Galerie Dix9 - Hélène Lacharmoise

31/08/2026

02/08/2026

"On the Beach", film by on view Fondation Villa Datris in the current exhibition "Mediterranée, Odyssées Contemporaines" curated by Danièle Marcovici  & Stephane Baumet 
- until Nov 1st 2026
Film colour, sound, 20mn loop

The human bodies, the dialogues and the movements carry the plot of the film, but their manifestation extends beyond the projection limits. To the observer and the film’s characters, regardless of the space in which they are situated, existential questions are imposed – Where do we come from? Who are we? Where are we going? What are we doing? What do we want? The artist does not answer these questions and leaves the field of meaning and interpretation open.

16/06/2026

Roses to Rossy 2026, 160 roses par .deguelle. Exposition à Lieu Commun, Toulouse. Curatée par la célèbre actrice dans le cadre du , jusqu’au 28 juin.
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Roses to Rossy 2026, 160 roses by .deguelle . On display at Lieu-Commun in Toulouse. Curated by the renowned actress as part of , on view until June 28.

11/06/2026

La station de métro Universidad, l’un des principaux points de passage du sud de Mexico city, accueille désormais un immense mural de . Inspiré par le paysage naturel et l’architecture du campus, l’artiste explore les liens entre mémoire du territoire, transformations du paysage et présence humaine. À travers une cartographie visuelle sensible, son travail interroge notre rapport au temps, à l’espace et aux traces laissées par ce qui a disparu.
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Universidad Metro Station, one of the main transit hubs in southern Mexico City, now features a monumental mural by . Inspired by the campus’s natural landscape and architectural setting, the artist explores the connections between territorial memory, landscape transformation, and human presence. Through a sensitive visual cartography, his work invites reflection on our relationship with time, space, and the traces of what has disappeared.

Ph. Bruno Ruiz

07/05/2026

La Guidicca, Venice on a sunny morning

04/05/2026

Isn't it a nice office ?

01/05/2026

« La mort reste bien un sujet tabou... et proposer des urnes artistiques en galerie une véritable audace. »

Article de Rafael Pic dans l’Édition n.3258 Le Quotidien de l’Art.

Retrouvez l’intégralité de l’article ci dessous:

https://www.galeriedix9.com/cspdocs/press/files/l_image_du_jour_qda_38_04_2026.pdf

L’exposition SHEKEL & ANUBIS AGENCY de curatée par est prolongée jusqu’au 14 mai.

24/04/2026

Art Brussels 2026, solo show by French artist Kwama Frigaux ( ), section Discovery, booth 5A-45

Curation and text by

On the occasion of , galerie Dix9 Hélène Lacharmoise is delighted to present Kwama Frigaux first solo show in Art Brussels.

Kwama Frigaux's works form intricate constellations, rich in color and meaning, made from small fragments of daily life. « Echoing the quilts and assemblages of Betye Saar and Annette Messager, her compositions reflect both intimate and societal portraits, engaging with themes of memory, care, and vulnerability.

Behind these luminous installations lies a long, meticulous process of collecting and cleaning materials— medicine blisters, plastic bottles, shards of glass » as described by Aby Gaye-Duparc, curator at Fondation Cartier. 

In the works presented for Art Brussels, Frigaux continues her exploration of remains derived from pharmaceutical consumption, approaching them not as inert waste but as charged surfaces of symbolic and political inscription. Working with blister packs, the plastic envelopes designed to contain, protect, and regulate pills, she develops a reflection in which the medicated body appears simultaneously as a site of fragility and as a material archive of care. The project is grounded in research conducted during her 2025 residency at the Abbaye de Maubuisson () , where the artist focused on the foil seals of medication sheets, embedding them within silk organza embroideries.

24/04/2026

Art Brussels section Discovery Kwama Frigaux

's works form intricate constellations, rich in color and meaning, made from small fragments of daily life. She turns debris into a contemporary reliquary, where the trace of healing meets a discreet faith in art's capacity to repair what has been consumed, forgotten or abandoned. « Echoing the quilts and assemblages of Betye Saar and Annette Messager, her compositions reflect both intimate and societal portraits, engaging with themes of memory, care, and vulnerability.

Behind these luminous installations lies a long, meticulous process of collecting and cleaning materials such as medicine blisters, plastic bottles, shards of glass as described by Aby Gaye-Duparc, curator at Fondation Cartier. The presentation for Art Brussels focuses on her latest research initiated during her residency at the Abbaye de Maubuisson where she began working with metallic seals from medication blisters, a material charged with both healing and fragility. Trough sewing, assembling and suturing; her meticulous gestures transform waste into relic: discarded alluminium becomes skin, membrane or parchment, recalling medieval industry manuscripts and the mandorla. Between wound and v***a, protection and injury, her works hold the tension between fragile material and embodied memory.

installation