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30/06/2026

“The Rooster and the Young Lady”, an Exceptional Pair of Four-Light Vase Candelabra attributed to François Rémond, Louis XVI period, circa 1785.

The unusual pairing of the rooster and the young maiden is particularly evocative. The rooster, already regarded as a symbol of France in the eighteenth century owing to the Latin wordplay between gallus (« rooster ») and Gallus (« a Gaul »), the ancient Celtic people of present-day France. The rooster may be seen alongside the female mask as an allegorical celebration of the French nation—an elegant tribute to the artistic and cultural prestige of Louis XVI’s France.

Attributed to the celebrated bronze-caster François Rémond and probably supplied under the supervision of the legendary marchand-mercier Dominique Daguerre, these candelabra reflect the collaboration of two of the greatest figures in French decorative arts. Their exceptional chasing and subtle contrast between matte and burnished gilding demonstrate the extraordinary virtuosity of Parisian bronze workshops.

Only a handful of comparable examples are known today, including pairs formerly in the Lafaulotte and Rothschild collections, as well as an example preserved at the Château de Fontainebleau. Their rarity and prestigious provenance place them among the finest gilt-bronze creations of the late eighteenth century.
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Contact us to acquire this beautiful pair.

Visit our website lapendulerie.com to see HD pictures and the full description of this clock
► Reference to search for: CA94

Credits:
Video created by for La Pendulerie.

06/06/2026

The Seated Caryatids, Surmounted by an Allegory of Silence

An exceptional expression of French neoclassical design, this “Seated Caryatids” clock captures the sophistication and artistic brilliance of the Louis XVI period. Created circa 1790, the piece combines finely chased and gilded bronze, richly veined Egyptian sea-green marble, and powerful antique-inspired figures into a striking architectural composition.

The dial signed by clockmaker Charles-Guillaume Hautemanière is housed in a case attributed to the celebrated bronze-caster François Rémond, one of the greatest masters of gilt bronze of his time. The design is attributed to Louis-Simon Boizot, sculptor to the King and one of the defining artistic figures of the Louis XVI era. The clock was produced under the supervision of the prestigious marchand-mercier Dominique Daguerre, whose clientele included Europe’s most distinguished collectors and royal courts.

This clock derives from a celebrated model featuring standing female figures and columns, known as the “large pediment” type. The design was created in the early 1790s by the renowned bronzier François Rémond (1747–1812) at the request of the influential House of luxury dealers Daguerre & Lignereux. The model achieved immediate success. Just a few years later, it was adapted into a variation replacing the standing figures with seated allegorical female figures, giving rise to the present composition.

Only a handful of comparable examples are known today, also signed by Manière, including prestigious former collections in New York and in Rome and, making this clock an exceptionally rare survivor of aristocratic French taste before the Revolution.

A true collector’s masterpiece — timeless, architectural, and unmistakably French.

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Contact us to acquire this remarkable piece.

Visit our website lapendulerie.com to see HD pictures and the full description of this clock
► Reference to search for: P351

Credits:
Video:
Song : Tempesta by Steven Beddall & Nono

13/05/2026

A Louis XVI exceptional clock « à l’étude et la philosophie » in white marble and gilt bronze attributed to François Rémond (c. 1747-1812, master in 1774)
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Paris, Louis XVI period, circa 1785-1790
Movement by Ferdinand Denoyelle (master in 1788)
Dial by Pierre-François Muret

After biscuit porcelains models by Louis-Simon Boizot (1743-1809) created in 1776

This clock met succes in France, England, Spain, Italy, Poland, Prussia, Russia, Sweden and various German states.
Some went so far as to own two clocks - Louis XVI, Stanislas II Ausgustus of Poland - or three like George IV of England.
Indeed, we find the three different models in the Royal Collection Trust.
Regarding Louis XVI, the marchand mercier Dominique Daguerre delivered to the King in May 1788 two clocks for the Château de Saint-Cloud, one with gilded figures for the Salon des Jeux and cost 2,600 livres. This clock is prederved today in the Château de Versailles (inv. VMB 14427.1).

Contact us to acquire this exceptional piece.

Visit our website lapendulerie.com to see more artworks.

Credits:
Video:
Song: Swan Lake by Budapest Art Orchestra

25/04/2026

A true Masterpiece, this Sèvres porcelain and gilt bronze mantel clock, representing the “Allegory of Astronomy,” embodies the refined elegance of the Louis XVI period, circa 1782.

The dial, signed by master clockmaker Renacle-Nicolas Sotiau, is enhanced by an enamel signed on the reverse by Georges-Adrien Merlet, while the porcelain bears the mark of the Royal Sèvres Manufactory. The exquisite bronzes are attributed to François Rémond, all brought together under the direction of the renowned marchand-mercier Dominique Daguerre.

With a distinguished provenance—likely delivered to the Duke of Saxe-Teschen circa 1785 and later part of Cécile de Rothschild’s collection—this rare model exists in only two other known variations with equally prestigious provenances. A drawing of this very design is preserved at The Met.

A true testament to 18th-century French excellence, where artistry meets precision, it indicates the hours, the date and the days of the week.

Contact us to acquire this exceptional piece.

Visit our website lapendulerie.com to see HD pictures and the full description of this clock
► Reference to search for: P110

Credits:
Video:
Song : Luminary by Joel Sunny

Clock-Vase with Goat-Heads_____Paris, Louis XVI period, last quarter of the 18th centuryDial by Joseph Coteau (Geneva,17...
18/04/2026

Clock-Vase with Goat-Heads
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Paris, Louis XVI period, last quarter of the 18th century
Dial by Joseph Coteau (Geneva,1740-1801)
Signed LeCoeur a Paris and coteau
Ref.: P376

01/04/2026

An invaluable and utterly unique piece, created as a singular work. This exceptional skeleton clock was designed, created and signed “Coteau Invt et Fect” by master enameler Joseph Coteau, in cherry-red marble, enamel, and ormolu bronze. Made in Paris, Louis XVI period, circa 1785.

It represents “The Portrait of Omphale”, the liberator and then wife of Hercules, dressed here in some of her husband’s attributes.

Contact us to become the owner of this one-of-a-kind piece.

Credits:
Video:
Song: Monaco by Bad Bunny

Rare mantel clock "à l’Autel à l’amour et Mars"Attributed to François Vion (c. 1737-after 1790, master in 1764)_____Pari...
12/03/2026

Rare mantel clock "à l’Autel à l’amour et Mars"
Attributed to François Vion (c. 1737-after 1790, master in 1764)
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Paris, Transition period, circa 1770
Movement by Noël Balthazar (?-1786, master in 1717), Horloger de Mesdames, filles de France in 1769
Patinated and gilt bronze, enamel, glass

The Coffee GathererAttributed to Jean-Simon Deverberie (1764-1824)_____Paris, late 18th century/early 19th century Signe...
05/03/2026

The Coffee Gatherer
Attributed to Jean-Simon Deverberie (1764-1824)
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Paris, late 18th century/early 19th century
Signed Gamot à Lille
Similar models in the Parnassia collection and in the Centraal Museum Utrecht in Netherlands (inv. 29472)
In our website: P372

Musical clock "at the arts"By Jean Joseph de Saint-Germain (1719-1791, master in 1748)_____Paris, Louis XV period, circa...
29/01/2026

Musical clock "at the arts"
By Jean Joseph de Saint-Germain (1719-1791, master in 1748)
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Paris, Louis XV period, circa 1750
Movement and chipe by Jean-Baptiste III Baillon (?-1772, master in 1727)
Chased and gilt bronze, pink fabric, enamel, copper, glass
Similar model in the Musée Carnavalet in Paris (inv. MB447)

The Farewell of Hector and AndromacheBy the clockmaker Nicolas Minet_____Paris, Empire periodGilt bronze, sea green marb...
08/01/2026

The Farewell of Hector and Andromache
By the clockmaker Nicolas Minet
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Paris, Empire period
Gilt bronze, sea green marble, enamel, steel
Similar model in the collection of Mobilier National in Paris.
Website: P371.

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