2023), as one of the founders of Minimal and Conceptual Art. Curated by Dove Bradshaw, the exhibition recreates groundbreaking historical work from 1964-1968 that announces the primacy of the space itself. A 1965 Wall Removal is reactivated for the first time, and a video sculpture conceived in 1968 will be premiered. The exhibition highlights Anastasi’s pioneering explorations establishing the site as a concept per se. Thus he radically expanded the relationship between artwork, space, time and the final destination of the viewer. As Anastasi concludes, “The Here and the Now.”

Caption:
Press article by Barry Schwabsky, Artforum Artforum (link in bio! 🔗)



Opening reception

Opening reception

Opening reception

Opening reception

Exhibition view by François Doury

Exhibition view by François Doury

Exhibition tour by Dove Bradshaw

Video tablets with live cameras trained on the corners of any given room, 1968, Monitors, live video feed, cameras, ed. 1/3 + 1 A.P., Photo: François Doury

Selected publications on the work of William Anastasi

Press article by Patrick Javault, The Art Newspaper The Art Newspaper France

Installation of You’re Through, 1964-1965, Specific on-site dimensions, ed. 1/3 + 1 A.P. (protocol)

Installation of You’re Through, 1964-1965, Specific on-site dimensions, ed. 1/3 + 1 A.P. (protocol)

You’re Through, 1964-1965, Specific on-site dimensions, ed. 1/3 + 1 A.P. (protocol). Photo: Francois Doury

This Is Not My Signature: William Anastasi, monograph published by Mousse Publishing, 2023

Plastic Coincident, 1966, Photo silkscreen on lucite, 43 x 35 cm, 1/3 + 1 A.P. (protocol), Photo: François Doury

Video tablets with live cameras trained on the corners of any given room, 1968, Monitors, live video feed, cameras, ed. 1/3 + 1 A.P.,

C’est par Franz Erhard Walther que nous avons pu connaître Christian Bernard, qui fut pendant vingt ans un extraordinair...
11/08/2026

C’est par Franz Erhard Walther que nous avons pu connaître Christian Bernard, qui fut pendant vingt ans un extraordinaire compagnon de route de la galerie.

Loyauté
Il consacra une exposition à Franz Erhard Walther à la Villa Arson, accompagnée d’un catalogue assorti d’un très précieux et original glossaire permettant de comprendre la pensée de l’artiste. L’exposition de Franz Erhard Walther au MAMCO, à Genève, où tout le musée est donné à l’artiste, qui peut enfin déployer son projet : l’œuvre d’art est une action.
Loyauté et fidélité à Franz Erhard Walther.
Loyauté et fidélité aux artistes.

Curiosité intellectuelle
Nous avons pu collaborer avec Christian Bernard autour de nombreux artistes :
Frédéric Moser et Philippe Schwinger (MAMCO, 2008)
Katinka Bock (MAMCO, 2013 et Le Printemps de septembre, 2021)
Clemens von Wedemeyer (Le Printemps de septembre, 2021)
Miriam Cahn (acquisition au MAMCO et Le Printemps de septembre, 2021)

Christian était curieux de tout ce qui touchait à la production artistique de son époque.

Appétit culturel
La bibliothèque de Christian nourrissait son immense culture. Lors de nos échanges avec Christian, au moment de notre exposition surréaliste à Romainville en 2025. La bibliothèque surréaliste exposée à la galerie faisait écho à la sienne, construction aussi bien physique que mentale.

Sa pensée et son héritage continueront de nous habiter.

23/07/2026

A day in the countryside at the Manoir d’Alvémont in Normandy

💐in June 2026
🏡Hosted by Galerie Jocelyn Wolff

The programme included a walk led by Mark Brown, who shared his political and poetic vision of the plant world; a picnic lunch; a tour of the exhibition « Grisaille Vertigo »; and a conversation between Thomas Boutoux, Clara Schulmann, Camille Azaïs and Mark Brown, recorded as part of the podcast « En déplacement ».
Thank you to everyone who joined us and contributed to this day of encounters, discoveries and conversations.🌳🩶

> Full video on Youtube - link in bio! 🔗
The film was directed by Julius Lagoutte Larsen

> Listen to the podcast here on Soundcloud - link in bio! 🔗

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75008

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