Jan Hantke Antigüedades y Arte

03/10/2026

Such a gorgeous color and patina.
Que bello color y patina.

09/06/2026

13/05/2026

Exquisite Wood Carving – Female N**e by Vicente Beltrán Grimal

We are proud to present an exquisite wood carving by the renowned Spanish sculptor Vicente Beltrán Grimal (Valencia, 1896 – 1963). The work depicts a female figure in an introspective and elegant pose, with arms raised behind her head—a composition that masterfully accentuates the harmony of her anatomical lines.

This piece is an exceptional example of mid-20th-century figurative sculpture, showcasing Beltrán Grimal’s technical mastery in woodworking. The surface features a smooth, polished finish that highlights the material’s natural grain, providing an organic warmth that invites quiet contemplation.

Technical Details

Artist: Vicente Beltrán Grimal.

Medium: Hand-carved wood with a natural patina.

Dimensions: 26 cm in height (sculpture only).

Support: Mounted on an elegant, tiered wooden plinth that enhances the figure’s verticality.

Condition: Excellent. The wood’s integrity is perfectly maintained, featuring a well-preserved satin sheen.

About the Artist

Vicente Beltrán Grimal was a pivotal figure in Valencian sculpture. Awarded the First Medal at the National Exhibition of Fine Arts in 1924, his oeuvre is characterized by a flawless balance between classicism and a restrained modernity, frequently focusing on the beauty of the human form. His works are held in prestigious public and private collections, including the Museum of Fine Arts of Valencia.

Collector’s Note: This sculpture is far more than a decorative object; it is a sound investment in Spanish academic avant-garde art. It is an ideal acquisition for spaces seeking a touch of distinction and serenity.

12/04/2026

French Steel Cuirass, Model 1807
An authentic example dating from the Peninsular War (1808–1814), bearing the stamped mark of the Parisian manufacturer Zuderell, attesting to its production within the French imperial supply system.
In 1810, during the action at Mollet, a squadron of French cuirassiers belonging to the 3rd Provisional Regiment—composed largely of inexperienced troops—was captured. Their equipment, including cuirasses such as the present example, was subsequently repurposed to equip a Spanish regiment of cuirassiers.
Following the conclusion of the conflict, many of these cuirasses remained in Spanish service and were later issued to the Spanish Royal Guard.
SOLD

27/03/2026

Some 450 years ago, a Genovese cabinetmaker poured his mastery into every detail of this piece, which time has gently caressed, gifting it an exceptional patina that softly whispers its history.
Hace unos 450 años, un ebanista genovés volcó su maestría en cada detalle de esta pieza, que el tiempo ha sabido acariciar, regalándole una pátina excepcional que susurra su historia.

23/03/2026

Manuel Benedito y Vives (Valencia, 25 de diciembre de 1875-Madrid, 20 de junio de 1963)

Óleo sobre lienzo de 29cm x 48 cm. #
“Niña gitana”

23/03/2026

Constantino Gómez Salvador (1864-1937)

Óleo sobre tabla de 23 cm x 18 cm
Firmado ángulo superior derecho.

23/03/2026

COMING SOON
Genoese Renaissance Cabinet “a bambocci”
Origin: Genoa
Date: Late 16th – early 17th century
Materials: Solid walnut and walnut burl veneers
Technique: Relief carving, architectural cabinetmaking, traditional joinery
Type: Cabinet / architectural stipo
Description:
Renaissance cabinet of pronounced architectural conception, organized as a tripartite façade with a strongly emphasized central axis. It features a central arched door flanked by carved figures and surmounted by a triangular pediment. On either side are independent compartments with individual locks, while the lower section is composed of a series of drawers and the upper register is enriched with relief busts.
The sculptural decoration, characteristic of the a bambocci style, includes atlantes, anthropomorphic figures, and busts that serve both structural and ornamental functions. These figures are fully integrated into the overall composition, enhancing the cabinet’s plasticity and scenographic presence.
The fronts of the drawers and doors are veneered in walnut burl, creating a rich visual and material contrast with the carved areas in solid wood. The design reflects classical models, with a clear influence from Italian Renaissance architecture.
Interior:
Complex arrangement of drawers and compartments, typically including concealed spaces (segreti) intended for storing documents and valuables.
Condition:
Good overall condition consistent with its age, showing surface wear and a patina resulting from use and the passage of time.
Notes:
A representative example of high-end Genoese furniture, in which function, sculpture, and architecture converge in a single object. Pieces of this type were conceived both for private use and for the display of social status.

22/03/2026

Fase desk lamp, model 520C.
Spain, 1960s.
Designed by Luis Pérez de la Oliva and produced by the Madrid-based firm Fase, this piece stands as a notable example of mid-20th century Spanish industrial design. The model 520C is distinguished by the clarity of its lines and its balance between form and function—hallmarks of Fase’s production during this period.
Its elegant curved chromed steel arm creates a dynamic silhouette, contrasting with the solidity of the bronze-lacquered metal base. The adjustable shade, designed to accommodate two light sources and a diffuser, provides efficient and controlled illumination, reinforcing both its aesthetic and functional qualities.
Manufactured in Madrid, this lamp reflects the modernity and technical refinement of Spanish industry in the 1960s, in dialogue with international design movements of the time.
Example in excellent condition.

18/02/2026

There is no greater gift than spending a morning in a master cabinetmaker’s workshop.
Among the grain of the wood and the scent of sawdust, time itself seems to slow.
At 78, Enrique is part of Valencia’s living history — wise hands, a steady gaze, and a craft that breathes through every piece he shapes.
He continues to work each day, not out of habit, but out of love.
I can only feel deep admiration for this remarkable artisan — and even more for the extraordinary human being he is.